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	<title>Illustration - Unoriginal Sins</title>
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	<description>AVANT-GARDES</description>
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	<title>Illustration - Unoriginal Sins</title>
	<link>https://unoriginalsins.co.uk</link>
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	<item>
		<title>L’ENTERREUR ET AUTRES POEMS. 1966. BOLTANSKI’S FIRST PUBLISHED WORK.</title>
		<link>https://unoriginalsins.co.uk/product/lenterreur-et-autres-poems-1966-boltanskis-first-published-work/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lenterreur-et-autres-poems-1966-boltanskis-first-published-work</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 04 Aug 2023 07:45:43 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=56201</guid>

					<description><![CDATA[<p class="tg-item-excerpt tg-element-5">Paris: Editions Jean Pierre Oswald, 1966<br />
17.4 x 10.4cm, 160pp plus card covers. First edition of this novel with added poems for which Boltanski was commissioned to create two drawings on the front and back wrappers. The drawings are of an abstracted figure (an egg shape with legs) in a city of tower blocks on the front of the book and on the back the same figure in the countryside near a river seen from above.</p>
<p class="tg-item-excerpt tg-element-5">This was Boltanski's first ever published work and is the first entry in Jennifer Flay's catalogue raisonnee.</p>
<p class="tg-item-excerpt tg-element-5">The front covers has a brown stain top left and there is minor brownin along the spine but else the back cover and internal aspects are VG. Rare. Ref Flay Catalogue Page 5.</p>
<p>&#160;</p>
The post <a href="https://unoriginalsins.co.uk/product/lenterreur-et-autres-poems-1966-boltanskis-first-published-work/">L’ENTERREUR ET AUTRES POEMS. 1966. BOLTANSKI’S FIRST PUBLISHED WORK.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="tg-item-excerpt tg-element-5">Paris: Editions Jean Pierre Oswald, 1966<br />
17.4 x 10.4cm, 160pp plus card covers. First edition of this novel with added poems for which Boltanski was commissioned to create two drawings on the front and back wrappers. The drawings are of an abstracted figure (an egg shape with legs) in a city of tower blocks on the front of the book and on the back the same figure in the countryside near a river seen from above.</p>
<p class="tg-item-excerpt tg-element-5">This was Boltanski's first ever published work and is the first entry in Jennifer Flay's catalogue raisonnee.</p>
<p class="tg-item-excerpt tg-element-5">The front covers has a brown stain top left and there is minor brownin along the spine but else the back cover and internal aspects are VG. Rare. Ref Flay Catalogue Page 5.</p>
<p>&#160;</p>
The post <a href="https://unoriginalsins.co.uk/product/lenterreur-et-autres-poems-1966-boltanskis-first-published-work/">L’ENTERREUR ET AUTRES POEMS. 1966. BOLTANSKI’S FIRST PUBLISHED WORK.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>LES ENFANTS JOUENT A L’AVENIR. 1981. COVER BY BOLTANSKI. AUTHOR WAS ARTIST&#8217;S MOTHER.</title>
		<link>https://unoriginalsins.co.uk/product/les-enfants-jouent-a-lavenir-1981-cover-by-boltanski-author-was-artists-mother/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=les-enfants-jouent-a-lavenir-1981-cover-by-boltanski-author-was-artists-mother</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 22 Jul 2023 10:51:24 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=56066</guid>

					<description><![CDATA[<p class="tg-item-excerpt tg-element-5">Paris: Editions Galilee, 1981<br />
21.5 x 13.7cm, 174pp plus card covers. A novel by the French author which has an original collage on the front by Boltanski. Annie Lauran was the pseudonym of Myriam Boltanski - the artist's mother! - a fact that was hidden until 2015. VG+. Reference: Flay Boltanski Catalogue Page 150.</p>
The post <a href="https://unoriginalsins.co.uk/product/les-enfants-jouent-a-lavenir-1981-cover-by-boltanski-author-was-artists-mother/">LES ENFANTS JOUENT A L’AVENIR. 1981. COVER BY BOLTANSKI. AUTHOR WAS ARTIST’S MOTHER.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="tg-item-excerpt tg-element-5">Paris: Editions Galilee, 1981<br />
21.5 x 13.7cm, 174pp plus card covers. A novel by the French author which has an original collage on the front by Boltanski. Annie Lauran was the pseudonym of Myriam Boltanski - the artist's mother! - a fact that was hidden until 2015. VG+. Reference: Flay Boltanski Catalogue Page 150.</p>
The post <a href="https://unoriginalsins.co.uk/product/les-enfants-jouent-a-lavenir-1981-cover-by-boltanski-author-was-artists-mother/">LES ENFANTS JOUENT A L’AVENIR. 1981. COVER BY BOLTANSKI. AUTHOR WAS ARTIST’S MOTHER.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>7 ORTE AUF DER KARTE EINES GESPRACHS. 1993.</title>
		<link>https://unoriginalsins.co.uk/product/7-orte-auf-der-karte-eines-gesprachs-1993/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=7-orte-auf-der-karte-eines-gesprachs-1993</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 04 Apr 2022 15:11:26 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=48283</guid>

					<description><![CDATA[<p>Stuttgart: Galerie de Stadt, 1993</p>
<p>15 x 21cm, 2pp announcement card for a Kosuth neon installation - one colour image on the front, verso gallery details. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/7-orte-auf-der-karte-eines-gesprachs-1993/">7 ORTE AUF DER KARTE EINES GESPRACHS. 1993.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Stuttgart: Galerie de Stadt, 1993</p>
<p>15 x 21cm, 2pp announcement card for a Kosuth neon installation - one colour image on the front, verso gallery details. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/7-orte-auf-der-karte-eines-gesprachs-1993/">7 ORTE AUF DER KARTE EINES GESPRACHS. 1993.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>A LARGE COLLECTION OF POINT D&#8217;IRONIE INCLUDING SOME RARE NUMBERS 1997 &#8211; 2020.</title>
		<link>https://unoriginalsins.co.uk/product/a-large-collection-of-point-dironie-including-some-rare-numbers-1997-2020/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-large-collection-of-point-dironie-including-some-rare-numbers-1997-2020</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 14 Feb 2021 18:25:21 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=39077</guid>

					<description><![CDATA[<p>Paris: Agnes b, 1997 - 2020</p>
<p>A large collection of 51 separate numbers from the artist's publication issued by the fashion house.</p>
<p>Uniformly 42 x 30cm, 8pp (except #43 which is two separate folded sheets – both 42 x 30cm, 2pp)</p>
<p>The numbers included in this extensive collection are:</p>
<p>#03: Douglas Gordon: November 1997; i</p>
<p>#05: Annette Messager: April 1998;</p>
<p>#06: Lawrence Weiner: May 1998;</p>
<p>#08: Itsuko Hasegawa &#38; Dan Graham: September 1998;</p>
<p>#10: Claude Lévêque: January 1999;</p>
<p>#11: Hans-Peter Feldmann: March 1999;</p>
<p>#12: Harmony Korine: May 1999;</p>
<p>#13: Antoinette Ohannessian and Toni Negri: June 1999;</p>
<p>#14: Louise Bourgeois: September 1999;</p>
<p>Special issue: Frédéric Bruly Bouabré: January 2000;</p>
<p>#15: Roni Horn: February 2000;</p>
<p>#16: Richard Billingham: May 2000;</p>
<p>#17: John Giorno &#38; Ugo Rondinone: June 2000;</p>
<p>#18: Rosemarie Trockel: July 2000;</p>
<p>#19: Cedric Price: November 2000;</p>
<p>#20: Ken Lum &#38; Chen Zhen: February 2001;</p>
<p>#22: Gilbert &#38; George: September 2001;</p>
<p>#23: Thomas Hirschhorn: October 2001;</p>
<p>#24: Yona Friedman: December 2001;</p>
<p>#25: Matthew Barney: June 2002;</p>
<p>#26: Christian Boltanski: June 2002;</p>
<p>#27: Hanne Darboven: June 2002;</p>
<p>#29: Edouard Glissant: November 2002</p>
<p>#30: Claude Closky: June 2003;</p>
<p>#31: Yoko Ono: October 2003;</p>
<p>32: Paul-Armand Gette: January 2004;</p>
<p>Special issue: Hors serie (32 bis): Agnes B. / Hans Ulrich Obrist Interview: April 2004;</p>
<p>#33: Philippe Parreno: April 2004;</p>
<p>#34: Michel Foucault: September 2004;</p>
<p>#35: Yona Friedman: October 2004;</p>
<p>Special issue: Nancy Spero: April 2005;</p>
<p>#36: Tacita Dean: May 2004;</p>
<p>#37: Ed Ruscha: June 2005;</p>
<p>#39: Richard Prince: April 2006;</p>
<p>#40: Damien Hirst: September 2006</p>
<p>#42: Tobias Buche: February 2007;</p>
<p>#43: Hreinn Fridfinnsson: July 2007;</p>
<p>#44: Hugues Reip &#38; Melanie Counsell: July 2008;</p>
<p>#46: Carlos Cruz-Diez: December 2008;</p>
<p>#47: Koo Jeong-A: March 2009;</p>
<p>Special issue: Stephane Hessel &#38; Pascal Lemaitre– April 2010;</p>
<p>#50: Christian Boltanski – May 2010;</p>
<p>Special issue: P. Reimer - January 2011;</p>
<p>#54: Pierre Henry – June 2013;</p>
<p>#56: Robert Barry: September 2015;</p>
<p>#57: Agnes Varda: September 2015;</p>
<p>#58: Gustav Metzger: February 2016;</p>
<p>#59: Raymond Pettibon and Marcel Dzama: November 2016</p>
<p>#60: John Giorno: July 2017</p>
<p>#62: Pierre Alechinsky: 2018</p>
<p>#63: Claude Leveque: 2020</p>
<p>All in VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/a-large-collection-of-point-dironie-including-some-rare-numbers-1997-2020/">A LARGE COLLECTION OF POINT D’IRONIE INCLUDING SOME RARE NUMBERS 1997 – 2020.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Paris: Agnes b, 1997 - 2020</p>
<p>A large collection of 51 separate numbers from the artist's publication issued by the fashion house.</p>
<p>Uniformly 42 x 30cm, 8pp (except #43 which is two separate folded sheets – both 42 x 30cm, 2pp)</p>
<p>The numbers included in this extensive collection are:</p>
<p>#03: Douglas Gordon: November 1997; i</p>
<p>#05: Annette Messager: April 1998;</p>
<p>#06: Lawrence Weiner: May 1998;</p>
<p>#08: Itsuko Hasegawa &#38; Dan Graham: September 1998;</p>
<p>#10: Claude Lévêque: January 1999;</p>
<p>#11: Hans-Peter Feldmann: March 1999;</p>
<p>#12: Harmony Korine: May 1999;</p>
<p>#13: Antoinette Ohannessian and Toni Negri: June 1999;</p>
<p>#14: Louise Bourgeois: September 1999;</p>
<p>Special issue: Frédéric Bruly Bouabré: January 2000;</p>
<p>#15: Roni Horn: February 2000;</p>
<p>#16: Richard Billingham: May 2000;</p>
<p>#17: John Giorno &#38; Ugo Rondinone: June 2000;</p>
<p>#18: Rosemarie Trockel: July 2000;</p>
<p>#19: Cedric Price: November 2000;</p>
<p>#20: Ken Lum &#38; Chen Zhen: February 2001;</p>
<p>#22: Gilbert &#38; George: September 2001;</p>
<p>#23: Thomas Hirschhorn: October 2001;</p>
<p>#24: Yona Friedman: December 2001;</p>
<p>#25: Matthew Barney: June 2002;</p>
<p>#26: Christian Boltanski: June 2002;</p>
<p>#27: Hanne Darboven: June 2002;</p>
<p>#29: Edouard Glissant: November 2002</p>
<p>#30: Claude Closky: June 2003;</p>
<p>#31: Yoko Ono: October 2003;</p>
<p>32: Paul-Armand Gette: January 2004;</p>
<p>Special issue: Hors serie (32 bis): Agnes B. / Hans Ulrich Obrist Interview: April 2004;</p>
<p>#33: Philippe Parreno: April 2004;</p>
<p>#34: Michel Foucault: September 2004;</p>
<p>#35: Yona Friedman: October 2004;</p>
<p>Special issue: Nancy Spero: April 2005;</p>
<p>#36: Tacita Dean: May 2004;</p>
<p>#37: Ed Ruscha: June 2005;</p>
<p>#39: Richard Prince: April 2006;</p>
<p>#40: Damien Hirst: September 2006</p>
<p>#42: Tobias Buche: February 2007;</p>
<p>#43: Hreinn Fridfinnsson: July 2007;</p>
<p>#44: Hugues Reip &#38; Melanie Counsell: July 2008;</p>
<p>#46: Carlos Cruz-Diez: December 2008;</p>
<p>#47: Koo Jeong-A: March 2009;</p>
<p>Special issue: Stephane Hessel &#38; Pascal Lemaitre– April 2010;</p>
<p>#50: Christian Boltanski – May 2010;</p>
<p>Special issue: P. Reimer - January 2011;</p>
<p>#54: Pierre Henry – June 2013;</p>
<p>#56: Robert Barry: September 2015;</p>
<p>#57: Agnes Varda: September 2015;</p>
<p>#58: Gustav Metzger: February 2016;</p>
<p>#59: Raymond Pettibon and Marcel Dzama: November 2016</p>
<p>#60: John Giorno: July 2017</p>
<p>#62: Pierre Alechinsky: 2018</p>
<p>#63: Claude Leveque: 2020</p>
<p>All in VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/a-large-collection-of-point-dironie-including-some-rare-numbers-1997-2020/">A LARGE COLLECTION OF POINT D’IRONIE INCLUDING SOME RARE NUMBERS 1997 – 2020.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>AI WEIWEI. 2019.</title>
		<link>https://unoriginalsins.co.uk/product/ai-weiwei-2019/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ai-weiwei-2019</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 28 Aug 2020 14:23:28 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=31587</guid>

					<description><![CDATA[<p>Dusseldorf: Kunstsammlung Nordrhein-Westfalen, 2019&#60;BR&#62;<br />
20.5 x 14.8cm, 40pp plus pictorial card covers. Exhibition catalogue for a major retrospective. Texts only describing the various installations. VG+.&#60;BR&#62;&#60;BR&#62;</p>
The post <a href="https://unoriginalsins.co.uk/product/ai-weiwei-2019/">AI WEIWEI. 2019.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Dusseldorf: Kunstsammlung Nordrhein-Westfalen, 2019&#60;BR&#62;<br />
20.5 x 14.8cm, 40pp plus pictorial card covers. Exhibition catalogue for a major retrospective. Texts only describing the various installations. VG+.&#60;BR&#62;&#60;BR&#62;</p>
The post <a href="https://unoriginalsins.co.uk/product/ai-weiwei-2019/">AI WEIWEI. 2019.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>DON&#8217;T BE SO. 2002. ILLUSTRATED BY HIRST.</title>
		<link>https://unoriginalsins.co.uk/product/dont-be-so-2002-illustrated-by-hirst/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dont-be-so-2002-illustrated-by-hirst</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 05 Apr 2020 11:17:38 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=17021</guid>

					<description><![CDATA[<p>Venice: Trolley Publication, 2002<br />
25 x 25cm, 60pp (approx) plus covers. Collaborative artist's book between poet Fryer and Hirst. Fryer's fifty+ poems are illustrated with 27 full page colour photographic plates of Hirst's artworks which are interpretations of and companions to the poems. Foreword by Harland Miller. Very good condition.</p>
The post <a href="https://unoriginalsins.co.uk/product/dont-be-so-2002-illustrated-by-hirst/">DON’T BE SO. 2002. ILLUSTRATED BY HIRST.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Venice: Trolley Publication, 2002<br />
25 x 25cm, 60pp (approx) plus covers. Collaborative artist's book between poet Fryer and Hirst. Fryer's fifty+ poems are illustrated with 27 full page colour photographic plates of Hirst's artworks which are interpretations of and companions to the poems. Foreword by Harland Miller. Very good condition.</p>
The post <a href="https://unoriginalsins.co.uk/product/dont-be-so-2002-illustrated-by-hirst/">DON’T BE SO. 2002. ILLUSTRATED BY HIRST.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>WHAT A MAN CAN SEE. 1969,</title>
		<link>https://unoriginalsins.co.uk/product/what-a-man-can-see-1969/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=what-a-man-can-see-1969</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 29 Mar 2020 17:07:15 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=16518</guid>

					<description><![CDATA[<p>NYC: The Jargon Society, 1969<br />
25.2 x 19.2cm, unpaginated (c. 96pp). Pictorial covers and orange transparent mylar dust jacket as issued. First edition of this whimsical collection of fables with ten original b/w full page illustrations by Edson's friend Johnson. The dj has a short appreciation of both author and illustrator by Jonathan Williams. Back cover has a Johnson collage made up of passport style portraits of the two artists with an overprint of red spectacles. The mylar jacket has shrunk (a phenomenon of the material over decades) but is intact and without tears and the book is fine. Scarce. Also noted as Jargon nr 37.</p>
The post <a href="https://unoriginalsins.co.uk/product/what-a-man-can-see-1969/">WHAT A MAN CAN SEE. 1969,</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>NYC: The Jargon Society, 1969<br />
25.2 x 19.2cm, unpaginated (c. 96pp). Pictorial covers and orange transparent mylar dust jacket as issued. First edition of this whimsical collection of fables with ten original b/w full page illustrations by Edson's friend Johnson. The dj has a short appreciation of both author and illustrator by Jonathan Williams. Back cover has a Johnson collage made up of passport style portraits of the two artists with an overprint of red spectacles. The mylar jacket has shrunk (a phenomenon of the material over decades) but is intact and without tears and the book is fine. Scarce. Also noted as Jargon nr 37.</p>
The post <a href="https://unoriginalsins.co.uk/product/what-a-man-can-see-1969/">WHAT A MAN CAN SEE. 1969,</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>UNTITLED (DEMONS). 2016.</title>
		<link>https://unoriginalsins.co.uk/product/untitled-deomons-2016/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=untitled-deomons-2016</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 04 Mar 2020 15:45:43 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=13643</guid>

					<description><![CDATA[<p>36 x 26.5cm, found original frame with backing board upon which the artist has drawn one of his figurative demon like drawings. Unsigned as this was part of a larger installation and given by the artist after the exhibition.</p>
The post <a href="https://unoriginalsins.co.uk/product/untitled-deomons-2016/">UNTITLED (DEMONS). 2016.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>36 x 26.5cm, found original frame with backing board upon which the artist has drawn one of his figurative demon like drawings. Unsigned as this was part of a larger installation and given by the artist after the exhibition.</p>
The post <a href="https://unoriginalsins.co.uk/product/untitled-deomons-2016/">UNTITLED (DEMONS). 2016.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>UNIQUE VINTAGE PHOTOGRAPH OF AN INSTALLATION/ PERFORMANCE. 1974.</title>
		<link>https://unoriginalsins.co.uk/product/unique-vintage-photograph-of-an-installation-performance-1974-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=unique-vintage-photograph-of-an-installation-performance-1974-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 23 Jan 2020 22:58:50 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=10531</guid>

					<description><![CDATA[<p>24 x 303cm b/w gelatin glossy print on heavy matt photographic paper. A image of Buren painting a stripe during an installation for Art/tapes/22 in Florence in 1974. Rubber stamp impression of photographer verso and several annotations in pencil. Very good.</p>
The post <a href="https://unoriginalsins.co.uk/product/unique-vintage-photograph-of-an-installation-performance-1974-2/">UNIQUE VINTAGE PHOTOGRAPH OF AN INSTALLATION/ PERFORMANCE. 1974.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>24 x 303cm b/w gelatin glossy print on heavy matt photographic paper. A image of Buren painting a stripe during an installation for Art/tapes/22 in Florence in 1974. Rubber stamp impression of photographer verso and several annotations in pencil. Very good.</p>
The post <a href="https://unoriginalsins.co.uk/product/unique-vintage-photograph-of-an-installation-performance-1974-2/">UNIQUE VINTAGE PHOTOGRAPH OF AN INSTALLATION/ PERFORMANCE. 1974.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>ARK 13. 1955.</title>
		<link>https://unoriginalsins.co.uk/product/ark-13-1955/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ark-13-1955</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 23 Dec 2019 17:46:09 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=5757</guid>

					<description><![CDATA[<p>London: Royal College of Art, n.d. (1955)</p>
<p>17.5 x 23.5cm, 76pp plus card covers. Single number of this tri-annual publication of students and staff at the College. Notable for an article on Typography by Herbert Spence and elsewhere original lithogrpahs by Roy Morgan, Tony Puig and Tony Whishaw. VG.</p>
The post <a href="https://unoriginalsins.co.uk/product/ark-13-1955/">ARK 13. 1955.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>London: Royal College of Art, n.d. (1955)</p>
<p>17.5 x 23.5cm, 76pp plus card covers. Single number of this tri-annual publication of students and staff at the College. Notable for an article on Typography by Herbert Spence and elsewhere original lithogrpahs by Roy Morgan, Tony Puig and Tony Whishaw. VG.</p>
The post <a href="https://unoriginalsins.co.uk/product/ark-13-1955/">ARK 13. 1955.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>PETER &#038; THE WOLF. 2003.</title>
		<link>https://unoriginalsins.co.uk/product/peter-the-wolf-2003/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=peter-the-wolf-2003</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 22 Dec 2019 20:57:15 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=5604</guid>

					<description><![CDATA[<p>NYC: Irish Hospice Foundation, 2003</p>
<p>15 x 10.5cm, 4pp. Announcement card for an auction of illustrations and drawings by Bono (of U2) for the book based on Gavin Friday's interpretation of the Prokofiev classic work. Here's a lesser known titbit (from the horse's mouth in the days when I got to hang with the band's entourage) in the tours when Bono suddenly disappeared and was replaced by the "devil" Bono - the latter was in fact Friday dressed to look like Bono only with horns. People used to be amazed how quickly Bono could change into the new costume. Concert design hey kids! Fine.</p>
<p>JOINT:</p>
<p>10.5 x 21cm, 1pp. Typographic invivaiton to the reception and private viewing of the works in London.</p>
The post <a href="https://unoriginalsins.co.uk/product/peter-the-wolf-2003/">PETER & THE WOLF. 2003.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>NYC: Irish Hospice Foundation, 2003</p>
<p>15 x 10.5cm, 4pp. Announcement card for an auction of illustrations and drawings by Bono (of U2) for the book based on Gavin Friday's interpretation of the Prokofiev classic work. Here's a lesser known titbit (from the horse's mouth in the days when I got to hang with the band's entourage) in the tours when Bono suddenly disappeared and was replaced by the "devil" Bono - the latter was in fact Friday dressed to look like Bono only with horns. People used to be amazed how quickly Bono could change into the new costume. Concert design hey kids! Fine.</p>
<p>JOINT:</p>
<p>10.5 x 21cm, 1pp. Typographic invivaiton to the reception and private viewing of the works in London.</p>
The post <a href="https://unoriginalsins.co.uk/product/peter-the-wolf-2003/">PETER & THE WOLF. 2003.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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