Unoriginal Sins |

SAME MAN. 2022. WITH CARDBOARD DOUBLE SIDED PRINT.

paul robertson — Thu, 26 Feb 2026 15:10:06 +0000

Humlebæk: Louisiana Museum of Modern Art. 2022 31.3 x 31,3 cm. single folded sheet (into 24 sections) - a book-as-poster documenting Princes half-century of image appropriation 0 the publication unfolds to a two-sided (one English, one Danish) poster with a richly illustrated collage of works by Prince from across his career (including his famous "rephotographs"), plus two in-depth texts on Princes oeuvre by the curators Nancy Spector and Anders Kold. Additionally and sometimes missing there is a 31 x 31cm, thick card which is double sided and takes the place of a record. There are two images one of a nurse paining and the other a sculpture of a young boy. One of 500 examples. VG+.

SUPPLEMENT TO SUDDEUTSCHE ZEITUNG (#46) EDITION HANS-PETER FELDMANN. 2010.

paul robertson — Wed, 25 Feb 2026 13:08:45 +0000

Germany: Suddeutsche Zeitung, 2010 32 x 21.5cm, 60pp, artist's book consisting of an offprint from the journal's magazine dedicated to the photography of Feldmann. The first half of the journal comprises selections of images by the photographer usually showing serial examples of a particular topic (mug-shots, a girl in a telephone box, children playing, etc) and the second half is an innovative interview with the artist where the questions asked are answered by appropriated photographs from the magazine's history. Each year the newspaper produces such an edition dedicated to a different artist. Fine condition. 85 uk pounds

HANS-PETER FELDMANN. 2003.

paul robertson — Sat, 21 Feb 2026 12:53:31 +0000

Koln: Buchhandlung Walther Konig, 2003 18.6 x 9cm, 20pp (self cover). Publisher's catalogue for the items held for sale by Konig which includes all the portfolios of early Bucher that they bought from Feldmann himself and sold at incredibly higher prices (which they were entitled to do). Small images in b/w and descriptions of most books and items. Now hard to find. VG+.

HANS-PETER FELDMANN. 2013.

paul robertson — Tue, 10 Feb 2026 20:57:38 +0000

Hong Kong: Simon Lee Gallery, 2013 15 x 21cm, 2pp announcement card for a solo show by Feldmann. One work displayed in colour on front, verso gallery details. VG+.

THE TELEPHONE BOOK (WITH PEARLS). 1988. FIRST EDITION.

paul robertson — Fri, 03 Oct 2025 14:43:53 +0000

Imschoot: Uitgevers Ghent, n.d. (1988) 21 x 14.7 cm, unpaginated (68pp) plus card covers. Artist's book by John Baldessari with found images of people talking on telephones and, occasionally, wearing pearls. A near fine example. One of 1,000 but strangely hard to find.

POP ART IN ENGLAND. 2011.

paul robertson — Thu, 02 Oct 2025 18:27:00 +0000

London: The Showroom and Space Gallery, 2011 84 x 60cm, full colour artist designed poster in an edition of 750 unsigned copies (and 45 signed and numbered copies) - which has an image of a pop art poster from 1963 showing Richard Hamilton's What makes today's homes so different, so appealing? pasted onto a brick wall. Part of Monk's Again, A Time Machine A Poster Project. VG+.

UNTITLED (DANIEL BUREN STRIPE). 2012.

paul robertson — Thu, 02 Oct 2025 18:27:00 +0000

London: The Showroom and Space Gallery, 2012 84 x 60cm, full colour artist designed poster in an an edition of 750 unsigned copies (and 45 signed and numbered copies) - which has an image of a poster showing a poster which has had an original Daniel Buren stripe poster (originally sold to Monk by Paul Robertson) pasted on it. Hence there are three iterations of posters in the image which has itself become a poster. Part of Monk's Again, A Time Machine A Poster Project. VG+.

THE ASSET STRIPPERS. 2019.

paul robertson — Thu, 02 Oct 2025 18:27:00 +0000

London: Tate Britain, 2019 15 x 10.5cm, 16pp (single folded sheet) which was the gallery handout and small poster for the exhibition where Nelson displayed traditional factory machinery as if they were sculptures. Interview with the artist and the unfolded sheet shows one of the machines in situ. Folded as issued else VG+.

ARBEITEN. 1991.

paul robertson — Thu, 02 Oct 2025 18:27:00 +0000

Dusseldorf: Kunstverein Region Heinsberg, 1991 19.4 x 14.4cm, unpaginated (approx 92pp). Card covers. Exhibition catalogue with reproductions of 10 separate artist projects by Feldmann including his series of washing machine photographs (colour images tipped into the book), covers of art catalogues (dull typographic wrappers again tipped into the book) and a wonderful series of bland photographs of a tanker entering narrow straits. Near fine and increasingly scarce publication.

ANNOUNCEMENT LEAFLET FOR LA DIALECTIQUE PEUT-ELLE CASSER DES BRIQUES? L’OISEAU DE MINERVE ET TELEMONDIAL PRESENTENT: LE PREMIER FILM ENTIEREMENT DETOURNE DE L’HISTOIRE DU CINEMA. V. O. SOUS-TITREE PAR L’ASSOCIATION POUR LE DEVELOPPEMENT DES LUTTES DE CLASSES ET LA PROPAGATION DU MATERIALISME DIALECTIQUE. 1972. (Copy)

paul robertson — Wed, 01 Oct 2025 14:27:00 +0000

Paris: Internationale Situationiste, n.d. (1972)

32 x 23.5cm, 2pp full colour announcement leaflet/small poster - verso the same image as used on the original film poster , recto: a resume of the original film and false critical statements about it. The leaflet was publicity for the Situationist's experimental film which simply showed the Hong Kong original with the sound removed and Vienet's dubbed voice over laying political texts and obtuse sub-titles (in French). The entire appropriation being a experiment in cinematic detournment. Fine.

ALLAN MCCOLLUM. RICHARD PRINCE. 1988.

paul robertson — Sun, 06 Apr 2025 07:44:11 +0000

Zurish: Kunstehalle Zurich, 1988 10 x 21cm, 2pp announcement card for an exhibition of photography by McCollum and Prince. One works by Prince reproduced in red and black duotone on the front and verso museum details. VG+.

PETER PILLER. RICHARD PRINCE. 2021.

paul robertson — Sun, 06 Apr 2025 07:43:35 +0000

Bremer: Weserburg Museum fur Moderne Kunst, 2021 21 x 10cm, 6pp announcement card/brochure for an exhibition of photography by Piller and Prince. Two works by Prince reproduced in colour and b/w and one by Piller in colour. Short essay in German by Ingo Clauss,