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	<title>Unoriginal Sins | </title>
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	<description>AVANT-GARDES</description>
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	<title>Unoriginal Sins | </title>
	<link>https://unoriginalsins.co.uk</link>
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	<item>
		<title>LES ANIMAUX ET LEURS HOMMES. LES HOMMES ET LEURS ANIMAUX. 1938 30 ILLUSTRATIONS BY VALENTINE HUGO.</title>
		<link>https://unoriginalsins.co.uk/product/les-animaux-et-leurs-hommes-les-hommes-et-leurs-animaux-1938-30-illustrations-by-valentine-hugo/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=les-animaux-et-leurs-hommes-les-hommes-et-leurs-animaux-1938-30-illustrations-by-valentine-hugo</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 10 Oct 2021 16:53:37 +0000</pubDate>
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					<description><![CDATA[<p class="p1">Paris: Gallimard, n.d. (1938)</p>
<p class="p1">19 x 14.5cm, unpaginated (c. 84pp) plus original wrappers. Thirsty full page lithographs after drawings by Valentine Hugo. Second edition although first thus with Hugo's illustrations of Eluard''s Dada-period cycle of poems. Hugo and Eluard worked together on a number of books during the late 30s and 40s of which this was one of the first. Fine condition. Scarce.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">Paris: Gallimard, n.d. (1938)</p>
<p class="p1">19 x 14.5cm, unpaginated (c. 84pp) plus original wrappers. Thirsty full page lithographs after drawings by Valentine Hugo. Second edition although first thus with Hugo's illustrations of Eluard''s Dada-period cycle of poems. Hugo and Eluard worked together on a number of books during the late 30s and 40s of which this was one of the first. Fine condition. Scarce.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>DOKUMENTATION UBER MARCEL DUCHAMP. 1960. DESIGNED BY MAX BILL.</title>
		<link>https://unoriginalsins.co.uk/product/dokumentation-uber-marcel-duchamp-1960-designed-by-max-bill/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dokumentation-uber-marcel-duchamp-1960-designed-by-max-bill</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 07 Mar 2024 13:00:14 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=58194</guid>

					<description><![CDATA[Zurich: Kunstgewerbemuseum, 1960

20 x 22cm, 40pp plus card covers. Exhibition catalogue designed by Max Bill (the exhibition “compiled and furnished” by Max Bill with the collaboration of Arnold Fawcus and Serge Stauffer with a foreword by Hans Fischli) as well a text by Max Bill: “On Marcel Duchamp”, a text by Serge Stauffer: “The 'Big Glass' and the 'Green Box' by Marcel Duchamp"   followed by texts by Marcel Duchamp and a biography by Serge Stauffer . Scarce. VG+ although slight browning to glossy cover at margins.]]></description>
										<content:encoded><![CDATA[Zurich: Kunstgewerbemuseum, 1960

20 x 22cm, 40pp plus card covers. Exhibition catalogue designed by Max Bill (the exhibition “compiled and furnished” by Max Bill with the collaboration of Arnold Fawcus and Serge Stauffer with a foreword by Hans Fischli) as well a text by Max Bill: “On Marcel Duchamp”, a text by Serge Stauffer: “The 'Big Glass' and the 'Green Box' by Marcel Duchamp"   followed by texts by Marcel Duchamp and a biography by Serge Stauffer . Scarce. VG+ although slight browning to glossy cover at margins.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>DUCHAMP&#8217;S YOUNG MAN AND GIRL IN SPRING. 1968.</title>
		<link>https://unoriginalsins.co.uk/product/duchamps-young-man-and-girl-in-spring-1968/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=duchamps-young-man-and-girl-in-spring-1968</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 26 Feb 2024 10:32:14 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=58027</guid>

					<description><![CDATA[Milano: Ugo Carrega/American Image,  1968

23 x 15.5cm, 14pp plus card covers. Stapled. An official offprint of Scwatz's essay on Duchamp's pre-dada 1911 painting "Young Man and Girl in Spring" written in English with two b/w imaged (one of the painting)  which was originally published in AMerican Imago Vol 25, Nr 4 in Winter 1968. Card wrappers are a bit browned near spine and top else VG+. Scarce and important text in which Schwarz suggests incestual feelings by Duchamp towards his sister Suzzanne alongside some hints at Alchemy (the former theory later becoming the most credible reading of the Large Glass, the alchemical interpretation much less so).]]></description>
										<content:encoded><![CDATA[Milano: Ugo Carrega/American Image,  1968

23 x 15.5cm, 14pp plus card covers. Stapled. An official offprint of Scwatz's essay on Duchamp's pre-dada 1911 painting "Young Man and Girl in Spring" written in English with two b/w imaged (one of the painting)  which was originally published in AMerican Imago Vol 25, Nr 4 in Winter 1968. Card wrappers are a bit browned near spine and top else VG+. Scarce and important text in which Schwarz suggests incestual feelings by Duchamp towards his sister Suzzanne alongside some hints at Alchemy (the former theory later becoming the most credible reading of the Large Glass, the alchemical interpretation much less so).]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>DEBAT ENTRE ATLAN J. HALPERN E. JAGUER PROJECTIONS DE FLIMS ET TABLEAUX DE MIRO KANDINSKY KLEE HARTUNG GOETZ LABISSE DUCHAMP PICABIA. 1948.</title>
		<link>https://unoriginalsins.co.uk/product/debat-entre-atlan-j-halpern-e-jaguer-projections-de-flims-et-tableaux-de-miro-kandinsky-klee-hartung-goetz-labisse-duchamp-picabia-1948/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=debat-entre-atlan-j-halpern-e-jaguer-projections-de-flims-et-tableaux-de-miro-kandinsky-klee-hartung-goetz-labisse-duchamp-picabia-1948</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 15 Sep 2023 16:40:26 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=56582</guid>

					<description><![CDATA[Paris: Le surrealisme-revolutionnaire, n.d. (1948)

27 x 21cm, 1pp announcement leaflet for a public meeting and exhibition - the text warns: "<span class="HwtZe" lang="en"><span class="jCAhz ChMk0b"><span class="ryNqvb">We won't talk much</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">We will see a lot of moving things and in colour, interruptions will be part of the program". Paper is a little fragile and browned but a hard to find document. </span></span></span>]]></description>
										<content:encoded><![CDATA[Paris: Le surrealisme-revolutionnaire, n.d. (1948)

27 x 21cm, 1pp announcement leaflet for a public meeting and exhibition - the text warns: "<span class="HwtZe" lang="en"><span class="jCAhz ChMk0b"><span class="ryNqvb">We won't talk much</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">We will see a lot of moving things and in colour, interruptions will be part of the program". Paper is a little fragile and browned but a hard to find document. </span></span></span>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>R. HAUSMANN. HANNE KUNSTHANDEL. 1989. REPRINT OF ORIGINAL BOOKLET.</title>
		<link>https://unoriginalsins.co.uk/product/r-hausmann-1989-reprint-of-original-booklet/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=r-hausmann-1989-reprint-of-original-booklet</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 22 Jan 2023 12:15:21 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=52762</guid>

					<description><![CDATA[Stuttgart: Reflexion Press, 1989

21 x 15cm, 14pp (single sided pages) plus paper wrappers. A reprint of Hausman's text 7 MANIFESTOS from 1919 redesigned by Albrecht d/. The cover has original rubber stamp impressions by Albrecht d/ and a handwritten text "Henne Kunsthandel". VG+. Scarce despite being a reprint.

&#160;

&#160;

7 MANIFESTOS (the hen art trade lays golden wind eggs again; dada gets upset and dies in Berlin; what is dadaism and what does it want in germany? (1919); SCHWEIGENREDEN; manifest of the lawfulness of the sound; here DADA emerges from the shadow ; victory triumph tobacco with beans! cockchafer fly!). Stuttgart: Reflection Press n.d. (approx. 1969) (= flug/fluxBLATTzeitung no. 7)]]></description>
										<content:encoded><![CDATA[Stuttgart: Reflexion Press, 1989

21 x 15cm, 14pp (single sided pages) plus paper wrappers. A reprint of Hausman's text 7 MANIFESTOS from 1919 redesigned by Albrecht d/. The cover has original rubber stamp impressions by Albrecht d/ and a handwritten text "Henne Kunsthandel". VG+. Scarce despite being a reprint.

&#160;

&#160;

7 MANIFESTOS (the hen art trade lays golden wind eggs again; dada gets upset and dies in Berlin; what is dadaism and what does it want in germany? (1919); SCHWEIGENREDEN; manifest of the lawfulness of the sound; here DADA emerges from the shadow ; victory triumph tobacco with beans! cockchafer fly!). Stuttgart: Reflection Press n.d. (approx. 1969) (= flug/fluxBLATTzeitung no. 7)]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>LETTRES DE GUERRE. 1919.</title>
		<link>https://unoriginalsins.co.uk/product/lettres-de-guerre-1919/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lettres-de-guerre-1919</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 09 Nov 2021 20:15:43 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=45567</guid>

					<description><![CDATA[<p class="p1">Paris: Au Sans Pareil, 1919</p>
<p class="p1">20 x 14cm cloth,covered boards - a period binding - content of the first edition of this keywork in the pre-history of surrealism, edited and with an introduction by Andre Breton. Original wrappers are retained. These letters, written during the war to Breton, T. Fraenkel and Louis Aragon, and gathered here for the first time constitute virtually all of Vache's literary output (a short story and a poem having been added to a later edition of the present work). The original wrappers have one small rub on the rear and the paper is mildly browned butstill crisp. One of 960 numbered examples (after the du tete of 10 on Japon and 30 on Hollande). Adverts for the Dada publication Litterature at the back of the book. VG+.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">Paris: Au Sans Pareil, 1919</p>
<p class="p1">20 x 14cm cloth,covered boards - a period binding - content of the first edition of this keywork in the pre-history of surrealism, edited and with an introduction by Andre Breton. Original wrappers are retained. These letters, written during the war to Breton, T. Fraenkel and Louis Aragon, and gathered here for the first time constitute virtually all of Vache's literary output (a short story and a poem having been added to a later edition of the present work). The original wrappers have one small rub on the rear and the paper is mildly browned butstill crisp. One of 960 numbered examples (after the du tete of 10 on Japon and 30 on Hollande). Adverts for the Dada publication Litterature at the back of the book. VG+.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>TRISTAN TZARA POETS D&#8217;AUJOURD&#8217;HUI Nr 52. 1952. DEDICATED BY TZARA</title>
		<link>https://unoriginalsins.co.uk/product/tristan-tzara-poets-daujourdhui-nr-52-1952-dedicated-by-tzara/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tristan-tzara-poets-daujourdhui-nr-52-1952-dedicated-by-tzara</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 03 Nov 2021 15:05:04 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=45206</guid>

					<description><![CDATA[<p class="p1">Paris: Pierre Seghers, 1952</p>
<p class="p1">16 x 13.5cm, 242pp. Original wrappers. First edition of this monograph on the work of the dadaist. One of an unstated number of trade copies, this one has an ink dedication by Tzara on the half-title to Alain Cuny. Very good although paper somewhat browned due to the quality employed.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">Paris: Pierre Seghers, 1952</p>
<p class="p1">16 x 13.5cm, 242pp. Original wrappers. First edition of this monograph on the work of the dadaist. One of an unstated number of trade copies, this one has an ink dedication by Tzara on the half-title to Alain Cuny. Very good although paper somewhat browned due to the quality employed.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>PICABIA OPERA DAL 1917 AL 1950. 1969.</title>
		<link>https://unoriginalsins.co.uk/product/picabia-opera-dal-1917-al-1950-1969/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=picabia-opera-dal-1917-al-1950-1969</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 02 Nov 2021 09:27:56 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=45097</guid>

					<description><![CDATA[<p class="p1">Torino: Notizie 1 2, 1969</p>
<p class="p1">41 x 29cm, 6pp. Exhibition catalogue in form of a newspaper - seven works in colour and nine in b/w reproduced and a text (in Italian and French) by Maurizio Fagiolo. Folded for storage twice else VG+.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">Torino: Notizie 1 2, 1969</p>
<p class="p1">41 x 29cm, 6pp. Exhibition catalogue in form of a newspaper - seven works in colour and nine in b/w reproduced and a text (in Italian and French) by Maurizio Fagiolo. Folded for storage twice else VG+.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>JOC SECUND. VERSURI CU PORTRETUL. 1930.</title>
		<link>https://unoriginalsins.co.uk/product/joc-secund-versuri-cu-portretul-1930/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=joc-secund-versuri-cu-portretul-1930</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 01 Nov 2021 18:41:13 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=45068</guid>

					<description><![CDATA[<p class="p1">Bucharest: Editura Cultura Nationala, 1930</p>
<p class="p1">19.5 x 13cm 108pp plus original wrappers. First edition of this book of poems from the Rumanian avant garde-ist with a full page, woodcut portrait of the author by the dadist Ianco as frontispiece.</p>
<p class="p1">The internal paper is somewhat browned, the spine has a (8cm approx) closed tear along one edge and there is an orange crayon number on written on the cover from a former owner (not as intrusive as it sounds due to the colour of the wrappers) but nonetheless this is a scarce publication containing a great mid-period Janco work.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">Bucharest: Editura Cultura Nationala, 1930</p>
<p class="p1">19.5 x 13cm 108pp plus original wrappers. First edition of this book of poems from the Rumanian avant garde-ist with a full page, woodcut portrait of the author by the dadist Ianco as frontispiece.</p>
<p class="p1">The internal paper is somewhat browned, the spine has a (8cm approx) closed tear along one edge and there is an orange crayon number on written on the cover from a former owner (not as intrusive as it sounds due to the colour of the wrappers) but nonetheless this is a scarce publication containing a great mid-period Janco work.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>DADA SCHAD DADA.  1970.</title>
		<link>https://unoriginalsins.co.uk/product/dada-schad-dada-1970/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dada-schad-dada-1970</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 27 Oct 2021 19:52:59 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=44639</guid>

					<description><![CDATA[<p class="p1">Milano: Galleria Schwarz, 1970</p>
<p class="p1">24 x 17cm, 4pp printed on card. Red and black exhibition catalogue / handout which lists recent exhibitions at Schwarz and also descriptions of the 46 works being shown, and a large b/w reproduction of Traumatismus, 1918. (There was an additional much more detailed catalogue for sale at the show and this version was essentially the wrappers of that larger catalogue handed out for free to visitors). Fine.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">Milano: Galleria Schwarz, 1970</p>
<p class="p1">24 x 17cm, 4pp printed on card. Red and black exhibition catalogue / handout which lists recent exhibitions at Schwarz and also descriptions of the 46 works being shown, and a large b/w reproduction of Traumatismus, 1918. (There was an additional much more detailed catalogue for sale at the show and this version was essentially the wrappers of that larger catalogue handed out for free to visitors). Fine.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>CONTEMPO A REVIEW OF BOOKS AND PERSONALITIES. VOLUME II NRS 5, 7 &#038; VOLUME III, NR 12. 1932/1933.</title>
		<link>https://unoriginalsins.co.uk/product/contempo-a-review-of-books-and-personalities-volume-ii-nrs-5-7-volume-iii-nr-12-1932-1933/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=contempo-a-review-of-books-and-personalities-volume-ii-nrs-5-7-volume-iii-nr-12-1932-1933</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 27 Oct 2021 16:30:20 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=44573</guid>

					<description><![CDATA[<p class="p1">Chapel Hill: Contempo, 1932, 1933</p>
<p class="p1">Uniformly 30 x 22cm, 8pp. Three separate numbers of this important literary magazine which reflected the American avant garde and regularly covered the Jazz age and European "imported" art (such as Dada). Ezra Pound was a contributing editor. Poems by Hector Rella, Marie Luhrs, Jules Romains, Rainer Maria Rilke and Boris Pasternak (in translation) and Vladimir Mayakovski and Georges Ribemont-Dessaignes (also from the Russian and the French respectively). Vol II Nr 5 has a long article "If Dada comes to America" by Samuel Putnam.</p>
<p class="p1">All copies are fragile, slightly browned and with edge wear and sadly the last of these three numbers is entirely torn down the spine but the other two are intact if with slightly rusted staples. There are also some former fold creases. Priced bearing in mind the condition problems. Scarce.</p>
<p class="p1">PRICE IS FOR ALL THREE ISSUES TOGETHER</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">Chapel Hill: Contempo, 1932, 1933</p>
<p class="p1">Uniformly 30 x 22cm, 8pp. Three separate numbers of this important literary magazine which reflected the American avant garde and regularly covered the Jazz age and European "imported" art (such as Dada). Ezra Pound was a contributing editor. Poems by Hector Rella, Marie Luhrs, Jules Romains, Rainer Maria Rilke and Boris Pasternak (in translation) and Vladimir Mayakovski and Georges Ribemont-Dessaignes (also from the Russian and the French respectively). Vol II Nr 5 has a long article "If Dada comes to America" by Samuel Putnam.</p>
<p class="p1">All copies are fragile, slightly browned and with edge wear and sadly the last of these three numbers is entirely torn down the spine but the other two are intact if with slightly rusted staples. There are also some former fold creases. Priced bearing in mind the condition problems. Scarce.</p>
<p class="p1">PRICE IS FOR ALL THREE ISSUES TOGETHER</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>GROSZ. 1924.</title>
		<link>https://unoriginalsins.co.uk/product/grosz-1924/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=grosz-1924</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 19 Oct 2021 10:50:51 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=44201</guid>

					<description><![CDATA[<p class="p1">Rome: Valori Plastici, 1924</p>
<p class="p1">19,5 x 14 cm, unpaginated (c.44pp) plus original wrappers with a reproduced drawing by Grosz.</p>
<p class="p1">First edition of this French consideration and appreciation of the Dadaist published at the end of the First World War and with thirty-two phototypes by Grosz at the end of the book. It is a fair assumption that Grosz's humorous and bitterly vicious sketches of the Teutonic bourgeoisie and German army leadership must have found a welcoming public in the victorious French people.</p>
<p class="p1">A fine example although a few late pages have light pencil additions under the images.</p>]]></description>
										<content:encoded><![CDATA[<p>x</p>
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