Edinburgh: Fruitmarket Gallery, 1992
21 x 15cm, 8pp (single folded sheet). The programme and small poster for a group exhibition of works by a range of artists including Finlay. While not being specific to concrete and visual poetry the events (which included talks, films and workshops as well as the exhibition) - a large number of those exhibited worked in that field.
Poiesis as we all know is a definition of poetry as "anything supremely harmonious or satisfying" - which to be fair describes much of Finlay's work and motivation and is almost a definition of neo-classicism. Minor wear at folds else VG..

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Edinburgh: Graeme Murray Gallery/Fruitmarket Gallery 1992
21 x 7.8cm, 4pp announcement card with offers of editions and books released during the solo exhibition with a reproduction of Finlay's Evening Will Come They Will Sew The Blue Sail on the front in blue on white. The card announces the release of the second edition of the print (which was signed and numbered unlike the first edition from 1970). VG+.

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London: Victoria Miro Gallery, 1992 22 x 15cm, 4pp , triangular shaped announcement card fpr an exhibition of small maquettes for sculptures. These small works are delights and one - Pyramid Beautiful Fanatical - is reproduced on the front (the card shape having been chosen to reflect the shape. The work probably references either Saint Just or Robespierre. VG+. ...

Friedrichstrafen: Kunstverein Friedrichstrafen, 1991
10.5 x 21cm, 4pp announcement card with with a reproduction of Finlay's Prince Eugen print on the front. VG+.

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NYC: Christine Burgin Gallery, 1990
19 x 12.7cm, 1pp black on light brown announcement leaflet for a show listing eight proposals (public installations) from 1985 until 1989. Typographic design. VG+.

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