May 2020

Bruxelles: MORE Publishers, 2020
17 x 12cm, 2pp commercial postcard displaying a view of the Atomium in Brussels taken during nighttime hours. Added to the bottom left of the card is a quarter of another card with the exact same view - but here the image was taken during daylight hours. The two sections are kept together by the use of a black plastic coated paper clip.
The back of the card is signed and dated in pencil by Monk and there is another printed sheet of card with the details of the edition and the number from the edition. Only 16 such combination of cards were made. VG+.

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Bruxelles: MORE Publishers, 2020
17 x 12cm, 2pp commercial postcard displaying a view of the Atomium in Brussels taken during daylight hours. Added to the bottom left of the card is a quarter of another card with the exact same view - but here the image is at nighttime. The two sections are kept together by the use of a white plastic coated paper clip.
The back of the card is signed and dated in pencil by Monk and there is another printed sheet of card with the details of the edition and the number from the edition. Only 16 such combination of cards were made. VG+.

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Little Sparta: Wild Hawthorn Press, 1992
101 x 8cm, 32pp plus end papers and green embossed boards. A proposal offered to Laumeier Sculpture Park in Saint Louis, the book has four paintings by Grahame Jones of leaf-like shapes (cast shades) - the elm, the pine, the plane and the lime. The choice of shades (shapes) comes from a quote by Vigil (a plane-tree was a common garden element in those days as were the three others mentioned).
The work was installed in 1994 and consisted of the four named trees planted together on an earthwork - making Virgil's quotation literal. it is possible to sit under the trees in their shade.

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