London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in the USA - at one of the most famous of intersections in Hollywood. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in the UK - at opposite ends of the country only 24 hours apart forcing anyone attending to travel over 600 miles in a very short timescale. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in France. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in Germany. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in Australia. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
14.8 x 10cm, 2pp colour postcard with an image of a London post box where the card was posted. One of a long series of similar cards sent from all over the world. This example is hand addressed to Paul Robertson by Monk and has been signed by Monk in ink on the reverse. Issued as part of the Continuous Project Altered Daily exhibition. VG+.
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London: ICA, 2005
21 x 15cm, 4pp. One of a series of exhibition catalogues which changed daily as Monk insisted that the daily list of items in the exhibition should change with a small number of works being replaced (rotated) from a storeroom of his works held elsewhere on a daily basis. Hence each "daily diary" was different from the next. All fine.
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Edinburgh: Museums of Scotland, 2005
21 x 15cm, 32pp self cover. Announcement brochure for the Festival visual art exhibitions which include "The Philosopher's Garden" with photographs by Robin Gillanders. While this was not a Finlay exhibition per se it was, de facto, the last exhibition displaying Ian's work and Little Sparta before his death. One b/w portrait of Ian in his conservatory by Gillanders is reproduced. VG+.
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Copenhagen: Langtborsistan, 2005
10.4 x 7.8cm, 8pp plus folded round card covers. Leporello Artist's book reproducing eight of Bellingham's paintings of the "gaps between" - the sky seen through the foliage in a tree plus one image of a painting on the bark of a silver birch. Rather lovely. VG+.
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Paris: Galerie Marian Goodman, 2005 21 x 15cm, 2pp announcement card with a typographic design for a late solo show. VG+. ...
Edinburgh: Scottish Poetry Library, n.d. (2005)
30 x 21cm, 1pp library handout with the list of prints displayed in a small exhibition of prints from the Library's collection. VG+.
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Zurich: Nieves, n.d. (c. 2005)
10.5 x 15cm, 2pp. Promotional card for a series of page works - including contributions from Claude Closky, Alexis Saile and Monk. VG+.
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