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	<title>Mexico - Unoriginal Sins</title>
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	<link>https://unoriginalsins.co.uk</link>
	<description>AVANT-GARDES</description>
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	<url>https://unoriginalsins.co.uk/wp-content/uploads/2024/07/cropped-nTKdHdZI-1-1-32x32.png</url>
	<title>Mexico - Unoriginal Sins</title>
	<link>https://unoriginalsins.co.uk</link>
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	<item>
		<title>DIEGO RIVERA&#8217;S FRESCOES IN THE NATIONAL PALACE OF MEXICO CITY. 1949. SIGNED AND DATED BY RIVERA.</title>
		<link>https://unoriginalsins.co.uk/product/diego-riveras-frescoes-in-the-national-palace-of-mexico-city-1949-signed-and-dated-by-rivera/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=diego-riveras-frescoes-in-the-national-palace-of-mexico-city-1949-signed-and-dated-by-rivera</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 10 Oct 2021 17:00:12 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43885</guid>

					<description><![CDATA[<p class="p1">Mexico: R. S. Silva, 1949</p>
<p class="p1">18 x 12.5cm, 48pp. Card covers with pictorial dustjacket.</p>
<p class="p1">First edition of this tourist booklet sponsored by the Mexican Government and aimed at US visitors. After returning to the country after 14-years in the USA and elsewhere, Rivera was soon recognised as one of the most important of the "Mexican mural movement" - the Government realised the economic importance of the works and published this guide.</p>
<p class="p1">Sixteen works are reproduced in b/w and have extensive English texts.</p>
<p class="p1">All copies are scarce but this copy is uniquely signed in ink by Rivera vertically on the front dustjacket in ink and dated 1950. Sadly the card covers have come away from the staples although the break is clean - the rest of the book is very good + with only minor browning to the cover.</p>
The post <a href="https://unoriginalsins.co.uk/product/diego-riveras-frescoes-in-the-national-palace-of-mexico-city-1949-signed-and-dated-by-rivera/">DIEGO RIVERA’S FRESCOES IN THE NATIONAL PALACE OF MEXICO CITY. 1949. SIGNED AND DATED BY RIVERA.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1">Mexico: R. S. Silva, 1949</p>
<p class="p1">18 x 12.5cm, 48pp. Card covers with pictorial dustjacket.</p>
<p class="p1">First edition of this tourist booklet sponsored by the Mexican Government and aimed at US visitors. After returning to the country after 14-years in the USA and elsewhere, Rivera was soon recognised as one of the most important of the "Mexican mural movement" - the Government realised the economic importance of the works and published this guide.</p>
<p class="p1">Sixteen works are reproduced in b/w and have extensive English texts.</p>
<p class="p1">All copies are scarce but this copy is uniquely signed in ink by Rivera vertically on the front dustjacket in ink and dated 1950. Sadly the card covers have come away from the staples although the break is clean - the rest of the book is very good + with only minor browning to the cover.</p>
The post <a href="https://unoriginalsins.co.uk/product/diego-riveras-frescoes-in-the-national-palace-of-mexico-city-1949-signed-and-dated-by-rivera/">DIEGO RIVERA’S FRESCOES IN THE NATIONAL PALACE OF MEXICO CITY. 1949. SIGNED AND DATED BY RIVERA.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>LE DESHONNEUR DES POETES. 1945.</title>
		<link>https://unoriginalsins.co.uk/product/le-deshonneur-des-poetes-1945/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=le-deshonneur-des-poetes-1945</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 09 Oct 2021 17:06:40 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43815</guid>

					<description><![CDATA[<p class="p1">Mexico (City): Poesie et Revolution (privately printed), 1945</p>
<p class="p1">20 x 14.5cm, 32pp. Original wrappers. First edition of this vigorous attack upon certain 'so-called' poets of propaganda, including former Surrealist adherents. One of the scarcest of Peret's post-WWII titles. Composed during the poet's wartime exile in Mexico. One of 1,000 examples on bouffant, after 20 on velin (total edition). Typical browning to wrappers and pages, else a very good example.</p>
The post <a href="https://unoriginalsins.co.uk/product/le-deshonneur-des-poetes-1945/">LE DESHONNEUR DES POETES. 1945.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1">Mexico (City): Poesie et Revolution (privately printed), 1945</p>
<p class="p1">20 x 14.5cm, 32pp. Original wrappers. First edition of this vigorous attack upon certain 'so-called' poets of propaganda, including former Surrealist adherents. One of the scarcest of Peret's post-WWII titles. Composed during the poet's wartime exile in Mexico. One of 1,000 examples on bouffant, after 20 on velin (total edition). Typical browning to wrappers and pages, else a very good example.</p>
The post <a href="https://unoriginalsins.co.uk/product/le-deshonneur-des-poetes-1945/">LE DESHONNEUR DES POETES. 1945.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>POUR UN ART REVOLUTIONNAIRE INDEPENDANT. 1938.</title>
		<link>https://unoriginalsins.co.uk/product/pour-un-art-revolutionnaire-independant-1938/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=pour-un-art-revolutionnaire-independant-1938</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 08 Oct 2021 20:46:05 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43749</guid>

					<description><![CDATA[<p>Mexico, S.p. (Breton and Rivera), July 25, 1938</p>
<p>27 x 20.7cm, 4pp. The extremely important political tract written by Trotsky but published by Andre Breton and Diego Rivera which considers the role of art as a revolutionary force and placing the late surrealist movement away from Stalin's corruption of the communist dream in the Soviet Union.</p>
<p>Previously folded and a very small tear at the fold where the creases meet, the paper colour is inconsistent between pages but else a VG+ example of a major theoretical tract from the surrealists.</p>
The post <a href="https://unoriginalsins.co.uk/product/pour-un-art-revolutionnaire-independant-1938/">POUR UN ART REVOLUTIONNAIRE INDEPENDANT. 1938.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Mexico, S.p. (Breton and Rivera), July 25, 1938</p>
<p>27 x 20.7cm, 4pp. The extremely important political tract written by Trotsky but published by Andre Breton and Diego Rivera which considers the role of art as a revolutionary force and placing the late surrealist movement away from Stalin's corruption of the communist dream in the Soviet Union.</p>
<p>Previously folded and a very small tear at the fold where the creases meet, the paper colour is inconsistent between pages but else a VG+ example of a major theoretical tract from the surrealists.</p>
The post <a href="https://unoriginalsins.co.uk/product/pour-un-art-revolutionnaire-independant-1938/">POUR UN ART REVOLUTIONNAIRE INDEPENDANT. 1938.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>AL PUBLICO DE LA AMERICA LATINA. 1938.</title>
		<link>https://unoriginalsins.co.uk/product/al-publico-de-la-america-latina-1938/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=al-publico-de-la-america-latina-1938</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 08 Oct 2021 20:14:54 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43744</guid>

					<description><![CDATA[<p class="p1">Mexico: s.p. (Breton et al), 1938</p>
<p class="p1">46 x 33cm, black on cream broadside/wall poster/political tract. A significant political intervention by Breton, Kahlo and Rivera following the former's trip to Mexico.</p>
<p class="p1">The text is a repudiation of the reaction Breton found from the Stalinist forces of traditional communism - Breton had travelled in part to meet Trotsky (at the time a 'friend' of Rivera and Kahlo) so such a reaction might well have been expected. Signed in print by Bravo, Asunsulo, Barragan, Bracho, Chavez, Cuesta, Dalevuelta, Encisco, Gorostiza, Kahlo, Lazo, Magana, Marin, Merida, Montemayor, Montenegro, Moro, Nandino, Novo, Pellicer, Rivera, Ruiz, Tamayo, Toor, Velazquez, Villaurrutia, de la Vega, Zamora, Icaza and Villegas.</p>
<p class="p1">The paper is minorly browned and fragile - folded into four and with tears and edge damage (none of which affect the text see photograph) but this is an exceptionally rare and important document in any condition.</p>
The post <a href="https://unoriginalsins.co.uk/product/al-publico-de-la-america-latina-1938/">AL PUBLICO DE LA AMERICA LATINA. 1938.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1">Mexico: s.p. (Breton et al), 1938</p>
<p class="p1">46 x 33cm, black on cream broadside/wall poster/political tract. A significant political intervention by Breton, Kahlo and Rivera following the former's trip to Mexico.</p>
<p class="p1">The text is a repudiation of the reaction Breton found from the Stalinist forces of traditional communism - Breton had travelled in part to meet Trotsky (at the time a 'friend' of Rivera and Kahlo) so such a reaction might well have been expected. Signed in print by Bravo, Asunsulo, Barragan, Bracho, Chavez, Cuesta, Dalevuelta, Encisco, Gorostiza, Kahlo, Lazo, Magana, Marin, Merida, Montemayor, Montenegro, Moro, Nandino, Novo, Pellicer, Rivera, Ruiz, Tamayo, Toor, Velazquez, Villaurrutia, de la Vega, Zamora, Icaza and Villegas.</p>
<p class="p1">The paper is minorly browned and fragile - folded into four and with tears and edge damage (none of which affect the text see photograph) but this is an exceptionally rare and important document in any condition.</p>
The post <a href="https://unoriginalsins.co.uk/product/al-publico-de-la-america-latina-1938/">AL PUBLICO DE LA AMERICA LATINA. 1938.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>LOS TESOROS DEL MUSEO NACIONAL DE MEXICO: ESCULTURA AZTECA. 20 PHOTOS DE MANUEL ALVAREZ BRAVO. PROLOGO DE BENJAMIN PERET. 1943.</title>
		<link>https://unoriginalsins.co.uk/product/los-tesoros-del-museo-nacional-de-mexico-escultura-azteca-20-photos-de-manuel-alvarez-bravo-prologo-de-benjamin-peret-1943/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=los-tesoros-del-museo-nacional-de-mexico-escultura-azteca-20-photos-de-manuel-alvarez-bravo-prologo-de-benjamin-peret-1943</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 04 Oct 2021 21:32:01 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43581</guid>

					<description><![CDATA[<div>Mexico City: self-published, 1943.</div>
<div>15 x 20cm printed card folio with pasted-down b/w photographic image. Contents: 20 b/w unbound photographic plates + 2pp. text.</div>
<div>First edition of this extremely early bookwork by the (then) Surrealist photographer. Composed of a documentary record of extraordinarily Aztec antiquities from the collection of Mexico's national museum.</div>
<div>Peret's prologue is bi-lingual (Spanish/English) and evidences his aesthetic affinities with Mexico's ancient heritage. Some minor wear and tears to the inner folio black fold-in with one torn cleanly off but retained complete (see photographs), else a very good+ example. Very scarce.</p>
<p>750 uk pounds</p></div>
The post <a href="https://unoriginalsins.co.uk/product/los-tesoros-del-museo-nacional-de-mexico-escultura-azteca-20-photos-de-manuel-alvarez-bravo-prologo-de-benjamin-peret-1943/">LOS TESOROS DEL MUSEO NACIONAL DE MEXICO: ESCULTURA AZTECA. 20 PHOTOS DE MANUEL ALVAREZ BRAVO. PROLOGO DE BENJAMIN PERET. 1943.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<div>Mexico City: self-published, 1943.</div>
<div>15 x 20cm printed card folio with pasted-down b/w photographic image. Contents: 20 b/w unbound photographic plates + 2pp. text.</div>
<div>First edition of this extremely early bookwork by the (then) Surrealist photographer. Composed of a documentary record of extraordinarily Aztec antiquities from the collection of Mexico's national museum.</div>
<div>Peret's prologue is bi-lingual (Spanish/English) and evidences his aesthetic affinities with Mexico's ancient heritage. Some minor wear and tears to the inner folio black fold-in with one torn cleanly off but retained complete (see photographs), else a very good+ example. Very scarce.</p>
<p>750 uk pounds</p></div>
The post <a href="https://unoriginalsins.co.uk/product/los-tesoros-del-museo-nacional-de-mexico-escultura-azteca-20-photos-de-manuel-alvarez-bravo-prologo-de-benjamin-peret-1943/">LOS TESOROS DEL MUSEO NACIONAL DE MEXICO: ESCULTURA AZTECA. 20 PHOTOS DE MANUEL ALVAREZ BRAVO. PROLOGO DE BENJAMIN PERET. 1943.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>PUBLIC TRANSACTION. 2013.</title>
		<link>https://unoriginalsins.co.uk/product/public-transaction-2013/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=public-transaction-2013</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 17 Aug 2021 15:13:37 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=42531</guid>

					<description><![CDATA[<p>Mexico City: Museo Tamayo Arte Contemporaneo, 2013</p>
<p>15 x 12.5cm, 28pp (self cover). Exhibition catalogue/museum handout for a solo show of mostly sculptural works. Translated text in English - five images of works in colour. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/public-transaction-2013/">PUBLIC TRANSACTION. 2013.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Mexico City: Museo Tamayo Arte Contemporaneo, 2013</p>
<p>15 x 12.5cm, 28pp (self cover). Exhibition catalogue/museum handout for a solo show of mostly sculptural works. Translated text in English - five images of works in colour. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/public-transaction-2013/">PUBLIC TRANSACTION. 2013.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>EN ALGUN LUGAR AL SUR DE LA FRONTERA/SOMEWHERE SOUTH OF THE BORDER. 2021</title>
		<link>https://unoriginalsins.co.uk/product/en-algun-lugar-al-sur-de-la-frontera-somewhere-south-of-the-border-2021/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=en-algun-lugar-al-sur-de-la-frontera-somewhere-south-of-the-border-2021</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 03 Jul 2021 13:40:33 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=41234</guid>

					<description><![CDATA[<p>Mexico: Casa Bosquese, 2021</p>
<p>8.5 x 15 x 1cm, bar of 72% dark chocolate with coconut sugar and blue maize and tabasco in original foil inner wrap and outer thick paper wrapper with a design by Lawrence Weiner with the title text.  Limited edition in VG++ unopened condition.</p>
The post <a href="https://unoriginalsins.co.uk/product/en-algun-lugar-al-sur-de-la-frontera-somewhere-south-of-the-border-2021/">EN ALGUN LUGAR AL SUR DE LA FRONTERA/SOMEWHERE SOUTH OF THE BORDER. 2021</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Mexico: Casa Bosquese, 2021</p>
<p>8.5 x 15 x 1cm, bar of 72% dark chocolate with coconut sugar and blue maize and tabasco in original foil inner wrap and outer thick paper wrapper with a design by Lawrence Weiner with the title text.  Limited edition in VG++ unopened condition.</p>
The post <a href="https://unoriginalsins.co.uk/product/en-algun-lugar-al-sur-de-la-frontera-somewhere-south-of-the-border-2021/">EN ALGUN LUGAR AL SUR DE LA FRONTERA/SOMEWHERE SOUTH OF THE BORDER. 2021</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>THE CORRUPT SHOW AND THE SPECULATIVE MACHINE. 2013.</title>
		<link>https://unoriginalsins.co.uk/product/the-corrupt-show-and-the-speculative-machine-2013/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-corrupt-show-and-the-speculative-machine-2013</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 06 Feb 2021 13:53:24 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=38839</guid>

					<description><![CDATA[<p>Ecatepec: Fundacion/Coleccion Jumex, 2013</p>
<p>30 x 22cm, printed cardboard slipcase content of two volumes. The first is a major artist's book and exhibition catalogue investigating social relationships and methods of social change. The museum space was transformed into a "product distribution centre and the manufacture of light shades took place with volunteers.</p>
<p>The first volume is 29.5 x 21cm, 360pp plus thick printed boards and the second is a printed thick cardboard folder content of two gallery guides and texts.</p>
<p>There is some rusting on the binding of the second volume which has affected one of the brochures - see photographs - else VG+. ]</p>
<p>Please note - this is a heavy book and additional shipping costs may be required.</p>
<p>&#160;</p>
The post <a href="https://unoriginalsins.co.uk/product/the-corrupt-show-and-the-speculative-machine-2013/">THE CORRUPT SHOW AND THE SPECULATIVE MACHINE. 2013.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Ecatepec: Fundacion/Coleccion Jumex, 2013</p>
<p>30 x 22cm, printed cardboard slipcase content of two volumes. The first is a major artist's book and exhibition catalogue investigating social relationships and methods of social change. The museum space was transformed into a "product distribution centre and the manufacture of light shades took place with volunteers.</p>
<p>The first volume is 29.5 x 21cm, 360pp plus thick printed boards and the second is a printed thick cardboard folder content of two gallery guides and texts.</p>
<p>There is some rusting on the binding of the second volume which has affected one of the brochures - see photographs - else VG+. ]</p>
<p>Please note - this is a heavy book and additional shipping costs may be required.</p>
<p>&#160;</p>
The post <a href="https://unoriginalsins.co.uk/product/the-corrupt-show-and-the-speculative-machine-2013/">THE CORRUPT SHOW AND THE SPECULATIVE MACHINE. 2013.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>STEPHEN  WILLATS. HOMBRE DEL SIGLO XXI. MAN FROM THE 21ST CENTURY. 2015.</title>
		<link>https://unoriginalsins.co.uk/product/stephen-willats-hombre-del-siglo-xxi-man-from-the-21st-century-2015/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=stephen-willats-hombre-del-siglo-xxi-man-from-the-21st-century-2015</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 16 Dec 2020 22:36:32 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=37609</guid>

					<description><![CDATA[<div><span style="font-family: Arial;font-size: small">Mexico City: Museo Tamayo, 2015</span></div>
<div><span style="font-family: Arial;font-size: small">15 x 15cm, 48pp (self cover). Exhibition catalogue for a retrospective of the work of conceptual artist and designer WIllats who also published the highly influential CONTROL magazine. Texts in English and Spanish and illustrated in colour and b/w including works, magazine covers and clothing. There is some rubbed in dirt on the left side of the white front cover else VG+.  </span></div>
The post <a href="https://unoriginalsins.co.uk/product/stephen-willats-hombre-del-siglo-xxi-man-from-the-21st-century-2015/">STEPHEN  WILLATS. HOMBRE DEL SIGLO XXI. MAN FROM THE 21ST CENTURY. 2015.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<div><span style="font-family: Arial;font-size: small">Mexico City: Museo Tamayo, 2015</span></div>
<div><span style="font-family: Arial;font-size: small">15 x 15cm, 48pp (self cover). Exhibition catalogue for a retrospective of the work of conceptual artist and designer WIllats who also published the highly influential CONTROL magazine. Texts in English and Spanish and illustrated in colour and b/w including works, magazine covers and clothing. There is some rubbed in dirt on the left side of the white front cover else VG+.  </span></div>
The post <a href="https://unoriginalsins.co.uk/product/stephen-willats-hombre-del-siglo-xxi-man-from-the-21st-century-2015/">STEPHEN  WILLATS. HOMBRE DEL SIGLO XXI. MAN FROM THE 21ST CENTURY. 2015.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>THAT WORLD/ESE MUNDO. 2014.</title>
		<link>https://unoriginalsins.co.uk/product/that-world-ese-mundo-c-2016/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=that-world-ese-mundo-c-2016</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 01 Dec 2020 10:47:49 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=22140</guid>

					<description><![CDATA[<p>Mexico City: Musea Tamayo, n.d. (2014)</p>
<p>16 x 28cm, folded unusual shaped card. Gallery handout / announcement card for a solo show in Mexico City hich is in an unusual format which drawings by the artist in a comic format. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/that-world-ese-mundo-c-2016/">THAT WORLD/ESE MUNDO. 2014.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Mexico City: Musea Tamayo, n.d. (2014)</p>
<p>16 x 28cm, folded unusual shaped card. Gallery handout / announcement card for a solo show in Mexico City hich is in an unusual format which drawings by the artist in a comic format. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/that-world-ese-mundo-c-2016/">THAT WORLD/ESE MUNDO. 2014.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE CORRUPT SHOW. 2013.</title>
		<link>https://unoriginalsins.co.uk/product/the-corrupt-show-2013/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-corrupt-show-2013</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 14 Sep 2020 19:34:27 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=32523</guid>

					<description><![CDATA[<p>Mexico City: Jumex, n.d. (2013)</p>
<p>30 x 21cm, 2pp. Gallery hand out for the major exhibition of work by Superflex (Jakob Fenger, Rasmus Nielsen and Bjornstjerne Christiansen). One large image of the flags installation and texts by the artists. One die cut hole top left as issued by the museum else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/the-corrupt-show-2013/">THE CORRUPT SHOW. 2013.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Mexico City: Jumex, n.d. (2013)</p>
<p>30 x 21cm, 2pp. Gallery hand out for the major exhibition of work by Superflex (Jakob Fenger, Rasmus Nielsen and Bjornstjerne Christiansen). One large image of the flags installation and texts by the artists. One die cut hole top left as issued by the museum else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/the-corrupt-show-2013/">THE CORRUPT SHOW. 2013.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>UGO RONDINONE. 2014.</title>
		<link>https://unoriginalsins.co.uk/product/ugo-rondinone-2014/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ugo-rondinone-2014</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 17 Aug 2020 08:59:23 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=30113</guid>

					<description><![CDATA[<p>Mexico City: Barbara Gladstone Gallery, n.d. (2014)</p>
<p>23 x 14.5cm, 2pp. Invite card for an opening of sculptural work by the artist at the Zonamaco art fair. Recto: a large scale figurative stone sculpture, verso details . VG+</p>
<p>JOINT WITH:</p>
<p>Small card explaining transport details and original unused envelope. VG.</p>
The post <a href="https://unoriginalsins.co.uk/product/ugo-rondinone-2014/">UGO RONDINONE. 2014.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Mexico City: Barbara Gladstone Gallery, n.d. (2014)</p>
<p>23 x 14.5cm, 2pp. Invite card for an opening of sculptural work by the artist at the Zonamaco art fair. Recto: a large scale figurative stone sculpture, verso details . VG+</p>
<p>JOINT WITH:</p>
<p>Small card explaining transport details and original unused envelope. VG.</p>
The post <a href="https://unoriginalsins.co.uk/product/ugo-rondinone-2014/">UGO RONDINONE. 2014.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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