IAN HAMILTON FINLAY

INVITATION CARDS

IMAGINED LANDS: POSTAGE STAMPS FOR A SCOTTISH REPUBLIC. 1997. WITH ORIGINAL TIPPED ON LIMITED EDITION STAMP.

Edinburgh: Morning Star Press/City Art centre, 1997
15 x 10.5cm, 2pp announcement card for the release of a "stamp" album released as part of an exhibition "Imagined Lands: Postage Stamps for a Scottish Republic". On the front of the card is a tipped on original cinderella stamp designed by Finlay. The stamps themselves were a limited edition. This is a very scarce card. VG+.

IAN HAMILTON FINLAY. 1997.

Wein: Herbert Winter, 1997
10.5 x 15cm, 1pp. Typographic announcement card for a Finlay solo show printed purple on white. VG+.

EIN RAUM VON IAN HAMILTON FINLAY. 1997.

Basel: Stampa, 1997 15 x 10.5cm, 2pp announcement card for a art fair presentation of Finlay's work. The front of the card shows a sculptural form of his SAILS/WIND work - the shape of the chair seat and back mirroring the concrete poem painted on the chair. VG+.

IAN HAMILTON FINLAY PRINTS 1963 – 1997. 1997.

Dortmund: Museum am Ostwall, 1997
21 x 10cm, 4pp announcement card and invite to opening for a solo show, Sail Wholemeal print reproduced on the front. VG+.

DAS SCHRECKLICHE HINTER DEM SCHONEN. 1997.

Dortmund: Museum am Ostwall, 1997
10 x 21cm, 18pp (single sheet accordion folded) exhibition announcement/handout/catalogue with text on individual works and four full colour images of prints and works and one b/w photographic portrait of Finlay and an image of Little Sparta. VG+.

ANTHOLOGY. 1997.

Edinburgh: Morning Star Press, 2002
10.5 x 15cm, 2pp announcement card for the Anthology assemblage publication which Finlay contributed to along with others such as Lawrence Weiner, Richard Tuttle, Thomas A. Clark, Pavel Buchler, David Bellingham, Jackson Mac Low and others. On the front an original photograph with one of the name tags included in the book stitched onto a shirt. VG+. Scarce.

IAN HAMILTON FINLAY. 1998.

Wein: Herbert Winter, 19978
10.5 x 15cm, 1pp. Typographic announcement card for a Finlay solo show printed blue on white. VG+.

IAN HAMILTON FINLAY. COMMISSION IN THE GROUNDS OF THE SERPENTINE GALLERY. 1998.

London: Serpentine Gallery, 1998
21 x 14cm, 2pp. Invitation card for a major installation at the entrance to the Serpentine Gallery. The commission is a circular ground work at the entrance (as well as a garden installation on benches and tree plaques). The work is illustrated on the front. VG+.
JOINT:
London: Serpentine Gallery, 1998
30 x 21cm, 1pp. Letter from Julia Peyton-Jones addressed to Finlay's collaborator Janet Boulton inviting her to the celebration for the installation. VG+.

IAN HAMILTON FINLAY AT THE SERPENTINE GALLERY. 1998.

London: Serpentine Gallery, 1998
21 x 10cm, 4pp. Announcement card for the major installation at the entrance to the Serpentine Gallery with images of the stonework at the entrance and one of the tree plaques. VG+.

IAN HAMILTON FINLAY. 1998.

London: Victoria Miro Gallery, 1998
10.5 x 15cm, 2pp announcement card with a reproduction of a bench design by Finlay with the text Odor Suavitatis carved into it. The text from the bible (in latin) means "fragrance of sweetness". Verso gallery details. VG+.

LITTLE SPARTA. 1998.

Nailsworth: Cairn Gallery, n.d. (1998)
12.2 x 10cm, 4pp typographic announcement card for a small show of photographs by Janet Boulton and David Paterson of Little Sparta. VG+.

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