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JAMES LEE BYARS

James Lee Byars was born in Detroit in 1932. An early interest in sculpture and oriental art took him to Japan and the far East before returning to Europe and creating a strong body of work which might be regarded as “romantic minimalism”. By the 1970s he was regarded as one of the USA’s most important conceptual artists.

He was best known for a series of slight performance art actions (such as giving a brief smile to the world after emerging from a museum window) as well as very large and very small sculptural works. The use of paper (and particularly unusual papers) in editions and printed material was also a regular motif. Some of Byars’ works are just a few millimetres in size, others were the size of entire streets.

Byars also created unique letters for many of his friends and these constructions – often written in an unusual “starry” hand – are usually regarded as unique works by the artist on par with his sculptures. They are keenly collected.

Byars suddenly died in Cairo in 1997. His grave is a simple one – and its monument does not match the artist’s pure aesthetic – a final irony.

This collection of over 100 unique works, editions, documents and ephemera display a width of Byars’ artistic endeavours. It has been collected over 15 years by curator Paul Robertson and is currently in the hands of Unoriginal Sins. We will be displaying the entire collection here in this section of the website.New items will be added all the time – do check back.

WORKS AND STORIES. 2010.

Rivett: Peter Jones and Susan Taylor, 2010 10.5 x 15cm, 2pp. Announcement card – text only. Mailed copy. . Fine.

PORTRAIT OF JAMES LEE BYARS. 2013.

Mexico: Museo Jumex , 2013 10.5 x 15cm, 2pp. Postcard with a b/w image of the back of the artist recto, reverse gallery details. Fine but with punched hole as issued (bizarrely) by the museum.

1/2 AN AUTOBIOGRAPHY. 2013.

Mexico: Museo Jumex , 2013 30 x 21cm, 2pp. Museum handout for a major retrospective of work by the artist.

JAMES LEE BYARS. 1/2 AN AUTOBIOGRAPHY. 2014.

Mexico/Koln/NYC: Museo Jumex/ Walther König/MoMA PS1, 2014. 24 x 17cm, 302pp plus plasticised wrappers. Monograph and exhibition catalogue for a large scale retrospective that began in Mexico but travelled to the USA. Colour and b/w images throughout. Texts in Spanish. VG+.

JAMES LEE BYARS. THE PERFECT KISS. 2018.

Bruxelles: M HKA, 2018 15 x 10.5cm, 2pp postcard released for the posthumous retrospective with an image of Byars with a “plague doctor” mask on. Vg.

JAMES LEE BYARS. THE PERFECT KISS. 2018.

Bruxelles: M HKA, 2018 15 x 10.5cm, 2pp postcard released for the posthumous retrospective with an image of a small work TH FI TO IN PH from 1975 – a wooden toothpick with the handwritten text. VG.

JAMES LEE BYARS. THE PERFECT KISS. 2018.

Bruxelles: M HKA, 2018 15 x 10.5cm, 2pp postcard released for the posthumous retrospective with an image from the film Autobiography from 1970. VG.