75 x 45cm, machine made embroidered clothing patch in silver-grey and red. Issued on Bastille Day 2022, Smithee's clothing patch is in the shape of a guillotine and has the text "ROBESPIERRE WAS CUTTING EDGE" on it. The artist, a professed republican, has said that while the Terror of the French Revolution "probably went too far", "it did make a point".

One of 100 unnumbered examples - each in transparent self-sealing plastic bag. VG+.

Two notepads - 15 x 10.5cm and 10.5 x 15cm -  both 100pp printed notepad with glue binding. There are two designs each by Lexier, a vertical and horizontal version.

Like many of Lexier’s multiples, this one is based on a found object - in this case, a score pad for a learning game to help school children count. The pair of pads share a common image but one pad is oriented horizontally and the other vertically. Each functions independently, but when paired together they become a study of equivalencies.

One of 30 signed and numbered examples on label on back of pad. In transparent self sealing bag.

This is a set of both pads at a discounted price. Please note the numbers on the pads might not match.

15 x 10.5cm, 2pp artist's postcard which is a design after the Richard Hamilton postcard "Don't Forget Marcel Duchamp" that he issued in 1979. The facsimile name of Richard Hamilton is removed and left blank which allows room for the sender of the card to write their own name. There is another card where the name of Richard Hamilton is printed. One of 100 such cards produced. VG+.

15 x 10.5cm, 2pp artist's postcard which is a design after the Richard Hamilton postcard "Don't Forget Marcel Duchamp" that he issued in 1979. Duchamp's name is replaced by Hamilton's in Bellingham's reworking. Verso: an explanatory short text and publisher's details. There is another card with Hamilton's name redacted and allowing room for the sender of the card to write their name. One of 100 such cards produced. VG+.

Four different 10.5 x 15cm, 2pp digitally printed postcards with one side laminated. Each card has an arrow in one of the four corners (different on each card in the set) and publication details on the back. A printed envelope has the number from the edition and an identifying tick to show which of two related editions the cards are.

A conceptual artwork by the Canadian conceptual artist. Only 100 such sets of  cards were printed. VG+.

The price is for all 4 cards in the set and the envelope. VG+

There is a related work FOUR CORNERS (DOT) also available.

Four different 10.5 x 15cm, 2pp digitally printed postcards with one side laminated. Each card has a dot in one of the four corners (different on each card in the set) and publication details on the back. A printed envelope has the number from the edition and an identifying tick to show which of two related editions the cards are.

A conceptual artwork by the Canadian conceptual artist. Only 100 such sets of  cards were printed. VG+.

The price is for all 4 cards in the set and the envelope. VG+

There is a related work FOUR CORNERS (ARROW) also available.

]10.5 x 15cm, 2pp digitally printed postcard with one side laminated. The card has the text FILL IN THE BLANKS on the front and verso a form to fill in requesting the sender and recepient to note their names and the day on which the card was sent.

Two options are available - one card with the form partially filled in by Paul Robertson and the day of sending or a second card in unprinted envelope which you can send to someone and fill in the form.

A mail art work by the Canadian conceptual artist. Only 100 such cards were printed. VG+.

32 x 32cm, black on white cotton artist design handkerchief. Canadian artist Lexier's interest in counting and numbers as well as game imagery has lead him to create this design, reminiscent of an old magic trick handkerchief, of four die - with the number 3 in a less usual format.

One of only 18 numbered examples in two part white box with numbered label.Micah Lexier

12 x 18cm, paper and plastic sealed envelope content of four 10.5 x 15cm, 1pp digital prints on 290 micro uncoated paper stock.

Two of the sheets are appropriated images of 1980s  “escort” cards found in a British artist’s archive after his death.