Edinburgh: Scottish National Gallery of Modern Art, 1974
13.6 x 8.6cm, 2pp announcement card with a Beuys drawing from the "Secret Block" reproduced on the front. This is one of Beuys' most important works - a group of drawings made by him in the early 70s. VG+.
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Dunsyre: Wild Hawthorn Press, 1973.
10.2 x 14cm, 2pp. The first of Finlay's cards to feature the Oerlikon cannon (in a painting by Susan Goodricke which gives the weapon a charming air of romance). The name of the gun is altered to O'Erlikon under the image. VG+.
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Hamburg: s.p. (Hacker), 1974 15.2 x 10.5cm, 28pp (self cover). Theoretical artist's book written by Hacker at a time when he was visiting professor at the Hochschule fur Bildende Kiinste, Hamburg. The book asks the question - "What Is the Sense of Painting?" and is part of the artist's slow return to the act of marking canvasses. The cover of the book shows a b/w photograph of James Lee Byars during a performance and a second b/w image inside the book appears to also be Byars performing on the side of the Rhine in the rain but this is uncredited. Small cut to the top right of the book that runs through all the pages but it is not very distracting. Else VG+. ...
NYC: Rene Block Gallery, n.d. (1974)
15.2 x 11cm, 1pp. Announcement on thin card for the inaugural exhibition at the gallery in New York and one of Beuys most famous performances where on leafing the aircraft he was wrapped in felt and taken to the gallery on a gurney in an ambulance. In the gallery he lived with a coyote in a space along with copies of the Wall Street Journal, straw, felt and his crook. He spent eight hours a day in the space interacting with the wild animal before being taken back to the airport by the same method. One portrait of the artist by Ute Klophais in negative under text. An important event in the history of art. VG+.
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Paris: Editions Georges Fall, 1974
22 x 16cm, 16pp (self cover). Artist's book which show objects from Annette Messager's first communion along with three photographs of a young girl (not Messager) preparing for the ceremony. The images are "representational" of the various objects and not the actual items used in Boltanski's partner's life. Each has an objective description below as if in a historical journal. Staples are a bit rusty else VG+. Scarce.
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Krefeld: Museum Haus Lange, 1974
12 x 22.5cm, 2pp announcement card for a show of drawings from Beuys' earliest period. One drawing - "Tierfrau un Tier" from 1956 - is reproduced in b/w on the back of the card. VG+ although two punched holes for storage.
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Dunsyre: Wild Hawthorn Press, 1973.
10.5 x 15cm, 2pp. A card which has the title text in green on white in a cursive font. A simple pun about cutting grass is also a comment on minimalism - of which this card is an example. VG+.
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Dudweiler: Edition A.Q., 1974.
20.9 x 14.8cm, 32pp plus card covers with printed tipped on title label. First edition of this artist's book which again has photographic images of Boltanski dressed in suit and hat miming various methods of suicide - hanging, cutting one's throat or arms, drownings which all are shown in a second photograph to be fake - the knife is plastic, the drowning with a brick around the neck is only in a bowl of water, the hanging is from a rope that is not attached at either end.
However the last image of suicide is of the artist shooting himself in the head with a gun. That photograph has no associated proof of "fake" image so one may well assume the joke is on Boltanski himself as it was not fake, and he has in fact died.
This edition was printed in only 150 copies with 20 "du tete" copies and is very hard to find indeed. This copy is in VG+ condition although the label is slightly marked by the glue coming though the cheap paper. Reference: Flay Boltanski Catalogue Page 112.
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London/Eindhoven/Grenoble: Whitechapel Art Gallery/Van Abbemuseum/Musee de Grenoble, 1974
15 x 10.5cm, 2pp artist postcard with a reproduction of a poster "Les Malheurs de Bebe" verso usual postcard design. VG+.
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Dunsyre: Wild Hawthorn Press, 1974
29.6 x 12.8cm, 8pp plus card covers and dustjacket. Artist's book which has 8 silhouettes of boats or landscapes drawn by Laurie Clark. Each image has a two-part description underneath - such as HUSH-HUSH CRAFT - Vosper. Vosper according to Finlay was a service launch ie an open boat. The dj here has some spotting but else this is VG+.
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Paris: Galerie Sonnabend, 1974
10.5 x 15cm, 1pp typographic announcement card for Boltanski's twenty-first first solo show and the third at Sonnabend. The work displayed were photographs of the artist pretending to be a nine year old boy and reliving (supposed) memories from his past. This is a mailed copy to M. Berg sent to the latter from Boltanski with handwritten address.
The artist's book of the same title had recently been published by Berg Verlag in Copenhagen - which was M. Berg's own imprint and a book he had commissioned from Boltanski. VG+.
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NYC: Rene Block Gallery, 1974 15 x 10.5cm, 2pp announcement card for the installation Richtkrafte in New York (it had been show in Germany beforehand and later was sold in 1977 to a German museum. One b/w image of the work on the front, verso gallery details. A mailed example with stamp and typed address. VG+....