28 x 22cm, 4pp (printed recto only). Stapled. The only publication of Flynt's theoretical criticism of Adorno's Negative Dialectics. Folded twice for mailing else VG+. Rare.

21.8 x 14.1cm, 16pp plus card covers. First edition on this treatise on the use of computers in the arts, the first printing of a computer poem "Hank and Mary, A Love Story" created in Fortran by Higgins and a reprint of "A House of Leaves" by Alison Knowles. Rare. VG+.

13.5 x 17.3cm, 206pp plus card covers. First edition of this theoretical tract on concept art, politics and avant garde music, Flynt's first book. B/w photographs by Tony Conrad. Some rubbing to the blue wrappers (as always found) but otherwise VG+. Rare.

52pp plus unprinted card covers.  Perfect bound. One fold out diagram in the artist's own facsimile hand relating to Julien Benda and  Chateaubriand, other pages are also reproduced in such a manner First edition of this theoretical treatise on art and literature issued by the artist and writer at the point where he left the Lettriste movement and founded Ultra-Letterism along with Villegle and Dufrene. This was one of his earliest books. Minor browning else VG+.

24 x 17.5cm, 1pp Black on green - the public manifestation of Nash, de Jong and Amger Elde's displeasure at Guy Debord's expulsion of the SPUR Group from the SI and their founding of the "Situationist International" as a retort. Thereafter Hardy Strid, Jens Jurgen Thorsen and Gruppe SPUR supported them in the creation of a Nordic/Germanic alternative with Asger Jorn giving tacit and financial support. A rare item in fine condition.

21 x 14cm, 224pp. Boards with dustjacket. Monograph on the work of Nash's colleague in the Second Situationist International; Hardy Strid. The artist was a major force for modernism in Denmark and was a co-founder of the Co-Rictus group (which along with Wolf Vostell could lay claim to be the original graffiti / street artists at one point appropriating an unused 300 foot commercial street billboard and overnight turning it into an abstract mural although two members of the group - Nash and Thorsen were arrested for their troubles; Strid and Kunzelmann were mixing paint at the time in the gallery opposite and completed the work). Many many full colour and full page illustrations of works which suggest Strid's influences were much more pop than Cobra and extensive documentation of articles in journals, books etc and a major index / tabulation of all of the works of Strid and their media. This copy is signed by Nash and also by Strid (the latter at a slightly later date). Fine association copy of this useful and rather wonderful reference.

29.7 x 21cm, 46pp (printed recto only). Original wrappers (stapled but missing spine tape). First edition of this theoretical tract by the Lettriste with one work reproduced near full page in b/w. As noted the spine tape is missing else this is VG.

22.8 x 17.9cm, 286pp. Original wrappers with a cover design by Gabriel Pomerand. Essentially the manifesto and theoretical basis for all Letteriste and Situationist cinema. Texts include "Esthétique du cinéma" by Isidore Isou, "Cinéma nucléaire" by Marc'O, "Hurlements en faveur de Sade" by  G. E. (Guy) Debord, "Tambours du jugement premier" by Dufrêne, "La légende cruelle" by Gabriel Pomerand, "L'Anticoncept" by Wolman and shorter articles by Y. du Luart, Serge Berna, Poucette, Monique Geoffroy.The plates show portraits of Isou, Poucette, Pomerand, Wolman, Berna, Y. du Luart,  M. Geoffroy. Berréby and the famous first published image of Debord looking louche.

Minor wear to edges and spine with minor tears. Internally pages are browned (as always). The cover is in excellent condition with no fading as the book has been kept in a glassine envelope. The book was lent to the filmmaker Christian Jamicot by Gil Wolman and on the book's return Jamicot has left a signed note to Wolman in ink thanking him on the glassine envelope. A correspondence copy and in much better condition than usually found. The glassine envelope is somewhat torn but still protects the book.

22.8 x 17.9cm, 286pp. Original wrappers with a cover design by Gabriel Pomerand. essnetially the manifesto and theoretical basis for all Letteriste and Situationist cinema. Texts include "Esthétique du cinéma" by Isidore Isou, "Cinéma nucléaire" by Marc'O, "Hurlements en faveur de Sade" by  G. E. (Guy) Debord, "Tambours du jugement premier" by Dufrêne, "La légende cruelle" by Gabriel Pomerand, "L'Anticoncept" by Wolman and shorter articles by Y. du Luart, Serge Berna, Poucette, Monique Geoffroy.The plates show portraits of Isou, Poucette, Pomerand, Wolman, Berna, Y. du Luart,  M. Geoffroy. Berréby and the famous first published image of Debord looking louche.

The front is heavily faded and there is wear to edges and spine with minor tears. Internally pages are browned (as always). Pages 120 to 122 have a closed tear with no paper loss. Back cover is mostly very good. Priced to reflect these imperfections. Rare and important.

21 x 15cm, 32pp plus card covers. A comic review (albeit factual) on the various far-left groupings existing in Britain in 1983. The variety of idiocy is amazing including the Posadas grouping who had such an incredible leader that he was able to write newspaper articles in advance of his death relating to current events. The predictive power of dialectical materialism was never as strong. Other groups surveyed include Militant Tendency, Socialist Workers Party, International Marxist Group, Workers Revolutionary Party, Spartacist League, Big Flame, Official IRA, Solidarity, Chartists, ILP, London Labour Briefing and more. Interesting how many of these groups no longer exist. Francis Boyle cartoon on the front cover. Some browning to the cheap paper internally and a small stain from coffee on the back cover else VG+. Fairly sort after.