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	<title>Unoriginal Sins | </title>
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	<description>AVANT-GARDES</description>
	<lastBuildDate>Thu, 16 Oct 2025 17:35:04 +0000</lastBuildDate>
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	<title>Unoriginal Sins | </title>
	<link>https://unoriginalsins.co.uk</link>
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	<item>
		<title>CLOACA 2000 &#8211; 2007. 2007.</title>
		<link>https://unoriginalsins.co.uk/product/cloaca-2000-2007-2007/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=cloaca-2000-2007-2007</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=10935</guid>

					<description><![CDATA[Casino Luxembourg: Forum D’Art Contemporain, 2007
30.5 x 23cm, 222pp plus padded printed leatherette boards. Ribbon and gilded sides. Artist’s book illustrated profusely throughout noting the history of Delvoye’s Cloaca machines. Essays in English by Michael Glasmeier, Luis Camnitzer and Enrico Lunghi. Fine.]]></description>
										<content:encoded><![CDATA[Casino Luxembourg: Forum D’Art Contemporain, 2007
30.5 x 23cm, 222pp plus padded printed leatherette boards. Ribbon and gilded sides. Artist’s book illustrated profusely throughout noting the history of Delvoye’s Cloaca machines. Essays in English by Michael Glasmeier, Luis Camnitzer and Enrico Lunghi. Fine.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ART &#038; PROJECT BULLETIN 73. GILBERT &#038; GEORGE. 1973. BLIND-STAMPED BY THE ARTISTS. ONLY 400 COPIES.</title>
		<link>https://unoriginalsins.co.uk/product/art-project-bulletin-73-gilbert-george-1973-blind-stamped-by-the-artists-only-400-copies/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=art-project-bulletin-73-gilbert-george-1973-blind-stamped-by-the-artists-only-400-copies</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=3081</guid>

					<description><![CDATA[<p class="p1"><span class="s1">Amsterdam: Art &#38; Project, 1973</span></p>
<p class="p1"><span class="s1">30 x 21cm, 4pp b/w conceptual artwork in the form of a mailed bulletin. Internally there is a black and white offset lithograph with an image of the two artists pictured at an angle to suggest drunkenness. Blind stamped with the text:  "Art For All, George, Gilbert, The Sculptors, London". One of only 400 mailed copies. Folded as issued with crease marks apparent. Rare - one of the very hardest of the A&#38; bulletins to find.</span></p>
&#160;
<p class="p1"><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">ART &#38; PROJECT BULLETIN 73. GILBERT &#38; GEORGE, ART &#38; PROJECT, </span></p>]]></description>
										<content:encoded><![CDATA[<p class="p1"><span class="s1">Amsterdam: Art &#38; Project, 1973</span></p>
<p class="p1"><span class="s1">30 x 21cm, 4pp b/w conceptual artwork in the form of a mailed bulletin. Internally there is a black and white offset lithograph with an image of the two artists pictured at an angle to suggest drunkenness. Blind stamped with the text:  "Art For All, George, Gilbert, The Sculptors, London". One of only 400 mailed copies. Folded as issued with crease marks apparent. Rare - one of the very hardest of the A&#38; bulletins to find.</span></p>
&#160;
<p class="p1"><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">ART &#38; PROJECT BULLETIN 73. GILBERT &#38; GEORGE, ART &#38; PROJECT, </span></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ORLAN. 2004. WITH EXTENSIVE DEDICATION BY ORLAN TO PAUL ROBERTSON.</title>
		<link>https://unoriginalsins.co.uk/product/orlan-2004-with-extensive-dedication-by-orlan-to-paul-robertson/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=orlan-2004-with-extensive-dedication-by-orlan-to-paul-robertson</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=46126</guid>

					<description><![CDATA[Paris: Flammarion, 2004

26 x 27cm, 264pp plus boards and pictorial dustjacket. A monograph and exhibition catalogue issued on the occasion of <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Orlan, methodes de l'artiste" in Parigi. B/w and colour illustrations throughout and essays by the artist, Regis Durand,  and others and an interview with Hans Ulrich Obrist.</span>

There is a significant pictorial chronology for Orlan's work from 1964 to the present day.

This copy of the book has a lengthy handwritten dedication to Paul Robertson: "Pour Paul Robertson Sainte Orlan et Orlan-Corps Reunies (?) heurs baiser d'artistE un vrai de vrai des Draps-peaux" Signed and dated 20 Septembre 20000021 (sic) in thick black felt tipped pen.]]></description>
										<content:encoded><![CDATA[Paris: Flammarion, 2004

26 x 27cm, 264pp plus boards and pictorial dustjacket. A monograph and exhibition catalogue issued on the occasion of <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Orlan, methodes de l'artiste" in Parigi. B/w and colour illustrations throughout and essays by the artist, Regis Durand,  and others and an interview with Hans Ulrich Obrist.</span>

There is a significant pictorial chronology for Orlan's work from 1964 to the present day.

This copy of the book has a lengthy handwritten dedication to Paul Robertson: "Pour Paul Robertson Sainte Orlan et Orlan-Corps Reunies (?) heurs baiser d'artistE un vrai de vrai des Draps-peaux" Signed and dated 20 Septembre 20000021 (sic) in thick black felt tipped pen.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>CENT PHOTOGRAPHIES EROTIQUES. 1979. UNNUMBERED COPY.</title>
		<link>https://unoriginalsins.co.uk/product/cent-photographies-erotiques-1979-unnumbered-copy/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=cent-photographies-erotiques-1979-unnumbered-copy</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 12 Oct 2021 08:58:54 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43950</guid>

					<description><![CDATA[<p class="p1">Paris: Images Obliques, 1979</p>
<p class="p1">22 x 14cm, 112pp plus cloth covered boards with foil stamping. Published soon after the death of the surrealist, transvestite photographer and painter who, on deciding his life was no longer worth living, placed a note on the door of his flat before shooting himself: It read: ";I am dead. The key is with the concierge."</p>
<p class="p1">The book consists of 100 b/w reproductions of Molinier's erotic and wholly believable self-portraits as a woman (occasionally with real women and female adult puppets as props). An unnumbered copy aside from the first edition of 43 copies (33 + 10 du tete). There is an handwritten dedication by a previous owner at the half-title but this is otherwise a very good copy of an elusive and desirable title.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">Paris: Images Obliques, 1979</p>
<p class="p1">22 x 14cm, 112pp plus cloth covered boards with foil stamping. Published soon after the death of the surrealist, transvestite photographer and painter who, on deciding his life was no longer worth living, placed a note on the door of his flat before shooting himself: It read: ";I am dead. The key is with the concierge."</p>
<p class="p1">The book consists of 100 b/w reproductions of Molinier's erotic and wholly believable self-portraits as a woman (occasionally with real women and female adult puppets as props). An unnumbered copy aside from the first edition of 43 copies (33 + 10 du tete). There is an handwritten dedication by a previous owner at the half-title but this is otherwise a very good copy of an elusive and desirable title.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>DRIVING IMAGE SHOW. 1964.</title>
		<link>https://unoriginalsins.co.uk/product/driving-image-show-1964/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=driving-image-show-1964</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 21 Jan 2025 11:22:41 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=15961</guid>

					<description><![CDATA[NYC: R. Castellane Gallery, 1964
57 x 40cm, b/w offset lithographic exhibition poster with a photomontage design by Kusama of the artist in an installation full of padded shapes and with dotted dresses and a naked mannikin. This was the American version of the installation which incorporated works from her Sex-Obsession, Food-Obsession and Compulsion Furniture (bumps and lumps and pasta). The show was also recreated slightly differently in Milan in the same year. This is a very rare vintage poster which has been folded four times for storage and unfortunately has on the reverse, in one panel, vintage ink doodles and phone numbers by an unknown hand. The poster side is near fine and there is no show through from the ink annotations. All vintage Kusama ephemera is rare.]]></description>
										<content:encoded><![CDATA[NYC: R. Castellane Gallery, 1964
57 x 40cm, b/w offset lithographic exhibition poster with a photomontage design by Kusama of the artist in an installation full of padded shapes and with dotted dresses and a naked mannikin. This was the American version of the installation which incorporated works from her Sex-Obsession, Food-Obsession and Compulsion Furniture (bumps and lumps and pasta). The show was also recreated slightly differently in Milan in the same year. This is a very rare vintage poster which has been folded four times for storage and unfortunately has on the reverse, in one panel, vintage ink doodles and phone numbers by an unknown hand. The poster side is near fine and there is no show through from the ink annotations. All vintage Kusama ephemera is rare.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>DENNIS OPPENHEIM. 1972.</title>
		<link>https://unoriginalsins.co.uk/product/dennis-oppenheim-1972/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dennis-oppenheim-1972</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 13 Oct 2023 08:52:42 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=56917</guid>

					<description><![CDATA[Paris: Editions CEDIC, 1972

20 x 13.5cm, unpaginated (48pp) plus wrappers. First catalogue raisonne in French for Oppenheims earliest prints and editions. Forty-nine works, a list of films and books and an exhibition history are noted with details and duotone images for most works. A very scarce and useful reference. VG+.]]></description>
										<content:encoded><![CDATA[Paris: Editions CEDIC, 1972

20 x 13.5cm, unpaginated (48pp) plus wrappers. First catalogue raisonne in French for Oppenheims earliest prints and editions. Forty-nine works, a list of films and books and an exhibition history are noted with details and duotone images for most works. A very scarce and useful reference. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>PRACTICE. 2022.</title>
		<link>https://unoriginalsins.co.uk/product/practice-2022/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=practice-2022</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 02 Dec 2022 17:32:33 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=51987</guid>

					<description><![CDATA[Dusseldorf: Konrad Fischer Galerie, 2021

10.5 x 15cm, 4pp announcement card with a b/w image of the artist's hands on the front, internally gallery details. VG+.]]></description>
										<content:encoded><![CDATA[Dusseldorf: Konrad Fischer Galerie, 2021

10.5 x 15cm, 4pp announcement card with a b/w image of the artist's hands on the front, internally gallery details. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>VITO ACCONCI. 1971. (NYC UNIVERSITY)</title>
		<link>https://unoriginalsins.co.uk/product/vito-acconci-1971/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=vito-acconci-1971</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 23 Nov 2022 13:43:41 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=51882</guid>

					<description><![CDATA[<p class="p1">NYC: New York University, n.d. (1971)</p>
<p class="p1">10.5 x 15cm, 1pp announcement card with a b/w image of the artist manipulating a woman's face on the front. Exhibition was organised in co-operation with the Gibson GalleryVG+. Scarce.</p>]]></description>
										<content:encoded><![CDATA[<p>PARICUTIN VOLCANO</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>BODY (DOCUMENTATION). 1968.</title>
		<link>https://unoriginalsins.co.uk/product/body-documentation-1968-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=body-documentation-1968-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 23 Nov 2022 13:10:37 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=51873</guid>

					<description><![CDATA[<p class="p1">NYC: John Gibson Gallery, 1968</p>
<p class="p1">15 x 17cm, 2pp announcement card for the famous and important conceptual art and body art exhibition - recto is a b/w film still of Nauman engaged in a facial manipulation), verso gallery details. Participating artists were Vito Acconci, Dan Graham, Bruce Nauman, Richard Serra, and Michael Snow. One of the earliest exhibition at the well known New York gallery. VG+.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">NYC: John Gibson Gallery, 1968</p>
<p class="p1">15 x 17cm, 2pp announcement card for the famous and important conceptual art and body art exhibition - recto is a b/w film still of Nauman engaged in a facial manipulation), verso gallery details. Participating artists were Vito Acconci, Dan Graham, Bruce Nauman, Richard Serra, and Michael Snow. One of the earliest exhibition at the well known New York gallery. VG+.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>LES LEVINE: SCALE MODELS FOR THE STAR MACHINE, MINI-STAR, THE STAR GARDEN, SUPER STAR, ALL-STAR CAST, NETWORK STAR AND PRIME =-TIME START. 1967.  one of the gallery&#8217;s first exhibitions.</title>
		<link>https://unoriginalsins.co.uk/product/body-documentation-1968/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=body-documentation-1968</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 23 Nov 2022 13:04:27 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=51872</guid>

					<description><![CDATA[<p class="p1">NYC: John Gibson Gallery, 1967</p>
<p class="p1">13.3 x 18.2cm, 2pp announcement card for one of the first exhibitions at the well known New York gallery. Front is a b/w image of a Levine public works sculpture, verso gallery details, VG+.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">NYC: John Gibson Gallery, 1967</p>
<p class="p1">13.3 x 18.2cm, 2pp announcement card for one of the first exhibitions at the well known New York gallery. Front is a b/w image of a Levine public works sculpture, verso gallery details, VG+.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>CONTRAT POUR UN CORPS PROJECT NO. 2. 1972. NUMBERED FROM AN EDITION OF 50.</title>
		<link>https://unoriginalsins.co.uk/product/contrat-pour-un-corps-project-no-2-1972-numbered-from-an-edition-of-50/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=contrat-pour-un-corps-project-no-2-1972-numbered-from-an-edition-of-50</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 16 Dec 2021 23:26:59 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=46001</guid>

					<description><![CDATA[<div>Paris: Galerie Stadler, 1972</div>
<div><span style="color: #333333;font-family: HelveticaNeue, Helvetica, Arial, sans-serif">59 x 39cm black on white offset lithograph with an image of a skeleton posed in vestments. Journiac created this work after publicly advertising for living people to sign a contract with him to donate their skeletons for sculptural works. Three different versions were available depending on the wealth of the donor - this (number 2) would be displayed in clothes and painted white. </span></div>
<div></div>
<div><span style="color: #333333;font-family: HelveticaNeue, Helvetica, Arial, sans-serif">The prints are each signed and numbered by Journiac from an edition of 50 examples. Strangely different paper stocks were used throughout the edition - here the paper is matt coated. </span></div>
<div></div>
<div>Priced as a bargain due to duplication.</div>]]></description>
										<content:encoded><![CDATA[<div>Paris: Galerie Stadler, 1972</div>
<div><span style="color: #333333;font-family: HelveticaNeue, Helvetica, Arial, sans-serif">59 x 39cm black on white offset lithograph with an image of a skeleton posed in vestments. Journiac created this work after publicly advertising for living people to sign a contract with him to donate their skeletons for sculptural works. Three different versions were available depending on the wealth of the donor - this (number 2) would be displayed in clothes and painted white. </span></div>
<div></div>
<div><span style="color: #333333;font-family: HelveticaNeue, Helvetica, Arial, sans-serif">The prints are each signed and numbered by Journiac from an edition of 50 examples. Strangely different paper stocks were used throughout the edition - here the paper is matt coated. </span></div>
<div></div>
<div>Priced as a bargain due to duplication.</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>MY MOMMY IS BEAUTIFUL. (PUBIC HAIR) 2018.</title>
		<link>https://unoriginalsins.co.uk/product/my-mommy-is-beautiful-pubic-hair-2018/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=my-mommy-is-beautiful-pubic-hair-2018</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Dec 2021 13:59:13 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=3454</guid>

					<description><![CDATA[Liverpool: Biennale, 2018 (1997)

32.48 x 32.48 cm, conservation pigment inkjet on cold press natural paper - the image is of a female breast. A natural image without sexual implications rather a celebration of motherhood. One of 101
examples signed and numbered by Ono. Fine.

&#160;]]></description>
										<content:encoded><![CDATA[Liverpool: Biennale, 2018 (1997)

32.48 x 32.48 cm, conservation pigment inkjet on cold press natural paper - the image is of a female breast. A natural image without sexual implications rather a celebration of motherhood. One of 101
examples signed and numbered by Ono. Fine.

&#160;]]></content:encoded>
					
		
		
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