Dunsyre: Wild Hawthorn Press, 1975.
10.5 x 15cm, 2pp. The second of four "National Flags" created by Finlay - here a green rectangle with a skull and crossbones top left. Arcadia, was of course, a rural utopia, a place of perfection but in its most famous form it is in the Poussin painting ET ARCADIA EGO where a crypt is found with the inscription carved on it. It is a reminder of humanity's fate to die no matter how wonderful the life one lives. The "pirate" symbol here has the same function although the flag taken as a whole would suggest the viewer should be cautious. Finlay has created many words based on the Poussin. VG+

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Dunsyre: Wild Hawthorn Press, 1975.
15 x 10.5cm, 2pp. Artist's postcard with a b/w image of an Oerlikon cannon set above a text in English, German and French, about the siting of sculptures:
"Poised against a natural background of vegetation, sculpture can inform the landscape or a garden with a new and tranquillising significance which the beholder finds spontaneously communicated to himself."
Apart from the ironies of "tranquillising" and "spontaneously communicated" when referring to a faster than sound weapon system are dark humour, this is one of Finlay's many cards that show weapons hidden in countryside (hence a reference to the Poussin painting "Et in Arcadia Ego") but also is a "homage" to Max Bill the designer and architect in that the gun's hard edges has similarities to certain works by him and in that the quote is from one of his books on architectural theory.. VG+.

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Dunsyre: Wild Hawthorn Press, 1974.
6 x 24cm, 4pp (printed internally with asymmetric fold such that part of the card is hidden until opened). Artist's postcard with a drawing by Ron Costley of seven swans - the first 6 are made up from number "2"s and the hidden last one is a "7". A visual poem. VG+.

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Dunsyre: Wild Hawthorn Press, 1974.
8.7 x 11.7cm, 4pp. Artist's card with a painting by Karl Torok of a Finlay cotton-reel (also known as a bobbin) tank (a well known way of children to make such toys). The title also refers to the Churchill Bobbins tanks (the bobbin from the reel that was found at the front of these tanks which laid tracks or bridges) although the model here is not accurate to the latter's design. VG+.

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Belfast: Ulster Museum, n.d. (1974) 13.8 x 10.5cm, 2pp announcement card for one of the exhibitions displaying Beuys' drawings in various Irish and British museums - here a Northern Ireland date. Text on one side, verso a reproduced b/w drawing by Beuys which has been signed in red ink by the artist. There is also a mention of a public meeting with Beuys and his (then) lover Tisdall. VG+. Scarce....

Pescara: Galleria Lucrezia De Domizio, 1974 15 x 21cm, 1pp announcement card for the release of a signed silkscreen print of Beuys during the "Incontro con Beuys" aktion in Italy. One small image of the work - which has a note of the public price in lire, dollars and deutchmark. The top right of the card has a further small card from the gallery noting the "dealers net" price - about 25% off. VG+. ...

Heidelberg: Edition Staeck, 1974 15 x 10.5cm, 2pp artist postcard - a portrait of Byars in black goggles and hat with Duchamp’s famous work “Bottle Rack” behind him (almost crowning the artist) taken by Sigmar Polke. Fine....

Dunsyre: Wild Hawthorn Press, 1974.
12.6 x 4.7cm, 1pp. Black on blue bookmark with a drawing by Laurie Clark - at the top a ship with seven sails ( a schooner) which despite all of the masts is still only a "Lone Sail" and then an illustration of a double sundial which has been also denoted here as a "schooner" because similarity of the multiple gnomons to multiple sails. VG+

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Rome: Cannaviello Studio d'arte, 1974

29.2 x 10.2cm, 1pp typographic announcement card for a group show in Italy with contributions by David Askevold, John Baldessari, Robert Cumming, Jochen Gerz, Peter Hutchison, Jean Le Gac, William Wegman and others to which Boltanski contributed. by 1974 Boltanski was regularly invited to major group shows and many of those being international events - this was only 9 years after his very first public outing.
There are some marks on the front of this card and it is a hand addressed mailed example with stamp and frank. Else VG.

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Dunsyre: Wild Hawthorn Press, 1974.
6.5 x 1.7cm, 6pp. Black on white printed on one side only. The folded card shows on the front an elevation (drawn by Michael Harvey) of a U-Boat conning tower which when the card is opened is additionally shown in end elevation to be a sculpture on grass (a cow is standing next to the structure) and on the final panel a title text and the sub-heading - "Plan for projected U-boat sculpture". VG+.

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Pescara: Galleria Lucrezia De Domizio, 1974 14.5 x 10.5cm, 2pp postcard with a black and white photographic image on a sepia background by Buby Durini of Joseph Beuys preparing a roll of meat with string as part of a performance. The card was published on the occasion of the event "Incontro con Beuys, conference on direct democracy and creative freedom" which was organised in Pescara by Lucrezia De Domizio onn 3 October 1974. This is one of two variants where the portrait is printed on a light cream background. There is an alternative example where the background is white not cream. Verso gallery details. VG+....

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