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	<title>Architecture - Unoriginal Sins</title>
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	<description>AVANT-GARDES</description>
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	<title>Architecture - Unoriginal Sins</title>
	<link>https://unoriginalsins.co.uk</link>
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	<item>
		<title>FORM GENOM FUNKTION. 1970.</title>
		<link>https://unoriginalsins.co.uk/product/form-genom-funktion-1970/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=form-genom-funktion-1970</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=6533</guid>

					<description><![CDATA[<p>Stockholm: Moderna Museet Stockholm 1970<br />
25 x 35cm, folded twice to open out to 50 x 70cm. First edition fo this catalogue/poster which was also one of the first catalogs by the founders of the Dusseldorf School of photography. Contains 18 images of water towards, mining machinery and other industrial architecture and texts by the artists. A hard to find publication - this is in mint condition.</p>
The post <a href="https://unoriginalsins.co.uk/product/form-genom-funktion-1970/">FORM GENOM FUNKTION. 1970.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Stockholm: Moderna Museet Stockholm 1970<br />
25 x 35cm, folded twice to open out to 50 x 70cm. First edition fo this catalogue/poster which was also one of the first catalogs by the founders of the Dusseldorf School of photography. Contains 18 images of water towards, mining machinery and other industrial architecture and texts by the artists. A hard to find publication - this is in mint condition.</p>
The post <a href="https://unoriginalsins.co.uk/product/form-genom-funktion-1970/">FORM GENOM FUNKTION. 1970.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>VERGLEICHE TECHNISCHER KONSTRUKTION. 1971.</title>
		<link>https://unoriginalsins.co.uk/product/vergleiche-technischer-konstruktion-1971/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=vergleiche-technischer-konstruktion-1971</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=6572</guid>

					<description><![CDATA[<p>Aaachen: Zentrum fur aktuelle Kunst, 1971<br />
20 x 21cm, 32pp plus wrappers. Exhibition catalogue for a very early show by the Bechers. 72 small b/w reproductions of photographic works (mostly pit  head machinery). Short text in German. Very scarce. Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/vergleiche-technischer-konstruktion-1971/">VERGLEICHE TECHNISCHER KONSTRUKTION. 1971.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Aaachen: Zentrum fur aktuelle Kunst, 1971<br />
20 x 21cm, 32pp plus wrappers. Exhibition catalogue for a very early show by the Bechers. 72 small b/w reproductions of photographic works (mostly pit  head machinery). Short text in German. Very scarce. Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/vergleiche-technischer-konstruktion-1971/">VERGLEICHE TECHNISCHER KONSTRUKTION. 1971.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>BIRGIT JÜRGENSSEN ZEICHNUNGEN. 1989.</title>
		<link>https://unoriginalsins.co.uk/product/birgit-jurgenssen-zeichnungen-1989/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=birgit-jurgenssen-zeichnungen-1989</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 29 Jun 2025 17:05:13 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=61115</guid>

					<description><![CDATA[<p>Vienna: Galerie Hubert Winter, 1989</p>
<p>84 x 60cnm blue and black on cream paper, offset lithograph. Exhibition poster designed by the artist for a solo show by Austria’s foremost feminist artist combining architectural imagery, surreal visual interference, and Jürgenssen’s signature use of language and line. Slight handling creases else VG.</p>
The post <a href="https://unoriginalsins.co.uk/product/birgit-jurgenssen-zeichnungen-1989/">BIRGIT JÜRGENSSEN ZEICHNUNGEN. 1989.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Vienna: Galerie Hubert Winter, 1989</p>
<p>84 x 60cnm blue and black on cream paper, offset lithograph. Exhibition poster designed by the artist for a solo show by Austria’s foremost feminist artist combining architectural imagery, surreal visual interference, and Jürgenssen’s signature use of language and line. Slight handling creases else VG.</p>
The post <a href="https://unoriginalsins.co.uk/product/birgit-jurgenssen-zeichnungen-1989/">BIRGIT JÜRGENSSEN ZEICHNUNGEN. 1989.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>BERND &#038; HILLA BECHER. 1974.</title>
		<link>https://unoriginalsins.co.uk/product/bernd-hilla-becher-1974/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=bernd-hilla-becher-1974</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 22 Mar 2025 11:53:24 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=60186</guid>

					<description><![CDATA[<p>London: The Arts Council of Great Britain, 1974</p>
<p>23 x 20cm, 24pp plus card covers. Exhibition catalogue for an exhibition of photography of industrial structures by Bernd and Hilla Becher, Eighteen b/w full page reproductions of photographs of industrial plants and a short essay in English by Lynda Morris. Some mild browning to the outer wrappers else VG. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/bernd-hilla-becher-1974/">BERND & HILLA BECHER. 1974.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>London: The Arts Council of Great Britain, 1974</p>
<p>23 x 20cm, 24pp plus card covers. Exhibition catalogue for an exhibition of photography of industrial structures by Bernd and Hilla Becher, Eighteen b/w full page reproductions of photographs of industrial plants and a short essay in English by Lynda Morris. Some mild browning to the outer wrappers else VG. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/bernd-hilla-becher-1974/">BERND & HILLA BECHER. 1974.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>SITE OF REVERSIBLE DESTINY &#8211; YORO PARK, GIFU. 1995.</title>
		<link>https://unoriginalsins.co.uk/product/site-of-reversible-destiny-yoro-park-gifu-1995/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=site-of-reversible-destiny-yoro-park-gifu-1995</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 25 Feb 2025 10:32:44 +0000</pubDate>
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					<description><![CDATA[<p>Gifu-Ken: Yoro Site of Reversible Destiny, 1995</p>
<p>19 x 13.5cm, 4pp announcement and invite card to the opening of the architectural intervention in Gifu-Ken by Arakawa and Gin. Front of the card is an image of the work along with a plan of the site, internally are texts in Japanese and Engish and an invitation to a public discussion qith the artists. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/site-of-reversible-destiny-yoro-park-gifu-1995/">SITE OF REVERSIBLE DESTINY – YORO PARK, GIFU. 1995.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Gifu-Ken: Yoro Site of Reversible Destiny, 1995</p>
<p>19 x 13.5cm, 4pp announcement and invite card to the opening of the architectural intervention in Gifu-Ken by Arakawa and Gin. Front of the card is an image of the work along with a plan of the site, internally are texts in Japanese and Engish and an invitation to a public discussion qith the artists. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/site-of-reversible-destiny-yoro-park-gifu-1995/">SITE OF REVERSIBLE DESTINY – YORO PARK, GIFU. 1995.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>BUILDING SENSORIUMS 1973 &#8211; 1990 &#8211; FOR DETERMINING HOW NOT TO DIE. 1990.</title>
		<link>https://unoriginalsins.co.uk/product/building-sensoriums-1973-1990-for-determining-how-not-to-die-1990/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=building-sensoriums-1973-1990-for-determining-how-not-to-die-1990</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 25 Feb 2025 10:25:43 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=60094</guid>

					<description><![CDATA[<p>NYC: Ronald Feldman Fine Arts, 1990</p>
<p>18 x 14cm, 2pp announcement card for an exhibition displaying two projects - one in France by Arakawa and Gins called "The Process in Question/Reversible Destiny" and another in Japan by Gins, Arakawa and Knesl called "Post-Frankensteinian Architecture/Stuttering God". A mailed example with printed address label else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/building-sensoriums-1973-1990-for-determining-how-not-to-die-1990/">BUILDING SENSORIUMS 1973 – 1990 – FOR DETERMINING HOW NOT TO DIE. 1990.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>NYC: Ronald Feldman Fine Arts, 1990</p>
<p>18 x 14cm, 2pp announcement card for an exhibition displaying two projects - one in France by Arakawa and Gins called "The Process in Question/Reversible Destiny" and another in Japan by Gins, Arakawa and Knesl called "Post-Frankensteinian Architecture/Stuttering God". A mailed example with printed address label else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/building-sensoriums-1973-1990-for-determining-how-not-to-die-1990/">BUILDING SENSORIUMS 1973 – 1990 – FOR DETERMINING HOW NOT TO DIE. 1990.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>LUCEBERT. 1964.</title>
		<link>https://unoriginalsins.co.uk/product/lucebert-1964/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lucebert-1964</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 30 Dec 2024 14:29:18 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=3465</guid>

					<description><![CDATA[<p class="p1"><span class="s1">Amsterdam: J.M. Meulenhoff, 1964</span></p>
<p class="p1"><span class="s1">24 x 17cm, 48pp plus printed covers. Monograph on the poet-painter of the COBRA movement as part of the essential series Art &#38; Architecture in the Netherlands. Noted (even before Richter) for his daily practice of painting, he was firstly an active member of the COBRA movement which led to his fascination with and influence by Art Brut. Eight colour images, seventeen b/w and a lengthy commentary by the author. Fine.</span></p>
The post <a href="https://unoriginalsins.co.uk/product/lucebert-1964/">LUCEBERT. 1964.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1"><span class="s1">Amsterdam: J.M. Meulenhoff, 1964</span></p>
<p class="p1"><span class="s1">24 x 17cm, 48pp plus printed covers. Monograph on the poet-painter of the COBRA movement as part of the essential series Art &#38; Architecture in the Netherlands. Noted (even before Richter) for his daily practice of painting, he was firstly an active member of the COBRA movement which led to his fascination with and influence by Art Brut. Eight colour images, seventeen b/w and a lengthy commentary by the author. Fine.</span></p>
The post <a href="https://unoriginalsins.co.uk/product/lucebert-1964/">LUCEBERT. 1964.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>LE STYLE ET LE CRI/L&#8217;URBANISME/L&#8217;OEUVRE OUVERTE. 1965.</title>
		<link>https://unoriginalsins.co.uk/product/le-style-et-le-cri-lurbanisme-loeuvre-ouverte-1965/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=le-style-et-le-cri-lurbanisme-loeuvre-ouverte-1965</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 21 Dec 2024 14:24:55 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=31694</guid>

					<description><![CDATA[<p>Paris: Editions Du Seuil, 1965</p>
<p>18 x 9cm, 4pp. announcement leaflet for books by Seuphor, Eco and the architectural theorist Choay as well as Jean Paris (L'Espace et Le regard). Le Style et Le Cri has a small b/w illustration of an abstract painting by Seuphor. Short biographies for each author. VG+.</p>
<p>&#160;</p>
<p>&#160;</p>
The post <a href="https://unoriginalsins.co.uk/product/le-style-et-le-cri-lurbanisme-loeuvre-ouverte-1965/">LE STYLE ET LE CRI/L’URBANISME/L’OEUVRE OUVERTE. 1965.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Paris: Editions Du Seuil, 1965</p>
<p>18 x 9cm, 4pp. announcement leaflet for books by Seuphor, Eco and the architectural theorist Choay as well as Jean Paris (L'Espace et Le regard). Le Style et Le Cri has a small b/w illustration of an abstract painting by Seuphor. Short biographies for each author. VG+.</p>
<p>&#160;</p>
<p>&#160;</p>
The post <a href="https://unoriginalsins.co.uk/product/le-style-et-le-cri-lurbanisme-loeuvre-ouverte-1965/">LE STYLE ET LE CRI/L’URBANISME/L’OEUVRE OUVERTE. 1965.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>WASSERTURME. 1988.</title>
		<link>https://unoriginalsins.co.uk/product/wasserturme-1988/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wasserturme-1988</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 09 Dec 2024 08:28:09 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=59707</guid>

					<description><![CDATA[<p>Munchen: Kunstverein, 1988</p>
<p>15 x 10.5cm, 2pp announcement card with a b/w image of a Watertower on front, verso museum details. This card has been hand addressed to Rudi Fuchs by "Feluix" in black pen with a short greeting. Stamped and franked. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/wasserturme-1988/">WASSERTURME. 1988.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Munchen: Kunstverein, 1988</p>
<p>15 x 10.5cm, 2pp announcement card with a b/w image of a Watertower on front, verso museum details. This card has been hand addressed to Rudi Fuchs by "Feluix" in black pen with a short greeting. Stamped and franked. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/wasserturme-1988/">WASSERTURME. 1988.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>THE GLASGOW SCHOOL OF ART. THE REID BUILDING. 2014. OPENING PROGRAMME. ONE MONTH BEFORE THE RENNIE MACKINTOSH BUILDING BURNT DOWN.</title>
		<link>https://unoriginalsins.co.uk/product/the-glasgow-school-of-art-the-reid-building-2014-opening-programme/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-glasgow-school-of-art-the-reid-building-2014-opening-programme</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 24 Jan 2024 14:32:23 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=57747</guid>

					<description><![CDATA[<p>Glasgow: Glasgow School of Art, 2014</p>
<p>21 x 15cm, 6pp plus card covers. Interesting design with the cover being a leporello with 3 groups of 20pp bound into the spines. This was the programme released on 9/4/14 when the new addition to the School of Art was opened and has details of the architecture and history with colour images throughout. However only one month later on 23 May 2014 the famous and Historic Rennie Mackintosh Building burnt down from a major fire. That fire and the lack of any real movement in rebuilding such a major part of the Art School led to incredible levels of criticism towards the school and its administration. This document is ironically self-congratulatory and adds to a view of the failures of the school due to hubris. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/the-glasgow-school-of-art-the-reid-building-2014-opening-programme/">THE GLASGOW SCHOOL OF ART. THE REID BUILDING. 2014. OPENING PROGRAMME. ONE MONTH BEFORE THE RENNIE MACKINTOSH BUILDING BURNT DOWN.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Glasgow: Glasgow School of Art, 2014</p>
<p>21 x 15cm, 6pp plus card covers. Interesting design with the cover being a leporello with 3 groups of 20pp bound into the spines. This was the programme released on 9/4/14 when the new addition to the School of Art was opened and has details of the architecture and history with colour images throughout. However only one month later on 23 May 2014 the famous and Historic Rennie Mackintosh Building burnt down from a major fire. That fire and the lack of any real movement in rebuilding such a major part of the Art School led to incredible levels of criticism towards the school and its administration. This document is ironically self-congratulatory and adds to a view of the failures of the school due to hubris. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/the-glasgow-school-of-art-the-reid-building-2014-opening-programme/">THE GLASGOW SCHOOL OF ART. THE REID BUILDING. 2014. OPENING PROGRAMME. ONE MONTH BEFORE THE RENNIE MACKINTOSH BUILDING BURNT DOWN.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>&#8220;DIALETTICA&#8221;. 1979. LIMITED EDITION &#8211; UNSIGNED &#038; UNNUMBERED EXAMPLE</title>
		<link>https://unoriginalsins.co.uk/product/dialettica-1979-limited-edition-unsigned-unnumbered-example/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dialettica-1979-limited-edition-unsigned-unnumbered-example</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 19 Nov 2023 13:27:45 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=57350</guid>

					<description><![CDATA[<p>N.p. (Turin): Bolaffi Arte, n.d. (1979)</p>
<p>30 x 24.8cm, 2p, four colour offset <span class="cit type-translation" lang="en-gb"><span class="quote">photolithograph </span></span>showing a work by the Italian architect. An editioned work issued as part of the series LE SETTE ARTI LIBERALI" (The seven liberal arts). This is unsigned and unnumbered example aside from the signed edition. Priced thus.</p>
The post <a href="https://unoriginalsins.co.uk/product/dialettica-1979-limited-edition-unsigned-unnumbered-example/">“DIALETTICA”. 1979. LIMITED EDITION – UNSIGNED & UNNUMBERED EXAMPLE</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>N.p. (Turin): Bolaffi Arte, n.d. (1979)</p>
<p>30 x 24.8cm, 2p, four colour offset <span class="cit type-translation" lang="en-gb"><span class="quote">photolithograph </span></span>showing a work by the Italian architect. An editioned work issued as part of the series LE SETTE ARTI LIBERALI" (The seven liberal arts). This is unsigned and unnumbered example aside from the signed edition. Priced thus.</p>
The post <a href="https://unoriginalsins.co.uk/product/dialettica-1979-limited-edition-unsigned-unnumbered-example/">“DIALETTICA”. 1979. LIMITED EDITION – UNSIGNED & UNNUMBERED EXAMPLE</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>&#8220;DIALETTICA&#8221;. 1979. LIMITED EDITION &#8211; SIGNED IN PENCIL BY EZIO GRIBAUDO.</title>
		<link>https://unoriginalsins.co.uk/product/grammatica-1979-limited-edition-signed-in-pencil-by-hubertus-gojowczyk/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=grammatica-1979-limited-edition-signed-in-pencil-by-hubertus-gojowczyk</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 18 Nov 2023 14:43:34 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=57345</guid>

					<description><![CDATA[<p>N.p. (Turin): Bolaffi Arte, n.d. (1979)</p>
<p>30 x 24.8cm, 2p, four colour offset <span class="cit type-translation" lang="en-gb"><span class="quote">photolithograph </span></span>showing a work by the Italian architect. An editioned work issued as part of the series LE SETTE ARTI LIBERALI" (The seven liberal arts). One of 5,000 numbered copies (on the reverse) which was also produced for Bolaffi's magazine cover. This is signed by the artist in pencil below the image and on the left the blind stamp of the publisher, overleaf a short text has the stamped number. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/grammatica-1979-limited-edition-signed-in-pencil-by-hubertus-gojowczyk/">“DIALETTICA”. 1979. LIMITED EDITION – SIGNED IN PENCIL BY EZIO GRIBAUDO.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>N.p. (Turin): Bolaffi Arte, n.d. (1979)</p>
<p>30 x 24.8cm, 2p, four colour offset <span class="cit type-translation" lang="en-gb"><span class="quote">photolithograph </span></span>showing a work by the Italian architect. An editioned work issued as part of the series LE SETTE ARTI LIBERALI" (The seven liberal arts). One of 5,000 numbered copies (on the reverse) which was also produced for Bolaffi's magazine cover. This is signed by the artist in pencil below the image and on the left the blind stamp of the publisher, overleaf a short text has the stamped number. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/grammatica-1979-limited-edition-signed-in-pencil-by-hubertus-gojowczyk/">“DIALETTICA”. 1979. LIMITED EDITION – SIGNED IN PENCIL BY EZIO GRIBAUDO.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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