30 x 21cm, unpaginated (c. 600pp?), no wrappers only an original wrap around folder displaying a reproduction of a newspaper cover from Bild Munchen in 1969 which has been over-printed. There are four sections of offset and mimeographed pages which begin with

SOMMERSTEMESTER 1970 DAS KULTUSMINISTERIUM VERSCHARFT SEINE REPRESSIONEN. DOKUMENTATION.

1. NITSCH-AKTION
KULTUSBUROKRATIE GEGEN SENATSBESCHLUSS

2. NUMERUS CLAUSUS
DURCH PRBEZEITPRUFUNH

and only one other section has a title

DER VIZEPRAS BREMNNINGER LIEFERT DEM KUMI UNTERTANIGST DIE SCHEINBAREN GRUNDE ZUR SCHLIESSUNG!

The entire publication is a 1970 documentation with some original leaflets inserted of the student rebellion in the Academy of Fine Arts in Munich and the reaction of the management and government by shutting the institution:

"On February 4, the AStA held a parody matriculation ceremony; a day later, the “Day of the Two-Wheeler” was held. In addition to some heavy machines, it primarily involved mopeds and bicycles that raced through the halls to “intimidate the establishment and profane the academy”. The students painted the walls with slogans and crude agitation art. The headline of the February 21 Bild-Zeitung read: “Munich's Academy Transformed into a Pigsty”. On February 22, Minister of Culture Ludwig Huber closed the academy; an administrative court ruling canceled the closure. Nestler resigned due to “interventionism by the Ministry of Education and Cultural Affairs”. In August, a presidential body under the chairmanship of Franz Nagel was appointed for the first time. The academy senate decided that in the future, all courses should be formulated in writing and posted, and that workshops for photography and plastic would be established.

"

Amongst the wall painting, the free access for motorbikes and other small vehicles was an Aktion by Nitsch which is documented by reproduced correspondence between players in the first section of the publication.

Small sections of the documents show badly reproduced images in b/w of the student protests, the wall paintings, bikes being ridden trhough the corridors and one that seems to be of a young Nitsch or Muehl painting the body of a nude woman and a further image of the Aktion and its crowd.

The outer wrappers are heavily damaged and torn and need repaired but this is a very scarce document of student protest and the Viennese Aktionists part in it. Priced to reflect this damage but still as we say very hard to find.

26 x 27cm, 264pp plus boards and pictorial dustjacket. A monograph and exhibition catalogue issued on the occasion of Orlan, methodes de l'artiste" in Parigi. B/w and colour illustrations throughout and essays by the artist, Regis Durand,  and others and an interview with Hans Ulrich Obrist.

There is a significant pictorial chronology for Orlan's work from 1964 to the present day.

This copy of the book has a lengthy handwritten dedication to Paul Robertson: "Pour Paul Robertson Sainte Orlan et Orlan-Corps Reunies (?) heurs baiser d'artistE un vrai de vrai des Draps-peaux" Signed and dated 20 Septembre 20000021 (sic) in thick black felt tipped pen.

30. 5 x 30.5cm, printed sleeve with images of a Nitsch aktion on the front and back as well as a standard 12 inch 33rpm record and two facsimile reproductions of the score for the work.

A re-issue of the music originally recorded by the Westdeutscher Rundfunk (WDR) of Köln, Germany this is one of the deluxe 50 copies  signed by Hermann NItsch on the musical score page. 

Record unplayed in VG+ sleeve and scores.

30 x 21cm, 4pp b/w conceptual artwork in the form of a mailed bulletin. Internally there is a black and white offset lithograph with an image of the two artists pictured at an angle to suggest drunkenness. Blind stamped with the text:  "Art For All, George, Gilbert, The Sculptors, London". One of only 400 mailed copies. Folded as issued with crease marks apparent. Rare - one of the very hardest of the A& bulletins to find.

ART & PROJECT BULLETIN 73. GILBERT & GEORGE, ART & PROJECT, 

60 x 40cm, red, cream and black offset lithographic exhibition poster with a reproduced drawing by Rainer and floating text. Folded for mailing else VG+.

29.7 x 21cm. Single Xerox sheet printed black on apple green paper with a textual work by Emin stressing her sexuality - from the time when she would write (as an artwork) a raunchy love letter to anyone who paid her 50 quid. One of only 300 numbered and signed copies. Fine and now quite rare.

22 x 14cm, 112pp plus cloth covered boards with foil stamping. Published soon after the death of the surrealist, transvestite photographer and painter who, on deciding his life was no longer worth living, placed a note on the door of his flat before shooting himself: It read: ";I am dead. The key is with the concierge."

The book consists of 100 b/w reproductions of Molinier's erotic and wholly believable self-portraits as a woman (occasionally with real women and female adult puppets as props). An unnumbered copy aside from the first edition of 43 copies (33 + 10 du tete). There is an handwritten dedication by a previous owner at the half-title but this is otherwise a very good copy of an elusive and desirable title.

10 x 21cm, 2pp announcement card for an exhibition of paintings by Iannone. One work in colour on the front (showing Iannone and Dieter Roth having sex in various ways), verso gallery details. VG+.