<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Unoriginal Sins | </title>
	<atom:link href="https://unoriginalsins.co.uk/bloomsday/blooms/cyclops/feed/" rel="self" type="application/rss+xml" />
	<link>https://unoriginalsins.co.uk</link>
	<description>AVANT-GARDES</description>
	<lastBuildDate>Thu, 16 Oct 2025 17:35:30 +0000</lastBuildDate>
	<language>en-GB</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	

<image>
	<url>https://unoriginalsins.co.uk/wp-content/uploads/2024/07/cropped-nTKdHdZI-1-1-32x32.png</url>
	<title>Unoriginal Sins | </title>
	<link>https://unoriginalsins.co.uk</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>L&#8217;UDITO. 1974. SIGNED AND NUMBERED.</title>
		<link>https://unoriginalsins.co.uk/product/ludito-1974-signed-and-numbered/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ludito-1974-signed-and-numbered</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=6722</guid>

					<description><![CDATA[Turin: Bolatti &#38; Mondadori, 1974
30 x 23.5 b/w offset lithograph on machine made wove paper. The image is of Beuys performing the action Fettraum in 1967. One of 5,000 copies released each numbered and signed in pencil. Somewhat creased over the entire image but no tears and not noticeable from a slight distance. Priced thus. Schellmann Nr. 99.]]></description>
										<content:encoded><![CDATA[Turin: Bolatti &#38; Mondadori, 1974
30 x 23.5 b/w offset lithograph on machine made wove paper. The image is of Beuys performing the action Fettraum in 1967. One of 5,000 copies released each numbered and signed in pencil. Somewhat creased over the entire image but no tears and not noticeable from a slight distance. Priced thus. Schellmann Nr. 99.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>DYKE ACTION MACHINE! INCORPORATED. 2008/</title>
		<link>https://unoriginalsins.co.uk/product/dyke-action-machine-incorporated-2008/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dyke-action-machine-incorporated-2008</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=24193</guid>

					<description><![CDATA[NYC: Printed Matter, 2008

21 x 15cm, 16pp (self cover), Single number from a series of "Art Activist" publications here written as a "report" from Dyke Action Machine! (DAM) of their activities. Colour iamges throughout. VG+.]]></description>
										<content:encoded><![CDATA[NYC: Printed Matter, 2008

21 x 15cm, 16pp (self cover), Single number from a series of "Art Activist" publications here written as a "report" from Dyke Action Machine! (DAM) of their activities. Colour iamges throughout. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE STORM. 2012.</title>
		<link>https://unoriginalsins.co.uk/product/the-storm-2012/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-storm-2012</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=6402</guid>

					<description><![CDATA[Stockholm: n.p., 2012
21 x 14cm, unpaginated  (c. 80pp). Original wrappers. Exhibition catalogue for the artists who have made their interest the climate change crisis. Images of large scale sculptural works throughout in colours including the "Storm Deflector" machine that it is claimed really does make tornados change course.. 1,000 issued. Fine. 







 

]]></description>
										<content:encoded><![CDATA[Stockholm: n.p., 2012
21 x 14cm, unpaginated  (c. 80pp). Original wrappers. Exhibition catalogue for the artists who have made their interest the climate change crisis. Images of large scale sculptural works throughout in colours including the "Storm Deflector" machine that it is claimed really does make tornados change course.. 1,000 issued. Fine. 







 

]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>SOMMERSTEMESTER 1970 DAS KULTUSMINISTERIUM VERSCHARFT SEINE REPRESSIONEN. DOKUMENTATION.  1. NITSCH-AKTION KULTUSBUROKRATIE GEGEN SENATSBESCHLUSS  2. NUMERUS CLAUSUS DURCH PR0BEZEITPRUFUNH. 1970. CONTEMPORARY DOCUMENTATION OF CLOSURE OF THE ACADEMY OF FINE ARTS IN MUNICH AFTER A NITSCH AKTION.</title>
		<link>https://unoriginalsins.co.uk/product/sommerstemester-1970-das-kultusministerium-verscharft-seine-repressionen-dokumentation-1-nitsch-aktion-kultusburokratie-gegen-senatsbeschluss-2-numerus-clausus-durch-pr0bezeitprufunh-1970-cont/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sommerstemester-1970-das-kultusministerium-verscharft-seine-repressionen-dokumentation-1-nitsch-aktion-kultusburokratie-gegen-senatsbeschluss-2-numerus-clausus-durch-pr0bezeitprufunh-1970-cont</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=54498</guid>

					<description><![CDATA[n.p. (Munchen): n.p. (Kunstverein Munchen?), 1970

30 x 21cm, unpaginated (c. 600pp?), no wrappers only an original wrap around folder displaying a reproduction of a newspaper cover from Bild Munchen in 1969 which has been over-printed. There are four sections of offset and mimeographed pages which begin with

SOMMERSTEMESTER 1970 DAS KULTUSMINISTERIUM VERSCHARFT SEINE REPRESSIONEN. DOKUMENTATION.

1. NITSCH-AKTION
KULTUSBUROKRATIE GEGEN SENATSBESCHLUSS

2. NUMERUS CLAUSUS
DURCH PRBEZEITPRUFUNH

and only one other section has a title

DER VIZEPRAS BREMNNINGER LIEFERT DEM KUMI UNTERTANIGST DIE SCHEINBAREN GRUNDE ZUR SCHLIESSUNG!

The entire publication is a 1970 documentation with some original leaflets inserted of the student rebellion in the Academy of Fine Arts in Munich and the reaction of the management and government by shutting the institution:

"On February 4, the AStA held a parody matriculation ceremony; a day later, the “Day of the Two-Wheeler” was held. In addition to some heavy machines, it primarily involved mopeds and bicycles that raced through the halls to “intimidate the establishment and profane the academy”. The students painted the walls with slogans and crude agitation art. The headline of the February 21 Bild-Zeitung read: “Munich's Academy Transformed into a Pigsty”. On February 22, Minister of Culture Ludwig Huber closed the academy; an administrative court ruling canceled the closure. Nestler resigned due to “interventionism by the Ministry of Education and Cultural Affairs”. In August, a presidential body under the chairmanship of Franz Nagel was appointed for the first time. The academy senate decided that in the future, all courses should be formulated in writing and posted, and that workshops for photography and plastic would be established.  "

Amongst the wall painting, the free access for motorbikes and other small vehicles was an Aktion by Nitsch which is documented by reproduced correspondence between players in the first section of the publication.

Small sections of the documents show badly reproduced images in b/w of the student protests, the wall paintings, bikes being ridden trhough the corridors and one that seems to be of a young Nitsch or Muehl painting the body of a nude woman and a further image of the Aktion and its crowd.

The outer wrappers are heavily damaged and torn and need repaired but this is a very scarce document of student protest and the Viennese Aktionists part in it. Priced to reflect this damage but still as we say very hard to find.

&#160;

&#160;

&#160;]]></description>
										<content:encoded><![CDATA[n.p. (Munchen): n.p. (Kunstverein Munchen?), 1970

30 x 21cm, unpaginated (c. 600pp?), no wrappers only an original wrap around folder displaying a reproduction of a newspaper cover from Bild Munchen in 1969 which has been over-printed. There are four sections of offset and mimeographed pages which begin with

SOMMERSTEMESTER 1970 DAS KULTUSMINISTERIUM VERSCHARFT SEINE REPRESSIONEN. DOKUMENTATION.

1. NITSCH-AKTION
KULTUSBUROKRATIE GEGEN SENATSBESCHLUSS

2. NUMERUS CLAUSUS
DURCH PRBEZEITPRUFUNH

and only one other section has a title

DER VIZEPRAS BREMNNINGER LIEFERT DEM KUMI UNTERTANIGST DIE SCHEINBAREN GRUNDE ZUR SCHLIESSUNG!

The entire publication is a 1970 documentation with some original leaflets inserted of the student rebellion in the Academy of Fine Arts in Munich and the reaction of the management and government by shutting the institution:

"On February 4, the AStA held a parody matriculation ceremony; a day later, the “Day of the Two-Wheeler” was held. In addition to some heavy machines, it primarily involved mopeds and bicycles that raced through the halls to “intimidate the establishment and profane the academy”. The students painted the walls with slogans and crude agitation art. The headline of the February 21 Bild-Zeitung read: “Munich's Academy Transformed into a Pigsty”. On February 22, Minister of Culture Ludwig Huber closed the academy; an administrative court ruling canceled the closure. Nestler resigned due to “interventionism by the Ministry of Education and Cultural Affairs”. In August, a presidential body under the chairmanship of Franz Nagel was appointed for the first time. The academy senate decided that in the future, all courses should be formulated in writing and posted, and that workshops for photography and plastic would be established.  "

Amongst the wall painting, the free access for motorbikes and other small vehicles was an Aktion by Nitsch which is documented by reproduced correspondence between players in the first section of the publication.

Small sections of the documents show badly reproduced images in b/w of the student protests, the wall paintings, bikes being ridden trhough the corridors and one that seems to be of a young Nitsch or Muehl painting the body of a nude woman and a further image of the Aktion and its crowd.

The outer wrappers are heavily damaged and torn and need repaired but this is a very scarce document of student protest and the Viennese Aktionists part in it. Priced to reflect this damage but still as we say very hard to find.

&#160;

&#160;

&#160;]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ITSTHESTUPIDECONOMY. 2019. ONE OF 500 SIGNED &#038; NUMBERED BOXES.</title>
		<link>https://unoriginalsins.co.uk/product/itsthestuideconomy-2019-one-of-500-signed-numbered-boxes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=itsthestuideconomy-2019-one-of-500-signed-numbered-boxes</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=40029</guid>

					<description><![CDATA[N.p. (Edinburgh): Brexit art (s.p. Hunter), n.d. (2019)
Two part 11.5 x 7.4 x 1.75cm cardboard box with rubber stamped title content of 9.5 x 6.5 x 0.3cm silkscreened and varnished text painting on wood, a geometric design adhesive sticker 10 x 3.75cm (approx) and a "Hello my brexit is..." adhesive name sticker. The text painting (based on Bill Clinton's famous dictum "it's the economy stupid") is signed on the back by the artist. One of 500 such boxes issued from a "Brexit Art Machine" installation that Hunter placed in different venues during the countdown to the economic disaster that is the UK leaving the EU. Not clear if the painting is unique or not. All contents VG+ in like box. ]]></description>
										<content:encoded><![CDATA[N.p. (Edinburgh): Brexit art (s.p. Hunter), n.d. (2019)
Two part 11.5 x 7.4 x 1.75cm cardboard box with rubber stamped title content of 9.5 x 6.5 x 0.3cm silkscreened and varnished text painting on wood, a geometric design adhesive sticker 10 x 3.75cm (approx) and a "Hello my brexit is..." adhesive name sticker. The text painting (based on Bill Clinton's famous dictum "it's the economy stupid") is signed on the back by the artist. One of 500 such boxes issued from a "Brexit Art Machine" installation that Hunter placed in different venues during the countdown to the economic disaster that is the UK leaving the EU. Not clear if the painting is unique or not. All contents VG+ in like box. ]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>CHRISTDEMOKRATEN! EURE ZUKUNFT LIEGT IM CHAOS. 1975.</title>
		<link>https://unoriginalsins.co.uk/product/christdemokraten-eure-zukunft-liegt-im-chaos-1975/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=christdemokraten-eure-zukunft-liegt-im-chaos-1975</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=55833</guid>

					<description><![CDATA[<div class="woocommerce-product-details__short-description">

Heidelberg: Edition Staeck, 1975

84 x 59.5cm, yellow, red and black on white offset lithograph poster showing a photo montage of Franz Josef Strauss with a machine gun and Helmut Kohl with an umbrella, which he holds over himself and Strauss, both in a sewage duct. Strauss, had recently made a speech in which he argued that the SDP and the left would only have a chance of winning if the state and, above all, the state finances were in ruins. Chancellor candidate Kohl refused to disagree with this statement saying that he was not leaving Strauss out in the cold. Staeck parodies their support for each other with the slogan: "Christian Democrats! Your future lies in chaos". VG+.

</div>]]></description>
										<content:encoded><![CDATA[<div class="woocommerce-product-details__short-description">

Heidelberg: Edition Staeck, 1975

84 x 59.5cm, yellow, red and black on white offset lithograph poster showing a photo montage of Franz Josef Strauss with a machine gun and Helmut Kohl with an umbrella, which he holds over himself and Strauss, both in a sewage duct. Strauss, had recently made a speech in which he argued that the SDP and the left would only have a chance of winning if the state and, above all, the state finances were in ruins. Chancellor candidate Kohl refused to disagree with this statement saying that he was not leaving Strauss out in the cold. Staeck parodies their support for each other with the slogan: "Christian Democrats! Your future lies in chaos". VG+.

</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>A SIGNIFICANT &#038; EXTENSIVE COLLECTION OF ANNOUNCEMENT CARDS, LEAFLETS &#038; POSTCARDS BY JOSEPH BEUYS. 1965 &#8211; 1986.</title>
		<link>https://unoriginalsins.co.uk/product/a-significant-extensive-collection-of-announcement-cards-leaflets-postcards-by-joseph-beuys-1965-1986/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-significant-extensive-collection-of-announcement-cards-leaflets-postcards-by-joseph-beuys-1965-1986</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=2170</guid>

					<description><![CDATA[<div class="">
<div class=""><strong class="">A SIGNIFICANT AND EXTENSIVE COLLECTION OF ANNOUNCEMENT CARDS, LEAFLETS AND POSTCARDS BY JOSEPH BEUYS</strong></div>
</div>
<div class=""><br class="" />Here we offer an extensive and significant collection of over 150 announcement cards, invite cards, publicity cards, announcement leaflets and other postcards by Joseph Beuys.<br class="" />The collection consists of 138 cards from July 1964 to artist's unexpected death in January 1986 and a small number of additional posthumous cards. Over 100 of these cards are directly related to exhibitions of which Beuys had around 280 during his life time - hence this is over one third of all the Beuys invitation cards issued.</div>
<div class=""><br class="" />Some cards are unique, others signed and yet others regarded as postcard editions by the artist.</div>
<div class=""><br class="" />This is a museum or library standard collection of these increasingly hard to find documentations of exhibitions and other artistic activities - usually created with Beuys' agreement or participation in the design.<br class="" /><br class="" />The collection consists of the following:<br class="" /><br class="" /><strong class="">ANNOUNCEMENT AND INVITE CARDS PRIOR TO JANUARY 1986</strong><br class="" /><br class="" />1. IRGEND EIN STRANG Dusseldorf, Galerie Schmala, 1965<br class="" />2. FLUXUS HAUPSTROM FLUXUS FETTRAUM Darmstadt, 1967. Mirrored paper.<br class="" />3. ACCROCHAGE Antwerpen, Wide White Space, 1967</div>
<div class="">4. ART INTERMEDIA Köln, Art Intermedia, 1969 A collection of folded announcement cards in original envelope - Beuys is Zeichnungen - Objekte but there are also cards for Andre Tomkins (with paper multiple by Daniel Spoerri), Carlos Cruz-Diez (with insert leaflet), Ansgar Nierhoff and Adolf Luther, Bernard Hoke, C.O. Paeffgen, Ed Sommer and two other leaflets. Some spotting to some cards and envelope.<br class="" />5. BEUYS &#38; CHRISTIANSEN KONZERT Berlin, Rene Block, 1969<br class="" />6. BEUYS BLOCKADE'69 Berlin, Rene Block, 1969<br class="" />7. VIDEOTAPES JOSEPH BEUYS EURASIENSTAB FILZ-TV Dusseldorf, Gerry Schum, 1970..</div>
<div class="">8. JOSEPH BEUYS ZEICHNUNGEN 1947 - 1959 Köln, 1970 Folded card.<br class="" />9. JOSEPH BEUYS UN HERRING CHRISTIANSEN Antwerpen, Wide White Space, 1970<br class="" />10. ACCROCHAGE Antwerpen, Wide White Space, 1970</div>
<div class="">11. ART INTERMEDIA Announcement crd - typographic only. Group show -  Beuys with Alderman, Spoerri, Uecker, Waalther and Vostell. <br class="" />12. JOSEPH BEUYS FILZ-TV/IDENTIFICATIONS Dusseldorf, Gerry Schum, 1970.<br class="" />13. DER TISCH Dusseldorf, Vice Versand,1971<br class="" />14. JOSEF BEUYS Wien, 1971<br class="" />15. POLYETYLEEN TAS MET VILTPLASTIEK Edition Seriaal, Amsterdam, 1971 Announcement for edition.<br class="" />16. JOSEPH BEUYS Dusseldorf, Galerie Schmala, 1971. Very large folding card with 3 photographs of performances.<br class="" />17. ART INTERMEDIA Köln, Art Intermedia, 1971 Folded announcement card in original envelope. This example addressed to Fluxus artist Jeff Berner. Envelope also has image of Beuys.<br class="" />18. JOSEPH BEUYS: AUSFEGEN Berlin, Rene Block, 1972<br class="" />19. JOSEPH BEUYS Dusseldorf, Galerie Schmala, 1972<br class="" />20. JOSEPH BEUYS Dusseldorf, Galerie Schmala, 1972 Announcement for book.<br class="" />21. JOSEPH BEUYS GESSAMMELTE EDITIONEN Frankfurt, Galerie Loehr, 1972. Mirrored paper.<br class="" />22. JOSEPH BEUYS OPERA E FILMS Torino, Galleria LP, 1972<br class="" />23. POLYETYLEEN TAS MET VILTPLASTIEKRUCKENSTUTZE EINES FEINGLIEDERIGEN MENSCHEN (HASENTYPUS) AUS DEM 20. JAHRHUNDERT P. CHR. Edition Seriaal, Amsterdam, 1972 Announcement for edition.</div>
<div class="">24. ANNOUNCEMENT CARD FOR INTERFUNKTIONEN 9 List of artists including Beuys. Typographic only. <br class="" />25. JOSEPH BEUYS DURER, ICH FUHRE PERSONLICH Edition card for Documenta V 1972<br class="" />26. JOSEPH BEUYS Antwerpen, Wide White Space, 1973<br class="" />27. JOSEPH BEUYS New York City, John Gibson, 1973</div>
<div class="">28. JOSEPH BEUYS: MULTIPLES Chicago: Allan Frumkin Gallery, 1973  Slightly crumpled due to mailing.</div>
<div class="">29. JOSEPH BEUYS: MULTIPES, BUCHER UND KATALOGE Bonn: Galerie Klein, 1973. Very large card.<br class="" />30. AVALANCHE JOSEPH BEUYS Köln, 1973. Announcement for first edition of magazine.<br class="" />31. JOSEPH BEUYS COLLECTION SPECK 1948 - 1972 Galerie Bama, Paris, 1974<br class="" />32. BEUYS TRACCE IN ITALIA Modern Art Agency, Napoli 1974<br class="" />33. MEETING OF LADY ROSEBERY, BLACK AND WHITE OIL CONFERENCE Edinburgh/New York, Demarco/Ronald Feldman, 1974 Announcement for editioned print.<br class="" />34. JOSEPH BEUYS ZEICHNUNGEN 1947 - 1971 Museum Haus Lange, Krefeld, 1974<br class="" />35. JOSEPH BEUYS I LIKE AMERICA AND AMERICA LIKES ME Rene Block, New York City 1974</div>
<div class="">36. BEUYS BRECHT CHIARI FILLIOU GOSEWITZ HANSEN HIGGINS JOHNSON KAPROW KNOWLES KOEPCKE PAIK ROT SCHMIT VOSTELL WATTS WILLIAMS Rene Block, New York City 1974<br class="" />37. JOSEPH BEUYS COLLECTED EDITIONS II John Gibson, New York City 1974<br class="" />38. JOSEPH BEUYS COLLECTED EDITIONS III John Gibson, New York City 1974 Folded card.<br class="" />39. JOSEPH BEUYS: THE SECRET BLOCK FOR A SECRET PERSON IN IRELAND Edinburgh, Scottish National Gallery, 1974</div>
<div class="">40. JOSEPH BEUYS - CHARLES WILP SANDZEICHNUNGEN Zurich, Galerie Stahli, n.d. (1974) Announcment for the title portfolio of sand drawings. Folded.<br class="" />41. IN DEN ERSTEN TAGEN DER AUSSTELLUNG…. Dusseldorf, Reflection Press, 1975. Announcement for a LP edition. With Albrecht/d.<br class="" />42. SERIAAL TOONT (INSTITUT FOR COMETIC SURGERY SPECIALITY: BUTTOCKLIFTING). KAUS STAECK. Edition Seriaal, Amsterdam, 1975<br class="" />43. ORIGINALPHOTOGRAPHIEN IN LIMITIERTEN AUFLAGE VON BECHER, KLOPHAUS, SANDER, ZILLE. Front image is of Beuys' 24 Stunden performance taken by Klophaus. Rene Block, New York City 1975<br class="" />44. JOSEPH BEUYS Galerie Schmala, Dusseldorf, 1975<br class="" />45. EXPOSITION D'ART D'AUJOURD'HUI Brussels: Musee d'ixèllés, 1975. SIGNED BY BEUYS.<br class="" />46. JOSEPH BEUYS ELK München, Schulmann &#38; Kluger, 1975 Promotional card for print multiple.<br class="" />47. JOSEPH BEUYS FOND IV/4 Galerie Schmala, Dusseldorf, 1976<br class="" />48. EINZELWERKE + ZUSAMMENHANGE. Front is reproduced drawing by Beuys. Krefeld, Museum Haus Lange, 1976<br class="" />49. JOSEPH BEUYS LITHOGRAPHIEN UND HOLZSCHNITTE München, Schulmann &#38; Kluger, 1976<br class="" />50. BEUYS. Genova, Samangallery, 1976. Commercial postcard of Genova which is overprinted in thick brown paint and rubber stamped on the reverse. This is exactly the same as the edition card (see Schellmann Nr 1880 only not signed and numbered.<br class="" />51. JOSEPH BEUYS Dusseldorf, Konrad Fischer, 1976<br class="" />52. STUDIO TERMIN JOSEPH BEUYS PAINTINGS Dusseldorf, Art in Progress, 1976. Very slight damage top left.<br class="" />53. JOSEPH BEUYS Kobenhavn: Galerie Per Sten, 1976 SIGNED BY BEUYS.<br class="" />54. JOSEPH BEUYS zeige deine wunde München, Schulmann &#38; Kluger, n.d. (1976) Large card.<br class="" />55. JOSEPH BEUYS. MULTIPLIZIERTE KUNST. München, Schulmann &#38; Kluger, 1977 Folded card. announcement for book.</div>
<div class="">56. JOSEPH BEUYS. MULTIPLIZIERTE KUNST. Bonn, Stadt, Kunstmuseum, 1977</div>
<div class="">57. JOSEPH BEUYS TEKENINGEN AQUARELLEN COLLAGES SCHILDERIJEN Gent: College van Burgemeester, 1977 Folded card.<br class="" />58. SOZIALE PLASTIK Achberger Verlagsanstalt, Achberg, n.d. (1977). Folded leaflet. STAMPED AND SIGNED BY BEUYS.<br class="" />59. JOSEPH BEUYS München, Schulmann &#38; Kluger, 1977 Folded with tipped in illustration.</div>
<div class="">60. JOSEPH BEUYS Basel:<span class=""> Kunstmuseum Basel, 1977</span></div>
<div class=""><span class="">61. JOSEPH BEUYS THE SECRETE BLOCK FOR A SECRET PERSON IN IRELAND Basel: Kunstmuseum Basel, 1977</span></div>
<div class=""><span class="" style="font-family: Arial"><span class="">62. JOSEPH BEUYS TEKENINGEN AQUARELLEN COLLAGES SCHILDERIJEN Gent: </span>Museum van Hedendaagse Art,</span><span class=""> 1977 Folded card. </span></div>
<div class=""><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">63. VOM KUNSTLER ZUM MYTHOS - JOSEPH BEUYS UND DIE KUNSTKRITIK Braunschweig, Kunstverein Braunschweig, 1978</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">64 JOSEPH BEUYS MULTIPLIZIERTE KUNST. Essen, Museen Folkwang, 1978</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">65. JOSEPH BEUYS MULTIPLIZIERTE KUNST. Braunschweig, Kunstverein Braunschweig, 1978</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">66. JOSEPH BEUYS ZEICHNUNGEN, OBJEKTE Bremerhaven: Kunstverein Bremerhaven, 1978</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">67. JOSEPH BEUYS GRAFIK MULTIPLES Bremen: Kleine Grafik-Galerie, 1978 STAMPED AND SIGNED BY BEUYS.</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">68. JOSEPH BEUYS MULTIPLIZIERTE KUNST. Paderborn, IKARUS, 1979. Folded card. SIGNED BY BEUYS.</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">69. JOSEPH BEUYS I LIKE AMERICA AND AMERICA LIKES ME. Antwerpen, Periodic Tijnummer Nr 1., 1979. folded leaflet with text in German by Beuys.</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">70. JOSEPH BEUYS Pescara, n.p., 1978</span></span></div>
<div class=""><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">71. FREE INTERNATIONAL UNIVERSITY Pescara: Lucrezia de Domzlo, 1978 Image of Beuys on front,<br class="" /></span></span><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">72. POSTCARD BY JOSEPH BEUYS Berlin, Edition Hundertmark, n.d. (1978)</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">73. POSTCARD BY JOSEPH BEUYS Berlin, Edition Hundertmark, n.d. (1978) Larger variant. SIGNED AND DEDICATED BY BEUYS.</span></span></div>
<div class=""><span class="">74. JOSEPH BEUYS Free International University, 1978</span><br class="" />75. OPERA DI CHIARIFICAZIONE IDEOLOGICA E POLITICA Dusseldorf, Galerie Schmala, 1979<br class="" />76. EDITION RENE BLOCK Rene Block, New York City 1979 Original printed envelope with Joseph Beuys postcard AUS BERLIN: NEUES VOM KOJOTEN and subscription card. Also 4 leaflets for multiples by Beuys (… AUS DEM MASCHINENRAUM 1977), On Kawara, Beuys (ROT/LOCH/LAMPE, 1979) and Nam June Paik. Price list. Envelope is addressed to the British conceptual and pop artist Joe Tilson.<br class="" />77. BEUYS, NYC: Ronald Feldman Fine Arts, 1979<br class="" />78. JOSEPH BEUYS Hannover: Galerie Holtmann. 1979. Large card. SIGNED BY BEUYS.</div>
<div class="">79. JOSEPH BEUYS<span class="">. </span>Firenze: <span class="">Galleria De Amicis,, 1979.</span></div>
<div class="">80. JOSEPH BEUYS ZEICHNUNGEN, OBJEKTE Zofingen: Kleine Buhne Zofingen, n.d. (1979)</div>
<div class=""><span class="">81. HEUTE ARBEITET BEUYS  </span><span class="">Dusseldorf</span><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">: </span></span><span class="">Galerie Schmela, 1979.</span></div>
<div class="">82. JOSEPH BEUYS Firenze: Galleria de Amicis, 1979. Mailed copy. <br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">83. JOSEPH BEUYS Rotterdam: Museum Boymans-van Beuningen. 1979. Large folding card. SIGNED BY BEUYS.</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">84. JOSEPH BEUYS Koln: Galerie Holtmann. 1980. Large folding card. SIGNED BY BEUYS.</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">85. JOSEPH BEUYS AT COOPER UNION N.P. (NYC): Cooper Union, n.d. (1980).</span></span></div>
<div class=""><span class="">86. JOSEPH BEUYS </span><span class="">Ludwigshafen am Rhein: </span><span class="">Wilhelm Hack Museum, 1980</span></div>
<div class=""><span class="">87. COYOTE IST WIEDER DA!  MUnchen: Schirmer/Mosel Verlag, n.d. (1974) Original xerox (30 x 21cm, 1pp) Announcement for a book by Caroline Tisdall</span></div>
<div class=""><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">88. JOSEPH BEUYS ZEICHNUNGEN Berlin, Nationalgalerie Berlin, 1980. SIGNED BY BEUYS.</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">89. JOSEPH BEUYS TERREMOTO IN PALAZZO IN ITALIA Napoli, Lucio Amelio, 1974. SIGNED BY BEUYS AND STAMPED ON REVERSE.</span></span></div>
<div class=""><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">90. MULTIPLIZIERTE KUNST JOSEPH BEUYS Ludwigshafen am Rhein: Wilhelm-Hack-Museum 1980. Folded card black on grey.</span></span></div>
<div class=""><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">91. JOSEPH BEUYS Roma: Galleria Santoro, 1980 Mailed example.</span></span></div>
<div class=""><span class="">92. JOSEPH BEUYS. </span>Perugia: <span class="">Galleria d’Arte moderna Il Pozzo, 1980.</span></div>
<div class="">93. JOSEPH BEUYS. Città di Castello: Galleria d’arts, Modern, 1980</div>
<div class=""><span class="">94. FIU Free International University. </span>Roma: <span class="">Galleria Santoro, 1980.</span></div>
<div class=""><span class="">95. JOSEPH BEUYS SUITE SCHWIRHAND Wurzburg: Stadtische Galerie 1981 Black on yellow paper. </span></div>
<div class="">96. GRASSELLO. Paris, Yvon Lambert, 1981</div>
<div class=""><span class="">97. JOSEPH BEUYS </span><span class="">Wurzburg</span><span class=""><span class="" style="font-family: Arial, Helvetica, sans-serif, sans-serif">: </span></span><span class="">Stadtische Galerie Wurzburg, 1981.</span></div>
<div class="">98. JOSEPH BEUYS POSTKARTEN Heidelberg: Edition Staeck, n.d. (c. 1981). SIGNED BY BEUYS.<br class="" />99. JOSEPH BEUYS; VROUWEN. Nijmeegs, Nijmeegs Museum, 1981. Folded card.</div>
<div class="">100. JOSEPH BEUYS: BONZENBUNKER Krefeld: FIU, 1981 Offset card with red rubber stamp impression for title. Small (10.5 x 15cm, 2pp)</div>
<div class="">101. JOSEPH BEUYS: BONZENBUNKER Krefeld: FIU, 1981 Offset card with reproduced drawing and red rubber stamp impression for title. Large (30 x 21cm, 1pp)</div>
<div class="">102. DAS KAPITAL 1970 - 1977 ZURICH: INK, 1981 LARGE FORMAT CARD</div>
<div class="">103. JOSEPH BEUYS PLAKATE Berlin, Bergolberci Kunsthandlung, 1982. Folded card. SIGNED BY BEUYS.<br class="" />104. JOSEPH BEUYS UNTITLED FROM THE GRETA GARBO SERIES NYC: Ronald Feldman, 1982. Large card.</div>
<div class="">105. BEUYS-BLUME GESPRACH UBER BAUMEN Berlin, Edition Hundertmark, 1982. Silkscreen on card. With Bernd Joh. Blume.<br class="" />106. BEUYS-BLUME KONTAKTE MIT BAUMEN Berlin, Edition Hundertmark, 1982. Silkscreen on card. With Bernd Joh. Blume.<br class="" />107. FIU DIFESA DELLA NATURA Bonn, Galerie Klein, 1982. Large card.<br class="" />108. JOSEPH BEUYS SIGNIERT…. Berlin, Edition Hundertmark, 1982</div>
<div class="">109. UNTITLED (FROM THE GRETA GARBO SERIES) NYC: Ronald Feldman Gallery, 1982<br class="" />110. 5DM - SIGNATUR FUR DEN NEUBEGINN KASSEL, DIE GRUNEN, 1982 Leifeld released to raise funds for the Green Political party. SIGNED BY BEUYS.<br class="" />111. DER KANZLER UND DIE KUNST. Heidelberg: Edition Staeck, 1982. UNIQUE POSTCARD WITH ADDITIONS BY BEUYS + EMBOSSING. SIGNED BY BEUYS AND RUBBER STAMPED TWICE. Variation on Schellmann Nr 442.<br class="" />112. JOSEPH BEUYS New York City, John Gibson, 1982<br class="" />113. JOSEPH BEUYS DUMME KISTE Dusseldorf: Konrad Fischer. 1983</div>
<div class="">114. JOSEPH BEUYS  Dusseldor: Galerie Schmala,, 1983<br class="" />115. JOSEPH BEUYS Dusseldorf, Konrad Fischer, 1984<br class="" />116. MOBIUSWERFER. Artist's postcard. Dusseldorf, Konrad Fischer, (1984)<br class="" />117. JOSEPH BEUYS / JONAS HAFNER SCHEWLLE Bonn, Galerie Klein, 1984. SIGNED BY BEUYS.<br class="" />118. J. BEUYS DIFESA DELLA NATURA Pescara, Lucrezia De Domizion, 1984. Large leaflet.<br class="" />119. JOSEPH BEUYS KREATIVATSPROZESS Paderborn-Wewer, Wolfgang Puschel, 1984. Folding card.119. PLIGHT London: Anthony d'Offay, 1985<br class="" />121. PLIGHT London: Anthony d'Offay, 1985 Variant card with text along side photograph,<br class="" />122. IS IT ABOUT A BICYCLE? New York, Marisa de Re Gallery, January 1986</div>
<div class="">123. JOSEPH BEUYS Torino, Castello Di Rivera, n.d.<br class="" />124. EVERY NIGHT I THINK OF ADDI KOEPCKE Berlin, Rene Block, n.d.<br class="" /><br class="" /><br class="" /><strong class="">ANNOUNCEMENT CARDS FOR EXHIBITIONS PLANNED BEFORE BEUYS' DEATH</strong></div>
<div class="">

&#160;
<div class="">1024. BEUYS DRAWINGS / SCULPTURE / ENVIRONMENTS NYC: Ronald Feldman Gallery, 1986</div>
<div class="">125. 30 X 40 - PERSONLICH Bonn, Raum 41, May 1986</div>
<div class="">126. JOSEPH BEUYS Warsaw, Galerie Foksal, June 1986<br class="" />127. THE POSTERS OF HIS EXHIBITIONS NYC, John Gibson Gallery, October 1986</div>
<div class="">128. HALBZEIT. Monchegladbach, Galerie Lohrl, 1986<br class="" />129. JOSEPH BEUYS DIE MULTIPLES München/New York, Edition Schulmann, 1986<br class="" />130. JOSEPH BEUYS DRAWINGS/SCULPTURE/ENVIRONMENTS NYC, Ronald Feldman, October 1986</div>
</div>
<div class=""><br class="" /><br class="" /><strong class="">EDITIONED CARDS BY BEUYS - ALL SIGNED</strong></div>
<div class=""><br class="" />131. BEUYS IN OST-BERLIN. SIGNED BY BEUYS.<br class="" />132. 7000 EICHEN. SIGNED BY BEUYS.<br class="" />133. KITSCHPOSTKARTE. SIGNED AND DEDICATED BY BEUYS.<br class="" />134. LA RIVOLZZIONE SIAMO NOI. SIGNED BY BEUYS WITH MESSAGE BY RICHARD DEMARCO AND BEUYS ON REVERSE. STAMPED TWICE.<br class="" />135. 7000 EICHEN FIU 1982 SIGNED BY BEUYS.<br class="" />136. EDITION STAECK DELIVERS. 1974 SIGNED WITH DEDICATION.<br class="" />137. FETTKISTE 1968 WITH SIGNED NOTE OF THE REVERSE BY KALUS STAECK<br class="" /><br class="" /><br class="" /><strong class="">OTHER SIGNED CARDS - NOT IN SCHELLMANN - POSSIBLY UNIQUE</strong></div>
<div class=""></div>
<div class="">138. ORIGINAL GRAFIK SERIES 1 KOLN Signed and hand addressed by Beuys with lengthy signed note to Dieter Schnebel - stamped three times on the back  of the card in different colours - red, blue and dark blue. Unique thus. STAMPED AND POSTER October 1969</div>
<div class="">139. ORIGINAL GRAFIK SERIES 1 KOLN Signed and hand addressed by Beuys with signed  note to Dieter Schnebel - stamped three times on the front of the card in different colours - red, blue and dark blue. Unique thus. STAMPED AND POSTER Match 1969<br class="" />140. UNTITLED (PORTRAIT OF BEUYS). Duisberg: Britta Lauer, n.d. SIGNED AND DEDICATED BY BEUYS.<br class="" />141. UNTITLED (FAT CHAIR). N.P., n.p.., n.d. SIGNED BY BEUYS..<br class="" />142. UNTITLED (PORTRAIT OF BEUYS WITH AXE). N.P., n.p.., n.d. SIGNED BY BEUYS.<br class="" />143. UNTITLED (DOCUMENTA KASSEL). N.P., n.p.., n.d. SIGNED BY BEUYS.<br class="" />144. VON HODLER ZUR ANTIFORM N.P., Hareld Szeemann, n.d. SIGNED BY BEUYS.<br class="" />145. STASTVERWALDUNG STATT STADTVERWALTUNG. N.P., n.p.., n.d. SIGNED BY BEUYS. Adhesive sticker (unused).<br class="" />146. LUFTHANSA VERBINDET KONTINENTE. Tokyo: Lufthansa, 1973. Printed and embossed envelope signed by Beuys on front content of a card. First day cover commemorating a flight from Germany to Tokyo via Moscow on 6 August 1973. Presumably Beuys was on that flight as a guest. Unique.<br class="" />147. UNTITLED (BEUYS PAINTING WALL). Homemade postcard with glued offset onto card. SIGNED BY BEUYS.</div>
<div class=""></div>
<div class=""></div>
<div class="">
<div class=""></div>
<br class="" /><strong class="">OTHER EDITIONED CARDS</strong>

</div>
<div class=""><br class="" />P1. DOCUMENTA 4 1968<br class="" />P2 COLOGNE 1968/69<br class="" />P3 HEIDELBERG 1970<br class="" />P6 OFFERED ABOVE<br class="" />P7 LA RIVOLUZIONE SIMAO NOI 1973<br class="" />P8 DEMOCRACY IS MERRY 1973<br class="" />P13 SIGNATURE 1973<br class="" />P15 JACK BURNHAM 1974<br class="" />P17 JOSEPH BEUYS<br class="" />P18 LET FLOWERS SPEAK<br class="" />P20 COSMOS UND DAMIAN 1974<br class="" />P23 BONNEFANTEN 1975<br class="" />P24 THE WARMTH-TIME MACHINE<br class="" />P44 ONESELF<br class="" />P46 KITSCH POSTCARD 1<br class="" />P47 KITSCH POSTCARD 1<br class="" />P48 DER MORGEN II. SIGNED BY BEUYS.<br class="" />P49. DER MORGEN II. SIGNED BY BEUYS.<br class="" />P50 DER MORGEN III. SIGNED BY BEUYS.<br class="" />P56. ERSTE HILFE. SIGNED BY BEUYS.<br class="" />NEUES VOM GOLD Edition Staeck 1984 NOT IN SCHELLMAN<br class="" />FRIEDENSHASE MIT ZUBEHOR FIU Nn.d.. NOT IN SCHELLMAN<br class="" />P nr. is Schellman reference.</div>
<div class=""></div>
<div class=""></div>
<div class=""><b class="">COLLECTIONS</b></div>
<div class=""></div>
<div class="">
<div class="">Beuys, Joseph DAS WIRTSCHAFTSWEERT-PRINZIP Koln: Edition Staeck, 1980<br class="" />Three boxes (each 18.5 x 13.5 x 1.4cm) content of 12 different picture postcards in each (36 in total) - a complete set of the cards issued by the publisher here aside from the more expensive object multiple where an “economic value” object was issued in a further card box. All fine in like boxes - very scarce in this format outside of the multiple.</div>
<div class=""></div>
<div class=""></div>
<br class="" /><strong class="">POSTHUMOUS INVITE CARDS</strong>

</div>
<div class=""><br class="" />An additional 16 announcement and invite cards for exhibitions after the artist's death. Most with reproduced photographs of works and installations or performances.<br class="" /><br class="" /><strong class="">IN TOTAL 146 CARDS ISSUED BEFORE OR AROUND THE ARTIST'S DEATH AND 16 POSTHUMOUS CARDS. 23 EDITIONED CARDS (SOME SIGNED) AND ONE COLLECTION OF 36 CARDS IN CARD BOXES/. SOME CARDS ARE UNIQUE, OTHERS VERY RARE. OVER 30 OF THE CARDS ARE SIGNED BY BEUYS AND SOME BY OTHER WELL KNOWN ARTISTS. ALL IN VG CONDITION UNLESS OTHERWISE NOTED</strong></div>
<div class=""><strong class=""> </strong></div>
<div class=""><b class="">ALL IN ALL 221 CAR</b><b class="">DS RELATING TO BEUYS.</b></div>
<div class=""><strong class=""><br class="" />PRICE FOR THE ENTIRE COLLECTION ON APPLICATION</strong></div>]]></description>
										<content:encoded><![CDATA[<div class="">
<div class=""><strong class="">A SIGNIFICANT AND EXTENSIVE COLLECTION OF ANNOUNCEMENT CARDS, LEAFLETS AND POSTCARDS BY JOSEPH BEUYS</strong></div>
</div>
<div class=""><br class="" />Here we offer an extensive and significant collection of over 150 announcement cards, invite cards, publicity cards, announcement leaflets and other postcards by Joseph Beuys.<br class="" />The collection consists of 138 cards from July 1964 to artist's unexpected death in January 1986 and a small number of additional posthumous cards. Over 100 of these cards are directly related to exhibitions of which Beuys had around 280 during his life time - hence this is over one third of all the Beuys invitation cards issued.</div>
<div class=""><br class="" />Some cards are unique, others signed and yet others regarded as postcard editions by the artist.</div>
<div class=""><br class="" />This is a museum or library standard collection of these increasingly hard to find documentations of exhibitions and other artistic activities - usually created with Beuys' agreement or participation in the design.<br class="" /><br class="" />The collection consists of the following:<br class="" /><br class="" /><strong class="">ANNOUNCEMENT AND INVITE CARDS PRIOR TO JANUARY 1986</strong><br class="" /><br class="" />1. IRGEND EIN STRANG Dusseldorf, Galerie Schmala, 1965<br class="" />2. FLUXUS HAUPSTROM FLUXUS FETTRAUM Darmstadt, 1967. Mirrored paper.<br class="" />3. ACCROCHAGE Antwerpen, Wide White Space, 1967</div>
<div class="">4. ART INTERMEDIA Köln, Art Intermedia, 1969 A collection of folded announcement cards in original envelope - Beuys is Zeichnungen - Objekte but there are also cards for Andre Tomkins (with paper multiple by Daniel Spoerri), Carlos Cruz-Diez (with insert leaflet), Ansgar Nierhoff and Adolf Luther, Bernard Hoke, C.O. Paeffgen, Ed Sommer and two other leaflets. Some spotting to some cards and envelope.<br class="" />5. BEUYS &#38; CHRISTIANSEN KONZERT Berlin, Rene Block, 1969<br class="" />6. BEUYS BLOCKADE'69 Berlin, Rene Block, 1969<br class="" />7. VIDEOTAPES JOSEPH BEUYS EURASIENSTAB FILZ-TV Dusseldorf, Gerry Schum, 1970..</div>
<div class="">8. JOSEPH BEUYS ZEICHNUNGEN 1947 - 1959 Köln, 1970 Folded card.<br class="" />9. JOSEPH BEUYS UN HERRING CHRISTIANSEN Antwerpen, Wide White Space, 1970<br class="" />10. ACCROCHAGE Antwerpen, Wide White Space, 1970</div>
<div class="">11. ART INTERMEDIA Announcement crd - typographic only. Group show -  Beuys with Alderman, Spoerri, Uecker, Waalther and Vostell. <br class="" />12. JOSEPH BEUYS FILZ-TV/IDENTIFICATIONS Dusseldorf, Gerry Schum, 1970.<br class="" />13. DER TISCH Dusseldorf, Vice Versand,1971<br class="" />14. JOSEF BEUYS Wien, 1971<br class="" />15. POLYETYLEEN TAS MET VILTPLASTIEK Edition Seriaal, Amsterdam, 1971 Announcement for edition.<br class="" />16. JOSEPH BEUYS Dusseldorf, Galerie Schmala, 1971. Very large folding card with 3 photographs of performances.<br class="" />17. ART INTERMEDIA Köln, Art Intermedia, 1971 Folded announcement card in original envelope. This example addressed to Fluxus artist Jeff Berner. Envelope also has image of Beuys.<br class="" />18. JOSEPH BEUYS: AUSFEGEN Berlin, Rene Block, 1972<br class="" />19. JOSEPH BEUYS Dusseldorf, Galerie Schmala, 1972<br class="" />20. JOSEPH BEUYS Dusseldorf, Galerie Schmala, 1972 Announcement for book.<br class="" />21. JOSEPH BEUYS GESSAMMELTE EDITIONEN Frankfurt, Galerie Loehr, 1972. Mirrored paper.<br class="" />22. JOSEPH BEUYS OPERA E FILMS Torino, Galleria LP, 1972<br class="" />23. POLYETYLEEN TAS MET VILTPLASTIEKRUCKENSTUTZE EINES FEINGLIEDERIGEN MENSCHEN (HASENTYPUS) AUS DEM 20. JAHRHUNDERT P. CHR. Edition Seriaal, Amsterdam, 1972 Announcement for edition.</div>
<div class="">24. ANNOUNCEMENT CARD FOR INTERFUNKTIONEN 9 List of artists including Beuys. Typographic only. <br class="" />25. JOSEPH BEUYS DURER, ICH FUHRE PERSONLICH Edition card for Documenta V 1972<br class="" />26. JOSEPH BEUYS Antwerpen, Wide White Space, 1973<br class="" />27. JOSEPH BEUYS New York City, John Gibson, 1973</div>
<div class="">28. JOSEPH BEUYS: MULTIPLES Chicago: Allan Frumkin Gallery, 1973  Slightly crumpled due to mailing.</div>
<div class="">29. JOSEPH BEUYS: MULTIPES, BUCHER UND KATALOGE Bonn: Galerie Klein, 1973. Very large card.<br class="" />30. AVALANCHE JOSEPH BEUYS Köln, 1973. Announcement for first edition of magazine.<br class="" />31. JOSEPH BEUYS COLLECTION SPECK 1948 - 1972 Galerie Bama, Paris, 1974<br class="" />32. BEUYS TRACCE IN ITALIA Modern Art Agency, Napoli 1974<br class="" />33. MEETING OF LADY ROSEBERY, BLACK AND WHITE OIL CONFERENCE Edinburgh/New York, Demarco/Ronald Feldman, 1974 Announcement for editioned print.<br class="" />34. JOSEPH BEUYS ZEICHNUNGEN 1947 - 1971 Museum Haus Lange, Krefeld, 1974<br class="" />35. JOSEPH BEUYS I LIKE AMERICA AND AMERICA LIKES ME Rene Block, New York City 1974</div>
<div class="">36. BEUYS BRECHT CHIARI FILLIOU GOSEWITZ HANSEN HIGGINS JOHNSON KAPROW KNOWLES KOEPCKE PAIK ROT SCHMIT VOSTELL WATTS WILLIAMS Rene Block, New York City 1974<br class="" />37. JOSEPH BEUYS COLLECTED EDITIONS II John Gibson, New York City 1974<br class="" />38. JOSEPH BEUYS COLLECTED EDITIONS III John Gibson, New York City 1974 Folded card.<br class="" />39. JOSEPH BEUYS: THE SECRET BLOCK FOR A SECRET PERSON IN IRELAND Edinburgh, Scottish National Gallery, 1974</div>
<div class="">40. JOSEPH BEUYS - CHARLES WILP SANDZEICHNUNGEN Zurich, Galerie Stahli, n.d. (1974) Announcment for the title portfolio of sand drawings. Folded.<br class="" />41. IN DEN ERSTEN TAGEN DER AUSSTELLUNG…. Dusseldorf, Reflection Press, 1975. Announcement for a LP edition. With Albrecht/d.<br class="" />42. SERIAAL TOONT (INSTITUT FOR COMETIC SURGERY SPECIALITY: BUTTOCKLIFTING). KAUS STAECK. Edition Seriaal, Amsterdam, 1975<br class="" />43. ORIGINALPHOTOGRAPHIEN IN LIMITIERTEN AUFLAGE VON BECHER, KLOPHAUS, SANDER, ZILLE. Front image is of Beuys' 24 Stunden performance taken by Klophaus. Rene Block, New York City 1975<br class="" />44. JOSEPH BEUYS Galerie Schmala, Dusseldorf, 1975<br class="" />45. EXPOSITION D'ART D'AUJOURD'HUI Brussels: Musee d'ixèllés, 1975. SIGNED BY BEUYS.<br class="" />46. JOSEPH BEUYS ELK München, Schulmann &#38; Kluger, 1975 Promotional card for print multiple.<br class="" />47. JOSEPH BEUYS FOND IV/4 Galerie Schmala, Dusseldorf, 1976<br class="" />48. EINZELWERKE + ZUSAMMENHANGE. Front is reproduced drawing by Beuys. Krefeld, Museum Haus Lange, 1976<br class="" />49. JOSEPH BEUYS LITHOGRAPHIEN UND HOLZSCHNITTE München, Schulmann &#38; Kluger, 1976<br class="" />50. BEUYS. Genova, Samangallery, 1976. Commercial postcard of Genova which is overprinted in thick brown paint and rubber stamped on the reverse. This is exactly the same as the edition card (see Schellmann Nr 1880 only not signed and numbered.<br class="" />51. JOSEPH BEUYS Dusseldorf, Konrad Fischer, 1976<br class="" />52. STUDIO TERMIN JOSEPH BEUYS PAINTINGS Dusseldorf, Art in Progress, 1976. Very slight damage top left.<br class="" />53. JOSEPH BEUYS Kobenhavn: Galerie Per Sten, 1976 SIGNED BY BEUYS.<br class="" />54. JOSEPH BEUYS zeige deine wunde München, Schulmann &#38; Kluger, n.d. (1976) Large card.<br class="" />55. JOSEPH BEUYS. MULTIPLIZIERTE KUNST. München, Schulmann &#38; Kluger, 1977 Folded card. announcement for book.</div>
<div class="">56. JOSEPH BEUYS. MULTIPLIZIERTE KUNST. Bonn, Stadt, Kunstmuseum, 1977</div>
<div class="">57. JOSEPH BEUYS TEKENINGEN AQUARELLEN COLLAGES SCHILDERIJEN Gent: College van Burgemeester, 1977 Folded card.<br class="" />58. SOZIALE PLASTIK Achberger Verlagsanstalt, Achberg, n.d. (1977). Folded leaflet. STAMPED AND SIGNED BY BEUYS.<br class="" />59. JOSEPH BEUYS München, Schulmann &#38; Kluger, 1977 Folded with tipped in illustration.</div>
<div class="">60. JOSEPH BEUYS Basel:<span class=""> Kunstmuseum Basel, 1977</span></div>
<div class=""><span class="">61. JOSEPH BEUYS THE SECRETE BLOCK FOR A SECRET PERSON IN IRELAND Basel: Kunstmuseum Basel, 1977</span></div>
<div class=""><span class="" style="font-family: Arial"><span class="">62. JOSEPH BEUYS TEKENINGEN AQUARELLEN COLLAGES SCHILDERIJEN Gent: </span>Museum van Hedendaagse Art,</span><span class=""> 1977 Folded card. </span></div>
<div class=""><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">63. VOM KUNSTLER ZUM MYTHOS - JOSEPH BEUYS UND DIE KUNSTKRITIK Braunschweig, Kunstverein Braunschweig, 1978</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">64 JOSEPH BEUYS MULTIPLIZIERTE KUNST. Essen, Museen Folkwang, 1978</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">65. JOSEPH BEUYS MULTIPLIZIERTE KUNST. Braunschweig, Kunstverein Braunschweig, 1978</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">66. JOSEPH BEUYS ZEICHNUNGEN, OBJEKTE Bremerhaven: Kunstverein Bremerhaven, 1978</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">67. JOSEPH BEUYS GRAFIK MULTIPLES Bremen: Kleine Grafik-Galerie, 1978 STAMPED AND SIGNED BY BEUYS.</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">68. JOSEPH BEUYS MULTIPLIZIERTE KUNST. Paderborn, IKARUS, 1979. Folded card. SIGNED BY BEUYS.</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">69. JOSEPH BEUYS I LIKE AMERICA AND AMERICA LIKES ME. Antwerpen, Periodic Tijnummer Nr 1., 1979. folded leaflet with text in German by Beuys.</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">70. JOSEPH BEUYS Pescara, n.p., 1978</span></span></div>
<div class=""><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">71. FREE INTERNATIONAL UNIVERSITY Pescara: Lucrezia de Domzlo, 1978 Image of Beuys on front,<br class="" /></span></span><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">72. POSTCARD BY JOSEPH BEUYS Berlin, Edition Hundertmark, n.d. (1978)</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">73. POSTCARD BY JOSEPH BEUYS Berlin, Edition Hundertmark, n.d. (1978) Larger variant. SIGNED AND DEDICATED BY BEUYS.</span></span></div>
<div class=""><span class="">74. JOSEPH BEUYS Free International University, 1978</span><br class="" />75. OPERA DI CHIARIFICAZIONE IDEOLOGICA E POLITICA Dusseldorf, Galerie Schmala, 1979<br class="" />76. EDITION RENE BLOCK Rene Block, New York City 1979 Original printed envelope with Joseph Beuys postcard AUS BERLIN: NEUES VOM KOJOTEN and subscription card. Also 4 leaflets for multiples by Beuys (… AUS DEM MASCHINENRAUM 1977), On Kawara, Beuys (ROT/LOCH/LAMPE, 1979) and Nam June Paik. Price list. Envelope is addressed to the British conceptual and pop artist Joe Tilson.<br class="" />77. BEUYS, NYC: Ronald Feldman Fine Arts, 1979<br class="" />78. JOSEPH BEUYS Hannover: Galerie Holtmann. 1979. Large card. SIGNED BY BEUYS.</div>
<div class="">79. JOSEPH BEUYS<span class="">. </span>Firenze: <span class="">Galleria De Amicis,, 1979.</span></div>
<div class="">80. JOSEPH BEUYS ZEICHNUNGEN, OBJEKTE Zofingen: Kleine Buhne Zofingen, n.d. (1979)</div>
<div class=""><span class="">81. HEUTE ARBEITET BEUYS  </span><span class="">Dusseldorf</span><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">: </span></span><span class="">Galerie Schmela, 1979.</span></div>
<div class="">82. JOSEPH BEUYS Firenze: Galleria de Amicis, 1979. Mailed copy. <br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">83. JOSEPH BEUYS Rotterdam: Museum Boymans-van Beuningen. 1979. Large folding card. SIGNED BY BEUYS.</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">84. JOSEPH BEUYS Koln: Galerie Holtmann. 1980. Large folding card. SIGNED BY BEUYS.</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">85. JOSEPH BEUYS AT COOPER UNION N.P. (NYC): Cooper Union, n.d. (1980).</span></span></div>
<div class=""><span class="">86. JOSEPH BEUYS </span><span class="">Ludwigshafen am Rhein: </span><span class="">Wilhelm Hack Museum, 1980</span></div>
<div class=""><span class="">87. COYOTE IST WIEDER DA!  MUnchen: Schirmer/Mosel Verlag, n.d. (1974) Original xerox (30 x 21cm, 1pp) Announcement for a book by Caroline Tisdall</span></div>
<div class=""><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">88. JOSEPH BEUYS ZEICHNUNGEN Berlin, Nationalgalerie Berlin, 1980. SIGNED BY BEUYS.</span></span><br class="" /><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">89. JOSEPH BEUYS TERREMOTO IN PALAZZO IN ITALIA Napoli, Lucio Amelio, 1974. SIGNED BY BEUYS AND STAMPED ON REVERSE.</span></span></div>
<div class=""><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">90. MULTIPLIZIERTE KUNST JOSEPH BEUYS Ludwigshafen am Rhein: Wilhelm-Hack-Museum 1980. Folded card black on grey.</span></span></div>
<div class=""><span class="" style="color: #555555;font-family: Arial, Helvetica, sans-serif, sans-serif;font-size: small"><span class="">91. JOSEPH BEUYS Roma: Galleria Santoro, 1980 Mailed example.</span></span></div>
<div class=""><span class="">92. JOSEPH BEUYS. </span>Perugia: <span class="">Galleria d’Arte moderna Il Pozzo, 1980.</span></div>
<div class="">93. JOSEPH BEUYS. Città di Castello: Galleria d’arts, Modern, 1980</div>
<div class=""><span class="">94. FIU Free International University. </span>Roma: <span class="">Galleria Santoro, 1980.</span></div>
<div class=""><span class="">95. JOSEPH BEUYS SUITE SCHWIRHAND Wurzburg: Stadtische Galerie 1981 Black on yellow paper. </span></div>
<div class="">96. GRASSELLO. Paris, Yvon Lambert, 1981</div>
<div class=""><span class="">97. JOSEPH BEUYS </span><span class="">Wurzburg</span><span class=""><span class="" style="font-family: Arial, Helvetica, sans-serif, sans-serif">: </span></span><span class="">Stadtische Galerie Wurzburg, 1981.</span></div>
<div class="">98. JOSEPH BEUYS POSTKARTEN Heidelberg: Edition Staeck, n.d. (c. 1981). SIGNED BY BEUYS.<br class="" />99. JOSEPH BEUYS; VROUWEN. Nijmeegs, Nijmeegs Museum, 1981. Folded card.</div>
<div class="">100. JOSEPH BEUYS: BONZENBUNKER Krefeld: FIU, 1981 Offset card with red rubber stamp impression for title. Small (10.5 x 15cm, 2pp)</div>
<div class="">101. JOSEPH BEUYS: BONZENBUNKER Krefeld: FIU, 1981 Offset card with reproduced drawing and red rubber stamp impression for title. Large (30 x 21cm, 1pp)</div>
<div class="">102. DAS KAPITAL 1970 - 1977 ZURICH: INK, 1981 LARGE FORMAT CARD</div>
<div class="">103. JOSEPH BEUYS PLAKATE Berlin, Bergolberci Kunsthandlung, 1982. Folded card. SIGNED BY BEUYS.<br class="" />104. JOSEPH BEUYS UNTITLED FROM THE GRETA GARBO SERIES NYC: Ronald Feldman, 1982. Large card.</div>
<div class="">105. BEUYS-BLUME GESPRACH UBER BAUMEN Berlin, Edition Hundertmark, 1982. Silkscreen on card. With Bernd Joh. Blume.<br class="" />106. BEUYS-BLUME KONTAKTE MIT BAUMEN Berlin, Edition Hundertmark, 1982. Silkscreen on card. With Bernd Joh. Blume.<br class="" />107. FIU DIFESA DELLA NATURA Bonn, Galerie Klein, 1982. Large card.<br class="" />108. JOSEPH BEUYS SIGNIERT…. Berlin, Edition Hundertmark, 1982</div>
<div class="">109. UNTITLED (FROM THE GRETA GARBO SERIES) NYC: Ronald Feldman Gallery, 1982<br class="" />110. 5DM - SIGNATUR FUR DEN NEUBEGINN KASSEL, DIE GRUNEN, 1982 Leifeld released to raise funds for the Green Political party. SIGNED BY BEUYS.<br class="" />111. DER KANZLER UND DIE KUNST. Heidelberg: Edition Staeck, 1982. UNIQUE POSTCARD WITH ADDITIONS BY BEUYS + EMBOSSING. SIGNED BY BEUYS AND RUBBER STAMPED TWICE. Variation on Schellmann Nr 442.<br class="" />112. JOSEPH BEUYS New York City, John Gibson, 1982<br class="" />113. JOSEPH BEUYS DUMME KISTE Dusseldorf: Konrad Fischer. 1983</div>
<div class="">114. JOSEPH BEUYS  Dusseldor: Galerie Schmala,, 1983<br class="" />115. JOSEPH BEUYS Dusseldorf, Konrad Fischer, 1984<br class="" />116. MOBIUSWERFER. Artist's postcard. Dusseldorf, Konrad Fischer, (1984)<br class="" />117. JOSEPH BEUYS / JONAS HAFNER SCHEWLLE Bonn, Galerie Klein, 1984. SIGNED BY BEUYS.<br class="" />118. J. BEUYS DIFESA DELLA NATURA Pescara, Lucrezia De Domizion, 1984. Large leaflet.<br class="" />119. JOSEPH BEUYS KREATIVATSPROZESS Paderborn-Wewer, Wolfgang Puschel, 1984. Folding card.119. PLIGHT London: Anthony d'Offay, 1985<br class="" />121. PLIGHT London: Anthony d'Offay, 1985 Variant card with text along side photograph,<br class="" />122. IS IT ABOUT A BICYCLE? New York, Marisa de Re Gallery, January 1986</div>
<div class="">123. JOSEPH BEUYS Torino, Castello Di Rivera, n.d.<br class="" />124. EVERY NIGHT I THINK OF ADDI KOEPCKE Berlin, Rene Block, n.d.<br class="" /><br class="" /><br class="" /><strong class="">ANNOUNCEMENT CARDS FOR EXHIBITIONS PLANNED BEFORE BEUYS' DEATH</strong></div>
<div class="">

&#160;
<div class="">1024. BEUYS DRAWINGS / SCULPTURE / ENVIRONMENTS NYC: Ronald Feldman Gallery, 1986</div>
<div class="">125. 30 X 40 - PERSONLICH Bonn, Raum 41, May 1986</div>
<div class="">126. JOSEPH BEUYS Warsaw, Galerie Foksal, June 1986<br class="" />127. THE POSTERS OF HIS EXHIBITIONS NYC, John Gibson Gallery, October 1986</div>
<div class="">128. HALBZEIT. Monchegladbach, Galerie Lohrl, 1986<br class="" />129. JOSEPH BEUYS DIE MULTIPLES München/New York, Edition Schulmann, 1986<br class="" />130. JOSEPH BEUYS DRAWINGS/SCULPTURE/ENVIRONMENTS NYC, Ronald Feldman, October 1986</div>
</div>
<div class=""><br class="" /><br class="" /><strong class="">EDITIONED CARDS BY BEUYS - ALL SIGNED</strong></div>
<div class=""><br class="" />131. BEUYS IN OST-BERLIN. SIGNED BY BEUYS.<br class="" />132. 7000 EICHEN. SIGNED BY BEUYS.<br class="" />133. KITSCHPOSTKARTE. SIGNED AND DEDICATED BY BEUYS.<br class="" />134. LA RIVOLZZIONE SIAMO NOI. SIGNED BY BEUYS WITH MESSAGE BY RICHARD DEMARCO AND BEUYS ON REVERSE. STAMPED TWICE.<br class="" />135. 7000 EICHEN FIU 1982 SIGNED BY BEUYS.<br class="" />136. EDITION STAECK DELIVERS. 1974 SIGNED WITH DEDICATION.<br class="" />137. FETTKISTE 1968 WITH SIGNED NOTE OF THE REVERSE BY KALUS STAECK<br class="" /><br class="" /><br class="" /><strong class="">OTHER SIGNED CARDS - NOT IN SCHELLMANN - POSSIBLY UNIQUE</strong></div>
<div class=""></div>
<div class="">138. ORIGINAL GRAFIK SERIES 1 KOLN Signed and hand addressed by Beuys with lengthy signed note to Dieter Schnebel - stamped three times on the back  of the card in different colours - red, blue and dark blue. Unique thus. STAMPED AND POSTER October 1969</div>
<div class="">139. ORIGINAL GRAFIK SERIES 1 KOLN Signed and hand addressed by Beuys with signed  note to Dieter Schnebel - stamped three times on the front of the card in different colours - red, blue and dark blue. Unique thus. STAMPED AND POSTER Match 1969<br class="" />140. UNTITLED (PORTRAIT OF BEUYS). Duisberg: Britta Lauer, n.d. SIGNED AND DEDICATED BY BEUYS.<br class="" />141. UNTITLED (FAT CHAIR). N.P., n.p.., n.d. SIGNED BY BEUYS..<br class="" />142. UNTITLED (PORTRAIT OF BEUYS WITH AXE). N.P., n.p.., n.d. SIGNED BY BEUYS.<br class="" />143. UNTITLED (DOCUMENTA KASSEL). N.P., n.p.., n.d. SIGNED BY BEUYS.<br class="" />144. VON HODLER ZUR ANTIFORM N.P., Hareld Szeemann, n.d. SIGNED BY BEUYS.<br class="" />145. STASTVERWALDUNG STATT STADTVERWALTUNG. N.P., n.p.., n.d. SIGNED BY BEUYS. Adhesive sticker (unused).<br class="" />146. LUFTHANSA VERBINDET KONTINENTE. Tokyo: Lufthansa, 1973. Printed and embossed envelope signed by Beuys on front content of a card. First day cover commemorating a flight from Germany to Tokyo via Moscow on 6 August 1973. Presumably Beuys was on that flight as a guest. Unique.<br class="" />147. UNTITLED (BEUYS PAINTING WALL). Homemade postcard with glued offset onto card. SIGNED BY BEUYS.</div>
<div class=""></div>
<div class=""></div>
<div class="">
<div class=""></div>
<br class="" /><strong class="">OTHER EDITIONED CARDS</strong>

</div>
<div class=""><br class="" />P1. DOCUMENTA 4 1968<br class="" />P2 COLOGNE 1968/69<br class="" />P3 HEIDELBERG 1970<br class="" />P6 OFFERED ABOVE<br class="" />P7 LA RIVOLUZIONE SIMAO NOI 1973<br class="" />P8 DEMOCRACY IS MERRY 1973<br class="" />P13 SIGNATURE 1973<br class="" />P15 JACK BURNHAM 1974<br class="" />P17 JOSEPH BEUYS<br class="" />P18 LET FLOWERS SPEAK<br class="" />P20 COSMOS UND DAMIAN 1974<br class="" />P23 BONNEFANTEN 1975<br class="" />P24 THE WARMTH-TIME MACHINE<br class="" />P44 ONESELF<br class="" />P46 KITSCH POSTCARD 1<br class="" />P47 KITSCH POSTCARD 1<br class="" />P48 DER MORGEN II. SIGNED BY BEUYS.<br class="" />P49. DER MORGEN II. SIGNED BY BEUYS.<br class="" />P50 DER MORGEN III. SIGNED BY BEUYS.<br class="" />P56. ERSTE HILFE. SIGNED BY BEUYS.<br class="" />NEUES VOM GOLD Edition Staeck 1984 NOT IN SCHELLMAN<br class="" />FRIEDENSHASE MIT ZUBEHOR FIU Nn.d.. NOT IN SCHELLMAN<br class="" />P nr. is Schellman reference.</div>
<div class=""></div>
<div class=""></div>
<div class=""><b class="">COLLECTIONS</b></div>
<div class=""></div>
<div class="">
<div class="">Beuys, Joseph DAS WIRTSCHAFTSWEERT-PRINZIP Koln: Edition Staeck, 1980<br class="" />Three boxes (each 18.5 x 13.5 x 1.4cm) content of 12 different picture postcards in each (36 in total) - a complete set of the cards issued by the publisher here aside from the more expensive object multiple where an “economic value” object was issued in a further card box. All fine in like boxes - very scarce in this format outside of the multiple.</div>
<div class=""></div>
<div class=""></div>
<br class="" /><strong class="">POSTHUMOUS INVITE CARDS</strong>

</div>
<div class=""><br class="" />An additional 16 announcement and invite cards for exhibitions after the artist's death. Most with reproduced photographs of works and installations or performances.<br class="" /><br class="" /><strong class="">IN TOTAL 146 CARDS ISSUED BEFORE OR AROUND THE ARTIST'S DEATH AND 16 POSTHUMOUS CARDS. 23 EDITIONED CARDS (SOME SIGNED) AND ONE COLLECTION OF 36 CARDS IN CARD BOXES/. SOME CARDS ARE UNIQUE, OTHERS VERY RARE. OVER 30 OF THE CARDS ARE SIGNED BY BEUYS AND SOME BY OTHER WELL KNOWN ARTISTS. ALL IN VG CONDITION UNLESS OTHERWISE NOTED</strong></div>
<div class=""><strong class=""> </strong></div>
<div class=""><b class="">ALL IN ALL 221 CAR</b><b class="">DS RELATING TO BEUYS.</b></div>
<div class=""><strong class=""><br class="" />PRICE FOR THE ENTIRE COLLECTION ON APPLICATION</strong></div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>GIVE PEACE A CHANCE. EMBROIDERED PATCH. 2019.</title>
		<link>https://unoriginalsins.co.uk/product/give-peace-a-chance-embroidered-partch-2019/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=give-peace-a-chance-embroidered-partch-2019</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=5939</guid>

					<description><![CDATA[Liverpool: Museum of Art, 2019

3 x 6cm, black on white machine embroidered clothing patch with the John Lennon and Yoko Ono's iconic slogan Give Peace A Chance. Unlimited edition.]]></description>
										<content:encoded><![CDATA[Liverpool: Museum of Art, 2019

3 x 6cm, black on white machine embroidered clothing patch with the John Lennon and Yoko Ono's iconic slogan Give Peace A Chance. Unlimited edition.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>IMAGINE PEACE. EMBROIDERED PATCH. 2019.</title>
		<link>https://unoriginalsins.co.uk/product/imagine-peace-embroidered-patch-2019/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=imagine-peace-embroidered-patch-2019</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=5940</guid>

					<description><![CDATA[Liverpool: Museum of Art, 2019

4.5 x 6cm, black on white machine embroidered clothing patch with Yoko Ono's slogan ImaginePeace. Unlimited edition.

&#160;]]></description>
										<content:encoded><![CDATA[Liverpool: Museum of Art, 2019

4.5 x 6cm, black on white machine embroidered clothing patch with Yoko Ono's slogan ImaginePeace. Unlimited edition.

&#160;]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ANNOUNCEMENT LEAFLET FOR LA DIALECTIQUE PEUT-ELLE CASSER DES BRIQUES? L&#8217;OISEAU DE MINERVE ET TELEMONDIAL PRESENTENT: LE PREMIER FILM ENTIEREMENT DETOURNE DE L&#8217;HISTOIRE DU CINEMA. V. O. SOUS-TITREE PAR L&#8217;ASSOCIATION POUR LE DEVELOPPEMENT DES LUTTES DE CLASSES ET LA PROPAGATION DU MATERIALISME DIALECTIQUE. 1972. (Copy)</title>
		<link>https://unoriginalsins.co.uk/product/announcement-leaflet-for-la-dialectique-peut-elle-casser-des-briques-loiseau-de-minerve-et-telemondial-presentent-le-premier-film-entierement-detourne-de-lhistoire-du-cinema-v-o-sous-titree-p/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=announcement-leaflet-for-la-dialectique-peut-elle-casser-des-briques-loiseau-de-minerve-et-telemondial-presentent-le-premier-film-entierement-detourne-de-lhistoire-du-cinema-v-o-sous-titree-p</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43272</guid>

					<description><![CDATA[<p class="p1"><span class="s1">Paris: Internationale Situationiste, n.d. (1972)</span></p>
<p class="p1"><span class="s1">32 x 23.5cm, 2pp full colour announcement leaflet/small poster - verso the same image as used on the original film poster , recto: a resume of the original film and false critical statements about it. </span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">The leaflet was publicity for the Situationist's experimental film which simply showed the Hong Kong original with the sound removed and Vienet's dubbed voice over laying political texts and obtuse sub-titles (in French). The entire appropriation being a experiment in cinematic detournment. Fine.</span></p>]]></description>
										<content:encoded><![CDATA[<p class="p1"><span class="s1">Paris: Internationale Situationiste, n.d. (1972)</span></p>
<p class="p1"><span class="s1">32 x 23.5cm, 2pp full colour announcement leaflet/small poster - verso the same image as used on the original film poster , recto: a resume of the original film and false critical statements about it. </span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">The leaflet was publicity for the Situationist's experimental film which simply showed the Hong Kong original with the sound removed and Vienet's dubbed voice over laying political texts and obtuse sub-titles (in French). The entire appropriation being a experiment in cinematic detournment. Fine.</span></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ES LEBE § 218 &#8211; DER BEITRAG DES BUNDESVERFASSUNGSGERICHTS ZUM JAHR DER FRAU. 1975.</title>
		<link>https://unoriginalsins.co.uk/product/es-lebe-%c2%a7-218-der-beitrag-des-bundesverfassungsgerichts-zum-jahr-der-frau-1975/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=es-lebe-%25c2%25a7-218-der-beitrag-des-bundesverfassungsgerichts-zum-jahr-der-frau-1975</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=55831</guid>

					<description><![CDATA[<div class="woocommerce-product-details__short-description">

Heidelberg: Edition Staeck, 1975

84 x 59.5cm, yellow and black offset lithograph poster showing the <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Federal Minister of the Interior Ernst Benda in the clothes of the President of the Federal Constitutional Court and in the background a crucifix on the wall. Issued as part of the campaign against the abortion ban (§ 218) passed by the Bundestag in 1975. As usual the Catholic Church in Germany opposed a woman's right to choose. VG+.</span>

</div>]]></description>
										<content:encoded><![CDATA[<div class="woocommerce-product-details__short-description">

Heidelberg: Edition Staeck, 1975

84 x 59.5cm, yellow and black offset lithograph poster showing the <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Federal Minister of the Interior Ernst Benda in the clothes of the President of the Federal Constitutional Court and in the background a crucifix on the wall. Issued as part of the campaign against the abortion ban (§ 218) passed by the Bundestag in 1975. As usual the Catholic Church in Germany opposed a woman's right to choose. VG+.</span>

</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>WEITER SO DEUTSCHLAND. 1986.</title>
		<link>https://unoriginalsins.co.uk/product/weiter-so-deutschland-1986/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=weiter-so-deutschland-1986</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=55742</guid>

					<description><![CDATA[Heidelberg: Edition Staeck,  1986

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">59.5 x 84cm, red, orange and black offset lithographic election poster with the message: "Keep it up Germany" and a bandaged thumb oozing blood. A sarcastic attack on the CDU. VG+. </span>

&#160;]]></description>
										<content:encoded><![CDATA[Heidelberg: Edition Staeck,  1986

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">59.5 x 84cm, red, orange and black offset lithographic election poster with the message: "Keep it up Germany" and a bandaged thumb oozing blood. A sarcastic attack on the CDU. VG+. </span>

&#160;]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
