<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Unoriginal Sins | </title>
	<atom:link href="https://unoriginalsins.co.uk/product-category/electronic-media-video-art/feed/" rel="self" type="application/rss+xml" />
	<link>https://unoriginalsins.co.uk</link>
	<description>AVANT-GARDES</description>
	<lastBuildDate>Sun, 06 Sep 2026 18:42:00 +0000</lastBuildDate>
	<language>en-GB</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.0.4</generator>

<image>
	<url>https://unoriginalsins.co.uk/wp-content/uploads/2024/07/cropped-nTKdHdZI-1-1-32x32.png</url>
	<title>Unoriginal Sins | </title>
	<link>https://unoriginalsins.co.uk</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>BIGGER AND CLOSER (NOT SMALLER &#038; FURTHER AWAY). 2025.</title>
		<link>https://unoriginalsins.co.uk/product/bigger-and-closer-not-smaller-further-away-2025/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=bigger-and-closer-not-smaller-further-away-2025</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 06 Sep 2026 18:41:59 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63126</guid>

					<description><![CDATA[Manchester: Aviva Studios, 2024

21 x 15cm, 2pp announcement card for an "immersive exhibition" of Hockney's work using large projections and image mapping and voice recordings of Hockney.  One image of the installation on the front. One of Hockney's last shows. VG+.]]></description>
										<content:encoded><![CDATA[Manchester: Aviva Studios, 2024

21 x 15cm, 2pp announcement card for an "immersive exhibition" of Hockney's work using large projections and image mapping and voice recordings of Hockney.  One image of the installation on the front. One of Hockney's last shows. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>STRANDED IN CANTON. 2004. UK PREMIERE OF THE FILM.</title>
		<link>https://unoriginalsins.co.uk/product/stranded-in-canton-2004-uk-premiere-of-the-film/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=stranded-in-canton-2004-uk-premiere-of-the-film</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 06 Sep 2026 18:02:49 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63118</guid>

					<description><![CDATA[London: Victoria Miro, 2004

15 x 21cm, 2pp announcement card for the first Uk showing (50 years later) of Eggleston's famous 1973 film of the Menthis underground (and his own involvement). Front shows a montage of scenes from the film, verso gallery details. VG+.]]></description>
										<content:encoded><![CDATA[London: Victoria Miro, 2004

15 x 21cm, 2pp announcement card for the first Uk showing (50 years later) of Eggleston's famous 1973 film of the Menthis underground (and his own involvement). Front shows a montage of scenes from the film, verso gallery details. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>MARTIN CREED. 2007.</title>
		<link>https://unoriginalsins.co.uk/product/martin-creed-2007-3/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=martin-creed-2007-3</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 01 Sep 2026 12:17:48 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63092</guid>

					<description><![CDATA[London: Hauser &#38; Wirth, n.d. (2007)

10.5 x 15cm, 2pp invite card for the final performance and drinks for a solo show of films and performances by Creed. One image of a camera crew filming a pornographic film on the front, verso gallery details. A mailed copy with franking and address label but still VG+.]]></description>
										<content:encoded><![CDATA[London: Hauser &#38; Wirth, n.d. (2007)

10.5 x 15cm, 2pp invite card for the final performance and drinks for a solo show of films and performances by Creed. One image of a camera crew filming a pornographic film on the front, verso gallery details. A mailed copy with franking and address label but still VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>CREMASTER 5. 1998. UK PREMIERE.</title>
		<link>https://unoriginalsins.co.uk/product/cremaster-5-1998-uk-premiere/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=cremaster-5-1998-uk-premiere</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 28 Aug 2026 10:56:56 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63004</guid>

					<description><![CDATA[London: Artangel/The Metro, 1998

21 x 15cm, 8pp (folded single sheet). The programme  issued for the British premiere of Barney's important art film. Four colour screen shots from the film and background information. VG+.]]></description>
										<content:encoded><![CDATA[London: Artangel/The Metro, 1998

21 x 15cm, 8pp (folded single sheet). The programme  issued for the British premiere of Barney's important art film. Four colour screen shots from the film and background information. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>CREMASTER 2. 2000. UK PREMIERE.</title>
		<link>https://unoriginalsins.co.uk/product/cremaster-2-2000-uk-premiere/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=cremaster-2-2000-uk-premiere</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 28 Aug 2026 10:56:16 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62998</guid>

					<description><![CDATA[London: Artangel/The Metro, n.d. (2000)

21 x 15cm, 8pp (folded single sheet). The programme  issued for the British premeiere of Barney's important art film. Four colour screen shots from the film and background information. VG+.]]></description>
										<content:encoded><![CDATA[London: Artangel/The Metro, n.d. (2000)

21 x 15cm, 8pp (folded single sheet). The programme  issued for the British premeiere of Barney's important art film. Four colour screen shots from the film and background information. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>RENAISSANCE MAN. WORKS 1400 &#8211; 1977. 2006.</title>
		<link>https://unoriginalsins.co.uk/product/renaissance-man-woorks-1400-1977-2006/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=renaissance-man-woorks-1400-1977-2006</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 24 Aug 2026 11:22:32 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62917</guid>

					<description><![CDATA[Zurich: Hauser &#38; Wirth, 2006

26 x 20cm, 2pp large format announcement card with a reprOduced photograph in colour on the front, verso gallery details. VG+.]]></description>
										<content:encoded><![CDATA[Zurich: Hauser &#38; Wirth, 2006

26 x 20cm, 2pp large format announcement card with a reprOduced photograph in colour on the front, verso gallery details. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>A NEAR COMPLETE RUN OF 28 NUMBERS OF FILE MAGAZINE INCLUDING ULTRA RARE NRS 1 AND 2 .</title>
		<link>https://unoriginalsins.co.uk/product/7140/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=7140</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 18 Aug 2026 08:37:48 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=7140</guid>

					<description><![CDATA[Toronto: General Idea, 1972 - 1983
27 issues including the ultra rare first ever issue.

Here we offer an incomplete if extensive run of this important artist's journal which was founded by General Idea. The numbers here include

Vol 1 Nr 1, Vol 1 Nr 2/3, Vol 1 Nr 4; Vol 2 Nrs 1/2, 3, 4, 5; Vol 3 Nrs 1, 2, 3, 4; Vol 4 Nrs 1, 2, 3, 4; Vol 5 Nrs 1, 2, 3, 4; Vol 6 Nrs 1/2, 3 and the numbers 25, 27, 28 and final issue 29.

File was General Idea's art periodical counterpoint to the USA's LIFE magazine and the earlier numbers parodied the covers of that better known publication. Content is a mixture of conceptual, mail and intermedia art including the GI's own work - often with a homoerotic element. Ray Johnson was a frequent contributor here and Issue 1 famously has Mr Peanut on the cover and there is a full page b/w portrait of Johnson on page 3 of the Vol 1 Nr 4 issue.

<strong>The first two numbers offered here are very rare indeed. </strong>

Most COPIES show shelf wear and some wear down the spines (5/4 has a few ink marks on the front cover which do not really detract). Over all a substantial and nearly complete run of this influential artist publication

Notable amongst the run is the General Idea number (5/4) which has a content entirely of three day-glo stylised poodles in various adventurous and flexible sexual positions and can be regarded in itself as an artist's book.

The price is for the entire group of 28 numbers (missing only nr 26).]]></description>
										<content:encoded><![CDATA[Toronto: General Idea, 1972 - 1983
27 issues including the ultra rare first ever issue.

Here we offer an incomplete if extensive run of this important artist's journal which was founded by General Idea. The numbers here include

Vol 1 Nr 1, Vol 1 Nr 2/3, Vol 1 Nr 4; Vol 2 Nrs 1/2, 3, 4, 5; Vol 3 Nrs 1, 2, 3, 4; Vol 4 Nrs 1, 2, 3, 4; Vol 5 Nrs 1, 2, 3, 4; Vol 6 Nrs 1/2, 3 and the numbers 25, 27, 28 and final issue 29.

File was General Idea's art periodical counterpoint to the USA's LIFE magazine and the earlier numbers parodied the covers of that better known publication. Content is a mixture of conceptual, mail and intermedia art including the GI's own work - often with a homoerotic element. Ray Johnson was a frequent contributor here and Issue 1 famously has Mr Peanut on the cover and there is a full page b/w portrait of Johnson on page 3 of the Vol 1 Nr 4 issue.

<strong>The first two numbers offered here are very rare indeed. </strong>

Most COPIES show shelf wear and some wear down the spines (5/4 has a few ink marks on the front cover which do not really detract). Over all a substantial and nearly complete run of this influential artist publication

Notable amongst the run is the General Idea number (5/4) which has a content entirely of three day-glo stylised poodles in various adventurous and flexible sexual positions and can be regarded in itself as an artist's book.

The price is for the entire group of 28 numbers (missing only nr 26).]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>VIDEO/PERFORMANCE WORKS. 1975.</title>
		<link>https://unoriginalsins.co.uk/product/video-performance-works-1975-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=video-performance-works-1975-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 12 Aug 2026 12:59:11 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62856</guid>

					<description><![CDATA[NYC: John Gibson Gallery, 1993

42 x 30cm, black and white offset lithograph with a reproduced drawing by the artist for a solo show of video works and performances. Folded for mailing as issued with some wear at the overlaps of the folds causing small holes else VG+. Scarce.]]></description>
										<content:encoded><![CDATA[NYC: John Gibson Gallery, 1993

42 x 30cm, black and white offset lithograph with a reproduced drawing by the artist for a solo show of video works and performances. Folded for mailing as issued with some wear at the overlaps of the folds causing small holes else VG+. Scarce.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>+ &#8211; 0. (PLUS MOINS ZERO). Nos. 1 &#8211; 32/33. CONTINUOUS RUN OF EARLY NUMBERS OF THIS SCARCE MAGAZINE PLUS NR12BIS &#038; NR39. 1973 &#8211; 1981. INCLUDES BROODTHAERS, BEUYS, ANDERSON &#038; CADERE COVERS.</title>
		<link>https://unoriginalsins.co.uk/product/0-plus-moins-zero-nos-1-32-33-continuous-run-of-early-numbers-of-this-scarce-magazine-plus-nr12bis-nr39-1973-1981-includes-broodthaers-beuys-anderson-cadere-covers/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=0-plus-moins-zero-nos-1-32-33-continuous-run-of-early-numbers-of-this-scarce-magazine-plus-nr12bis-nr39-1973-1981-includes-broodthaers-beuys-anderson-cadere-covers</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 12 Mar 2026 13:18:23 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62307</guid>

					<description><![CDATA[Paris: Elisabeth, Stepháne &#38; Anne-Marie Rona. 1973 - 1981

34.5 x 25 cm, pagination varies, 34 different numbers (including 3 double issues - nrs 21/22. 23/24, 32/33 and special nr 12 bis) plus nr 39. All = 85. A continuous early run of this important art journal that was initiated from Stephane Elizabeth from her  Galerie les Contemporains, along with her son Stepháne and daughter Anne-Marie.  The first issue (included here) was published on the occasion of the Düsseldorf Art Fair in October 1973. Contributions are from by Jospeh Beuys (2 covers), Marcel Broodthaers (3 covers), André Cadere, Charlier, Michelangelo Pistoletto, Anne and Patrick Poirier, Ulay &#38; Marina Abramovic, Ian Hamilton Finlay and others.

JOINT:

Paris: Elisabeth, Stepháne &#38; Anne-Marie Rona. 1973 - 1981

NR 39, 34.5 x 25 cm, 48pp.

Very slight marking / browning on the odd issue but overall VG++.

Early numbers of this journal are hard to find and this early run is not available elsewhere that we know of.

Please note this is a heavy bundle and shipping will be higher than usual - please enquire.]]></description>
										<content:encoded><![CDATA[Paris: Elisabeth, Stepháne &#38; Anne-Marie Rona. 1973 - 1981

34.5 x 25 cm, pagination varies, 34 different numbers (including 3 double issues - nrs 21/22. 23/24, 32/33 and special nr 12 bis) plus nr 39. All = 85. A continuous early run of this important art journal that was initiated from Stephane Elizabeth from her  Galerie les Contemporains, along with her son Stepháne and daughter Anne-Marie.  The first issue (included here) was published on the occasion of the Düsseldorf Art Fair in October 1973. Contributions are from by Jospeh Beuys (2 covers), Marcel Broodthaers (3 covers), André Cadere, Charlier, Michelangelo Pistoletto, Anne and Patrick Poirier, Ulay &#38; Marina Abramovic, Ian Hamilton Finlay and others.

JOINT:

Paris: Elisabeth, Stepháne &#38; Anne-Marie Rona. 1973 - 1981

NR 39, 34.5 x 25 cm, 48pp.

Very slight marking / browning on the odd issue but overall VG++.

Early numbers of this journal are hard to find and this early run is not available elsewhere that we know of.

Please note this is a heavy bundle and shipping will be higher than usual - please enquire.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE SNOWBALL. A COLLABORATIVE PROJECT BY PETER BONDE &#038; JASON RHOADES. 1999. PROSPECTUS FOR THE INSTALLATION.</title>
		<link>https://unoriginalsins.co.uk/product/the-snowball-a-collaborative-project-by-peter-bonde-jason-rhoades-1999-prospectus-for-the-installation/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-snowball-a-collaborative-project-by-peter-bonde-jason-rhoades-1999-prospectus-for-the-installation</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 25 Feb 2026 19:13:43 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62221</guid>

					<description><![CDATA[N.p. (Copenhagen): Danish Contemporary Art Foundation, 1999

21 x 30cm, 12pp plus crd covers. The prospectus issued in advance for the co-project between Jason Rhoades and Peter Bonde for the 48th Venice Biennale where the artists planned to transform the Danish pavilion in Venice into a stock car course with real American stock cars, sound effects and film projections. Full colour images of stock cars and plans for the pavilion. This is far scarcer than the later published report on the work albeit there is not much detail of the actual final work. VG+.]]></description>
										<content:encoded><![CDATA[N.p. (Copenhagen): Danish Contemporary Art Foundation, 1999

21 x 30cm, 12pp plus crd covers. The prospectus issued in advance for the co-project between Jason Rhoades and Peter Bonde for the 48th Venice Biennale where the artists planned to transform the Danish pavilion in Venice into a stock car course with real American stock cars, sound effects and film projections. Full colour images of stock cars and plans for the pavilion. This is far scarcer than the later published report on the work albeit there is not much detail of the actual final work. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>MEINE SICHT AUF POLKE.  DIE DREI LUGEN DER MALEREI. 1997.</title>
		<link>https://unoriginalsins.co.uk/product/meine-sicht-auf-polke-die-drei-lugen-der-malerei-1997/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=meine-sicht-auf-polke-die-drei-lugen-der-malerei-1997</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 18 Feb 2026 13:30:55 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62186</guid>

					<description><![CDATA[Bonn: Kunst und Ausstellungshalle der Bundesrepublik Deutschland, 1997

21 x 10.5cm, 2pp colour announcemnt card for an exhibition and allied talks by experts on Polke. Unmailed. VG+.]]></description>
										<content:encoded><![CDATA[Bonn: Kunst und Ausstellungshalle der Bundesrepublik Deutschland, 1997

21 x 10.5cm, 2pp colour announcemnt card for an exhibition and allied talks by experts on Polke. Unmailed. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>VIDEOTAPES. 1975.</title>
		<link>https://unoriginalsins.co.uk/product/videotapes-1975/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=videotapes-1975</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 15 Feb 2026 11:24:16 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62157</guid>

					<description><![CDATA[Venice: Galleria del Cavallino, 1975

20 x 19cm, 6pp (single folded sheet). Announcement/exhibition catalogue for a show of artist's video tapes including Cavallino's own. Essay in Italian by Ernesto L. Francalanci. Small screen shots of works by Acconcci and Luthi as well as four works by Cavallini. A list of the tapes shown listed on the card included Beuys, Boetti, Buren, Chiari, Jonas, Nannucci, Oppenheim, Palestine. VG+.]]></description>
										<content:encoded><![CDATA[Venice: Galleria del Cavallino, 1975

20 x 19cm, 6pp (single folded sheet). Announcement/exhibition catalogue for a show of artist's video tapes including Cavallino's own. Essay in Italian by Ernesto L. Francalanci. Small screen shots of works by Acconcci and Luthi as well as four works by Cavallini. A list of the tapes shown listed on the card included Beuys, Boetti, Buren, Chiari, Jonas, Nannucci, Oppenheim, Palestine. VG+.]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
