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	<title>Unoriginal Sins | </title>
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	<link>https://unoriginalsins.co.uk</link>
	<description>AVANT-GARDES</description>
	<lastBuildDate>Fri, 12 Dec 2025 13:50:04 +0000</lastBuildDate>
	<language>en-GB</language>
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	<url>https://unoriginalsins.co.uk/wp-content/uploads/2024/07/cropped-nTKdHdZI-1-1-32x32.png</url>
	<title>Unoriginal Sins | </title>
	<link>https://unoriginalsins.co.uk</link>
	<width>32</width>
	<height>32</height>
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	<item>
		<title>BREF JEN &#8216;AMUSEAUSOLEILDUNATINSOUSLESCHANTSD&#8217;OISEAUQUIMEROPPELLENT. 1970. SIGNED BY CHOPIN.</title>
		<link>https://unoriginalsins.co.uk/product/bref-jen-amuseausoleildunatinsousleschantsdoiseauquimeroppellent-1970-signed-by-chopin/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=bref-jen-amuseausoleildunatinsousleschantsdoiseauquimeroppellent-1970-signed-by-chopin</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 12 Dec 2025 13:30:53 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=60303</guid>

					<description><![CDATA[N.p. (Paris): n.p. (Robert Altmann/Brunidor), 1970

33 x 26cm, 1pp offset lithograph with a concrete poetry "portrait" by Henri Chopin possibly of  Robert Altman. A limited edition which is signed in pencil bottom right by Chopin but is unnumbered. VG+.]]></description>
										<content:encoded><![CDATA[N.p. (Paris): n.p. (Robert Altmann/Brunidor), 1970

33 x 26cm, 1pp offset lithograph with a concrete poetry "portrait" by Henri Chopin possibly of  Robert Altman. A limited edition which is signed in pencil bottom right by Chopin but is unnumbered. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>8th NEW YORK AVANT GARDE FESTIVAL AT WORLD TRADE CENTRE. 1971.</title>
		<link>https://unoriginalsins.co.uk/product/8th-new-york-avant-garde-festival-at-world-trade-centre-1971/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=8th-new-york-avant-garde-festival-at-world-trade-centre-1971</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 13 Nov 2025 09:10:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=34097</guid>

					<description><![CDATA[<div class="">
<div class=""><span class=""><span class="s1">NYC: New York Avant Garde Festival, 1971</span></span></div>
<div class=""><span class=""><span class="s1">73 x 37cm, full colour publicity poster for Moorman's annual festival featuring over 200 artists (all named on the poster) and offering performances and shows in all the artistic disciplines. The festival was based in the 69th Regiment Infantry Armory in Manhattan. The poster has various red hand applied rubber stamp impressions. </span></span></div>
<div class=""><span class=""><span class="s1">This is a mailed and folded copy of the poster. Very good condition although folded for mailing. This is one of the more difficult posters to find. </span></span></div>
</div>]]></description>
										<content:encoded><![CDATA[<div class="">
<div class=""><span class=""><span class="s1">NYC: New York Avant Garde Festival, 1971</span></span></div>
<div class=""><span class=""><span class="s1">73 x 37cm, full colour publicity poster for Moorman's annual festival featuring over 200 artists (all named on the poster) and offering performances and shows in all the artistic disciplines. The festival was based in the 69th Regiment Infantry Armory in Manhattan. The poster has various red hand applied rubber stamp impressions. </span></span></div>
<div class=""><span class=""><span class="s1">This is a mailed and folded copy of the poster. Very good condition although folded for mailing. This is one of the more difficult posters to find. </span></span></div>
</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>UM-LAUT. 1992.</title>
		<link>https://unoriginalsins.co.uk/product/um-laut-1992/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=um-laut-1992</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 03 Nov 2025 19:54:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=18469</guid>

					<description><![CDATA[Koln: Galerie Schuippenhauer, 1992
15 x 10.5cm, 2pp announcement card with a reproduced acrostic work on the front, gallery details on back. "With best regards XXX" written in an unknown hand on the reverse information side else VG.]]></description>
										<content:encoded><![CDATA[Koln: Galerie Schuippenhauer, 1992
15 x 10.5cm, 2pp announcement card with a reproduced acrostic work on the front, gallery details on back. "With best regards XXX" written in an unknown hand on the reverse information side else VG.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>EXEMPLA. 1973.</title>
		<link>https://unoriginalsins.co.uk/product/exempla-1973-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=exempla-1973-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 01 Nov 2025 21:42:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=49729</guid>

					<description><![CDATA[Firenze: Exempla, n.d. (1973)

11 x 23cm, black on white printed envelope with a logo design by Nannucci content of  a 40 x 63cm (open size) catalogue for the various print and object editions released by Nannucci's publicaiton house. Twenty different limited edition works by Jiri Kolar, Ben Vautier, Giorgio Griffa, Vincenzo Agnetti, Superstudio, Jochen Gerz, UFO, Saul Ostrow, Pietro Grozssi, Timm Ulrichs, Maurizio Nannucci, Mario Diacono, John Furnival, Guseppe Chiari, Adriano Spatola, Paolo Masi, Mario Mariotti, Auro Lecci, Marco Gastini and Claudio Parmiggiani. All illustrated in b/w. VG+ - a scarce item.]]></description>
										<content:encoded><![CDATA[Firenze: Exempla, n.d. (1973)

11 x 23cm, black on white printed envelope with a logo design by Nannucci content of  a 40 x 63cm (open size) catalogue for the various print and object editions released by Nannucci's publicaiton house. Twenty different limited edition works by Jiri Kolar, Ben Vautier, Giorgio Griffa, Vincenzo Agnetti, Superstudio, Jochen Gerz, UFO, Saul Ostrow, Pietro Grozssi, Timm Ulrichs, Maurizio Nannucci, Mario Diacono, John Furnival, Guseppe Chiari, Adriano Spatola, Paolo Masi, Mario Mariotti, Auro Lecci, Marco Gastini and Claudio Parmiggiani. All illustrated in b/w. VG+ - a scarce item.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ORDER IS REPETITION. 1989.</title>
		<link>https://unoriginalsins.co.uk/product/order-is-repetition-1989-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=order-is-repetition-1989-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<category><![CDATA[Artist's Postcards]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=47345</guid>

					<description><![CDATA[Little Sparta: Wild Hawthorn Press, n.d. (1989)
7.3 x 8.2cm, 4pp artist's card with two texts -

on the left "as in rat-a-tat" and on the right "Order is repetition".

The card is "dedicated" to Yves Hayat who had been a friend to the artist but attacked him after the Catherine Millet accused Finlay of being fascistic because he included a swastika in one of his works. The rat-a-tat clearly references shooting from a machine gun - and (metaphorically) Hayat is being murdered by words. VG+.]]></description>
										<content:encoded><![CDATA[Little Sparta: Wild Hawthorn Press, n.d. (1989)
7.3 x 8.2cm, 4pp artist's card with two texts -

on the left "as in rat-a-tat" and on the right "Order is repetition".

The card is "dedicated" to Yves Hayat who had been a friend to the artist but attacked him after the Catherine Millet accused Finlay of being fascistic because he included a swastika in one of his works. The rat-a-tat clearly references shooting from a machine gun - and (metaphorically) Hayat is being murdered by words. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>COPYING MACHINE-GUN. 1993.</title>
		<link>https://unoriginalsins.co.uk/product/copying-machine-gun-1993-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=copying-machine-gun-1993-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<category><![CDATA[Artist's Postcards]]></category>
		<category><![CDATA[PIA MARIA SIMIG]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=27965</guid>

					<description><![CDATA[Little Sparta: Wild Hawthorn Press, 1993
14.5 x 11.5cm, 2pp card with a photograph by Pia Simig of a photocopying machine in b/w. Below the image Finlay has added "COPYING_MACHINE-gun" - the sound of an old fashioned copier when set to repeat is somewhat similar to that of a machine gun shooting bullets quickly and repetitively. VG+.]]></description>
										<content:encoded><![CDATA[Little Sparta: Wild Hawthorn Press, 1993
14.5 x 11.5cm, 2pp card with a photograph by Pia Simig of a photocopying machine in b/w. Below the image Finlay has added "COPYING_MACHINE-gun" - the sound of an old fashioned copier when set to repeat is somewhat similar to that of a machine gun shooting bullets quickly and repetitively. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>AD INFINITUM A FICTION. 1973. ONE OF 50 NUMBERED &#038; DATED.</title>
		<link>https://unoriginalsins.co.uk/product/ad-infinitum-a-fiction-1973-one-of-50-numbered-dated/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ad-infinitum-a-fiction-1973-one-of-50-numbered-dated</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=4092</guid>

					<description><![CDATA[<p class="p1"><span class="s1">Germany: Klaus Groh, 1973</span></p>
<p class="p1"><span class="s1">10.3 x 7.5cm, 32pp plus card covers. Artists book. Hand made on a Xerox machine and with rubber stamped covers ("R.K.&#38;"). The text is a concrete poetry work with an ever expanding series of patterns created on a typewriter. Numbered and dated in pencil on the inside back cover from an edition of 80. The cheap single staple is rusted else VG+.</span></p>]]></description>
										<content:encoded><![CDATA[<p class="p1"><span class="s1">Germany: Klaus Groh, 1973</span></p>
<p class="p1"><span class="s1">10.3 x 7.5cm, 32pp plus card covers. Artists book. Hand made on a Xerox machine and with rubber stamped covers ("R.K.&#38;"). The text is a concrete poetry work with an ever expanding series of patterns created on a typewriter. Numbered and dated in pencil on the inside back cover from an edition of 80. The cheap single staple is rusted else VG+.</span></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>BATTLE OF BRITAIN DAY SEPTEMBER 15. 1994.</title>
		<link>https://unoriginalsins.co.uk/product/battle-of-britain-day-september-15-1994-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=battle-of-britain-day-september-15-1994-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<category><![CDATA[Artist's Postcards]]></category>
		<category><![CDATA[Gary Hincks]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=47176</guid>

					<description><![CDATA[Little Sparta: Wild Hawthorn Press, 1994
6.4 x 7.7cm, 4pp (single folded sheet) with a painting by Gary Hincks of a sky full of white trails on the front. Inside Finlay has a two line poem

Season of mists and milling Messerschmitts,
Close bosom-friend of the repeating gun.

The smoke trails are not solid but dotted lines - much as a trail of bullets can be seen in comic depictions of machine gun fire. VG+.]]></description>
										<content:encoded><![CDATA[Little Sparta: Wild Hawthorn Press, 1994
6.4 x 7.7cm, 4pp (single folded sheet) with a painting by Gary Hincks of a sky full of white trails on the front. Inside Finlay has a two line poem

Season of mists and milling Messerschmitts,
Close bosom-friend of the repeating gun.

The smoke trails are not solid but dotted lines - much as a trail of bullets can be seen in comic depictions of machine gun fire. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>LH423 SCARLET THREAD.</title>
		<link>https://unoriginalsins.co.uk/product/lh423-scarlet-thread/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lh423-scarlet-thread</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=848</guid>

					<description><![CDATA[<div>Edinburgh: Morning Star Press, n.d.
4 x 0.5cm, machine embroidered name patch issued as part of a book publication by the Press - but here offered alone. The red thread simply notes the number and name of the boat that Finlay noted with interest. The colour of the thread reflecting the name. VG+ condition.</div>]]></description>
										<content:encoded><![CDATA[<div>Edinburgh: Morning Star Press, n.d.
4 x 0.5cm, machine embroidered name patch issued as part of a book publication by the Press - but here offered alone. The red thread simply notes the number and name of the boat that Finlay noted with interest. The colour of the thread reflecting the name. VG+ condition.</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>WREATHING OF ROCKETS. 1986.</title>
		<link>https://unoriginalsins.co.uk/product/wreathing-of-rockets-1986-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wreathing-of-rockets-1986-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<category><![CDATA[Artist's Postcards]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=47092</guid>

					<description><![CDATA[Little Sparta: Wild Hawthorn Press, 1986
7 x 7cm, 4pp folding card with a poem by Finlay based on a newspaper report on the repairs made to wells which gave the poet his last line.

wreathing of rockets&#60;BR.
dusting of dreadnoughts
greening of gun-sites
parading of panzers
dressing of wells

The lines all describe war machines being camouflaged - a common theme in Finlay which is a momento mori - death can be found in beauty. VG+.]]></description>
										<content:encoded><![CDATA[Little Sparta: Wild Hawthorn Press, 1986
7 x 7cm, 4pp folding card with a poem by Finlay based on a newspaper report on the repairs made to wells which gave the poet his last line.

wreathing of rockets&#60;BR.
dusting of dreadnoughts
greening of gun-sites
parading of panzers
dressing of wells

The lines all describe war machines being camouflaged - a common theme in Finlay which is a momento mori - death can be found in beauty. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>REEDPIPE. 1990. ONE OF 150 SIGNED &#038; NUMBERED COPIES.</title>
		<link>https://unoriginalsins.co.uk/product/reedpipe-1990-one-of-150-signed-numbered-copies-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=reedpipe-1990-one-of-150-signed-numbered-copies-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<category><![CDATA[Prints + Posters]]></category>
		<category><![CDATA[Martyn Greenhalgh]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=46611</guid>

					<description><![CDATA[Lugo: Exempla, Firenze &#38; Exit, 1990<BR>
25.8 x 19cm, 4pp single sheet of folded card in printed envelope. The card opens up to show a photograph by Martyn Greenhalgh of an automatic machine gun which has holes on the barrel to reduce heat. The gun can be seen against sheets of unused musical notation paper - hence the gun with the hole's becomes a violent form of Pan's reed pipes. The image is printed in light green to further emphasise the vegetative aspect of the work.<BR>This is one of 150 signed and numbered copies (on the back of the envelope). VG+.<BR><BR>
]]></description>
										<content:encoded><![CDATA[Lugo: Exempla, Firenze &#38; Exit, 1990<BR>
25.8 x 19cm, 4pp single sheet of folded card in printed envelope. The card opens up to show a photograph by Martyn Greenhalgh of an automatic machine gun which has holes on the barrel to reduce heat. The gun can be seen against sheets of unused musical notation paper - hence the gun with the hole's becomes a violent form of Pan's reed pipes. The image is printed in light green to further emphasise the vegetative aspect of the work.<BR>This is one of 150 signed and numbered copies (on the back of the envelope). VG+.<BR><BR>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>PRINZ EUGEN. 1999?</title>
		<link>https://unoriginalsins.co.uk/product/prinz-eugen-1999-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=prinz-eugen-1999-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<category><![CDATA[Poems in folders]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=47322</guid>

					<description><![CDATA[Little Sparta: Wild Hawthorn Press, n.d. (1999?)
8 x 20.5cm, 4pp outer folded with a black on deep blue drawing of the famous heavy cruiser. Internally there is a 8 x 20.5cm, 4p printed sheet with a poem:

PRINZ EUGEN*
Her nouns were round, her verbs were straight and swift

The poem sees the battleship as a sentence - the actions of this war machine are immediate and once presumes deadly, it's shape and form more aesthetic.
One of Finlay's poems in a folder although the format could be seen as a card.
VG+.]]></description>
										<content:encoded><![CDATA[Little Sparta: Wild Hawthorn Press, n.d. (1999?)
8 x 20.5cm, 4pp outer folded with a black on deep blue drawing of the famous heavy cruiser. Internally there is a 8 x 20.5cm, 4p printed sheet with a poem:

PRINZ EUGEN*
Her nouns were round, her verbs were straight and swift

The poem sees the battleship as a sentence - the actions of this war machine are immediate and once presumes deadly, it's shape and form more aesthetic.
One of Finlay's poems in a folder although the format could be seen as a card.
VG+.]]></content:encoded>
					
		
		
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