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Koln:: Walther Konig, 1992
25 x 19.5cm, 212pp plus yellow stamped gray paper boards. The first extensive catalogue raisonee of Boltanski's artist's books, mail art, ephemera and editioned works from the period 1966 - 1982. Edited by Jennifer Flay it covers 80 different items and is illustrated in b/w throughout. Text in German, French and English.
This copy is in VG+ condition and is signed by Boltanski on an end page. VG+.

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Little Sparta: Wild Hawthorn Press, 1992 9.0 x 16.4cm, 2pp. A drawing by Annet Stirling shows a group of leaves behind which the word FiGLEAF can just be read. The reference being the hiding of the genitals of statuary by the absurd placing of a figleaf. VG+...

Little Sparta: Wild Hawthorn Press, 1992
9 x 11.4cm, 8pp plus card wrappers and green printed dust jacket. Two colour photographs by Eva Maria Weinmayer of a tree house which is revealed in the second photograph to be a model and incomplete. The two texts are both from Wittgenstein. The first which shows the seemingly complete treehouse is
"7. What we cannot speak about we must pass over in silence."
and the second with the image that reveals the "tree house" to be fake is
"7.01 What we cannot speak about we must construct."
This is reminiscent of Lawrence Weiner's dictum on conceptual art:

1. The artist may construct the piece.
2. The piece may be fabricated.
3. The piece need not be built.
Each being equal and consistent with the intent of the artist, the decision as to condition rests with the receiver upon the occasion of receivership.

But of course Wittgenstein is interested in truth to which his solution was to say the only possible truth to be known is tautological. Finlay seems to be suggesting that an alternative is to create a new truth.
The treehouse was made by "Kroder, Korner and Weinmayr. VG+.

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