30 x 21cm, 52pp (158 - 200 + adverts) plus card covers. A single number of this long running art journal here the celebratory 80th year issue. The cover was a commissioned artwork by Erte. Articles include one on the politics of futurism and Piet Zwart and a text by Adrien Stokes and another about the latter by Christopher Fox. VG+.

14 x 10.5cm, 4pp - folded card with an offset self-portrait of the Italian former futurist and significant Italian artist. This is one of the works issued by the publishing house in a series entitled "La Collezione degli Autoritratti firmmati" in a large edition size of 5,000 numbered folded cards. Strangely given the edition size these are not encountered too often. The back of the card has a title adhesive sticker with the details of the work and the number. The work is signed in ink underneath the three colour self portrait. VG+.

14 x 10.5cm, 4pp - folded card with an offset self-portrait of the Italian former futurist. This is one of the works issued by the publishing house in a series entitled "La Collezione degli Autoritratti firmmati" in a large edition size of 5,000 numbered folded cards. Strangely given the edition size these are not encountered too often. The back of the card has a title adhesive sticker with the details of the work and the number. The work is signed in pencil underneath the two colour image of the artist. VG+.

29 x 23cm, 4pp. A manifesto for Futurist music published originally in the May 11, 1911 number of  the magazine "Poesia" by the futurist musician Francesco Balilla Pratella (1880-1955). Pratella joined the movement in 1910, and wrote the Manifesto of Futurist Musicians (1910), the Technical Manifesto of Futurist Music (1911) and The Destruction of Quadrature (1912). The manifesto was written only in French, first writing dated May 1911.

29 x 23cm, 4pp. The French language issue (simultaneously with the Italian) of this single number from the primary Futurist journal as published by Marinetti with (as usual) a single long essay on a relevant subject (here mechanical art). As with the previous number of the journal - the back page has a full page b/w photograph of Marinetti being presented with an extremely large (actually giant)  Italian flag. Some typical browning, else a very good + example of this very important document.

29 x 23cm, 4pp. The Italian language issue (simultaneously with the French) of this single number from the movement's primary provocateur concentrating on the Futurist view of musical theory. Articles by Franco Casavola and S.A. Luciani. Some typical browning, paper slightly fragile, and some slight edge wear - otherwise a very good example of this document.

29 x 23cm, 4pp. The French language issue (simultaneously with the Italian) explaining Marinetti's concept of Tactilism where art works could only be felt by the audience and not seen: supposedly conceived by the Futurist during dark-outs in the trenches. Some typical browning, else a very good example of this very important document.

29 x 23cm, 4pp. Quarto single sheet folded to comprise 4pp. The French language issue (simultaneously with the French) of this single number from the primary Futurist journal with a reprinting of the Futuriste manifesto on speed (with later additions when compared with the first publication in 1916). "La vitesse, qui a pour essence la synthese intuitive de toutes les forces en mouvement, est naturellement pure. La lenteur, qui a pou essence.... analyse rationelle de toutes les fatigues est naturellement immonde. Apres la destruction du Bien antique et du Mal antique, nous craons un nouveau Bien: la vitesse; un nouveau Mal: la lenteur".

Some typical browning, paper slightly fragile, and some slight edge wear and tiny amounts of paper loss along fold - otherwise a very good example of this very important document.