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	<title>Brazil - Unoriginal Sins</title>
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	<description>AVANT-GARDES</description>
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	<title>Brazil - Unoriginal Sins</title>
	<link>https://unoriginalsins.co.uk</link>
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	<item>
		<title>MICROKOSMOS. 1967.</title>
		<link>https://unoriginalsins.co.uk/product/microkosmos-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=microkosmos-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 30 Sep 2022 10:08:35 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=51299</guid>

					<description><![CDATA[<p>Rio de Janiero: Jean Boghici, n.d. (1967)</p>
<p>10 x 17cm, 4pp announcement card for a solo show of paintings. One work in b/w on front, "Os Admiradores" from 1967 , internally show details. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/microkosmos-1967/">MICROKOSMOS. 1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Rio de Janiero: Jean Boghici, n.d. (1967)</p>
<p>10 x 17cm, 4pp announcement card for a solo show of paintings. One work in b/w on front, "Os Admiradores" from 1967 , internally show details. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/microkosmos-1967/">MICROKOSMOS. 1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>PHOTOGRAPHS. 1989. WITH GALLERY HANDOUT ESSAY BY PATRICK  FREY,</title>
		<link>https://unoriginalsins.co.uk/product/photographs-1989-with-gallery-handout-essay-by-patrick-frey/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=photographs-1989-with-gallery-handout-essay-by-patrick-frey</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 03 Apr 2022 17:50:18 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=12128</guid>

					<description><![CDATA[<p>San Paolo: Swiss Federal Office of Culture and Education, 1989&#60;<br />
18.8 x 23cm, unpaginated (c. 64pp). Card covers with printed typographic dust jacket. First edition of this photographic artist's book where a series of bland tourist style snaps (each printed offset in colour and tipped onto one side of each page only) of the pyramids, Paris, landscapes, airport scenes etc. Fine. Scarce.<br />
Laid in:<br />
Frey, Patrick<br />
MOMENTS OF CONTENTED PRESENCE<br />
21 x 15cm, 8pp offset handout for the Biennial show with texts in English and small b/w reproductions - and an essay on the artists by their publisher Frey. One small mark on right of dj else VG.</p>
<p>Price is for both publications as a pair</p>
The post <a href="https://unoriginalsins.co.uk/product/photographs-1989-with-gallery-handout-essay-by-patrick-frey/">PHOTOGRAPHS. 1989. WITH GALLERY HANDOUT ESSAY BY PATRICK  FREY,</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>San Paolo: Swiss Federal Office of Culture and Education, 1989&#60;<br />
18.8 x 23cm, unpaginated (c. 64pp). Card covers with printed typographic dust jacket. First edition of this photographic artist's book where a series of bland tourist style snaps (each printed offset in colour and tipped onto one side of each page only) of the pyramids, Paris, landscapes, airport scenes etc. Fine. Scarce.<br />
Laid in:<br />
Frey, Patrick<br />
MOMENTS OF CONTENTED PRESENCE<br />
21 x 15cm, 8pp offset handout for the Biennial show with texts in English and small b/w reproductions - and an essay on the artists by their publisher Frey. One small mark on right of dj else VG.</p>
<p>Price is for both publications as a pair</p>
The post <a href="https://unoriginalsins.co.uk/product/photographs-1989-with-gallery-handout-essay-by-patrick-frey/">PHOTOGRAPHS. 1989. WITH GALLERY HANDOUT ESSAY BY PATRICK  FREY,</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>PLAYSCRIPT 25 &#8216;DESIRE CAUGHT BY THE TAIL.&#8217; DEDICATED BY PENROSE WITH UNIQUE EROTIC DRAWING FOR HIS LOVER JOYCE REEVES.</title>
		<link>https://unoriginalsins.co.uk/product/playscript-25-desire-caught-by-the-tail-dedicated-by-penrose-with-unique-erotic-drawing-for-his-lover-joyce-reeves/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=playscript-25-desire-caught-by-the-tail-dedicated-by-penrose-with-unique-erotic-drawing-for-his-lover-joyce-reeves</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 02 Nov 2021 10:06:59 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=45110</guid>

					<description><![CDATA[<p class="p1">London: Calder and Boyars.1970</p>
<p class="p1">22 x 16cm, 64pp. Original semi-stiff pictorial wrappers. First edition thus of this translation into English of Picasso's drama first published in 1945 in France (soon after the liberation of Paris). The title page carried a full page inscription from Penrose to Joyce Reeves: 'all to please Joycey with love Roland.' together with an abstract drawing of a phallus in coloured pencils (with a major stylistic debt to Miro).</p>
<p class="p1">Joyce Reeves was Penrose's secretary and lover. Wrappers a little worn, else a very good copy. An important association copy of this book with an interestingly disguised erotic content.</p>
The post <a href="https://unoriginalsins.co.uk/product/playscript-25-desire-caught-by-the-tail-dedicated-by-penrose-with-unique-erotic-drawing-for-his-lover-joyce-reeves/">PLAYSCRIPT 25 ‘DESIRE CAUGHT BY THE TAIL.’ DEDICATED BY PENROSE WITH UNIQUE EROTIC DRAWING FOR HIS LOVER JOYCE REEVES.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1">London: Calder and Boyars.1970</p>
<p class="p1">22 x 16cm, 64pp. Original semi-stiff pictorial wrappers. First edition thus of this translation into English of Picasso's drama first published in 1945 in France (soon after the liberation of Paris). The title page carried a full page inscription from Penrose to Joyce Reeves: 'all to please Joycey with love Roland.' together with an abstract drawing of a phallus in coloured pencils (with a major stylistic debt to Miro).</p>
<p class="p1">Joyce Reeves was Penrose's secretary and lover. Wrappers a little worn, else a very good copy. An important association copy of this book with an interestingly disguised erotic content.</p>
The post <a href="https://unoriginalsins.co.uk/product/playscript-25-desire-caught-by-the-tail-dedicated-by-penrose-with-unique-erotic-drawing-for-his-lover-joyce-reeves/">PLAYSCRIPT 25 ‘DESIRE CAUGHT BY THE TAIL.’ DEDICATED BY PENROSE WITH UNIQUE EROTIC DRAWING FOR HIS LOVER JOYCE REEVES.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>AUTO-PHOTOS. 1978. WITH HANDWRITTEN NOTE FROM ARTIST TO JAMES COLLINS.</title>
		<link>https://unoriginalsins.co.uk/product/auto-photos-1978-with-handwritten-note-from-artist-to-james-collins/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=auto-photos-1978-with-handwritten-note-from-artist-to-james-collins</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 01 Aug 2021 09:37:54 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=41734</guid>

					<description><![CDATA[<p>San Paola: s.p. (Gretta), 1978</p>
<p>16 x 9.8cm, 2pp artist designed postcard showing four images (nude self-portraits from behind) from the "Journal intime d'une femme" from her series "Auto-Photos 1978". On the reverse is a signed handwritten note in French to James Collins the conceptual artist letting him know that she will be in Europe in the next year and supplying her address. VG+. Scarce item.</p>
The post <a href="https://unoriginalsins.co.uk/product/auto-photos-1978-with-handwritten-note-from-artist-to-james-collins/">AUTO-PHOTOS. 1978. WITH HANDWRITTEN NOTE FROM ARTIST TO JAMES COLLINS.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>San Paola: s.p. (Gretta), 1978</p>
<p>16 x 9.8cm, 2pp artist designed postcard showing four images (nude self-portraits from behind) from the "Journal intime d'une femme" from her series "Auto-Photos 1978". On the reverse is a signed handwritten note in French to James Collins the conceptual artist letting him know that she will be in Europe in the next year and supplying her address. VG+. Scarce item.</p>
The post <a href="https://unoriginalsins.co.uk/product/auto-photos-1978-with-handwritten-note-from-artist-to-james-collins/">AUTO-PHOTOS. 1978. WITH HANDWRITTEN NOTE FROM ARTIST TO JAMES COLLINS.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>LUCHA POR LA VIDA/STRUGGLE FOR LIFE. 2001. WITH SILKSCREEN ON A VINTAGE SOUTH AMERICAN BANKNOTE. ONE OF 200 SIGNED &#038; NUMBERED COPIES.</title>
		<link>https://unoriginalsins.co.uk/product/lucha-por-la-vida-struggle-for-life-2001-with-silkscreen-on-a-vintage-south-american-banknote-one-of-200-signed-numbered-copies/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lucha-por-la-vida-struggle-for-life-2001-with-silkscreen-on-a-vintage-south-american-banknote-one-of-200-signed-numbered-copies</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 08 Sep 2020 15:55:09 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=32281</guid>

					<description><![CDATA[<p>Glasgow: s.p. (Veroni), 2001</p>
<p>11.2 x 17cm, 16pp plus endpapers and plastic bound in envelope. Artist's book which contains an original silkscreen print on a real banknote from a South American country (we hold two examples - one from Argentina and the other from Peru). One of 200 signed and numbered copies on a colophon sheet. VG+. Each in the series is unique.</p>
The post <a href="https://unoriginalsins.co.uk/product/lucha-por-la-vida-struggle-for-life-2001-with-silkscreen-on-a-vintage-south-american-banknote-one-of-200-signed-numbered-copies/">LUCHA POR LA VIDA/STRUGGLE FOR LIFE. 2001. WITH SILKSCREEN ON A VINTAGE SOUTH AMERICAN BANKNOTE. ONE OF 200 SIGNED & NUMBERED COPIES.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Glasgow: s.p. (Veroni), 2001</p>
<p>11.2 x 17cm, 16pp plus endpapers and plastic bound in envelope. Artist's book which contains an original silkscreen print on a real banknote from a South American country (we hold two examples - one from Argentina and the other from Peru). One of 200 signed and numbered copies on a colophon sheet. VG+. Each in the series is unique.</p>
The post <a href="https://unoriginalsins.co.uk/product/lucha-por-la-vida-struggle-for-life-2001-with-silkscreen-on-a-vintage-south-american-banknote-one-of-200-signed-numbered-copies/">LUCHA POR LA VIDA/STRUGGLE FOR LIFE. 2001. WITH SILKSCREEN ON A VINTAGE SOUTH AMERICAN BANKNOTE. ONE OF 200 SIGNED & NUMBERED COPIES.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>TRACES OF LOUIS AGASSIZ: PHOTOGRAPHY, BODY AND SCIENCE, YESTERDAY AND TODAY. 2010 WITH DEDICATION FROM HUBER TO PAUL ROBERTSON.</title>
		<link>https://unoriginalsins.co.uk/product/traces-of-louis-agassiz-photography-body-and-science-yesterday-and-today-2010-with-dedication-from-huber-to-paul-robertson/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=traces-of-louis-agassiz-photography-body-and-science-yesterday-and-today-2010-with-dedication-from-huber-to-paul-robertson</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 08 Sep 2020 15:44:59 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=32279</guid>

					<description><![CDATA[<p>Sao Paolo: Capacete Entretenimentos, 2010</p>
<p>24 x 17cm, 190pp. Original pictorial wrappers. Artist's book which documents the racist attitudes and actions of the scientist Louis Agassiz who while identifying the important of glacial movement in rock and other geographical formations was on the other hand a disgusting supporter of eugenics and slavery. Huber has exposed this hidden history in a series of photographic and performance art events usually near to locations named after the geologist. The book was produced for the Sao Paolo Biennale in 2010 and the texts are in both pPortuguese and English, photographs by Agassis and Huber throughout.</p>
<p>]This example of the book is dedicated to Paul Robertson (who curated a show with the artist in Edinburgh, Scotland) in ink on the first blank end paper. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/traces-of-louis-agassiz-photography-body-and-science-yesterday-and-today-2010-with-dedication-from-huber-to-paul-robertson/">TRACES OF LOUIS AGASSIZ: PHOTOGRAPHY, BODY AND SCIENCE, YESTERDAY AND TODAY. 2010 WITH DEDICATION FROM HUBER TO PAUL ROBERTSON.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Sao Paolo: Capacete Entretenimentos, 2010</p>
<p>24 x 17cm, 190pp. Original pictorial wrappers. Artist's book which documents the racist attitudes and actions of the scientist Louis Agassiz who while identifying the important of glacial movement in rock and other geographical formations was on the other hand a disgusting supporter of eugenics and slavery. Huber has exposed this hidden history in a series of photographic and performance art events usually near to locations named after the geologist. The book was produced for the Sao Paolo Biennale in 2010 and the texts are in both pPortuguese and English, photographs by Agassis and Huber throughout.</p>
<p>]This example of the book is dedicated to Paul Robertson (who curated a show with the artist in Edinburgh, Scotland) in ink on the first blank end paper. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/traces-of-louis-agassiz-photography-body-and-science-yesterday-and-today-2010-with-dedication-from-huber-to-paul-robertson/">TRACES OF LOUIS AGASSIZ: PHOTOGRAPHY, BODY AND SCIENCE, YESTERDAY AND TODAY. 2010 WITH DEDICATION FROM HUBER TO PAUL ROBERTSON.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>EVERY DEATH ON CHRISTMAS DAY 2005 RECORDED IN THE HERALD WITH THE NAMES OF THE DEAD DEDUCTED IN RED. 2006. UNIQUE DRAWING. 2006.</title>
		<link>https://unoriginalsins.co.uk/product/every-death-on-christmas-day-2005-recorded-in-the-herald-with-the-names-of-the-dead-deducted-in-red-2006-unique-drawing-2006/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=every-death-on-christmas-day-2005-recorded-in-the-herald-with-the-names-of-the-dead-deducted-in-red-2006-unique-drawing-2006</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 09 May 2020 16:38:32 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=21013</guid>

					<description><![CDATA[<p>21 x 15cm, 4pp outer folder with title printed in ink jet - content of a 18 x 13cm original graphite on transparent paper drawing and paper guard. A conceptual artwork from the Scottish artist where she made a deduction mark anytime she came across the name of someone dead in the death notice columns of the Glasgow Herald. Unique work within a series of four different yet similarly themed works.</p>
<p>.</p>
The post <a href="https://unoriginalsins.co.uk/product/every-death-on-christmas-day-2005-recorded-in-the-herald-with-the-names-of-the-dead-deducted-in-red-2006-unique-drawing-2006/">EVERY DEATH ON CHRISTMAS DAY 2005 RECORDED IN THE HERALD WITH THE NAMES OF THE DEAD DEDUCTED IN RED. 2006. UNIQUE DRAWING. 2006.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>21 x 15cm, 4pp outer folder with title printed in ink jet - content of a 18 x 13cm original graphite on transparent paper drawing and paper guard. A conceptual artwork from the Scottish artist where she made a deduction mark anytime she came across the name of someone dead in the death notice columns of the Glasgow Herald. Unique work within a series of four different yet similarly themed works.</p>
<p>.</p>
The post <a href="https://unoriginalsins.co.uk/product/every-death-on-christmas-day-2005-recorded-in-the-herald-with-the-names-of-the-dead-deducted-in-red-2006-unique-drawing-2006/">EVERY DEATH ON CHRISTMAS DAY 2005 RECORDED IN THE HERALD WITH THE NAMES OF THE DEAD DEDUCTED IN RED. 2006. UNIQUE DRAWING. 2006.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>ALADDIN SANE. 2017. ONE OF 100 SIGNED &#038; NUMBERED SILKSCREENS.</title>
		<link>https://unoriginalsins.co.uk/product/aladdin-sane-2017-one-of-100-signed-numbered-silkscreens/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=aladdin-sane-2017-one-of-100-signed-numbered-silkscreens</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 21 Apr 2020 12:02:05 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=18887</guid>

					<description><![CDATA[<p>London: Pure Evil, 2017<br />
50 x 35cm, blue on white silkscreen print with an image of the iconic image of David Bowie as Aladdin Sane. Signed and numbered from the edition of 100 by Pure Evil bottom right. The print was only available at the London Art Car Boot Fair in 2017 and sold out within hours at the fair. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/aladdin-sane-2017-one-of-100-signed-numbered-silkscreens/">ALADDIN SANE. 2017. ONE OF 100 SIGNED & NUMBERED SILKSCREENS.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>London: Pure Evil, 2017<br />
50 x 35cm, blue on white silkscreen print with an image of the iconic image of David Bowie as Aladdin Sane. Signed and numbered from the edition of 100 by Pure Evil bottom right. The print was only available at the London Art Car Boot Fair in 2017 and sold out within hours at the fair. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/aladdin-sane-2017-one-of-100-signed-numbered-silkscreens/">ALADDIN SANE. 2017. ONE OF 100 SIGNED & NUMBERED SILKSCREENS.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>KLAUS RINKE. 1973.</title>
		<link>https://unoriginalsins.co.uk/product/klaus-rinke-1973/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=klaus-rinke-1973</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Apr 2020 21:59:59 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=16890</guid>

					<description><![CDATA[<p>Sao Paolo: Bienal de Sao Paulo, 1973<br />
30 x 21cm, unpaginated (c. 96pp) plus card covers. Exbition catalogue for a retrospective of the conceptual works by Rinke - numberous b/w reproductions of works and photographs of body performances by the german. Fine. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/klaus-rinke-1973/">KLAUS RINKE. 1973.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Sao Paolo: Bienal de Sao Paulo, 1973<br />
30 x 21cm, unpaginated (c. 96pp) plus card covers. Exbition catalogue for a retrospective of the conceptual works by Rinke - numberous b/w reproductions of works and photographs of body performances by the german. Fine. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/klaus-rinke-1973/">KLAUS RINKE. 1973.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>THE GOOD, THE BAD AND THE UGLY. 2016.</title>
		<link>https://unoriginalsins.co.uk/product/the-good-the-bad-and-the-ugly-2016/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-good-the-bad-and-the-ugly-2016</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 03 Mar 2020 15:27:37 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=13583</guid>

					<description><![CDATA[<p>London: Chapman Brothers, 2016<br />
Three thick sheets of printed cardboard with printed dinosaur images and dis-cut push out shapes to make the three very poor attempts at dinosaurs (each called repsectively The Good, The Bad and The Ugly"). All in original shipping box. Limitation unknown but long sold out. VG++ in mailed box.</p>
The post <a href="https://unoriginalsins.co.uk/product/the-good-the-bad-and-the-ugly-2016/">THE GOOD, THE BAD AND THE UGLY. 2016.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>London: Chapman Brothers, 2016<br />
Three thick sheets of printed cardboard with printed dinosaur images and dis-cut push out shapes to make the three very poor attempts at dinosaurs (each called repsectively The Good, The Bad and The Ugly"). All in original shipping box. Limitation unknown but long sold out. VG++ in mailed box.</p>
The post <a href="https://unoriginalsins.co.uk/product/the-good-the-bad-and-the-ugly-2016/">THE GOOD, THE BAD AND THE UGLY. 2016.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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