Heidelberg: Edition Staeck, 1974 15 x 10.5cm, 2pp artist postcard - a portrait of Byars in black goggles and hat with Duchamp’s famous work “Bottle Rack” behind him (almost crowning the artist) taken by Sigmar Polke. Fine....

Dunsyre: Wild Hawthorn Press, 1974.
12.6 x 4.7cm, 1pp. Black on blue bookmark with a drawing by Laurie Clark - at the top a ship with seven sails ( a schooner) which despite all of the masts is still only a "Lone Sail" and then an illustration of a double sundial which has been also denoted here as a "schooner" because similarity of the multiple gnomons to multiple sails. VG+

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Rome: Cannaviello Studio d'arte, 1974

29.2 x 10.2cm, 1pp typographic announcement card for a group show in Italy with contributions by David Askevold, John Baldessari, Robert Cumming, Jochen Gerz, Peter Hutchison, Jean Le Gac, William Wegman and others to which Boltanski contributed. by 1974 Boltanski was regularly invited to major group shows and many of those being international events - this was only 9 years after his very first public outing.
There are some marks on the front of this card and it is a hand addressed mailed example with stamp and frank. Else VG.

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Dunsyre: Wild Hawthorn Press, 1974.
6.5 x 1.7cm, 6pp. Black on white printed on one side only. The folded card shows on the front an elevation (drawn by Michael Harvey) of a U-Boat conning tower which when the card is opened is additionally shown in end elevation to be a sculpture on grass (a cow is standing next to the structure) and on the final panel a title text and the sub-heading - "Plan for projected U-boat sculpture". VG+.

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Pescara: Galleria Lucrezia De Domizio, 1974 14.5 x 10.5cm, 2pp postcard with a black and white photographic image on a sepia background by Buby Durini of Joseph Beuys preparing a roll of meat with string as part of a performance. The card was published on the occasion of the event "Incontro con Beuys, conference on direct democracy and creative freedom" which was organised in Pescara by Lucrezia De Domizio onn 3 October 1974. This is one of two variants where the portrait is printed on a light cream background. There is an alternative example where the background is white not cream. Verso gallery details. VG+....

Pescara: Galleria Lucrezia De Domizio, N.D. (1974) 10 x 15.5cm, 1pp on white paper - letterpress. The typographic design is an invitation to the event "Meeting with Beuys, conference on direct democracy and free creativity" that took place under the organisation of his long term collaborator Lucrezia De Domizio, on 3 October 1974. During the talk, Beuys created the sculpture "Cairn" and drew two slate blackboards. The leaflet has a small vertical closed tear on top else VG. Rare. ...

Dunsyre: Wild Hawthorn Press, 1974.
9.5 x 5cm, 12pp (single folded sheet). Black on cheap green card with the text: "Who owned the last Norfolk Wherry" and if the card is turned ninety degrees the answer is given as "Messrs. Woods, Sadd & Moore". and a repeated drawing by Michael Harvey. The card (the least attractive, or interesting that Finlay made to our opinion) regards the loss of the wherry boats that used to be found on the Norwich Broads. Messrs. Woods, Sadd & Moore were barley and seed merchants and Finlay finds the partners' names to be evocative of the countryside and a lost past. VG+.

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Napoli: Lucio Amelio Modern Art Agency, 1974
21 x 15cm, 2pp announcement card for a Naples exhibition (where he had previously exhibited La rivoluzione siamo Noi at Amelio’s gallery in 1971). One text drawing on the front, verso gallery information. A mailed copy with stamp and typed address. VG+.

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