Little Sparta: Wild Hawthorn Press, 1982
14 x 14.5cm, full sheet with retained margins of three cinderella stamps - the first is KINGDOM OF FIFE - a 1p stamp with an image of four boats on it. The second is ARCADIA which is a 14p "stamp" with a drawing of peas open in a pod and the final stamp is an image of Joseph Stalin with the words STRATHCLYDE REGION above and below and is a 15p stamp. Unused and in near mint condition.

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Little Sparta: Wild Hawthorn Press, 1982
30.2 x 53cm, brown and black on white offset lithograph. A painting buy Ian Gadner of a line of boats - all "penny browns". Penny Brown stamps were a mid 19th century postal stamp and one presumes there is a visual correspondence between this delightful maritime scene and the idea of individual items moving to a destination. VG.

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Little Sparta: Saint-Just Vigilantes (Finlay), n.d. (c. 1982)
30 x 21cm, vintage spirit duplicate of public leaflet written by Finlay quoting Saint Just and arguing the difference between a revolutionary and a reactionary and a further quotation by Denis Roche argues that it is the change in language that takes place during a revolution that is truly revolutionary.
Further short texts by Finlay alter a C.H. Sisson's quote in favour of revolutionary action. The leaflet which was handed out at a public demonstration in support of Finlay is "dedicated to the memory of the poet Robert Kenedy". Poor quality of reproduction as issued but else VG+.
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Alsbach: Verlaggalerie Leaman, 1982
11.5 x 11.2cm, 20pp plus oversize wrappers. Artist's book containing five drawings by Gary Hincks and poems by Finlay.

IMPROVISATIONS

leaf-boat
cottonreel-tank

cottonreel-boat
leaf-tank

which is illustrated with drawings of bobbins used in toy model making.
One of 500 copies. VG+.

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Little Sparta: Wild Hawthorn Press, 1982
24x 18cm, folded card with two tipped on images - the first a painting by Ian Gardner of The Temple of Fame, Studley Royal - a wooden "temple" built for William Aislabie in 1770 amongst woodlands and a extract in appears to be a facsimile of dictionary definitions but in fact gathered from various sources by Finlay for the words Dove, East, Fame, Gnomon and Horizon. VG.

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Dunsyre: Wild Hawthorn Press, (1982)
13 x 25.2cm, 8pp plus card wrappers and printed white dust jacket.
Artist's book with two drawings of the Japanese planes trying to return to their aircraft carrier which is on fire as a result most had to crash into the seas and the pilots drown. The quotation is "The last honey by the water that no hive can find." from Austin Clarke's The Cattledrive in Connaught" 1925. The Clarke quotation has its flaws - it is the bee that seeks the pollen not the hive so the line is rather reversed but Finlay ignores that (as he does in other publications such as the Black Sparrow Press, publication also of 1982 called "Honey by the water." VG+.

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Dunsyre: Wild Hawthorn Press, (1982)
9.9 x 11.1cm, 28pp plus card wrappers and printed white dust jacket.
Artist's book with three sections - the first shows a unit (a dot), a line (two dots) and a plane (three dots). The second is Unit, line panzer (altering the dots into representing military units) and then, finally, unit, line, plane (the last page has two crosses and a dot instead of three dots. The simplest of changes creates significant differences in meaning. VG+

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Little Sparta: Wild Hawthorn Press, 1983
Two folding cards.
The first card is
ARBOR FELICE ARBOR PHILHELLENE
9.3 x 11.7cm, 1pp green on white. A four sided stand up to create a geometric form of tree trunk with the text "ARBOR FELICE ARBOR PHILHELLENE". One translation is "The tree "suckles you" you lover of Greeks" (our flawed translation) but there are other alternatives it seems. VG+
The second card is
THE BIRCH TREE RECALLS YOU O PHILHELLENES
11.6 x 14cm, 1pp green on white. A four sided stand up to create a geometric form of tree trunk with the title text. Again praise for those who praise the Greeks. Birch trees only just grow on the northern borders of Greece and also in colder, higher areas.
These two card sculptures are paired - and there are large scale tree plaques by Finlay that also bear the inscriptions and are expected to be exhibited/installed together. VG+.

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Dunsyre, : Wild Hawthorn Press, (1982)
7.5 x 9.5cm, 12pp plus card wrappers and printed white dust jacket.
Artist's book with a drawing of a circle, a classical column and a cube by Ian Gardner. The text is "Volume makes beauty/ and the most beautiful forms" with the latter on the page with the drawings "are the sphere, the cylinder, the cube." a quote from Vitulio from the 12th century. (One is reminded of Paul Cezanne's similar statement).
Finlay has replaced the cylinder with a classical column - changing Vitulio's statement into a promotion of neo-classicism. VG+

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Dunsyre, : Wild Hawthorn Press, (1982)
7.5 x 9.5cm, 12pp plus card wrappers and printed pink dust jacket.
Artist's book with two drawings by Ian Gardner - one entitled The Orgy of The Cherries - where the stalks and stones are scattered and L'Idylle de Cerises where the cherries are uneaten and the stalks still attached. The L'Idylle de Cerises is a reference from a chapter heading from Rousseau's Les Confessions. Cherries are associated with sexual pleasure and Rousseau mentions them in a context of mild desire. The book (printed on pink to reflect the colour of the fruit) shows the detritus of cherry eating - with all the stones scattered - as a metaphor for an orgy when all the participants are exhausted and strewn across the bed. VG+.

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Crown Point Press, 1982
26 x 21cm, two part folding portfolio box with tipped on label. Vision is a monographic journal of contemporary art edited and curated by Tom Marioni. This boxed catalog of artists' photo reproductions, each printed on glossy heavy weight paper. Artists include Vito Acconci, John Baldessari, John Cage, Joan Jonas, Sol LeWitt, Ricahrd Tuttle, Richard Long, Dorothea Rockburne as well as Ian Hamilton Finlay. who has an untitled view of a tree with a swastica band and an axe sculpture. Limited edition but edition size is not noted. VG+ in like box.

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Dunsyre, : Wild Hawthorn Press, (1981)
12 x 12cm, 40pp plus card wrappers and printed photo-pictorial dust jacket.
Artist's book where Finlay has placed translations of the Anaximander Fragment (the earliest known extant philosophical thesis) opposite images of a broken classical column and its base found in the extended grounds of Little Sparta (then Stoneypath). The column was of course deliberately partly destroyed as the original artwork. The images, in b/w , were by Harvey Dwight.
The philosophers cited here are Diels, Nietzsche, Heidegger, Jaeger, Weil, Kahn, Kirk, Hussey, Burnet, Lloyd-Jones and Jaspers.
The fragment from Anaximander (600 BC) is a statement about how life has to make way for death out of necessity and each translation has subtle different meanings. Of course, the fact that only a tiny amount of the thoughts of Anaximander has survived into the present day is a mirror of the ruined (by intent) column.
The consideration of man's death is a major theme running through much of Finlay's output - and this falls heavily in the middle of his fascination of momento mori and similar works. VG+ example of a very scarce book.

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