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	<title>Identity Politics - Unoriginal Sins</title>
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	<link>https://unoriginalsins.co.uk</link>
	<description>AVANT-GARDES</description>
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	<title>Identity Politics - Unoriginal Sins</title>
	<link>https://unoriginalsins.co.uk</link>
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	<item>
		<title>DYKE ACTION MACHINE! INCORPORATED. 2008/</title>
		<link>https://unoriginalsins.co.uk/product/dyke-action-machine-incorporated-2008/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dyke-action-machine-incorporated-2008</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=24193</guid>

					<description><![CDATA[<p>NYC: Printed Matter, 2008</p>
<p>21 x 15cm, 16pp (self cover), Single number from a series of "Art Activist" publications here written as a "report" from Dyke Action Machine! (DAM) of their activities. Colour iamges throughout. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/dyke-action-machine-incorporated-2008/">DYKE ACTION MACHINE! INCORPORATED. 2008/</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>NYC: Printed Matter, 2008</p>
<p>21 x 15cm, 16pp (self cover), Single number from a series of "Art Activist" publications here written as a "report" from Dyke Action Machine! (DAM) of their activities. Colour iamges throughout. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/dyke-action-machine-incorporated-2008/">DYKE ACTION MACHINE! INCORPORATED. 2008/</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>WE MET AT THE CABINET GALLERY.  c. 1994.</title>
		<link>https://unoriginalsins.co.uk/product/we-met-at-the-cabinet-gallery-c-1994/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=we-met-at-the-cabinet-gallery-c-1994</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 29 Dec 2024 14:00:40 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=40841</guid>

					<description><![CDATA[<p>N.p. (NYC): s.p. (Leibowitz), n.d. (c. 1994?)<br />
5 x 9cm, 1pp b/w offset small card with room for the people who met Leibowitz at the gallery to fill in their names and telephone numbers. The card is noted as being "Courtesy Candyass Couples Inc "2 Pints please"". VG+. Rare.</p>
The post <a href="https://unoriginalsins.co.uk/product/we-met-at-the-cabinet-gallery-c-1994/">WE MET AT THE CABINET GALLERY.  c. 1994.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>N.p. (NYC): s.p. (Leibowitz), n.d. (c. 1994?)<br />
5 x 9cm, 1pp b/w offset small card with room for the people who met Leibowitz at the gallery to fill in their names and telephone numbers. The card is noted as being "Courtesy Candyass Couples Inc "2 Pints please"". VG+. Rare.</p>
The post <a href="https://unoriginalsins.co.uk/product/we-met-at-the-cabinet-gallery-c-1994/">WE MET AT THE CABINET GALLERY.  c. 1994.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>OFFICIAL CANDYASS LECTURE PASS. 1994. 1995. 1996.</title>
		<link>https://unoriginalsins.co.uk/product/official-candyass-lecture-pass-1996/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=official-candyass-lecture-pass-1996</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 29 Dec 2024 13:54:38 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=40839</guid>

					<description><![CDATA[<p>N.p. (NYC): s.p. (Leibowitz), 1994<br />
9 x 5cm, 1pp "Lecture Pass" ticket for the Leibowitz's famous comedic lectures where he would discuss "really embarrassing moment, secret sexual fetish, too, too, personal, personal experience or just something that, most likely, everyone will laugh at". This example printed blue on blue. Very scarce. The ticket is regarded as an object multiple by the artist. Candyass was the artist's alter ego or nom de plume.</p>
The post <a href="https://unoriginalsins.co.uk/product/official-candyass-lecture-pass-1996/">OFFICIAL CANDYASS LECTURE PASS. 1994. 1995. 1996.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>N.p. (NYC): s.p. (Leibowitz), 1994<br />
9 x 5cm, 1pp "Lecture Pass" ticket for the Leibowitz's famous comedic lectures where he would discuss "really embarrassing moment, secret sexual fetish, too, too, personal, personal experience or just something that, most likely, everyone will laugh at". This example printed blue on blue. Very scarce. The ticket is regarded as an object multiple by the artist. Candyass was the artist's alter ego or nom de plume.</p>
The post <a href="https://unoriginalsins.co.uk/product/official-candyass-lecture-pass-1996/">OFFICIAL CANDYASS LECTURE PASS. 1994. 1995. 1996.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>OFFICIAL CANDYASS LECTURE PASS. 1994. 1995. 1996.</title>
		<link>https://unoriginalsins.co.uk/product/official-candyass-lecture-pass-1994-1995-1996/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=official-candyass-lecture-pass-1994-1995-1996</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 24 May 2021 12:56:24 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=40840</guid>

					<description><![CDATA[<p>N.p. (NYC): s.p. (Leibowitz), 1994<br />
9 x 5cm, 1pp "Lecture Pass" ticket for the Leibowitz's famous comedic lectures where he would discuss "really embarrassing moment, secret sexual fetish, too, too, personal, personal experience or just something that, most likely, everyone will laugh at". Printed blue on yellow. Very scarce. The ticket is regarded as an object multiple by the artist. Candyass was the artist's alter ego or nom de plume.</p>
The post <a href="https://unoriginalsins.co.uk/product/official-candyass-lecture-pass-1994-1995-1996/">OFFICIAL CANDYASS LECTURE PASS. 1994. 1995. 1996.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>N.p. (NYC): s.p. (Leibowitz), 1994<br />
9 x 5cm, 1pp "Lecture Pass" ticket for the Leibowitz's famous comedic lectures where he would discuss "really embarrassing moment, secret sexual fetish, too, too, personal, personal experience or just something that, most likely, everyone will laugh at". Printed blue on yellow. Very scarce. The ticket is regarded as an object multiple by the artist. Candyass was the artist's alter ego or nom de plume.</p>
The post <a href="https://unoriginalsins.co.uk/product/official-candyass-lecture-pass-1994-1995-1996/">OFFICIAL CANDYASS LECTURE PASS. 1994. 1995. 1996.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE TURNER PRIZE 1997. 1997. THE ALL WOMAN SHORTLIST.</title>
		<link>https://unoriginalsins.co.uk/product/the-turner-prize-1997-1997-the-all-woman-shortlist/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-turner-prize-1997-1997-the-all-woman-shortlist</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 18 Nov 2020 08:41:37 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=35679</guid>

					<description><![CDATA[<p class="p1">London: Tate Gallery/Turner Prize, 1997</p>
<p class="p1">30 x 21cm, 16pp self cover. Exhibition guide/catalogue for the annual UK arts prize - which was won by Gillian Wearing. Each artist has 2pp of essays and photographs of the works submitted and there are 24 small colour images of the various works. this was the first and only time there had been an all woman shortlist for the prize - with Christine Borland, Angela Bulloch and Cornelia Parker joining Wearing as competitors. Very good although slightly former price label stain on front cover which could be removed with care.</p>
The post <a href="https://unoriginalsins.co.uk/product/the-turner-prize-1997-1997-the-all-woman-shortlist/">THE TURNER PRIZE 1997. 1997. THE ALL WOMAN SHORTLIST.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1">London: Tate Gallery/Turner Prize, 1997</p>
<p class="p1">30 x 21cm, 16pp self cover. Exhibition guide/catalogue for the annual UK arts prize - which was won by Gillian Wearing. Each artist has 2pp of essays and photographs of the works submitted and there are 24 small colour images of the various works. this was the first and only time there had been an all woman shortlist for the prize - with Christine Borland, Angela Bulloch and Cornelia Parker joining Wearing as competitors. Very good although slightly former price label stain on front cover which could be removed with care.</p>
The post <a href="https://unoriginalsins.co.uk/product/the-turner-prize-1997-1997-the-all-woman-shortlist/">THE TURNER PRIZE 1997. 1997. THE ALL WOMAN SHORTLIST.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>30 YEARS OF BEING CUT UP. 2009. SIGNED &#038; DEDICATED BY GENESIS BREYER P-ORRIDGE TO PAUL ROBERTSON.</title>
		<link>https://unoriginalsins.co.uk/product/30-years-of-being-cut-up-2009-signed-dedicated-by-genesis-breyer-p-orridge-to-paul-robertson/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=30-years-of-being-cut-up-2009-signed-dedicated-by-genesis-breyer-p-orridge-to-paul-robertson</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 19 May 2020 09:09:22 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=22354</guid>

					<description><![CDATA[<p>NYC: Invisible-Exports, 2009</p>
<p>25 x 17.5cm, unpaginated (128pp) with printed boards. Artist's book issued on the occasion of a New York exhibition,  with minimal texts and mostly colour illustrations of works throughout as well as two tipped in  full-colour postcards and a , pull-out poster. This is a comprehensive survey of many of Genesis' collages and works. This copy has a pencil dedication to Paul Robertson - "Hell-oh Paul (in Genesis' glyph writing)" and singed in full, The page is also blind-stamped. VG and an association copy as Robertson curated the first major UK show by P-Orridge in Edinburgh in 2015 for many years.</p>
The post <a href="https://unoriginalsins.co.uk/product/30-years-of-being-cut-up-2009-signed-dedicated-by-genesis-breyer-p-orridge-to-paul-robertson/">30 YEARS OF BEING CUT UP. 2009. SIGNED & DEDICATED BY GENESIS BREYER P-ORRIDGE TO PAUL ROBERTSON.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>NYC: Invisible-Exports, 2009</p>
<p>25 x 17.5cm, unpaginated (128pp) with printed boards. Artist's book issued on the occasion of a New York exhibition,  with minimal texts and mostly colour illustrations of works throughout as well as two tipped in  full-colour postcards and a , pull-out poster. This is a comprehensive survey of many of Genesis' collages and works. This copy has a pencil dedication to Paul Robertson - "Hell-oh Paul (in Genesis' glyph writing)" and singed in full, The page is also blind-stamped. VG and an association copy as Robertson curated the first major UK show by P-Orridge in Edinburgh in 2015 for many years.</p>
The post <a href="https://unoriginalsins.co.uk/product/30-years-of-being-cut-up-2009-signed-dedicated-by-genesis-breyer-p-orridge-to-paul-robertson/">30 YEARS OF BEING CUT UP. 2009. SIGNED & DEDICATED BY GENESIS BREYER P-ORRIDGE TO PAUL ROBERTSON.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>PIERRE MOLINIER HAND ADDRESSED VINTAGE POSTCARD. 1959.</title>
		<link>https://unoriginalsins.co.uk/product/pierre-molinier-hand-addressed-vintage-postcard-1959/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=pierre-molinier-hand-addressed-vintage-postcard-1959</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 13 May 2020 18:53:29 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=21636</guid>

					<description><![CDATA[<p class="p1"><span class="s1">Bordeaux: s.p. (Molinier), n.d. (1959)</span></p>
<p class="p1"><span class="s1">13.5 x 9cm, 2pp b/w artist designed postcard depicting the drawing of Les femmes actuelles (which Moliner also turned into a well known oil painting). The reverse of the card has a unsigned text in Molinier's very formal handwriting: &#38;quot;Je m'offre a vos crelegues (? hard to read) Sympathie L'exposition Internationale du Surrealisme Paris 1959 - 1960&#38;quot; and is addressed to a Monsieur C. Remongin, 14 rue Henner, Paris 9.</span></p>
<p class="p1"><span class="s1">The card was one used by Molinier to promote his Atelier Du Grenier St Pierre and contains his MDVETDCS monogram (which he often incorporated into his paintings in lieu of a signature). The reverse of the card is a little browned but this is otherwise a wonderful small item and typical&#60;br /&#62;of the artist's obsession with the female form. The reference in the note is to Molinier's participation in the highly significant EROS exhibition - the last great international surrealist event and the first collective surrealist show where Molinier exhibited. Moliner as an old man committed suicide by hanging himself in his apartment although rather decently leaving a note on his door alerting the police to his action in order to stop his female concierge from having the terrible experience of finding his dead body. </span></p>
<p class="p1"><span class="s1">Few primary documents from Molinier come on the market in part due to the enthusiasm of one particular French collector who gained much of Molinier's archive soon after his death and has (to his credit) kept it mostly intact. An unique item.</span></p>
The post <a href="https://unoriginalsins.co.uk/product/pierre-molinier-hand-addressed-vintage-postcard-1959/">PIERRE MOLINIER HAND ADDRESSED VINTAGE POSTCARD. 1959.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1"><span class="s1">Bordeaux: s.p. (Molinier), n.d. (1959)</span></p>
<p class="p1"><span class="s1">13.5 x 9cm, 2pp b/w artist designed postcard depicting the drawing of Les femmes actuelles (which Moliner also turned into a well known oil painting). The reverse of the card has a unsigned text in Molinier's very formal handwriting: &#38;quot;Je m'offre a vos crelegues (? hard to read) Sympathie L'exposition Internationale du Surrealisme Paris 1959 - 1960&#38;quot; and is addressed to a Monsieur C. Remongin, 14 rue Henner, Paris 9.</span></p>
<p class="p1"><span class="s1">The card was one used by Molinier to promote his Atelier Du Grenier St Pierre and contains his MDVETDCS monogram (which he often incorporated into his paintings in lieu of a signature). The reverse of the card is a little browned but this is otherwise a wonderful small item and typical&#60;br /&#62;of the artist's obsession with the female form. The reference in the note is to Molinier's participation in the highly significant EROS exhibition - the last great international surrealist event and the first collective surrealist show where Molinier exhibited. Moliner as an old man committed suicide by hanging himself in his apartment although rather decently leaving a note on his door alerting the police to his action in order to stop his female concierge from having the terrible experience of finding his dead body. </span></p>
<p class="p1"><span class="s1">Few primary documents from Molinier come on the market in part due to the enthusiasm of one particular French collector who gained much of Molinier's archive soon after his death and has (to his credit) kept it mostly intact. An unique item.</span></p>
The post <a href="https://unoriginalsins.co.uk/product/pierre-molinier-hand-addressed-vintage-postcard-1959/">PIERRE MOLINIER HAND ADDRESSED VINTAGE POSTCARD. 1959.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ELKS BUILDING HOLLYWOOD. 1974. ONE OF 300 NUMBERED &#038; STAMPED SALKSCREEN PRINTS.</title>
		<link>https://unoriginalsins.co.uk/product/elks-building-hollywood-1974-one-of-300-numbered-stamped-salkscreen-prints/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=elks-building-hollywood-1974-one-of-300-numbered-stamped-salkscreen-prints</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 29 Feb 2020 13:02:15 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=13233</guid>

					<description><![CDATA[<p>Vancouver: Image Bank, 1974<br />
35.5 x 35.5cm, four colour silkscreen on board. The image was created by Michael Morris and Vincent Trasov to commemorate the Decca Dance that took place in the same year. It is a landscape view of Elks Building Hollywood where the Dance took place. </p>
<p>The Decca Dance was held to celebration of the (fictional) 1,000,011th anniversary of Art (as decided upon by Robert Filliou) and was organised by Image Bank as well as by Lowell Darling, Willoughby Sharp, Ant Farm, General Idea and the Western Front. There was an ornate stage show,: "a parody of the Academy Awards, featured a male chorus resplendent in tuxedos and Shark Fin Bathing Caps moving in stately symmetry to the inimitable crooning of androgyne Pascal. It could be said to mark the peak of the mail art movement and for many signalled the end of it."</p>
<p>This is one of 300 hand numbered in pencil copies and is stamped Image Bank on the back - the work is titled in pencil also. VG+ condition and rather beautiful.</p>
The post <a href="https://unoriginalsins.co.uk/product/elks-building-hollywood-1974-one-of-300-numbered-stamped-salkscreen-prints/">ELKS BUILDING HOLLYWOOD. 1974. ONE OF 300 NUMBERED & STAMPED SALKSCREEN PRINTS.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Vancouver: Image Bank, 1974<br />
35.5 x 35.5cm, four colour silkscreen on board. The image was created by Michael Morris and Vincent Trasov to commemorate the Decca Dance that took place in the same year. It is a landscape view of Elks Building Hollywood where the Dance took place. </p>
<p>The Decca Dance was held to celebration of the (fictional) 1,000,011th anniversary of Art (as decided upon by Robert Filliou) and was organised by Image Bank as well as by Lowell Darling, Willoughby Sharp, Ant Farm, General Idea and the Western Front. There was an ornate stage show,: "a parody of the Academy Awards, featured a male chorus resplendent in tuxedos and Shark Fin Bathing Caps moving in stately symmetry to the inimitable crooning of androgyne Pascal. It could be said to mark the peak of the mail art movement and for many signalled the end of it."</p>
<p>This is one of 300 hand numbered in pencil copies and is stamped Image Bank on the back - the work is titled in pencil also. VG+ condition and rather beautiful.</p>
The post <a href="https://unoriginalsins.co.uk/product/elks-building-hollywood-1974-one-of-300-numbered-stamped-salkscreen-prints/">ELKS BUILDING HOLLYWOOD. 1974. ONE OF 300 NUMBERED & STAMPED SALKSCREEN PRINTS.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>LE JAJA DE JAU. 2020.</title>
		<link>https://unoriginalsins.co.uk/product/le-jaja-de-jau-2020/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=le-jaja-de-jau-2020</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 11 Jan 2020 11:08:16 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=59892</guid>

					<description><![CDATA[<p>N.p. (Nice?): Sud de France, 2020</p>
<p>750ml bottle of Syrah win in original glass bottle with artist designed label. The text uses an old slang word for a glass of wine and Jau is the local contemporary art museum - hence a glass of art. Limited editiomn but numbers are unknown. Unopened and VG+.</p>
<p><strong>Please note shipping for this item may be more than our standard shipping tables allow - please contact us. </strong></p>
The post <a href="https://unoriginalsins.co.uk/product/le-jaja-de-jau-2020/">LE JAJA DE JAU. 2020.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>N.p. (Nice?): Sud de France, 2020</p>
<p>750ml bottle of Syrah win in original glass bottle with artist designed label. The text uses an old slang word for a glass of wine and Jau is the local contemporary art museum - hence a glass of art. Limited editiomn but numbers are unknown. Unopened and VG+.</p>
<p><strong>Please note shipping for this item may be more than our standard shipping tables allow - please contact us. </strong></p>
The post <a href="https://unoriginalsins.co.uk/product/le-jaja-de-jau-2020/">LE JAJA DE JAU. 2020.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>S/HE THE 1984 MISS GENERAL IDEA PAGEANT NR 102. 1976.</title>
		<link>https://unoriginalsins.co.uk/product/s-he-the-1984-miss-general-idea-pageant-nr-102-1976/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=s-he-the-1984-miss-general-idea-pageant-nr-102-1976</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 04 Jan 2020 00:22:12 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=7133</guid>

					<description><![CDATA[<p>Toronto: Art Metropole (GI), 1976 </p>
<p>20.3 x 12.7cm, 12pp plus pictorial card covers. First edition of this early artist's book by GI issued in 500 numbered copies. The gender differences between two characters (one male and one female) are shown on opposing pages with the text being the same on both occasions. For some unknown reason very scarce despite there being 500 numbered copies. This copy additionally stamped "General Idea" in blue ink on the colophon page. Nr 55 in GI cat raisonne. Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/s-he-the-1984-miss-general-idea-pageant-nr-102-1976/">S/HE THE 1984 MISS GENERAL IDEA PAGEANT NR 102. 1976.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Toronto: Art Metropole (GI), 1976 </p>
<p>20.3 x 12.7cm, 12pp plus pictorial card covers. First edition of this early artist's book by GI issued in 500 numbered copies. The gender differences between two characters (one male and one female) are shown on opposing pages with the text being the same on both occasions. For some unknown reason very scarce despite there being 500 numbered copies. This copy additionally stamped "General Idea" in blue ink on the colophon page. Nr 55 in GI cat raisonne. Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/s-he-the-1984-miss-general-idea-pageant-nr-102-1976/">S/HE THE 1984 MISS GENERAL IDEA PAGEANT NR 102. 1976.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>KATIE GETS WET. LITTLE COCKROACH PRESS NR 9.</title>
		<link>https://unoriginalsins.co.uk/product/katie-gets-wet-little-cockroach-press-nr-9/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=katie-gets-wet-little-cockroach-press-nr-9</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 15 Dec 2019 10:51:16 +0000</pubDate>
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					<description><![CDATA[<p class="p1"><span class="s1">Toronto: Art Metropole, 1998</span></p>
<p class="p1"><span class="s1">20.2 x 12.4cm, 16pp (self colour). Full colour artist's book where the artist as always brings the everyday toys of a young girl (eg dolls, horses) and displays them as sexual props by the use of double entendres and close ups. Fine.</span></p>
The post <a href="https://unoriginalsins.co.uk/product/katie-gets-wet-little-cockroach-press-nr-9/">KATIE GETS WET. LITTLE COCKROACH PRESS NR 9.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1"><span class="s1">Toronto: Art Metropole, 1998</span></p>
<p class="p1"><span class="s1">20.2 x 12.4cm, 16pp (self colour). Full colour artist's book where the artist as always brings the everyday toys of a young girl (eg dolls, horses) and displays them as sexual props by the use of double entendres and close ups. Fine.</span></p>
The post <a href="https://unoriginalsins.co.uk/product/katie-gets-wet-little-cockroach-press-nr-9/">KATIE GETS WET. LITTLE COCKROACH PRESS NR 9.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE CHILDLIKE LIFE OF THE BLACK TARANTULA #3. A SECRET DOCUMENT. 1973. TRUE FIRST EDITION.</title>
		<link>https://unoriginalsins.co.uk/product/the-childlike-life-of-the-black-tarantula-3-a-secret-document-1973-true-first-edition/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-childlike-life-of-the-black-tarantula-3-a-secret-document-1973-true-first-edition</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 14 Dec 2019 18:51:27 +0000</pubDate>
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					<description><![CDATA[<p>SF: s.p. (Acker), 1973</p>
<p>21 x 15cm, 24pp (Self cover). This is one part of 6 volumes of The Childlike Life of the Black Tarantula which were self-published and distributed by Kathy Acker prior to the later publication as a single book. In this form the novel was presented in six serialized parts, usually mailed to subscribers, friends, and potentially interested parties. This is a remarkably hard to find item and can be seen as the third publication Acker released. The text is a lesbian love story based on fantasies and stories found in V. Laduc's Therese and Isabelle a`nd Acker's own schoolgirl experiences. VG if very slight grubbiness around the wrappers.</p>
The post <a href="https://unoriginalsins.co.uk/product/the-childlike-life-of-the-black-tarantula-3-a-secret-document-1973-true-first-edition/">THE CHILDLIKE LIFE OF THE BLACK TARANTULA #3. A SECRET DOCUMENT. 1973. TRUE FIRST EDITION.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>the childlike life of the black tarantula €#¢∞§¶•</p>The post <a href="https://unoriginalsins.co.uk/product/the-childlike-life-of-the-black-tarantula-3-a-secret-document-1973-true-first-edition/">THE CHILDLIKE LIFE OF THE BLACK TARANTULA #3. A SECRET DOCUMENT. 1973. TRUE FIRST EDITION.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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