ZVUCNI AMBIJENT BELO. SOUND ENVIRONMENT WHITE. SIGNAL Nr 6/7 (October/November 1972)
£175.00
Belgrade, Yugoslavia: Signal, 1972
30 x 21cm, 4pp b/w single number of the influential Signal Gallery journal which displays one of the very earliest Abramovic installations created before she left her land of birth. Two b/w photographs are of a youthful Marina and her modified tape recorder in a space which was hung with white paper to create a minimalist space. Also contains a text by Todorovic in English and Serbo-Croatian. During the show, the recorder taped the “silence” in the room and played it back amplified to the emptiness: the second of Abramovic’s works concerned with “emptiness” . The reference to Cage is obvious. Soon after the artist left for Edinburgh and future fame. Formerly folded and slightly torn along the fold but still an interesting rare document.
30 x 21cm, 4pp b/w single number of the influential Signal Gallery journal which displays one of the very earliest Abramovic installations created before she left her land of birth. Two b/w photographs are of a youthful Marina and her modified tape recorder in a space which was hung with white paper to create a minimalist space. Also contains a text by Todorovic in English and Serbo-Croatian. During the show, the recorder taped the “silence” in the room and played it back amplified to the emptiness: the second of Abramovic’s works concerned with “emptiness” . The reference to Cage is obvious. Soon after the artist left for Edinburgh and future fame. Formerly folded and slightly torn along the fold but still an interesting rare document.
1 in stock
