Glasgow: s.p. (Robertson), 2015
9 x 6.4cm, standard pack of 52 playing cards with two additional colophon and title cards in unprinted box. A conceptual artwork where each card carries a text indicating alternative ideas for the artwork that were not realised. One of only 10 such boxes signed and numbered by Robertson on one of the cards.VG+. ...
Rannoch Moor: s.p. (Maris), 2015
30 x 42cm full colour unique c-print showing one of the graves from the Potter's Field installation - this was the first exhibition in the Garden at LUST & THE APPLE. Each of 9 "graves" were simple mounds of bare earth, each marked with a single unadorned white quartzite stone, sourced from Schiehallion – a ‘sacred mountain’ apocryphally linked to the Knights Templar.
The path between the graves and the paved square at one corner of the Field contained a ‘Temenos’. The public are invited to leave their own offerings to the deceased Muses within the Temenos.
"Enter with reverence and respect for the nine Muses /who are buried in this Potter’s Field. /Do not desecrate their Memory. A Potter’s Field containing nine pauper’s graves, one for each of the classical Muses is found>"
The photograph shows one of the graves which is starting to be overgrown with weeds and one of the headstones. Unique. Signed on the bottom.
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Glasgow: S.p. (Mann), 2015
59.4 x 42cm, full colour c-type print showing one of Mann's photo-collage works where objects are balanced to create a greater whole. One of only 10 signed prints - each signed and numbered on the front. VG+.
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Glasgow: S.p. (Mann), 2015
42 x 59.4cm, full colour c-type print showing one of Mann's photo-collage works where objects are balanced to create a greater whole. One of only 10 signed prints - each signed and numbered on the front. VG+.
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8.8 x 6.3cm, original acrylic painting on a found Joker playing card. One of 54 such small paintings made by Muirhead during the first COVID-19 Pandemic lockdown in Scotland. The images on all of the cards were from taboo sources and decided upon by the buyer as a commission. This image is a bdsm hard tie of a woman found on the internet. Signed on the reverse by the artist in paint. Unique. VG+
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Edinburgh: S.p. (SKinny Redhead), n.d. (2020)
30 x 21cm, full colour digital photograph of the performance artist standing naked over a male nude body with red ropes falling from her vagina. An unique work from an artist who often self-ties and uses bdsm stylisms in her public actions. Signed on the left by the artist. VG+.
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Glasgow: s.p. (Allan), n.d. (2020)
30 x 21cm, two colour silkscreen print on cross lined paper. A drawing in Allan's signature use of purple and blue showing the gable end of a council house block. Allan is fascinated by urban landscapes as well as the materials used in such environments. This is one of only 5 such prints, signed and numbered in pencil on the left of the image. VG+.
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Glasgow: s.p. (Maris), n.d. (2005)
29 x 21cm, original found exhibition catalogue by Joseph Beuys which has lost its covers and shows evidence of fire on all sides. The book has been sealed into a plastic transparent sheet with added cloth plasters. Additionally the book has been signed "Bysue" - an anagram of "Beuys" and with a small drawing of a hat - both deliberately looking like an original Beuys signature and drawing.
The history of this book tells the tale - it was found by a relative of Sue Maris after a house fire and stolen and then hidden (in case it was valuable). Suer Maris found this out at a later date and stole the book back from the thief. She then buried in a metal casket in Rannoch Moor for a number of years.
On taking the book out from its hiding place, the artist's created the final form with the addition of the "forged" signature - By Sue - and sealed the book. it was later given to Paul Robertson by Maris as a gift following an exhibition at Heart Gallery in Edinburgh.
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Glasgow: Beagles & Ramsey, 2019 34.2 x 24cm, graphite and crayonj on paper. An original drawing with an image of one of the artists' boxed head figures. Unique....
Glasgow: Bellingham, 2018 8cm x 5cm dia. - metal, glass jar, printed label and honey. The label reads: "Honey in a jar/homesick for the hive//Object in a gallery/homesick for the studio". A three dimensional visual poem and small sculpture which also references Daniel Buren's "The Function of the Studio". ...
Text to be added later....
25 x 34cm, Oil and oil stick on 1920s motoring map of England and Wales. Unique abstract painting. ...