Little Sparta: Wild Hawthorn Press, 1994 10 x 7.4cm, 8pp plus wrappers and printed dustjacket. Artist's book with a poem by Finlay and a quote from Virgil's Aeneid about sailing which regards ships as "nymphs of ocean".:

"ships
nymphs

nymphs
ships

.

bark
barque

barque
bark

VG+. JOINT (LAID IN): 10 x 4.5cm, 2pp explanatory card ('bookmark") by Thomas A. Clark which points to the transformation of boat into wood and wood into boat as well as the classical tropes of change in gods and humans. VG+. ...

Little Sparta: Wild Hawthorn Press, 1994
8.4 x 12.5cm, 1pp card printed red and black on grey with the latin inscription that translates to the "the final argument of kings" which traditionally meant a resort to arms, however Finlay wryly notes that :We have noting to add to our previous correspondence" is a modern equivalent and notes it as "the final argument of our rulers." VG+.

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Little Sparta: Wild Hawthorn Press, 1994
9 x 9cm, 4pp card with a painting of an archery target on the front and inside a definition:
Arrow, n. a heart seeking missile.
and a quotation about cupid from"Myths" by Bulfinch. Finlay updates the original Greek myth to a modern times where the "heat-seeking" missile is replaced by the "heart-seeking" arrow. VG+.

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Little Sparta: Wild Hawthorn Press, 1998
12.7 x 16.3cm, 4pp with 1pp transparent leaf internally:

on the left and right of the internal pages are colour photographs of two metal sculptures - both wheel barrows one carrying fallen oak leaves and the other flowering pots. The photographs were taken by Antonia Reeve. The text on the leaf reads:

Be good and with me walk/The old devalued park/Where autumn has set in. - a line from a poem by the American poet Karl Shapiro.

The work shows the two seasons of Autumn and Spring - with the contents of the barrow reflecting the gardener's tasks at each time. VG+. ...

Little Sparta: Wild Hawthorn Press, 1994
13 x 6.5cm, 4pp card with a poem on the front:

Wild
post.
rose
van

The post and van words are in italics. Recombining the words in different orders gives different images and meanings while the original wild rose and post van are both objects that are red in nature (the card is printed in red on white). VG+.

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Little Sparta: Wild Hawthorn Press, 1994
15.3 x 14cm, 2pp card displaying Robin Gillander's photograph of a work in the garden of Little Sparta dedicated to Lorine Niedecker (a friend and a poet published by Finlay in some of his earliest initiatives. The work is hard to read because of shadows.
The image was also used in a book in honour of the dead poet.
This example has been stamped and posted and hand-addressed by Finlay to his son Eck. VG+ with minor postal marks.

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Little Sparta: Wild Hawthorn Press, 1993
9.7 x 9.2cm, 4pp Christmas card printed black on white with a drawing after John Flaxman by Gary Hincks of "Sleep and Death conveying the body of Sarpedon to Lycia" - from Homer's 'Iliad'.
Finlay uses the image to add a new legend:
A flak-damaged B-17 finds a friendly escort in enemy airspace. Level contrails are those of out-going USAAF formations.
A previous published card by Finlay also updates a re-working of Flaxman to the second world war.
Sarpedon was a prince in the Trojan war who was killed and sent home for burial with the help of the gods. This example is in original mailing envelope and has the message "happy Chrstmas from Ian in red felt tipped pen over the inner blank double pages. VG+.

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Little Sparta: Wild Hawthorn Press, 1993
11 x 7cm, 44pp plus green embossed boards. An artist's book with sixteen line drawings of various roses by Gary Hincks with the names of appropriate boats and their harbour numbers below. The last rose is XMAS ROSE and the name printed in red.
A long time interest in using boat names and numbers as poetry and sound elements as well as identifying certain boats with flowers is here again prominent.
This was published as a Christmas gift by Finlay in an edition of only 250 copies. VG+.

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Little Sparta: Wild Hawthorn Press, 1993
17.5 x 14.5cm, 4pp light green outer folder with printed title. Internally a 17.5 x 14.5cm, 4pp sheet with two concrete poems left and right
The left poem repeats the word oval as a central spine to the work with the words leaf blue song pink foal grey on both sides with the letters emboldened to create a rough oval of the letters (see photograph). The right hand poem has the same physical structure but the words leaf blue song pink foal grey become the central spine of the design and the word oval is repeated above, below and on both sides.
This is one of a series of works which the Wild Hawthorn Press denoted as "Poems in folders". VG+.

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Lenbachhaus: Stadtische Galerie, 1993
11 x 10.4cm, 40pp plus printed brown boards. Artist's book with drawings of wild flowers by Gary Hincks with their common name alongs side their scientific classification. A single text at the end of the book states:
Das Wort aus Stein: Wildflower. (Trans. The word of stone: WIldflower).
which may refer to the strength of such flowers (oft called weeds) in surviving.
JOINT WITH: 11 x 10.4cm, 12pp accordion folded insert. A textual commentary by Patrick Eyres.
Both one of 750 examples printed on the occasion of a German exhibition in Lenbachhaus. VG+.

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