Gorebridge: Lusty & The Apple, 2017
15 x 10.5cm, 2pp announcement card for a solo show (alongside other exhibitions by Brice McLean, Natalie Doyle and Abi Lewis) with one work reproduced in colour on the front. VG+.

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Krems: Kunsthalle Krems, 2017 21 x 14.8cm, 6pp announcement card for a themed show about appropriation art. Monk's take on Jeff Koon's silver Rabbit (Monk has his version deflated as if a balloon). Internally other images by artists and a short text by Naoko Kaltschmidt. VG+. This example is signed boldly in black felt tipped pen by Jonathan Monk on the back of the card where the same image of this work is printed in reflection. ...

Amsterdam: Oude Kirk, 2017
42 x 29cm, 4pp. Exhibition catalogue in tabloid newspaper format for the major installation in the old medieval church in the Old Town of Amsterdam. Four large images of the installations and text in Dutch. Folded as issued. VG+.

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Milano: Pirelli HangarBicocca, 2018, 2001
15 x 10.4cm, 20pp plus card covers. Exhibition catalogue for the large scale exhibition (one in a series) that were curated by Boltanski and Hans Ulrich Obrist where visitors could take artworks away (much like Boltanski's Dispersion installations). texts in Enlgish and Italian, one b/w image of Boltanski's contribution - Dispersion but from the first of the shows in London in 1995. Another double page colour image of the Felix Gonzalez Torres"Untitled (revenge)". VG+.

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Gorebridge: Lust & the Apple/ Show and Tell Editions, 2017. 10.5 x 15cm, 6pp digitally printed limited edition artist's card displaying a fictitious exhibition displaying works by Bellingham and Martin Kippenberger. The work by Kippenberger was in turn a response to On Kawara's One Kilometre where a 1 km rod was placed deep in the ground, Kippenberger then cut up a bronze kilometre of metal (in fact the number of 1 cm slices did not make up the full length). Bellingham in turn created a Broken Tinfoil Kilometre (100 x 10m rolls of tinfoil). Two colour images of the Kippenberger and Bellingham works. Fine....

Milano: Pirelli HangarBicocca, 2017
50 x 46cm, printed brown paper bag with string handles. Boltanski organised along with Hans Ulrich Obrist a series of TAKE ME I’M YOURS exhibitions (beginning in 1995 at the Serpentine Gallery, London) where the artworks could be taken away by visitors. Boltanski often created “Dispersions” – piles of second hand clothing that anyone was welcome to put into the specially printed bags (of which this is one example) and take home. This was a second such installation - previously in Paris - the bags however differed slightly from each other in the texts but the designed was the same . Theoretically an unlimited edition but time limited. This example is in VG+ condition but folded twice for storage.
This example with a piece of children's clothing from the exhibition.

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Glasgow: Wax366, 2017
6.4 x 11cm, 50pp plus card covers. Artist's book which is a "flick book" with drawings by the artist showing a brown dot circling a yellow larger circle - replicating the Earth's annual orbit around the sun. Small limitation. VG+.

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Glasgow: Wax366, 2017
6.4 x 11cm, 50pp plus card covers. Artist's book which is a "flick book" with drawings by the artist showing a blue dot circling a red larger circle - replicating the Earth's annual orbit around the sun. Small limitation. VG+.

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Chicago: University of Chicago Press, 2017
22.5 x 14.3cm, 232pp plus boards and dust jacket. A novel by Botlanski's son heavily based on the story of the "Bolts" a family in Saint-Germain where the Jewish father had to go into hiding to avoid the nazis for several years. The book is obviously (and openly) based on the real life story of the Boltanski family). Near fine.

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