JOSEPH BEUYS AT COOPER UNION. 1980.

(NYC): Cooper Union, n.d. (1980). 12.5 x 8cm, 1pp. Announcement card with a detail of The Pack in b/w overprinted in red. VG+.

BEUYS IN MUNCHEN. 1980.

Munchen: Galerie Schellmann & Kluster, 1980 15 x21cm, 1pp reed on white card typographic announcement card for an exhibition of new sculptures and the reinstallation of the work "Zeige deine wunde" (Show your wound) in the gallery that had previously been shown in the same space by Beuys in 1976. VG+.

SUITE SCHWURHAND. SIGNED BY BEUYS.

Vaduz: Grafos Verlag AG, n.d. (1980) 30 x 21cm, 1pp announcement leaflet for an etching by Beuys with a colour image of the work and details of the publication (in English) . This example is signed in red felt tipped pen by Beuys . Folded for mailed but else VG+.

JOSEPH BEUYS. ZEIGE DEINE WUNDE. 1980.

Munchen:Schellmann & Kluser, 1980 15 x 21cm, 2pp. Announcement card for the title book discussing Beuys' Raum mit Doppelobjekten. Front of the card has a reprodcued double image of Beuys, verso publisher's details. VG+.

JOSEPH BEUYS ZEICHNUNGEN. 1980. SIGNED BY BEUYS.

Berlin: Nationalgalerie Berlin, 1980 10 x 15cm, 1pp typographic announcement card for an exhibition of Beuys' drawings. This card has been signed by Beuys in pencil. VG+.

JOSEPH BEUYS. 1980.

Peruga: Galleria d'Arte Moderna, 1980 10.5 x 16.5cm, 2pp typographic announcement card printed red on salmon coloured card. VG+ but a mailed and tipped on address label example.

MULTIPLIZIERTE KUNST. 1980.

Ludwigschafen am Rhein: Der Stadtverwaltung Ludwigschafen am Rhein, 1980 20.4 x 10.5, 4pp. Announcement card for a show of object multiples - with Beuys striding towards the camera (La Revoluzioni siamo noi) on the front, internally museum details.

ABENDESSEN MIT ANDY WARHOL UND JOSEPH BEUYS. 1980.

Munchen: Bernard und Verena Kliuser, 1980 10.9 x 17cm, 1pp typographic invitation card to Frau Dr Hanne Westholt (handwritten) from the gallerists for a private dinner with bBeuys and Warhol. VG+. Clearly scarce.

JOSEPH. C. 1980. SIGNED BY BEUYS.

Konig: Postkartenverlag, n.d. (c. 1980) 10.5 x 15cm, 2pp. artist's postcard with the title work (felt with the name Josefwritten on it) from 1963 in colour on the front, verso standard postcard design. This example is signed in red felt tipped pen on the front by Beuys. VG+. :

KITSCH POSTKARTE NO. 1. 1980. SIGNED AND DEDICATED BY BEUYS.

Heidelberg: Edition Staeck, 1980 15 x 10.5cm, 2pp artist's postcard from the Originalgrafik - series D editions. The card lists a huge number of artistic supporters for the forthcoming elections called to support the SPD byt Beuys has overprinted the text "KITSCHPOSTKARTE" de facto criticising them as "kitsch" - Beuys of course being a founder member of the rival Gruenen Partie . This card is signed by Beuys at the top and a dedication also in his hand at the side - both in blue ink. VG+.Schellmann nr P 46.

JOSEPH BEUYS. 1980.

Paris: Galerie Nancy Gillespie - Elisabeth de Laage, 1980 10 × 15cm, 1pp typographic announcement card for a gallery show. VG+ condition although a mailed example with tipped on address label verso..

DAS WIRTSCHAFTSWERT-PRINZIP PRINZIP 1. 1980. SIGNED BY BEUYS.

Gent: Edition Staeck, n.d. (1981) 17.1 x 12.3cm, 2pp artist's postcard with a colour image of fat placed in a corner by Beuys. One of a number of similar postcards released as part of the Das Wirtschaftswert-Prinzip edition where the cards were joined with a signed "economic value" item (common domestic products without branding found by Beuys in the former GGD) in a box. This example is boldly signed by Beuys on the front in black felt tipped pen and verso publisher's details. Someone in the past has unwisely tried to frame this card and there is a paper residue all around the back of the card from a gluing to a backing card, the only text on the otherwise blank back is slightly obscured by this.

DAS WIRTSCHAFTSWERT-PRINZIP PRINZIP 3. 1980. SIGNED BY BEUYS.

Gent: Edition Staeck, n.d. (1980) 17.1 x 12.3cm, 2pp artist's postcard with a colour image of fat placed in a corner by Beuys. One of a number of similar postcards released as part of the Das Wirtschaftswert-Prinzip edition where the cards were joined with a signed "economic value" item (common domestic products without branding found by Beuys in the former GGD) in a box. This example is boldly signed by Beuys on the front in red felt tipped pen and verso publisher's details. Someone in the past has unwisely tried to frame this card and there is a paper residue all around the back of the card from a gluing to a backing card, the only text on the otherwise blank back is slightly obscured by this.

DAS WIRTSCHAFTSWEERT-PRINZIP. 1980.

Koln: Edition Staeck, 1980 Three boxes (each 18.5 x 13.5 x 1.4cm) content of 12 different picture postcards in each (36 in total) - a complete set of the cards issued by the publisher here aside from the more expensive object multiple where an “economic value” object was issued in a further card box. All fine in like boxes - very scarce in this format outside of the multiple.

ANDY WARHOL BOOK & PUBLICATIONS/JOSEPH BEUYS LIVRES ET EDITIONS. 1980.

Geneve: Ecart, 1980 10.5 x 14.5cm, 2pp announcement card for John Armleder's press. Notes two exhibitions (in Armleder's facsimile hand) on one side and a reproduced cut up collage design on the other for events by Olivier Mosset, George Maciunas and Peter Moore at an art fair. One central fold. This was a home made announcement card and the image on the back is not well positioned not is the guillotining of the card. Scarce..

KUNST IN EUROPA NA' 68... 1980. STAMPED & SIGNED BY BEUYS.

Schepenen: Museum van Hedendaagse, 1968 11.2 x 15.5cm, 2pp announcement card for a major group show which displayed works by most of the prominent artists of 1968 - Art & Language, Christian Boltanski, Marcel brooodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Tony Cragg, The Red Crayola, Hanne Darboven, Jan Dibbets, Hans Peter Feldman, Gilbert & George, Hans Haacke, Yannis Kounellis, Richard Long, Mario Merz, Panamarenko, Giulio Paolini, Gerry Schum and others and of course, Joseph Beuys. This card has been signed by Beuys in pencil on the front and stamped with the Free International University rubber stamp in blue. Verso museum details. VG+.

JOSEPH BEUYS SAMMLUNG ULBRICHT MULTIPLIZIERTE KUNST 1965 - 1980. 1980.

Dusseldorf: Kunstmuseum Dusseldorf, 1980 15 x 10.5cm, 4pp announcement card for a show of various works from the period 1965 - 1980. The front of the card shows a colour image of the Ruckenstitze eines feingliedrigen Menschen (Hasentypus) aus dem 20. Jahrhundert (taken by Christian Eisenguss). VG+.

"COYOTE" IST WEIDER DA! 1980.

Munich: Schirmer/Mosel, 1980 30 x 21cm, 1pp offset lithograph promotional leaflet for the first edition of the book Coyote which documents Beuys New York aktion I love America, America Loves me. Badly reproduced but vintage - this has been folded for mailing, else VG.

LAGERPLATZ. c. 1980. SIGNED BY BEUYS.

Konig: Postkartenverlag, n.d. (c. 1980) 10.5 x 15cm, 2pp. artist's postcard with the title vitrine/installation from 1966 in colour on the front, verso standard postcard design. This example is signed in red felt tipped pen on the front by Beuys. VG+. :

REVOLUTIONSKLAVIER. c. 1980. SIGNED BY BEUYS.

Konig: Postkartenverlag, n.d. (c. 1980) 10.5 x 15cm, 2pp. artist's postcard with the title vitrine/installation from 1969 in colour on the front (with Beuys standing in front of the piano which is covered in roses), verso standard postcard design. This example is signed in red felt tipped pen on the front by Beuys. VG+. :

JOSEPH BEUYS HIRSCHKUH. 1980. SIGNED BY BEUYS.

Hannover: Galerie Holtmann, 1980 26 x 21cm, 2pp announcement card for a lithographic edition by Beuys - HIRSCHKUH - a painting of a deer. This card is signed in pencil on the front of the card. VG+.

JOSEPH BEUYS. 1980.

Roma: Galleria Santoro, 1980 16 x 11cm, 2pp announcement and invitation card for a Beuys FIU event with a reproduced drawing (Kunst = Kapital") on the front and verso details of the drinks event. One slight mark on front of card else VG+.

JOSEPH BEUYS SUITE "SCHWURHAND". 1981.

Wurzburg: Stadtische Galerie, 1981 21 x 10.5cm, 1pp announcement leaflet printed for an exhibition of lithographs and etchings in the Suite "Schwurhand" which prominently feature hands. VG+. ,BR.,BR.

DAS KAPITAL 1970 - 1977. 1981.

Zurich:INK. Halle fur Internationale Kunst), 1981 30 x 21cm, 1pp large format leaflet with a b/w reproduction of the Das Kapital installation by Beuys. Verso gallery details. VG+.

JOSEPH BEUYS SELECTED EDITIONS 1965 - 1980. 1981.

NYC: John Gibson, 1981 15.4 x 10.2cm, 2pp announcement card for a show of multiples from the period 1965 - 1980. The front of the card shows a colour image of the Beuys Sled from 1969. VG+.

UNTITLED. INSTALLATION VIEW. 1981. SIGNED & STAMPED BY BEUYS.

N.p: n.p, n.d.(c. 1982) 15 x 10.5cm, 1pp postcard with an installation view of Beuys' "Das Kapital Raum 1970-1977" (now in Neue Nationalgalerie in Berlin). This example has been signed in black felt-tipped pen by Beuys on the front and stamped in red with a Hauptstrom impression. A little creased vertically and two punched holes on the left where someone has stored the card - else VG.

ART-RITE. 1981.

Bonn: Galerie Klein, 1975 17 x 13cm, 4pp announcement card for two editions by Beuys - both copies of Art Rite magazine from 1975 with covers by Beuys. Internally b/w images of the works. VG+.

JOSEPH BEUYS: BONZENBUNKER. 1981.

N.p. (Krefeld): Krefelder Kunstmuseum, 1981 10.5 x 15cm, 2pp announcement card for an exhibition showing 70 unique works by Beuys. Typographic design on both sides. VG+.

JOSEPH BEUYS: BONZENBUNKER. 1981.

N.p. (Krefeld): n.p. (Krefelder Kunstmuseum), n.p. (1981) 30 x 21cm, 1pp large format card with a b/w reproduction of a drawing by Beuys. No other detail other than the title of the exhibition. VG+.

RAUM: 90.000, - DM. (1980). 1981.

Koln: Galerie Jollenbeck, 1981 10.5 x 15cm, 1pp black on white card typographic announcement card for the title installation. VG+.

DIFESA DELLA NATURA. 1981. SIGNED BY BEUYS.

N.p.: (Pescara): n.p. (Lucrezia De Domizio), 1981 21 × 15.2cm, 2pp artist postcard published by Lucrezia De Domizio as part of the Beuys campaign “Difesa della Natura” - on the front is a portrait of Beys by Buby Durini. This card is signed in red felt tipped pen by Beuys on the front. Minimal text on the back. VG+.

TERREMOTO IN PALAZZO. AMBIENTE (PARTICOLARE). 1981. SIGNED BY BEUYS.

Napoli: Lucio Amelio, 1981 15 x 21cm, 2pp postcard card with an installation view of the title exhibition. This example is signed in red felt tipped pen by Beuys on the front. Verso publisher's details. VG+ although the red ink on the signature is slightly broken up because of the gloss finish to the card.

ROBBE. 1981.

Bonn: Galerie Klein, 1981 15 x 10.5cm, 4pp announcement for a portfolio of four lithographs by Beuys in "Brauntone" issued in a limited edition of only 150 examples. One of the works of a seal reproduced on the front in b/w. Serrated subscription/reply card still attached. VG+.

KUNST = KAPITAL. 1981.

Koln: Koenig, n.d. (1981) 15 x 10.5cm, 2pp commercial postcard showing Beuys in front of a mammoth skeleton and the title text in the artist's facsimile hand. Verso postcard design but also a handwritten note from an unknown hand to Cateria Gualco sent from Documenta 8 (1987). Stamoped and franked else VG.

JOSEPH BEUYS. 1981. SIGNED BY BEUYS.

Munchen: Schellmann & Kluser, 1981 15 x 21cm, 2pp photo-announcement card with a image of an untitled work on the front and verso gallery details. VG+ - this card is signed on the front in red ink by Beuys - however because of the high shine of the card the signature is a little hard to see.

GRASSELLO - CA (OH)2 + H2O. 1981. WITH RUBBER STAMPING.

Paris: Yvon Lambert, 1981 15 x 10.5cm, 2pp announcement card with a reproduction of the cover of the artist's book by Beuys published by Yvon Lambert on the front. Verso minimal details and a rubber stamp impression "Joseph Beuys/10 Oct 81/Yvon Lambert, Paris". A mailed example that shows some franking ink marks on the front due to the postal experience else VG+.

8 KUNSTLER. 1981.

Bonn/Koln: Galerie Klein/Galerie Ha. Jo. Muller, 1981 15 x 10.5cm, 4pp typographic announcement card for a show of eight artists which include Beuys amongst others. The show was split between two galleries. Internally there is advance notice of Arnulf Rainer, SIgmar Polke and Gunter Tuzina exhibitions. VG+.

JURG FEDERSPIEL DIE BESTE STADT FUR BLINDE. 1982.

Bonn: Galerie Klein, 1982 20.3 x 12.1cm, 2pp announcement card with an over drawn image of Beuys' sled multiple reproduced on the front in b/w with gallery text verso. The title translates to "Jurg - the best town for blind people". VG+.

BEUYS. 1982.

NYC: Ronald Feldman, 1982 15 x 21cm, 2pp announcement card with an image of a work : UNTITLED (FROM THE GRETA GARBO SERIES) on the front and verso gallery details. VG+.

JOSEPH BEUYS: 7000 EICHEN. 1982. SIGNED BY BEUYS.

Gelsenkirchen: FIU, n.d. (1982) 10.5 x 15cm, 2pp artist's postcard showing Beuys and others place one of the Basalt stones under where an oak tree was to be placed as part of the Kassel project. This card is signed by Beuys on the front of the card over the image. VG+.

SAMMLUNG ULBRICHT. 1982. SIGNED & STAMPED BY BEUYS.

Bonn: Stadtisches Kunstmuseum, 1984 21 x 10cm, 6pp announcement leaflet with a b/w image of a Beuys' work Konzertflugeljom (from 1969) in b/w on the front. Internally details of the exhibition of works from the Ulbricht collection along with details of various talks and events. This example is signed in red felt tipped pen by Beuys on the front cover and is also stamped with an FIU blue impression on the right. VG+.

FANPOSTKARTE MIT HASENSIGNATUR. 1982.

Gelsenkirchen: Free International University - FIU, n.d. (1982) 14.7 x 10.8cm., 2pp - black and white of a photographic portrait of Joseph Beuys overprinted with the artist's signature. VG+.

DERNIER ESPACE AVEC INTROSPECTEUR 1964 - 1982. 1982.

London: Anthony d'Offay, 1982 21 x 15cm, 2pp announcement card which has a b/w image of Beuys' Fat Chair on teh front. The Fat Chair was an extension of the earlier Fat Corner works but Beuys saw the chair as symbolic of the human body - hence the organisation of the cold fat into a wedge was reflective of human intervention not that of hard physicality as in the earlier works. Verso gallery details. VG+.

WENN ES HEUTE GESELLSCHFTLICHE VERHALNISS GIBT,... 1982.

Wiesbaden: Harlekin Art, 1982 10.5 x 15cm, 2pp. postcard issued in the series "FLUXkarte" by the publishers with a quotation by Beuys on the front. Translated into English on the back (slightly incorrectly) it reads: "If there is a social situation today that is going to kill the earth then one is at the very lowest level of necessity. There is only one counteracting force: Doing the simplest but most important, again provided for live (sic) everywhere." VG+.

JOSEPH BEUYS 1976. 1982.

Tokyo: Galerie Watari, 1982 10.5 x q5cm, 2pp promotional card displaying a portrait of Beuys in colour by Alex Kayser. The photograph was issued as an edition of 25 copies by the gallery. VG+.

5DM - SIGNATUR FUR DEN NEUBEGINN KASSEL, DIE GRUNEN. 1982. SIGNED BY BEUYS.

Kassel: Die Grunen, 1982 14.5 x 10.3cm, 1pp black and green on cream paper. A leaflet issued to raise funds for the Green Political party where purchasers were given it signed by Beuys in red felt tipped ink. VG+.

JOSEPH BEUYS SIGNIET "... UND SCHWER WIEDERZUFINDENDE GARNROLLEN". 1982.

Koln: Edition Hundertmark, 1982 15 x 10.5cm, 2pp artist's postcard issued after the title edition of signed thread bobbins (only 33 were made and issued with the Beuys book "1a gebratene Fischgrate", a fishbone and scissors . VG+.

7000 EICHEN. 1982. SIGNED BY BEUYS.

Kassel: FIU, 1982 15 x 10.5cm, 2pp artist's postcard with a reproduced drawing by Beuys on the front which the artist has signed in green ink over the image, verso FIU details and a stamped number "24" which might be an edition number but is not clear. Certainly a scarce card. VG+.

DOKUMENTA KASSEL. 1982? SIGNED BY BEUYS.

Kassel,: Dokumenta., n.d. (1982?) 8.5 x 15.5cm, 1pp b/w postcard with only the words "Kassel Dokumenta" on the front. Beuys has signed the card Joseph Beuys in black ink, we assume during the 7000 Eichen installations. VG+.

ERSTE HILFE/GRUNKREUZ. 1982. SIGNED BY BEUYS.

Heidelberg: Edition Staeck, 1982 15 x 10.5cm, 2pp. Original postcard edition by Beuys issued as part of the "Originalgrafik - Series D" . Ref: Werkverzeichnis Multiple Schellmann P56. VG+. Signed by Beuys in red felt tipped pen.

BEUYS IN OST-BERLIN. 1982 SIGNED BY BEUYS

Heidelberg: Edition Staeck, 1982 15 x 10.5cm, 2pp. Original postcard edition by Beuys issued as part of the "Originalgrafik - Series D" showing the artist walking arriving at the airport in East Berlin. Surprisingly this is not found in Schellmann. Signed by Beuys in red felt tipped pen. VG+. .

DER MORGEN II. 1982 SIGNED BY BEUYS.

Heidelberg: Edition Staeck, 1982 15 x 10.5cm, 2pp. Original postcard edition by Beuys issued as part of the "Originalgrafik - Series D" from The Morning series from a photograph taken by Staeck/Steidt. Ref: Werkverzeichnis Multiple Schellmann P49. Signed by Beuys in red felt tipped pen. VG+.

DER MORGEN I. 1982 SIGNED BY BEUYS.

Heidelberg: Edition Staeck, 1982 15 x 10.5cm, 2pp. Original postcard edition by Beuys issued as part of the "Originalgrafik - Series D" from The Morning series from a photograph taken by Staeck/Steidt. Ref: Werkverzeichnis Multiple Schellmann P50. Signed by Beuys in black felt tipped pen. VG+.

DER MORGEN III. 1982 SIGNED BY BEUYS.

Heidelberg: Edition Staeck, 1982 15 x 10.5cm, 2pp. Original postcard edition by Beuys issued as part of the "Originalgrafik - Series D" from The Morning series from a photograph taken by Staeck/Steidt. Ref: Werkverzeichnis Multiple Schellmann P50. Signed by Beuys in red felt tipped pen. VG+.

STADTVERWALDUNG STATT STADTVERWALTUNG. 1982. ADHESIVE STICKER. SIGNED BY BEUYS.

Gelsenkirchen: FIU, 1982 10.5 x 15cm, 2pp adhesive sticker printed green on white with the demand in German: "CITY FOREST INSTEAD OF CITY ADMINISTRATION" - an economic demand to make the state more environmentally aware. This sticker is printed on the back strip with the FIU's details - the backing has not been removed. On the front Beuys has signed the sticker very boldly in black felt tipped pen. VG+.

GOLDKITCHEN. 1982. SIGNED BY BEUYS.

Berlin: Vergolderei Kunsthandlung Silvia Menzel, 1982 15 x 10.5cm, 4pp - reflective gold on white announcement card for the edition and sculptural work by Beuys. This card is signed over the double leaf outside in pencil by Beuys. VG+.

DIFESA DELLA NATURA. 1982.

Fabriano, Galleria La Virgola, 1982 21 x 15cm., 2pp announcement card for an exhibition of works, multiples and graphics under the heading of the Difesa della natura" (defence of nature) which Beuys regularly used as a slogan to cover his work in Italy where he increasingly tried to stress the need for a less industrial form of farming and production. Front of the card has a portrait of Beuys in b/w by Buby Durini taken from behind while Beuys is in long fur coat and hat looking at the landscape. VG+.

JOSEPH BEUYS. FELT MULTIPLES. 1982.

NYC: John Gibson Gallery, 1982 10.5 x 15cm, 2pp. Announcement card with a b/w image of three Beuys' felt suits on the front. A unmailed example. VG+.

FELT MULTIPLE. 1982.

NYC: John GIbson Gallery, 1982 10.3 x 15.3cm, 1pp typographical invitation card reproduced from a hand-written text (by John Gibson who often used his left hand as here and wrote the text upside down to create an unusual effect) for the exhibition "Felt Multiple". VG+.

FRIEDENSHASE MIT ZUBEHOR. 1982.

Gelsenkirchen: FIU, n.d. (1982) 115 x 10.5cm, full colour artist's postcard issued by the Free International University with an image of the golden hare that Beuys made out of a melted-down crown during a public aktion in Kassel Documenta in 1982 to help raise funds for his 7000 Eichen project. VG+.

GRANITE IN ARID CHALK. SIGNED BY BEUYS.

London: Victoria & Albert Museum, n.d. (c. 1982) 15 x 10.5cm, 2pp. Original museum postcard by Beuys with the title work (from 1962) in colour on the front. This card is signed in red felt tipped pen on the front by Beuys. VG+.

DIFESA DELLA NATURA. 1982.

Pescara/Bonn: FIU/Galerie Klein, 1982 21 x 30cm, 2pp - large format announcement for the "Defence of Nature" event with a colour image of a banner with the event title on it being held up in a vineyard while volunteers pick grapes. Verso event and gallery details in red and black. VG+.

VON JOSEPH BEUYS SIND ZWEI NEUE EDITIONEN ERSCHIENEN... 1983.

Bonn, Galerie Klein, 1983 10,5 x 14,7cm, 1PP Announcement card (typographic design) for two new editions by Joseph Beuys, published by the Klein gallery in 1986: “Difesa della natura” and “Grassello” with a description of the volumes. VG+.

JOSEPH BEUYS. 1983.

Dusseldorf: Galerie Schmela, 1983 10.5 x 15cm, 2pp announcement card with a reproduced Beuys' drawing in b/w on the front. Verso gallery details. A example stamped "Presse 11.00 uhr" on the back in red ink else VG+.

DUMME KISTE. 1983.

Dusseldorf: Konrad Fischer, 1983 14.8 x 10.6cm, 4pp announcement card with a typographic design throughout. The title work (translates to Dumb Box) is a metal box where all the edges of the metal have felt placed between them preventing electrical conduction. VG+.

JOSEPH BEUYS DRAWINGS AND WATERCOLOURS 1941 - 1983. 1983.

London: Victoria & Albert Museum, n.d. (1983). 11.5 x 14cm, 1pp invitation card for the private view for the exhibition - typographic design in red and black on white. VG+.

DER VERSUCH, AM ENDE DOCH NOTH SPASS ZU HABEN. 1983. SIGNED BY BEUYS.

Dusseldorf: Kunstmueum Dussedorf, 1983 10.5 x 21cm, 4pp announcement card with a b/w image of a detail of an unidentified Beuys work on the front. A show of works from the Sammlung Ulbricht. This example is signed in red felt tipped pen by Beuys over left side of the image. Verso publisher's details.

DIE SKULPTUR "DER BERGKONIG" UND 57 ZEICHNUNGEN. 1983.. 1984.

Frankfurt am Main: Stadelschen Kunstinstitut, 1982 10.5 x 15cm, 2pp announcement card with one drawing of a Elk ("Elch" from 1950) reproduced on the front with museum text verso. VG+.

BERGKONIG 1958 - 61. 1983. SIGNED & STAMPED BY BEUYS.

Frankfurt am Main: Städtische Galerie im Städel, 1983 30 x21cm, 4pp announcement for a solo show with a major sculpture "Bergkonig 1958 - 1961" in bronze. Originally planned in 1958, it is an early work by Beuys with a "crown" above a mass that suggests a fallen figure (perhaps having been decapitated). Five b/w images of the work (including a sketch and painting) along with a text in German by Klaus Gallwitz and a biography of the artist with a small portrait. This example has been rubber stamped with a Haupstrom stamp in blue and signed in pencil on the front by Beuys. VG+.

ROSEWEIN. 1983. SIGNED & DOUBLE STAMPED BY BEUYS.

Bonn: Galerie Klein, 1983 10.4 x 14.8cm, 2pp announcement card for the edition of rose wine released as part of the Difesa della natura campaign by Beuys and the exhibition in the gallery. B/w image of the wine and box on the front which has been signed in red felt tipped pen and stamped twice by Beuys with FIU impressions in red and blue.

JOSEPH BEUYS. 1983.

Dusseldorf: Konrad Fischer, 1983 10.5 x 15cm, 2pp announcement card with a b/w image of an Beuys drawing SCHMERZRAUM on the front, verso gallery details. VG+.

FETTWINKEL. c. 1984. SIGNED BY BEUYS.

Monchegladbach: Stadtisches Museum, n.d. (c. 1984) 10.5 x 15cm, 2pp. Commercial artist's postcard issued by the museum with the work "Fettwinkel" from 1962 on the front in colour, verso standard postcard design. This example has been very clearly signed on the front by Beuys in black felt tipped pen. VG+.

JOSEPH BEUYS. 1984.

Tokyo: Seibu Museum, 1984 25.5 x 18cm, 2pp announcement leaflet for a late solo show with four images of the artist and works front and back and a text in Japanese. VG+.

DIFESA DELLA NATURA. 1984. SIGNED BY BEUYS.

Pescara: Lucrecia De Domizio, n.d. (1984) 15.2 x 20.cm, 2pp announcement card for for the "Defense of Nature" event/aktion where Beuys planted thousands of trees to reclaim land from man's ill-effects on the landscape. This is one of two related cards here with an image from the action of workers holding up a banner with the title of the event. This example is signed by Beuys in red felt tipped pen. VG+.

JOSEPH BEUYS DRAWINGS. 1984.

Cambridge: Harvard University Art Museums, 1984 9.8 x 21.6cm, 2pp announcement card with one drawing (Il Cavalliere) reproduced on the front with museum text. VG+.

ZEICHEN AUS DEM BRAUNRAUM. 1984. STAMPED.

Heidelberg: Edition Staeck, 1984 15 x 10.55cm, 1pp heading card for the release of the six postcards for the title portfolio. This typographic design is rubber stamped with an FIU impression in blue.

DIFESA DELLA NATURA. 1984.

Pescara: Lucrezia De Domizio, 1984 16 x 122cm, 2pp - announcement for the "Defense of Nature" event/aktion where Beuys planted thousands of trees to reclaim land from man's ill-effects on the landscape. Typographic design only, printed letterpress. Map on the back to show how to drive to the event. VG+.

DIFESA DELLA NATURA CON J. BEUYS. 1984. MENU FOR CELEBRATORY DINNER.

Chieti: Hotel Restaurant Dangiò, 1984 22.8 x 10.5cm. 4pp. Typographic design. The menu for a celebratory meal in honour of Beuys at the Hotel Restaurant Dangiò on 13 May 1984. There is also an Italian poem "La Famije" by Modesto Della Porta. VG+. Rare.

EICH MIT FRAU UND FAUNESSE. c. 1984. SIGNED & STAMPED BY BEUYS.

Koln: Konig, n.d. (c. 19854?) 10.5 x 15cm, 2pp artist's postcard with a painting from 1957 on the front. Verso publisher's details. This card has been signed inpencil by Beuys and rubber stamped in blue with an FIU impression. VG+.

EIN-STEIN-ZEIT. 1984.

Eichen: FIU, 1984 10.6 x 15.4cm, 4pp announcement card for the sIlkscreen print displaying one of the basalt stones (with hollowed out cone) used by Beuys in the 7,000 Eichen project. The lithograph is reproduced in b/w on the front. Internally details of the edition and a tear off subscription form. VG+.

JOSEPH BEUYS KREASTIVITATSPROZESS. 1984

Paderborn-Wewer: Wolfgang Puschel Galerie, 1984 21 x 15cm,4pp announcement card with images of work on the front, back and inside left page alongside verso gallery details. VG+.

MOBIUSWERFER. 1984.

Dusseldorf: Konrad Fischer, 1984 15 x 10.5cm, 2pp artist postcard with an unusual Beuys work on the front - a hanging mobius strip which filled the gallery space. Some of these cards were issued in a signed edition by Beuys but this is not one of them. VG+.

VON HIER AUS. 1984. ADHESIVE LABEL AS ANNOUNCEMENT.

Dusseldorf: city of Dusseldorf, 1984 9 x 9cm, 1pp adhesive label which was the announcement for the two month long promotion of art in the city of Dusseldorf curated by Kasper König and displaying a huge number of different artists including Beuys. The logo of the show was the title VON HIER AUS in Jospeh Beuys' holograph. This is an unused example with original backing paper and glue extant. Rare.

OLIVESTONE. 1984. SIGNED & STAMPED BY BEUYS.

Pescara: Lucrecia De Domizio, 1984 16 x 22cm, announcement card for the title sculpture which was first exhibited at the F.I.A.C. in the Grand Palais. A multiple was issued where a printed blotting paper was to be dipped into olive oil before being placed in a green envelope. This example is signed by Beuys and with a blue FIU rubber stamp impression. VG+.

UNTITLED (STAG). 1984?

Munchen: Verlag Schellman & Kluser, n.d. (1984?). 10.5 x 15cm, 2pp artist's postcard with a reproduced Beuys drawing of a stag on the front, verso gallery details. VG+.

AUFBRUCHE. MANIFESTE MANIFESTATIONEN. 1984.

Dusseldorf: Kusthalle, 1984 30 x 21cm, 2pp announcement leaflet for a large group show intended to place contemporary German art in its contest. The show which included Beuys, Polke, Richter, Uecker, Baselitz, {enck, Lupertz, Mack, Prem, Fischer and others. The work Infiltration homogen for Konzertflogel from 1966 is reproduced in colour (a felt wrapped piano). The leaflet is folded and slightly grubby else VG.

NEUERWERBUNGEN DER SAMMLUNG ULBRICHT. 1984. SIGNED BY BEUYS.

Bonn: Stadtisches Kunstmuseum, 1984 10 x 21cm, 6pp announcement leaflet with a b/w image of Beuys installing Das Ende des 20 Jahrhunderts (1983) in b/w on the front. Internally details of the Beuys show along with two other exhibitions by Oskar Schlemmer and Jans-Peter Adamski. One b/w image of a painting from the museum's permanent collection also. This example is signed in red felt tipped pen by Beuys over the image. VG+.

VOGEL. c. 1984. SIGNED BY BEUYS.

Koln: Galerie Dreiseitel, n.p. 15 x 10.5cm, 2pp artist postcard displaying the work (and edition) Vogel from 1952 by Beuys in colour, verso gallery details. The card has been signed by Beuys but the red crayon has faded over time. Thee card has been pasted to a card in the past and has a glue remnant extant on the back else VG.

GLOBAL ART FUSION. 1986.

Bern, Switzerland: Art-Fusion-Edition, 1986 21 x 15cm, 4pp. Announcement/subscription leaflet for the printed documentation of the collaboration initiated by Ueli Fuchser between Joseph Beuys, Kaii Higashiyama, and Andy Warhol where three drawings which were faxed to each other as a pioneering art event using the fax. Three small b/w images of each artist and the cover of the book reproduced on the front. VG+.

JOSEPH BEUYS: GRAPHIC WORKS. 1985.

Boston: Gallery East at the Art Institute of Boston, 1985 15 x 10.5cm, 2pp announcement card with an image of "Without the rose we cannot do it" (gallery translation) on the front in b/w. verso gallery details including two film showings of documentaries by and of Beuys. VG+.

7000 eichen. 1985. signed & stamped by beuys.

Kassel: FIU, n.d. (1985) 21 x 10cm, 12pp (opens to 120 x 21cm). Promotional leaflet for the Beuys installation at Kassel - one side opens to a long poster, the other has five b/w images of Beuys and volunteers planting the oak trees and the final transformation of the urban landscape. Text in German. The brochure has been double stamped over a large image of a mature oak tree with the basalt stones and below which Beuys has signed in pencil. VG+.

HALLEN FUR NEUE KUNST. 1985. SIGNED BY BEUYS.

Schaffhausen": Halle fur Neue Kunst, 1985 21.4 x 10.5cm, 8pp. Promotional card for the museum created from the former textile factory. The text on the card is in English and German and notes the 5,000 square metres contains major works by Andre, Juss, Kounellis, LeWitt, Long, Mangold, Merz, Nauman, Ryman and Weiner. Four b/w images of the installations on the inside and on the outside a wrap around image of the Beuys installation Das Kapital. This card is signed in red felt tipped pen on the front. VG+.

DAS KAPITAL 1970-1977. 1984.

Schaffhausen, Hallen fūr neue Kunst, 1984 14,8 x 10,5cm, 2pp. Announcement card illustrated with a black and white photographic image of the installation “Das Kapital 1970 - 1977”, exhibited at the Hallen fūr neue Kunst in Schaffhausen in 1984. VG+.

FIU-VERSAND. 1985.

Wangen im Allgäu: FIU, 1985 10.5 x 15cm, 2pp promotional card listing the various Beuys and FIU publications available and promoting the new book "Ein kurzes erstes Bild von dem konkreten Wirkungsfelde de Sozialen Kunst". Printed brown on cream thin card, there is a photograph of Beuys and others at a panel discussion. VG+.

DUMME KISTE. 1985. 

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp full colour artist's postcard issued as part of the Staeck Originalgrafik Serie D. The work on the front is a colour image of the title sculpture, verso publisher's standard design. VG+. 

SCHWEFELKISTE. 1970. 

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp full colour artist's postcard issued as part of the Staeck Originalgrafik Serie D. The work on the front is a colour image of the title sculpture originally made in1970, verso publisher's standard design. VG+. 

HALBES FITZKREUZ UBER KOLN. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with an appropriated image of Koln to which Beuys has added a half cross in felt in the original collage made originally in 1975. Issued as part of the Originalgrafik Series D. VG+.

SPEISEKUCHEN. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with an appropriated foodstuff label. Issued as part of the Originalgrafik Series D during documenta. VG+.

NACHTS IN DER KRISTALLOBAR. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with a colour image of Beuys holding up the golden crown he melted down during Dokumenta as part of an aktion. Issued as part of the Originalgrafik Series D during documenta. VG+.

BEUYS IN CHICAGO. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with a b/w image (taken by Klaus Staeck) of Beuys running in the street in Chicago during an American visit. Issued as part of the Originalgrafik Series D. VG+.

DAS HASENGRAB. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with a red tinted image of Beuys creating one of his "Hare Graves" in 1982 where a dead animal is covered in urban detritus (a metaphor for the damage modern life is doing to nature). Issued as part of the Originalgrafik Series D. VG+.

ROSE FUR DIREKTE DEMOKRATIE. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with a colour image of Beuys during Dokumenta in 1982 where he debated politics with visitors for 100 days throughout the event. Issued as part of the Originalgrafik Series D. VG+.

HIERMIT TRETE ICH AUS DER KUNST AUS. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with a text by Beuys written in chalk on a black slate - it translates into English as "I hereby sell art". Issued as part of the Originalgrafik Series D. VG+.

KRAFTVERGEUDUNG. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with a text by Beuys written in chalk on a black slate - ICH ERNAHRE MICH DURCH KRAFTVERGEUDUNG - it translates into English as "I FEED ON WASTE ENERGY". Issued as part of the Originalgrafik Series D. VG+.

MANIFEST. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with a text by Beuys written in chalk on a black slate - "Der Fehler fängt schon an, wenn einer sich anschickt/ Keilrahmen und Leinwand zu kaufen" - it translates into English as ""The mistake is already beginning when someone approaches/ Stretcher frames and canvas to buy". Issued as part of the Originalgrafik Series D. VG+.

ES GIBT LEUTE. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with a text by Beuys written in chalk on a black slate - "Es gibt Leute die sind nur in der DDR gut" - it translates into English as ""There are good people who are only found in the GDR". Issued as part of the Originalgrafik Series D. VG+.

MENSCH. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with a text by Beuys written in chalk on a black slate - "MENSCH" - it translates into English as "PERSON". Issued as part of the Originalgrafik Series D. VG+.

MYSTERIEN. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with a text by Beuys written in chalk on a black slate - "Die Mysterien finden im Hauptbahnhof statt" - it translates into English as "The mysteries take place at the main railway station!". Issued as part of the Originalgrafik Series D. VG+.

DIE AXT MEINER MUTTER. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with a text by Beuys written in chalk on a black slate - "Dies ist meine Axt und diest ist die Axt von meiner Mutter" - it translates into English as "This is my ax and this is my mother's axe". Issued as part of the Originalgrafik Series D. VG+.

SONNENSCHLITTEN. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with reproduced drawing by Beuys of a sled below a sun - all in braunkreuz (red paint). Referencing the artist's claim of being taken back to the German army - wounded after being shot down from his airplane -on a sled wrapped in fat and felt by the Inuit. Issued as part of the Originalgrafik Series D. VG+.

SCHLITTEN. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with reproduced drawing by Beuys of a sled in braunkreuz (red paint). Referencing the artist's claim of being taken back to the German army - wounded after being shot down from his airplane -on a sled wrapped in fat and felt by the Inuit. Issued as part of the Originalgrafik Series D. VG+.

ZEICHEN AUS DEM BRAUNRAUM I. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with reproduced drawing by Beuys of an aggressive animal; (possibly a dog) in braunkreuz (red paint). Issued as part of the Originalgrafik Series D. VG+.

ZEICHEN AUS DEM BRAUNRAUM II. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with reproduced drawing by Beuys of a tree below a mountain in braunkreuz (red paint). Issued as part of the Originalgrafik Series D. VG+.

ZEICHEN AUS DEM BRAUNRAUM III. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with reproduced drawing by Beuys in braunkreuz (red paint). Issued as part of the Originalgrafik Series D. VG+.

ZEICHEN AUS DEM BRAUNRAUM IV. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with reproduced drawing by Beuys in braunkreuz (red paint). Issued as part of the Originalgrafik Series D. VG+.

ZEICHEN AUS DEM BRAUNRAUM V. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with reproduced drawing by Beuys in braunkreuz (red paint) of two trees. Issued as part of the Originalgrafik Series D. VG+.

ZEICHEN AUS DEM BRAUNRAUM VI. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with reproduced abstract drawing by Beuys in braunkreuz (red paint) which incorporates the artist's name. Issued as part of the Originalgrafik Series D. VG+.

RENNENDER HIRSCH. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with reproduced text drawing by Beuys (red on yellow) describing a running deer. Issued as part of the Originalgrafik Series D. VG+.

FISCH. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with reproduced drawing by Beuys in braunkreuz (red paint) of a fish. Issued as part of the Originalgrafik Series D. VG+.

HIRSCH AUF URSCHLITTEN. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with reproduced drawing by Beuys in braunkreuz (red paint) of a deer on a sledge (presumably dead after a hunt) going downhill. Issued as part of the Originalgrafik Series D. VG+.

GESCHUPPT. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with reproduced text drawing by Beuys with a single word "Geschuppt" printed red on white which means scaled. Issued as part of the Originalgrafik Series D. VG+.

U-BOOT. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with reproduced drawing by Beuys in braunkreuz (red paint) of an abstract U-boat. Issued as part of the Originalgrafik Series D. VG+.

HIRSCHGALVANISMUS. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with reproduced drawing by Beuys in braunkreuz (red paint) of what might be an animal-metal hybrid. Issued as part of the Originalgrafik Series D. VG+.

ELCH IN DER STROMUNG. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with reproduced drawing by Beuys in braunkreuz (red paint) of moose standing in a river (stream). Issued as part of the Originalgrafik Series D. VG+.

DER SCHAMANE. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with reproduced drawing by Beuys in braunkreuz (red paint) of an animal-human hybrid which Beuys identifies as a shaman. Issued as part of the Originalgrafik Series D. VG+.

DER MANN AM HAUPTHEBEL. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with a b/w image of the artist looking out of a window at a autobahn - above the iamge is written Der mann am haupthebel (the man at the helm). A little lacking in modesty but for many Beuys was a man of vision. Issued as part of the Originalgrafik Series D. VG+.

DILLINGER. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with a b/w image of Beuys in his fur coat and details of a Klaus Staeck video based on Beuys' trip to Chicago and his fascination with the American gangster DIllinger. Issued as part of the Originalgrafik Series D. VG+.

EINSICHT. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with a 1972 text work by Beuys chalk on a blackboard. The word Einsicht means Insight. Issued as part of Serie D by the publishers. VG+.

JEDER GRIFF MUSS SITZEN. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with a 1973 text work by Beuys printed blue on white - the title text means Every handle must fit. Issued as part of Serie D by the publishers. VG+.

BEUYS IN SCHMERZRAUM. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with a 1983 portrait of Beuys in colour. Issued as part of Serie D by the publishers. VG+.

DIREKTE DEMOKRATIE DURCH VOLKSABSTIMMUNG. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with a 1972 portrait of Beuys in b/w to promote his campaign for Direct Democracy. Issued as part of Serie D by the publishers. VG+.

HASENZUCKER. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with a appropriated image of hares that Beuys found on an East German sugar cube. Beuys identified with hared as a form of spirit animal. Issued as part of Serie D by the publishers. VG+.

SCHAMANE. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with a painting by Beuys of a sharman. Issued as part of Serie D by the publishers. VG+.

JOSEPH BEUYS. NEW ADDRESS: KUNSTAKADEMIE DUSSELDORF RUINED BY STATE. . 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with a text protesting his sacking by the Dusseldorf Kunstakademie for lecturing to non-students who had previously been rejected by the body. Issued as part of Serie D by the publishers. VG+.

STUHL MIT FETT. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with a b/w photograph of the title work (Chair with Fat, 1963) on the front which was taken by Eva Beuys. . Issued as part of Serie D by the publishers. VG+.

GRUNKREUZ. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with a work (drawing with collage) on the front, verso publisher's details. Issued as part of Serie D by the publishers. VG+.

STEINHASE. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with a colour image of basalt stones used in the 7000 Eichen project which have running hare motifs in yellow painted on them on the front, verso publisher's details. Issued as part of Serie D by the publishers. VG+.

EUASIENSTAB UBER DEN ALPEN. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with an image of Munchen on the front over which has been drawn a bent crook (which in most performances was a simple metal rod with the end bent back to create a hook), verso publisher's details. Issued as part of Serie D by the publishers. VG+.

FREIE VOLKSINITIATIVE. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp artist's postcard with an image of an flag drawing by Beuys with printed over-written text. This was Nr 15 of Series D of Originalgrafik series of cards issued by Staeck. VG+.

DIE KUNST IST DIE SCHWESTER DER NATUR. 1985. SIGNED BY BEUYS.

Ahrensberg-Wulfsdorf: Haus de Natur, 1985 9.5 x 21cm, 4pp announcement card with a b/w image of Umseitig (a photograph of a nesting dove with overpainted stamp) on the front. A group show with works from Beuys, Robert Filliou, Lili Fischer, Ilse and Pierre Garnier, Marianne Greve, Heiko Hofmann, Georg Jappe, Tonia Kudrass, Klaus Staeck and Manfred Wigger. This example is signed in red felt tipped pen by Beuys over the image. Internally museum details. VG+.

OHNE TITEL. 1985.

Heidelberg: Edition Staeck, 1985 10.5 x 15cm, 2pp artist's postcard with a reproduced photograph by Zoa (Brigitte Muller-Fehn) showing Beuy's Kassel 1982 action when he melted down a golden crown (representative of the old order) and transformed it into a golden hare and a sun sphere. The resultant sculpture was later sold to raise funds for the 7,000 Oaks project. The front of the card has a gold foil stamping on it also. Issued as part of the Originalgrafik Series D. VG+.

JOSEPH BEUYS POSTKARTEN COVER. 1985. STAMPED & SIGNED BY BEUYS.

Heidelberg: Edition Staeck, 1985>BR> 23 x 18.3cm, 1pp. Unused oversized cardboard cover for the Beuys postcard edition. This example signed and stamped (FIU) in pencil and blue ink by Beuys. Fine.

OBJEKTE UND MULTIPLES AUS DER SAMMLUN FEELISCH, REMSCHEID. 1985. SIGNED & STAMPED BY BEUYS.

Dortmund: Das Museum am Ostwell, 1985 16.2 x 10.4cm, 2pp black on white announcement card for an exhibition of objects and multiples from the Feelisch Collection. A portrait of Beuys on the front is signed in red felt tipped pen by Beuys and rubber stamped in blue with a free International University impression. On the reverse a short text in German about the show and thee editions. VG+.

JOSEPH BEUYS SELECTED EDITIONS. 1985.

NYC: John Gibson Gallery, 1985 10.5 x 15cm 2pp. Announcement card for a show of multiples and editions - one of the very last of Bsuys' lifetime shows. Image on the front of Beuys preparing Feet Washing (1971) where he carried out the submissive action. A mailed copy with typed address verso else VG+.

OBJEKTE UND ZEICHNUNGEN. 1985.

Munchen: Galerie Bernd Kluser, 1985 21 x 15cm, 4pp red and black on white card. Announcement card for a solo exhibition of sculptures and drawings - on work Hirsch from 1984 is reproduced on the back page of the card. VG+.

GENOMMENE KURVEN. 20 JAHRE EDITION STAECK. 1985.

Dusseldorf: Kuntmuseum Dusseldorf , n.d. (1975) 15 x 10.5cm, 2pp announcement card for an exhibition celebrating Staeck's fiftieth year - the front of the card reproduces a drawing by Beuys of a sledge. Verso museum details. A mailed copy with printed franking. VG+.

FRIEDENSHASE. 1985.

Suttgart: Staatsgalerie Stuttgart, 1985 15 x 10.5cm, museum postcard displaying the title work of the golden hare which was made in 1982 at Documenta by Beuys after smelting down a golden crown. Museum details and postcard design on the reverse. VG+.

PLIGHT. 1985.

London: Anthony d'Offay , 1985 20 x 21cm, 1pp announcement card for teh title sculpture. One image of Beuys in Ireland at the Giant's Causeway and text in English explaining the original of the work. VG+.

OMBELICO DI VENERE. 1985. SIGNED & STAMPED BY BEUYS.

Pescara: Lucrecia De Domizio, 1984 16 x 22cm, announcement card for a number of drawings incorporating dried flower which were first exhibited at the F.I.A.C. in the Grand Palais. This example is signed by Beuys and with a blue FIU rubber stamp impression. VG+.

PLIGHT. 1985.

London: Anthony d'Offay , 1985 21 x 15cm, 4pp announcement card for the title sculpture. One image of Beuys in Ireland at the Giant's Causeway on the front and gallery details internally. VG+.

CAPRI-BATTERIE NACH 1000 STUNDEN BATTERIE AUSWECHSELN. 1985.

Naples, Lucio Amelio, 1985 15 x 22cm, 1pp announcement card printed yellow on white for the exhibition where the object multiple (a lemon coloured bulb attached to an Italian plug which is meant to be attached to a lemon to gain power) was on show. The work being a metaphor for the use of nature as a force for change or even energy. One brown mark on the left of the card else VG.

CAPRI-BATTERIE. 1985.

NYC: Massimo Audiello Gallery, n.d. (1985) 11.8 x 15.8cm, 1pp announcement card with a typographic design to promote an exhibition featuring the Capri-Batterie multiple where Beuys put a lemon coloured lightbulb to be lit by the electricity from a lemon it is plugged into. VG+.<BR

JOSEPH BEUYS. WIRTSCHAFTSWERTE. 1985.

Lille: Extrsamuros, 1985 21 x30cm, 4pp large format announcement card where Beuys' Economic Value works were shown as an installation. The front of the card shows the various items on racking, internally there is an essay by Denis-Laurent Bouyer "Valeurs Economiques, Valeurs de l'art". VG+.

UNTITLED (PORTRAIT OF ARTIST). SIGNED BY BEUYS.

N.p,: n.p., n.d. (1985?) 15 x 10.5cm, 1pp b/w postcard displaying a b/w image of Beuys - over the image the artist has written "Fur Volker Kol?(hard to read) and signed the card Joseph Beuys in blue ink. VG+.

UNTITLED (FAT CHAIR). SIGNED BY BEUYS.

N.p,: n.p., n.d. (1985?) 15 x 10.5cm, 1pp b/w postcard displaying a colour photograph of Beuys' Fat Chair - over the image the artist has signed the card "Joseph Beuys" in green ink. On the reverse there is an attached label with biographical details of Beuys. it is not clear the origin of this card. VG+.

UNTITLED (BEUYS WITH AXE). SIGNED BY BEUYS.

N.p,: n.p., n.d. (1985?) 10.5 x 15cm, 1pp b/w postcard displaying a b/w image of Beuys holding an axe while sitting on a couch. He has signed the card Joseph Beuys in blue ink. VG+.

UNTITLED (BEUYS PAINTING A WALL). SIGNED BY BEUYS.

N.p,: n.p., n.d. (1985?) 17 x 17cm, 1pp b/w postcard displaying a b/w image of Beuys painting a wall. He has signed the card Joseph Beuys in green ink. VG+.

DER FUCHS. 1986.

Bonn/Zurich: VG Bild-Kunst/Pro Litteris, 1986 10.5 x 15cm, 2pp. Commercial artist's postcard issued at the time of Beuys' sudden death with the work "Fox" (an oil on paper painting) on the front in colour, verso standard postcard design. VG+.

KREUZ + ZEICHEN. DAS KREUZ ALS UNIVERSALZEICHEN BEI BEUYS. 1986. BEUYS' LAST EXHIBITION BEFORE HIS SUDDEN DEATH

Ratingen: Stadtmuseum Ratingen, 1986 10.5 x 21cm, 2pp announcement card for Beuys' last ever exhibition during his lifetime - he suddenly died of a heart attack on 23 January 1986 - only two weeks after the opening of the show. Text only design. VG+.

IS IT ABOUT A BICYCLE? 1986.

NYC: Marisa Del Re Gallery, 1986 13.8 x 13.2cm, 2pp announcement card for the exhibition that began only 7 days before Joseph Beuys suddenly died of a heart attack on 21st January 1986. A colour image of a coloured blackboard drawing on the front and verso gallery details. VG+

KASSEL 1968. 1968,

Heidelberg: Edition Tangent, 1968 10.5 x 15cm, 2pp artist's postcard with image of the Friedrichplatz in Kassel - the main building used during Dokumenta. One of the unnumbered and unsigned copies. VG+. Schellman: P1.

COLOGNE 1968/69.

Heidelberg: Edition Tangent, 1968 10.5 x 15cm, 2pp artist's postcard with image of the Dom at Koln. One of the unnumbered and unsigned copies. VG+. Schellman: P2.

HEIDELBERG. 1970.

Heidelberg: Edition Tangent, 1968 10.5 x 15cm, 2pp artist's postcard with image of the city where the publisher's were located with overprinted "Fluxus Zone West" stamp impression. One of the unnumbered and unsigned copies. VG+. Schellman: P3.

LA RIVOLUZIONE SIMO NOI. 1972.

Heidelberg: Edition Staeck, 1972 15 x 10.5cm, 2pp artist's postcard with image of the artist striding towards the camera ("the revolution starts with me"). One of the unnumbered and unsigned copies. VG+. Schellman: P7.

DEMOCRACY IS MERRY. 1975.

Heidelberg: Edition Staeck, 1975 10.5 x 15cm, 2pp artist's postcard with image of the artist and comrades leaving the administration of the Staatliche Kunstakadamie following their occupation of the building to demand open access to all to the faculty. Police were called to expel the occupiers on October 10, 1972 and the day after Beuys was dismissed from his professorial post by the University. One of the unnumbered and unsigned copies. VG+. Schellman: P8.

SIGNATURE 1956. 1973.

Heidelberg: Edition Staeck, 1973 10.5 x 15cm, 2pp artist's postcard with the artist's signature incorporating a drawing of a stag's skull. One of the unnumbered and unsigned copies. VG+. Schellman: P13.

JACK BURNHAM. 1974.

Heidelberg: Edition Staeck, 1974 10.5 x 15cm, 2pp artist's postcard with the text: Lass Jack Burnham ruhig auch mal was essen". The story is that Beuys said this "I think we should let Jack Burnham have something to eat as well" in response to the critic's remarks about Marcel Duchamp (which Beuys disagreed with). One of the unnumbered and unsigned copies. VG+. Schellman: P15.

JOSEPH BEUYS. 1974.

Heidelberg: Edition Staeck, 1974 15 x 10.5cm, 2pp artist's postcard with a photograph by Klaus Staeck of Beuys' hat and heavy fur coat which had been left in such a postion as looked as if it was the artist himself. One of the unnumbered and unsigned copies. VG+. Schellman: P17.

LET FLOWERS SPEAK. 1974.

Heidelberg: Edition Staeck, 1974 10.5 x 15cm, 2pp artist's postcard with the title work on the front, verso publisher's details. The image of flowers was taken from American sugar cube packaging. One of the unnumbered and unsigned copies. VG+. Schellman: P18

COSMOS UND DAMIAN. 1974

Heidelberg: Edition Staeck, 1974 10.5 x 15cm, 2pp artist's postcard with an image of the Twin Towers (taken from a tourist 3-d commercial postcard) on the front which Beuys identifies with Cosmos and Damien - the black and white twin brothers who practice medicine without taking fees and were the subject of various miracles. One of the unnumbered and unsigned copies. VG+. Schellman: P20.

BONNEFANTEN. 1975. ADDRESSED TO WOLFGANG BECKER.

Heidelberg: Edition Staeck, 1975 15 x 10.5cm, 2pp artist's postcard with an image of the artist and a friend at the opening of an exhibition at Bonnefantenmuseum in Maastricht. One of the unnumbered and unsigned copies. This example has a handwritten note on the back from "Isi" dated 11.6.75 for Wolfgang Becker with some paper scuffs on the back but else VG+. Becker was the founder of the famous Neue Galerie in Aachen where Beuys made some of his earliest Aktions. Schellman: P23.

THE WARMTH-TIME MACHINE. 1975

Heidelberg: Edition Staeck, 1975 10.5 x 15cm, 2pp artist's postcard with a drawing of the earth as an apple. One of the unnumbered and unsigned copies. VG+. Schellman: P24.

ONESELF. 1977.

Heidelberg: Edition Staeck, 1977 10.5 x 15cm, 2pp artist's postcard with a text drawing by Beuys on a yellow lined background - the text translates as "Whoever won't think gets kicked out". One of the unnumbered and unsigned copies. VG+. Schellman: P44.

KITSCH POSTCARD NO 2. 1980.

Heidelberg: Edition Staeck, 1980. 15 x 10.5cm, 2pp artist's postcard which de facto criticises various academic and artists for supporting the SDP in elections - the attack calling the support "kitsch".. VG+. Schellman: P47.

NEUES VOM GOLD. 1984.

Heidelberg: Edition Staeck, 1984. 10.5 x 15cm, 2pp artist's postcard with the title Beuys work on the front. VG+. Not in Schellman.

LETZTE WARNUN AN DIE DEUTSCHE BANK. 1985.

Heidelberg: Edition Staeck, 1985 15 x 10.5cm, 2pp. Artist's postcard with a design by Beuys on the front issued as part of the Originalgrafik Series D. VG+.