NYC: The Gate Theatre, 1966 28 x 21.5cm, 1pp black on yellow offset. Small poster for this night of screenings at the Gate Theatre including Yalkut's ""Le Parc," Bruce Conner's ""Cosmic Ray"" and Maya Deren's ""The Very Eye of Night". VG condition....
San Francisco: Intersection: A Center for Dialogue in the Creative Arts, 1966 21.5 x 33.5cm, 2pp - the programme for a series of events at the SF arts space run by Laird Sutton. The month of June featured a night of ""kinetic films" by Yalkut and a ""media mix"" by USCO two weeks later, in addition to a night of Stan Brakhage's work." Folded once for storage else VG+. ...
NYC: Riverside Museum, n.d. (1966) Two stapled sheets - both 35 x 21.5cm, 1pp. The floor Map of USCO's Exhibition at Riverside Museum with a list of the works being displayed for this one day event "A public service for enlightenment" by USCO. Folded for storage....
NYC: Riverside Museum, n.d. (1966) 30.3 x 23.4cm, 1pp. Offset small poster printed blue on green card for a one day event "A public service for enlightenment" by USCO. Leaflet designed by the co-operative. Folded for mailing else VG....
NYC: Film-Makers' Cinematheque, 1966 28 x 21.5cm, 1pp. Offset lithographic leaflet (typographic only) for the January showings and events which include Sunrise by Friedrich-Wilhelm Murnau and the week of events - HUBBUB - by USCO which includes the works: Cathode Ray, HIGHFREETHRUUSAFEWAY, Y, Diffraction Film, Omix and Ghost Reve: although not stated the latter performance was choreographed and performed by Carolee Scheemann and shot by Jalkut. VG. ...
Paris: Gallery du Tournesol November 1966
17 x 8cm, 6pp. Announcement card printed black on beige with a detailed reproduced drawing by Romero over the inner pages. The gallery logo of a sunflower is on the front of the card - and there is a possibility that that drawing was by Boltanski. VG+. Rare.
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Nottingham: Tarasque Press, 1966
53.5 x 44.5cm, blue and red on white screenprint. One of Finlay's most important prints - the letters of the word acrobat are spaced out and repeated so that the individual parts of the word "tumble" by being read in all directions. A VG copy framed in wood and glass. Circa 350 printed. Finlay prints Nr: 4.66.2.
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Paris: Galerie Tournesol, 22 Fevrier 1966
21 x 13.5cm, 1pp hand typed letter from Boltanski on Galerie du Tournesol letterhead paper to M. Berg noting he had sent photographs of works by Romero and noting that he (Boltanski) would not be in Paris in March and hoping that was not when the collector was coming to the city.
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Nottingham: Trent Book Shop, 1966
25.4 x 10cm, 6pp. Announcement and brochure for this small show of concrete poetry which showed works by dsh, Gael Turnbull, Jeff Nuttall, Hugh MacDiamidf, Bob Sobbing, Edwin Morgan, Jonathan Williams, John Furnival, Tom Clark, and others but NOT FInlay. There is a short poem reproduced which is ascribed to Finlay called “No Thank You, I Can’t Come” but was written by Simon Cutts which is a parody of the format of "Dancers inherit the party" and is a sly and funny dig at Finlay for not participating. VG although a former soft crease top left on the card. Very scarce.
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Paris: Galerie Tournesol, 14 Fevrier 1966
21 x 13.5cm, 1pp hand typed letter from Boltanski on Galerie du Tournesol letterhead paper to M. Berg thanking the collector for his cheque. Boltanski points out that A very large painting by Ramon was a great success at the last Salon de Jeune Peinture and was reproduced n several magazine. Finally Boltanski hope to see Berg again in Paris.
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Paris: Gallery du Tournesol, 1966
8 x 18cm, 12pp (but opens out to 16 x 54cm, printed recto only). Announcement leaflet for a very early Jean Le Gac show at Boltanski's gallery where he showed mostly paintings. VG+. Very scarce.
JOINT WITH:
15 x 21cm, 2pp hand written note and diagrams which appears to have notes about the installation of the show by Boltanski.
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Copenhague: Berg, 2 Fevrier 1966
21 x 15cm, 4pp but only one side with text. Original carbon copy of a typed and signed letter from M Berg noting that the painting had successfully arrived and including a cheque for 600 FR. Berg also asks for photographs of paintings by Romero in advance of visiting Paris in person.
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