100.5 x 15cm, 1pp printed postcard entitled "L'Anticoncept" (the same title as the artist's groundbreaking film) which is individually numbered with a stamp impression. The postcard was often issued with a drawing or a painting on the front but this is one of the unused examples. VG+. Scarce.

8 x 9.5cm, 12pp (self cover). Exhibition catalogue for a show displaying 5 vase works in polyester by St-Phalle: Le Chat, Le Chameau, Le Serpent, La Grenouille and L'Elephant. Three shown in colour, two in b/w. VG but there is some writing in red ink on the back cover offering a 20% discount on the works.

13.5 x 24cm, 20pp plus card covers. A catalogue designed and written by Nannucci and Pier Luigi Tazzi for an exhibition of artist's books in Finland. Seven b/w images of books and a list of the entire contents of the exhibition. Foreword in English by Pier Luigi Tazzi. There are some small pencil crosses next to some books which were added by Nannucci for an unknown reason (this book came directly from the artist) else VG+.

24.5 x 17.5cm, 110pp plus embossed boards. Artist's book and exhibition catalogue for Hubler's renaming of the Agassizhorn in the Swiss Alps (named after the significant scientist Louis Agassiz who was also a horrendous racist and apologist for slavery) as Rentyhorn - one of the black slaves transported to America from the Congo and who Agassiz had photographed for a "scientific" study. Illustrated thorughout in colour and b/w and with essays by Hubler,  Hans Fassler, Johanna Sarjas, Suzana Milevska and others on history and the role of naming and monuments. Hubler has attempted to visit most of the places named after Agassiz and create artworks that reclaim the spaces for non-racist causes (one such place is on the Moon so not all can be visited that easily).  This book is signed and dedicated by Hubler to Paul Robertson who curated a show in Edinburgh in 2013 where the Agassiz Stone (an important geological landmark that was important in showing the important role of glacial formation in landscape) was "reclaimed" by Huber with a photograph in front of the massive boulder of the artist posing naked as a slave photograph might be in Agassiz' time. VG+.

10.5 x 14.7cm, 2pp announcement card for an exhibition of films and videos with one b/w still on the front of a young girls foot about to step in a puddle. Verso museum details. VG+.