Dunsyre, : Wild Hawthorn Press, (1981)
17.8 x 13.9cm, light brown outer folder content of three 1pp sheets each with a concrete poem on them. The first two are on blue card and are presumably the two epicurian poems - the first has lines which represents a wafer surrounded by water (a wafer being a dry slice of something may be seen as land and the water as sea hence the whole an island), the second shows descending lines of water and one representing a bird swooping vertically down. These works remind one of a modern typographic equivalent of Apollinaire's calligrammes.
The final work is on orange paper (Finlay often used these colour combinations)and shows a triangle and a circle - the first is meant to be the scent of oranges, the second the scent of pears. The citrus of oranges is sharp like the corners of the triangle. This latter poem is meant to be a paradox and that is because of the shapes - the "Sharp" orange is not round while the pair is not a triangle which broadly is the shape of a pair..
Epicurean philosophy promoted simplicity, enjoyment and calmness as the way to a better life. In modern times the word is more associated with someone who enjoys food. Finlay seems to be happy with the simple life.
These works are usually placed in the artist's book section of Finlay's raisonne but there is a strong case for them to be small prints. But for now we have retained them in the former category. VG+ in like folder.

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Little Sparta: Wild Hawthorn Press, 1981
9.7 x 5.7cm, 8pp plus printed red wrappers. Artist's book which lists two groups of names - the first Angelique, Tilleul, Pavot, Serpolet, Cheverefgeuille and Thym are listed as "a litany for Prairial". These are French names for herbs and Prairial is not only the Ninth revolutionary month (beginning in May) but also the time when the Law of 22 Prairial, also known as the loi de la Grande Terreur, was passed that gave power to the Committee of Public Safety that Robespierre turned into the dictatorship of the Terror. Herbs, of course, are picked and chopped up and consumed.
The second list "A requiem for Thermidor" has the names of the members of the Committee of Public Safety - Fleuriot, Hanriot, Couthon, Payan, Robespierre and Saint-Just. These were the victims of their own Terror when they were guillotined during the Thermidorian reaction (Robespierre went to his death in severe pain as he had tried to commit suicide only to partially blow off his own jaw in the attempt, Saint-Just was dignified and stoic).
The colours of the book papers are red, white and blue - the colours of the republic's tricolour.
The Litany is one of religious praise - here for the spring but with foreboding and foreshadowing of the destruction of the Terrorists. The requiem a cry of pain for the deposed leaders who killed so many by dictat.

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Little Sparta: Wild Hawthorn Press, 1981
5 x 7cm, 4pp. One of Finlay's smallest cards - here with a drawing by Lucius Burckhardt of a face with a republican hat above a capital from a classical column. not the best sketch ever as it looks jumbled and hard to see but there you have it. Inside the card is one of Finlay's "definition" works - the double meaning of the "A REPUBLICAN CROWN" is joined with a quotation from Gerd Neumann about Callimachus the Greek poet of the disappearance of a capital which reads like word salad. You can take from the above that this is not my favourite of cards.

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Little Sparta: Wild Hawthorn Press, 1981
17.8 x 12.1cm, 8pp plus printed card covers. By the 80s the press published small catalogues of new works and old stock. previously they had circulated single sheets or even xeroxes. This was a sign of increasing financial success and improvements in print technology/affordability). VG+

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Little Sparta: Wild Hawthorn Press, 1981
43.2 x 35.5cm, full colour on white paper offset lithograph with a reproduced painting by Ian Gardner of three boats near a river with trees. The sub title is "Arcades, Asphodel, Startled Fawn, below Richmond Bridge. After W. Steer, E. March, F. Carr." Asphodel is the flower that is said to carpet Hades, and a food of the dead. The image of the boats under the recognisable bridge suggests that of the passage to Hades via the Styx. The startled fawn of the original painting (presumably a composite of those by the three named painters) has long gone having presumably been startled. VG.

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London: White Lies Publications, 1981
21 x 15 x 1cm, two part printed green box content of a bag of elastic bands, nine silkscreen prints of different Arcadian glider kits (each 21 x 15cm, 1pp) and an instruction booklet.
"Each airplane is embellished with a military decal and the name of an appropriate common garden feature has been printed on the rear wing. When the airplanes have been constructed, they may either be displayed together as a squadron or, if you have access to a garden, they should be carefully placed in the relevant spot to act as markers or name tags and a pleasing focus of interest for when the flowers are out of season." (I
An unusual garden multiple published by Steve Wheatley's small press. VG+ in like box.

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Edinburgh: Graeme Murray Gallery, 1981 16 x 16cm, 60pp plus card covers and printed dustjacket. Three fold outs and one work reproduced in colour as frontispiece. Artist's book (one suspects it was also an exhibition catalogue given Murray was the dealer for the works included but this is not mentioned and Finlay is noted as having designed the book) which shows duotone images (by Hani Latif) of 17 inscribed large pebbles (or rocks really) with found texts from philosophers, poets and others. The texts on the stones reflect the quotations. The sculptures were made under Finlay's instruction by Richard Grasby. One thousand copies were printed. VG although slight rippling to the dustjacket.
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Little Sparta: Wild Hawthorn Press, 1981
11.5 x 21.5cm, 4pp. One of Finlay's "definition" works - the word RIPPLE is defined as a small, often dark-blue fold or dent resembling a wood-chip. Will float on fresh or salt water in all light airs. The paper used here is a turquoise (possibly more green than blue) and the definition is the only text on it inside. The "dent" or "fold" referred to presumably indicated the fold in the paper here (there is no other reason for the paper to be folded otherwise). The fold also hints at the way a boat bottom is shaped to allow floating. VG+.

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Little Sparta: Wild Hawthorn Press, 1981
22.8 x 16.5cm, two colour lithograph in printed folder. Design and drawing by Nicholas Sloan.
Angelica and Medoro are two characters from the 16th-century Italian epic Orlando Furioso by Ludovico Ariosto. Angelica was an Asian princess at the court of Charlemagne who fell in love with the Saracen knight Medoro, and eloped with him to China.
Angelica had a habit of carving the lovers' names onto trees which the print here reflects - and as the folder text explains, Finlay used their French names so that the accents on the words would reflect the marking on the tree bark. Additionally the image resembles an ex libris or bookmark.
One of 300 printed. VG in like folder.

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Little Sparta: Wild Hawthorn Press, 1981
11.5 x 15.5cm, 1pp. two quotations placed against each other for humour and also making the point that classicism is not dead and is an important theme of civilisation:
"In the back of every dying civilisation sticks a bloody Doric column" - Herbert Read
against
"In for foreground of every revolution invisible, it seems, to the academic stands a perfect classical column" - Claude Chimerique. Claude Chimerique is in fact a spoof figure so the quote is in fact Finlay's response to Read.

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Little Sparta: Wild Hawthorn Press, 1981.
24.8 × 30.5cm, 32pp plus pictorial card covers. A somewhat rare artist's book which has eight full colour lithographs of water colour paintings of poppies by Ian Gardner on thick paper bound in with titles by Finlay. A rather lovely book the theme is similar to other books where German Panzer tanks are well camouflaged in nature. Here the camouflage is perfect - one cannot see the tanks at all. In a suppliment bound in at the back - Finlay has added numberous epigrams relating to tanks and camouflage.

"Total War prompts a Total War Art."

This is one of only 200 copies signed by both Finlay and Gardner on the last page.VG+.

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Little Sparta: Wild Hawthorn Press, 1981 13.5 x 14cm, green on white adhesive label with a reworking of the more common : "Save trees/recycle paper" but with an even more ecologically sound message. Slight spotting to the paper else VG. Murray has this as 7.23. ...

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