30 x 21cm, 1pp original carbon copy on typing paper. A copy of a letter sent by Finlay to the Cultural Attache at the American Embassy in London.
The letter informs them that several works on loan to Little Sparta from the Sol Lewitt Collection in the Wadsworth Atheneum had been "stolen by officers of Strathclyde Region". The works Finlay believes were then "handed to the art dealer's Christie's. This is not the branch of Christie's which rumour has linked with the Mafia." Finlay states he asked for the works back but Christie's refused.
Finlay being Finlay reported the "theft" to the police who "made it clear to me that they were unlikely to take action." Other institutions also refused help, Finlay states that the Sheriff Officer Alexander Walker "though he prefers to be known as Sandy" was the main "robber" and that Walker is known to be leaving the country "today".
Finlay does not actually ask the Embassy to take any action - but it is inferred as a theft against an US establishment. The letter is really a bit of fun which Finlay can use later for press attention. Well worth reading.

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30 x 21cm, 1pp original carbon copy on typing paper.
A copy of a letter sent by Finlay to the J. N. Young, Assistant Director of Finance for Strathclyde Region.
The letter informs Mr Young that much like the way Strathclyde Region had demanded proof of ownership of any works taken from Little Sparta if they were to be returned on the basis that they were not entirely Finlay's property, that he, Finlay, will now apply the same logic to "any of your property" should he "happen to find himself in possession of it.".
Finlay then wrote "Some might think that the Region has not only engaged in theft but is proposing a kind of Instant Abolition of all Property - no doubt an enlightened policy but is it one which is to be expected from Stalinist Populists?"
A hilarious letter with copies sent to most members of the Saint-Just Vigilantes.

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Littel Sparta: Finlay, 6th February 1983
30 x 21cm, original xerox copy of a statement quoting the text of a telegram sent by Ian Hamilton Finlay to the Chief Executive of Strathclyde Region. The text reads:
LITTLE SPARTA 6 2 83 1400 HOURS STOP LITTLE SPARTA ACKNOWLEDGES MESSAGES OF SUPPORT RECEIVED DURING FRIDAY'S SUCCESSFUL BATTLE INCLUDING TELEGRAMS FROM LONDON PARIS BERLIN STOP LS OFFERS IMMEDIATE WITHDRAWAL DEFENCES IN EXCHANGE DISCUSSIONS WITH STRATHCLYDE REGION STOP LS ALLOWS DISCUSSIONS TAKE PLACE UNDER TRIPARTITE AGREEMENT BETWEEN LS SR AND SAC STOP.

A proposal for the Scottish Arts Council to help mediate a solution to the dispute between the Region and FInlay. Later Finlay would feel the SAC had betrayed him (and art) by refusing to take a stance.
A the bottom of this leaflet is the text "FERME ORNEE ARMOURED TANK" and a rare (reproduced) drawing by Finlay of a haystack with a stick protruding from it (to look like a tank).

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Little Sparta: Finlay, 4th February 1983
An original vintage xerox 30 x 21cm, 1pp campaign leaflet handed out by the Saint-Just Vigilantes during protests against the Warrant Sale of works taken from Finlay's Temple by Strathclyde region. Facsimile of Finlay's handwriting the text "despises that entertainment industry known as The Arts, all silent and absent, acquiescent art critics, all collaborating artists (Houston, Moffat, Morgan, etc) NEW NUREMBERGS AWAIT THEM, all unbureaucratic bureaucrats and their eccentric last stands on horrible Stalinist principles."
"Little Sparta supports: the right to live under present laws, the right to remain within Great Britain, the right to act in the light (and shade) of traditional Europe."
LITTLE SPARTA: AN IMAGINARY GARDEN WITH REAL POLICE"

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30 x 21cm, 1pp original carbon copy on typing paper. A copy of a letter sent by Finlay to the publishing house Thames and Hudson.
Finlay claims that Thames and Hudson consider him to be anti-semite. He identifies this having arisen from Finlay submitting a book on Albert Speer's Spandau garden for publication. Finlay claims the publisher's stance is because of their "anti-Speerism" and Finlay says that recently deceased Albert Speer was a "dear friend". Finlay then posits a long and detailed argument that the publishers had entered the debate by stressing their jewishness when he had not. Finlay then attacks specifically Nikos Stangos who was an employee of T&H. Finlay claims he was initially enthusiastic about the Speer book then changed his mind suddenly. He is charged with acting unprofessionally and altering his position only after T&H rejected Finlay publicly.
Finally Finlay threatens legal action.
This is a difficult letter as Finlay's argument is a sophisticated one - on the surface attacking jewishness is evidence of being anti-semite but Finlay argues he only raised T&H jewish roots after they brought the public's attention to it and therefore it was an area of debate that was legitimate. The letter is borderline sophistry - it is clear that Finlay was not anti-semitic or nazi - but his willingness to defend people near to the National Socialist Party like Speer opened him up to attack. Some of those attacks were very biased and unfair (one can see deliberate misrepresentation in Catherine Millet for instance) but it is perhaps understandable how some might misunderstand Finlay's position.

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25 x 20cm, original carbon copy on typing paper. A letter sent by Finlay to members of the press "drawing their attention to the third and fifth paragraphs of the enclosed letter" .
This was the covering letter that accompanied a xerox letter from the Director of the Kroller Muller Museum in the Netherlands which gave support to Finlay (see separate listing in this section of the collection). Finlay points out that if an "poet has a Sacred Grove in Holland, the Region can 'take at face value his assertion that his garden temple is a spiritual building.'"
Finlay also quotes Priscus of Panium's History of His Own Times on the moral legitimacy of constitutions.

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Little Sparta: Finlay, franked: November 1982)
Standard hand addressed DL manilla postal envelope to Harry Warschauer. Notable for the black rubber stamp impression added by Finlay to the front: "STRATHCLYDE REGION FOR NACHT UND NEBEL" and cinderella stamp showing Joseph Stalin and the words "Strathclyde Region". The mailing process has franked the cinderella stamp! . Return address stamping on back. Slightly roughly opened.

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Little Sparta: Finlay, 1982
30 x 21cm, 2pp vintage xerox copy (on yellow paper) of a letter sent by Finlay to the then Minister of the Arts.
As often from Finlay bitterly biting letter to the Minister firstly complaining that he did not reply to letters. FInlay complains that the legally instituted Scottish Arts Council refuse to advise Strathclyde Region whether Finlay's disputed building is a temple or not.
Finlay notes that the SAC suggested that a committee should perhaps run Little Sparta rather than Finlay - Finlay in turn here suggests that "We, for our part, are entirely willing to declare ourselves a committee and run the SAC."
Finlay says that he does not expect a response to this letter but just wants to put on record his opposition to a proposed meeting between the region and the SAC. He also noted that the SAC refuses to talk to him unless through a solicitor because he had previously complained to the Arts Minister about their behaviour.
Finally Finlay writes: "The state is one of total stupidity and total complacency. The need is for a Revolution."
A copy of the original circulated to friends for the purpose of information as was Finlay's habit at this time.

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Little Sparta: Finlay, 1982
30 x 21cm, 2pp vintage xerox copy (on yellow paper) of a letter sent by Finlay to Alexander Walker, Strathclyde region's Sheriff Officer.
A bitterly sarcastic letter to Walker liking the latter's threat of a Warrant Sale to a nuclear threat and suggesting that they were determined to get their money by a "kind of extortion with menaces".
Finlay accuses him of cowardice - running away when it was clear there was more than "six sad Scotch standing by a nasty, brutish, short auction".
Finlay after much further and witty opprobrium towards the poor bureaucrat, argues that the law is being abused, that it's application is flexible and could easily be stopped if the Region wanted and hinting at wanting a reconciliation (which given the abuse in the letter seems hardly likely to be agreed upon.)
A copy of the original circulated to friends for the purpose of information as was Finlay's habit at this time.

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Otterlo: Kroller Muller Museum, 1982
30 x 21cm, 1pp vintage xerox copy of a letter sent from the Director of the Kroller Muller Museum expressing support for Finlay after the issue of a warrant for the arrestment of works of art from Little Sparta. The Director indicates that he thinks such a sale will "endanger the existence" of Finlay's garden and calls on the garden to be "kept and protected as (Finlay's major opus".
The letter offers support by the purchase of a work to a maximum of £2000.
Circulated to friends of Little Sparta and the press as part of Finlay's PR campaign against the Regional Council.

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Little Sparta: Finlay, n.d. (c. 1982)
Standard hand addressed DL manilla postal envelope to Harry Warschauer. Notable for the black rubber stamp impression added by Finlay to the front: "STRATHCLYDE REGION FOR NACHT-UND-NEBEL" and also a 3 x 2cm, b/w cinderella postal stamp designed by Finlay with an image of Joseph Stalin with the words "Strathclyde region" above and below and a fictitious price of 15p. Return address stamping on back. Slightly roughly opened. Interestingly the postal service has cancelled the cinderella stamps as well as the authentic stamp.

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