Saskatoon: A.K.A., 1990 15 x 15cm, 1pp announcement for one of Lexier's earliest shows - here printed black on gold foil with one reproduced drawing above gallery details. Unavoidable slight creasing to the sheet else VG+.
Toronto: Open Studio Gallery, 1990 23 x 15cm, 1pp announcement printed green on thick white card. The image of a woman looking at her reflection in a pool of water has a perforation horizontally across the card at the point where the water meets the physical side of the bank. Lexier often uses perforation of paper or card in his works to suggest a physical transformation or a relationship between areas. This card is hence also an object multiple. VG+.
Lethbridge: Southern Alberta Art Gallery, 1991 18 x 18cm, 80pp plus pictorial card covers. One of the very first of Lexier's exhibitions - here with 28 images of works in b/w and two in colour. Essays by Renee Baert and Don Goodes iu English. VG+.
Winnipeg: Main/Access Gallery, 1991 12.5 x 20.5cm, 2pp folded typographic announcement card with details of the exhibition and nothing much else. VG+.
Ontario: Tom Thomson Memorial Art Gallery, 1991 10.5 x 15cm, 2pp. Artist's postcard with the title installation in colour on front, on back gallery details. The work is a laser cut metallic text: "I feel this thing is of too great an importance to miss". VG+.
N.p. (Toronto): s.p. (Lexier), 1991 6.5 x 11cm, black on yellow printed envelope content of ten, 5 x 9cm, 1pp printed brown cards each with a reproduction of a handwritten version of Lexier's name (taken from envelopes addressed to him). One of a number of works where such hand-written names have been utilised by the artist (for example a wallpaper with his name written by others was also released). One of 100 unnumbered examples. VG+.
N.p.: n.p., 1989 10.5 x 15cm, 4pp. Artist's postcard with the title work reproduced in colour on front, on back gallery details. The work is the subject's signature blown-up and laser-cut 67 times out of pale green plexiglass of various thicknesses. Each thickness related to Evelyn's perception of how good that year was for her. starting in 1925 and ending in 1991. VG+.
Calgary: StrideGallery, 1992 10 x 23cm, announcement printed with a typographic design and a facsimile hologram detail on a yellow envelope (un sealed). An unusual invite object. Lexier has a love of stationery and uses envelopes in many of his works. VG+.
Calgary: Stride Gallery, 1992 21 x 17cm, 48pp plus thick cardboard covers which is spiral bound. Exhibition catalogue designed by the artist for a very early Lexier show. Text by Reesa Greenberg. Seventeen b/w images of works and 7 in colour. VG+. Scarce.
Ontario: Oakville Galleries, Oakville, 1993 24 x 16cm, 496pp plus pictorial boards. Artist's book designed by Micah Lexier and Lisa Naftolin for the former's book sculptures where the images on spines of a number of books when installed correctly show a portrait (each spine having a different part of the overall image). Nine such works are reproduced in the centre of the book along with short essays by Marnie Fleming and Nancy Tousley. The rest of the book (around 400 pages) is blank. VG+.
Oakville: Oakville Galleries, 1993 18 x 14cm, 1pp typographic announcement on thick white card. A solo show of "Book Sculptures" where images of people are printed on the outer spines of books and stacked to the same height as the subject. VG+.
Toronto: Open Studio Gallery, 1993 10.5 x 15m, 1pp typographic design announcement card for both a show and a suite of lithographs issued by the gallery. VG+.
N.p.: s.p. (Lexier), n.d. (1993) 21 x 5.2cm, 2pp bookmark issued as both a printed edition and promotion for the book of "book sculptures". One such sculpture (where a portrait is printed on the spines of a pile of books) is reproduced on the front, verso minimal text. VG+.
Atlanta: Fay Gold Gallery, 1993 21 x 10.5cm, 2pp announcement card with one book sculpture reproduced in b/w on the front - "Taller Child (Adolescent Male). Verso gallery details. VG+.
Kamloops: Kamloops Art Gallery, 1993 30.5 x 22.5cm, printed white envelope content of two 58 x 42cm, black on off white exhibition posters/announcements on newsprint - both consisting of a typographic design and one somewhat minimal. Two exhibitions by Lexier at the same time - one his own multiples and editions and the other an exhibition curated by Lexier with other works by his contemporaries (Eric Cameron, Ian Carr-Harris, Lynda Gammon, Janice Gurney, Regan Morris, Aaron Morris, Richard Storms and Jeannie Thib). Both posters folded as issued. The envelope is sealed but opened by the use of scissors - with some small tears to the pasted down printed flap. Price is for both items in envelope as a group.
NYC: Jack Shainman Gallery, 1993 10.5 x 5cm, 2pp announcement card with one book sculpture reproduced in b/w on the front. Verso gallery details. VG+.
Charlottetown: Confederation Centre Art Gallery & Museum, 1994 17 x 13cm, 192pp plus card covers. Artist's book and documentation of the title works which were created in series over a twelve year period from found imagery in school dictionaries from the north Americas. Designed by Bruce Mau in collaboration with Micah Lexier, there is an essay in English by Robin Metcalfe. 77 b/w images throughout. VG+.
Winnipeg: Winnipeg Museum of Art, 1994 23 x 14.5cm, 6pp (single folded sheet). Short essay in English by Jon Tupper on Lexier and a list of the 16 works exhibited in the solo show. VG+.
Winnipeg: Winnipeg Art Gallery, 1994 15 x 10.5cm, 2pp announcement card with one of the images from the "David" project where different people all named David were shown - one for each year of their life with 75 years in all included. Verso gallery details. VG+.
Winnipeg: Winnipeg Museum of Art, 1994 23.5 x 16cm, unpaginated (c. 74pp printed recto only) plus boards. Exhibition catalogue and artist's book where Lexier advertised for people called "David" to be photographed and the resulting 72 b/w images of men and children from age 1 to 72 were installed in the museum. each of the images are reproduced here one per page. Original advertisement is also included. VG+.
London/Cambridge (both Canada): McIntosh Gallery/ Library & Gallery, 1994 15 X 10.5m, 4pp announcement card for two different solo shows of "Book Sculptures" - the card is perforated vertically along the fold to allow separation. Two works printed in b/w on the front and back, internally gallery details.
