PISS & GINGER & APPLES & PAIRS. 1993.
Bolzano: Galleria Klemens Gasser, 1993 59.5 x 42cm, b/w exhibition poster - actually offset lithography after an original stamp print work by Weiner. VG+.
£195.00
TO BITCH IS TO BE/BOSE IST BESSER/CATTIVO E MEGLIO. 1993.
NYC: Die Damen, 1993 10.5 x 15cm, 2pp artist's postcard displaying the three members of the Dutch feminist art group Die Damen alongside Lawrence Weiner who is dressed in the same costume as the women. Texts by Weiner around the outside of the image. Scarce. VG+.
£85.00
LAWRENCE WEINER, 1993. 1993.
Bolzano: Galleria Klemens Gasser, 1993 11.8 x 17.5cm, 2pp artist's card with an image of the installation "PIsse & Ingwer&Appel & Birnen" (Piss & Vinegar & Apple & Pear) on the front and verso gallery details. Announcement card but only has the year of the event not the opening dates. VG+.
£65.00
ZWEI BLOCKE, TWO BLOCKS. 1993. EDITIONED LETTERPRESS PRINT – ONE OF 300 – SIGNED BY WEINER
Nordhorn: Stadtische Galerie, 1993. 84 x 60cm, three colour letterpress (red, yellow and black) and black offset (gallery Information)- with the title text and design by Weiner. One of only 300 examples which all have the feel of being very hand made due to the inconsistent letterpress printing of the black text. This copy is signed by Weiner at the bottom right. One of the harder to find posters by the artist especially with a signature.
£600.00
WATER & SAND/STICKS & STONES. 1993.
Dublin: IMMA/the artist, 1993
24 x 16cm, 6pp exhibition brochure in the form of a card folder content of 3pp of artist designed typographic texts and diagrams and 8 colour images of the work in situ as Weiner created. Very scarce.
£75.00
STEEL PENNIES DON’T COME FROM OR GO TO HEAVEN. 1993. SIGNED BY WEINER.
Halifax: Henry Moore Sculpture Trust, 1993 30 x 25.5cm, 48pp, Board covers covered in embossed silk - deliberately chosen by Weiner to reflect the colour and feel of lingerie. Internally b/w and colour photographs of Weiner's site-specific installation in a Yorkshire factory. This copy is signed and dedicated to one of the curators who helped install the works on the last page. Covers slightly marked due to the fragile nature of the silk.
£95.00
STEEL PENNIES DON’T COME FROM OR GO TO HEAVEN. 1993. SLIGHT MARKING TO SILK.
Halifax: Henry Moore Sculpture Trust, 1993 30 x 25.5cm, 48pp, Board covers covered in embossed silk - deliberately chosen by Weiner to reflect the colour and feel of lingerie. Internally b/w and colour photographs of Weiner's site-specific installation in a Yorkshire factory. Covers slightly marked due to the fragile nature of the silk.
£35.00
MUTTI-VATI KULTURE. TILL DEATH DO US PART. AS LONG AS IT LASTS. WITTE DE WITH CAHIERS Nr. 1. 1993. WITH SPECIALLY DESIGNED COVER SIGNED BY WEINER
Rotterdam: Witte de With Center for Contemporary Art, 1993 27 x 20 cm, 196pp plus covers with an original designby Lawrence Weiner. First edition of this artist's journal. This copy is unusually signed on the inside of the book by Weiner in pencil. VG.
£75.00
WHAT IS SET UPON THE TABLE SITS UPON THE TABLE – WAT OP DE TAFEL STAAT STAAT OP DE TAFEL. 1993.
Amsterdam: Stedelijk Museum, 1993 118 x 83cm - exceptionally large four colour silkscreen as designed by Weiner in blue, red, brown and yellow. Folded but otherwise very good. Scarce.
£225.00
STEEL PENNIES DON’T COME FROM OR GO TO HEAVEN. 1993. WITH RSVP CARD IN “WEINER” FONT.
Halifax: Henry Moore Sculpture Trust, 1993 21 x 10.5cm, 2pp, announcement card designed by Weiner with gallery details on the reverse. JOINT: Halifax: Henry Moore Sculpture Trust, 1993 21 x 10.5cm, 2pp, RSVP card for the opening designed using Weiner's choice of font. VG+. PRICE IS FOR BOTH TOGETHER.
£85.00
FLY BY NIGHT/ UP & ALL ABOUT EVE. 1994.
Stuttgart: Brigitte March Galerie, 1995 21 x 15 cm. 16pp plus card covers with a design by Weiner. The book is printed dos-a dos and reproduces 11 drawings by Weiner in full colour. VG+.
£65.00
WITHOUT REGARD OR / ODER OHNE RUCKSICHT. 1994.
Chemnitz: Städtische Kunstsammlungen, 1994<BR> 10.5 x15cm, 4pp. Announcement card with design by Weiner. Folded from the top. Internally gallery information. Fine.<BR><BR>
£65.00
LOST AT SEA. 1994. ONE OF 200 SIGNED & NUMBERED EXAMPLES.
Dusseldorf: Edition Lippert Wilkens Partner, 1994 2.6 x 16.6mm cardboard box content of a 16.5 cm long stainless steel pocket knife. Artist's multiple. The knife when closed is engraved with the word "Lost" but when opened this becomes "Lost at sea". A favourite Weiner motif and metaphor that of sailing ships passing unbeknown to each other. One of 200 copies. Fine.
£995.00
QUESTION:? WHEN IN DOUBT ANSWER: PLAY TIC TAC TOE & HOPE FOR THE BEST. 1994. ONE OF 100 NUMBERED EXAMPLES
Neuchatel: Editions Media, 1994 24.8 x 32.2cm, black, red, yellow and blue silkscreen on thick grey card. A limited edition of 100 numbered copies signed by Weiner utilising a rubber stamp impression in black on the back. Fine.
£750.00
PARKETT NR 42 (LAWRENCE WEINER RACHEL WHITEREAD NAN GOLDIN). 1994.
Zurich: Parkett, 1994 25.5 x 21.5cm, 176pp plus many pages of adverts. Pictorial card covers plus French folds. Art journal. Colour and b/w illustrations throughout. Artist contributions in English and German from Lawrence Weiner and Rachel Whiteread and a bound in insert by Nan Goldin. Some discolouration to the full colour cover with the yellow-orange over 20 years becoming a little pink - and the back cover being slightly rubbed and a colour fading caused by a past price sticker - else VG but a scarce edition of Parkett in any condition and this is not terrible by any means.
£45.00
DIE DAMEN BOSE IST BESSER. 1994. ONE OF ONLY 100 NUMBERED EXAMPLES
Vienna: Die Damen, 1994 22.5 x 16.5cm, x 2cm, silkscreened two part box content of a silk bag (with tie) and in turn that has a pair of female pantyhose with a Weiner three colour design silkscreened onto the nylon. One of 100 numbered copies. In fine, unworn condition).
£600.00
SILVER ANNIVERSARY. (DIECUT VARIANT) 1995.
NYC, Leo Castelli, 1995 17.8 x 12.5cm, 2pp invitation designed by Weiner card for Castelli's anniversary as a gallerist. There were two versions of this card - both with a picture of the gallerist and Weiner sharing two glasses of champagne recto and verso gallery information (and Weiner's text "& Stones& Stones& Stones& Stones& Stones& Stones"): however one variation had a diecut ampersand cut into the card which could act as a stencil - the other variation did not. This is an example of the more interesting cut-away card and may be regarded as an object multiple by Weiner of sorts. Fine.
£95.00
IT’S A TRIPLE EARTH. 1995. INCLUDES TRACK BY WEINER.
New York: Triple Earth, 1995 CD in standard plastic jewel case with insert. Compilation album produced as a fund raiser for the environmental charity. Weiner contributes A NEW PAIR OF SHOES from the Ships At Sea album. Fine.
£30.00
MORE YELLOW THAN BLUE. 1995.
N.p.: Holy Cross Gallery, 1995<BR> 5 x 5cm, b/w transparency with a photograph of a wall installation in Helsinki. VG+.<BR><BR>
£35.00
(ALL ABOVE) IT ALL. 1995.
N.p.: Holy Cross Gallery, 1995<BR> 5 x 5cm, b/w transparency with a photograph of a Weiner installation on the windows of the Whitney Museum in New York. VG+.<BR><BR>
£35.00
SELECTED ARTWORKS AND/UND LEARN TO READ ART. 1995.
Wein: Galerie Hubert Winter, 1995 10 x 21cm, 1pp typographic announcement card for a group show with works by Lawrence Weiner, Piero Manzoni, Richard Tuttle, Richard Nonas, Fred Sandback, Walter De Maria, Daniel Buren, Jan Dibbets, Mario Merz, Joseph Beuys, and Richard Prince. VG+.
£35.00