Pescara, Lucrezia de Domizio, 1977 15 x 10 cm., postcard printed front and back, with a typographic design in blue on pink. This is an artist's postcard/multiple which on the front acts as a business card for Prof. Dr. Giuseppe Consoli (who was a friend of the photographer Buby Durini). The back fo the card fictitiously identifies Consoli as the designer but in actuality it is known that Beuys created it. “Quando a Natale del 1978 [ma 1976] Beuys e la sua famiglia erano con noi a San Silvestro Colle, un amico di Bubi [Durini], il professore Giuseppe Consoli, regalò a Beuys un coniglio depositato in una scatola rivestita internamente con carta dello stesso colore pink delle pareti dello spazio di Pisani alla Biennale [del 1976] con questa frase in blu: «Chi dice che il coniglio non ama Joseph Beuys?». Beuys ne fu entusiasta, ne fece una cartolina illustrata a tiratura illimitata e il coniglio lo portò con sé a Düsseldorf” (Lucrezia De Domizio Durini, Perché. Le sfide di un donna oltre l’arte, Milano, Mondadori Electa, 2013). Translation: “During Christmas 1978 [in fact 1976] Beuys and his family were with us at San Silvestro Colle, when a friend of Bubi [Durini], the professor Giuseppe Consoli, gave Beuys a rabbit deposited in a lined box internally with paper of the same colour pink on the walls of the space by Pisani alla Biennale [of 1976] with this sentence in blue: "Who says the rabbit doesn't love Joseph Beuys?" Beuys was enthusiastic about it, he made it an illustrated postcard with an unlimited edition and the rabbit took it with him to Düsseldorf" (Lucrezia De Domizio Durini, Why. The challenges of one woman beyond art, Milan, Mondadori Electa, 2013). It is also worth noting that Victor Pisani had given a public performance in 1975 entitled "Il coniglio non ama Joseph Beuys" where he humorously parodied Beuys' famous "How to explain pictures to a Dead Hare". Consoli's gift here of a rabbit to Beuys was a joke based on that to which Beuys made this card with more than a little irony. ...

Bologna: Studio Cavalieri - Arte Contemporanea, 1976 19.6 x 15.5cm, 2pp announcement card for the opening of the exhibition organised in collaboration with Lucrezia De Domizio. Front of the card utilises a b/w image of Beuys in performance in 1974 by Bubby Durini that is found on a number of other earlier cards also published in Italy. VG+ example....

Krefeld: Museum Haus Lange Krefeld, 1976, 1982
10.5 x 15cm, 2pp announcement card for the new works in the collection which is is notes included 10 new works by Beuys which were prominently featured in the show. Krefeld is, of course, the city in which the artist was born and brought up. One drawing by the artist is reproduced on the front of the card, verso museum details. This is a mailed card with a typed address and a postal stamp but still is VG+.

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Genova, Samangallery, 1976 10.5 x 15cm, 2pp, commercial postcard of Genova which is overprinted in thick brown paint and rubber stamped on the reverse with the gallery details. This is one of a few known versions of this invitation card where a commercial card was adapted by over-printing with different landscape scenes. Here the underlying card shows a view of Church of Santa Maria Assunta di Carignano, Genoa. Edition Schellmann released a numbered and signed edition of these postcards as an original multiple. This card is a mailed example with stamps and a postmark dated 7-2-76, and is hand-addressed to Lucrezia De Domitius. There is a slight diagonal crease top right but else VG+. Scarce....

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