Glasgow: Wax366, 1998
12 x 11.2cm, 4pp folded card to create a small book. On the front the word LEAVES has been hand-typed by Bellingham and inside the alphabet with the word TREE replacing the letter C.
Bellingham did an unspecified number of these works by hand - a very early concrete poetry work. Signed on the back in pencil. A very early work by the artist. VG+.

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Glasgow: WAX336, 1997
15 x 10.5cm, 2pp. Artist's card with a morse code message on the front and on the back the explanation that it reads: "Less dots, fewer dashes". Issued on the occasion of the H.M. Coastguard ceasing monitoring Morse transmissions on 31st December 1997. VG+.

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Glasgow: Wax366, 1997
10.5 x 15cm, 2pp artist postcard with a colour photograph of a British speed camera which has been painted in camouflage colours on the front. Jointly created with Jim Hamlyn. VG+.

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Brussels: Galerie Bortier 1997
10.5 x 15cm,2pp artist postcard with a full colour photograph of a bowl of lemons with toy cars (Citroens) added. A take on Broodthaers' original correspondence work (and also somewhat similar to an Ian Hamilton Finlay work - Citrones). This example is signed on the back by the artist in black ink. VG+. ...

Glasgow: Wax366, n.d. (1996)
10 x 12.5cm, 2pp artist postcard with a b/w image of rocket fireworks in bottles labelled Revenge, Resolution, Renown and Repulse (all names of the Resolution class of nuclear ships which were retired from active service on28th August 1995 and replaced by the Vanguard class which carry Polaris missles). There is a handwritten note on the back "This is the fireworks piece I mentioned. If Tony (Blair) gets his way it will have to be updated. Best, David" in pencil. VG+

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Glasgow: Wax366, 1996
10 x 12.5cm, 2pp artist postcard with a b/w image of bird box (on a tripod stand) in a copse of trees, presumably able to be moved by the artist (John Bevid). VG+

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Glasgow: Bellingham, 1994
14.7 x 11. 5cm, 24pp hand made artist's book which has alternative black and white card pages and between the pages Small yellow inserts with hand typed text with opposing adverbs and adjectives such as on/off and light/dark or left/right before/after or that/this and this that. The front cover is also typed with a long list of complementary colours such as blue/red and yellow green.
This is one of only 35 hand-made books (each was typed by Belllingham) and one of the artist's very first works made while he was still a student. VG+ in original plastic transparent envelope as issued. The book is signed and numebred by the artist on the inside back cover. Very rare.

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Glasgow: Bellingham, 2016
14.7 x 11. 5cm, 28pp plus card covers. An unique hand made artist's book which has black inner pages on which half have diagonal close hatched lines hand-drawn on each page to take up 50% of the space of the page - hence "Half full/half empty".
This is one of only 35 hand-made books but each is (as noted) unique and one of the artist's very first works made while he was still a student. VG+ in original plastic transparent envelope as issued. The title is hand written on the front and the back in pencil and the book is signed and dated by the artist on the back cover. Very rare.

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Glasgow: Bellingham, 2016
14.7 x 11. 5cm, 24pp hand made artist's book which has black and white card pages which have been split by the artist and string bound together. As a result each page is black and white in equal amount. This is one of only 35 hand-made books and one of the artist's very first works made while he was still a student. VG+ in original plastic transparent envelope as issued. The title is hand written on the front and the back in pencil and the book is signed and dated by the artist on the back cover. Very rare.

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