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	<title>Unoriginal Sins | </title>
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	<description>AVANT-GARDES</description>
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	<title>Unoriginal Sins | </title>
	<link>https://unoriginalsins.co.uk</link>
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	<item>
		<title>NIGHT SHIFT. 2004.</title>
		<link>https://unoriginalsins.co.uk/product/night-shift-2004/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=night-shift-2004</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 16:01:19 +0000</pubDate>
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					<description><![CDATA[London: Frieze, 2004

21 x 15cm, 16pp (single folded sheet opens to 60 x 42cm). Brochure and poster for a major intervention in Frieze art fair where various animals (deer, fox, snake, badger, wolf, scorpion, rat and frog) were let loose in the fair and their path through the various spaces mapped. The animals paths were tracked and published on a large map on the reverse of the sheet. One of 6,000 copies released but most were discarded by visitors. One side has the map, the other side has photographs of the various animals in the fair. VG+.

&#160;]]></description>
										<content:encoded><![CDATA[London: Frieze, 2004

21 x 15cm, 16pp (single folded sheet opens to 60 x 42cm). Brochure and poster for a major intervention in Frieze art fair where various animals (deer, fox, snake, badger, wolf, scorpion, rat and frog) were let loose in the fair and their path through the various spaces mapped. The animals paths were tracked and published on a large map on the reverse of the sheet. One of 6,000 copies released but most were discarded by visitors. One side has the map, the other side has photographs of the various animals in the fair. VG+.

&#160;]]></content:encoded>
					
		
		
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		<title>H.G.  1995. ROBERT WILSON&#8217;S FIRST EVERY UK INSTALLATION.</title>
		<link>https://unoriginalsins.co.uk/product/h-g-1995-robert-wilsons-first-every-uk-installation/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=h-g-1995-robert-wilsons-first-every-uk-installation</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 15:55:35 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63098</guid>

					<description><![CDATA[London: Artangel, 1995

21 x 15cm, 8pp (single folded sheet). Catalogue and announcement brochure for Robert Wilson's first ever UK installation - housed underground in the Clink Street vaults (once a vast medieval prison) now with evidence from all eras from 1895 and beyond. H.G. refers to H.G. Wells and in partiular his novel "The Time Machine". Three images of the work in colour and text in english. VG+ although slight handling crease on back cover.]]></description>
										<content:encoded><![CDATA[London: Artangel, 1995

21 x 15cm, 8pp (single folded sheet). Catalogue and announcement brochure for Robert Wilson's first ever UK installation - housed underground in the Clink Street vaults (once a vast medieval prison) now with evidence from all eras from 1895 and beyond. H.G. refers to H.G. Wells and in partiular his novel "The Time Machine". Three images of the work in colour and text in english. VG+ although slight handling crease on back cover.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>DAN FLAVIN. 2006.</title>
		<link>https://unoriginalsins.co.uk/product/dan-flavin-2006-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dan-flavin-2006-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 15:33:05 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63096</guid>

					<description><![CDATA[London: Hayward Gallery, 2006

24 x 15cm, (opens to 39 x 60cm) folded single sheet - announcement and poster for the musuem retrospective f works by Flavin. One work reproduced in colour, other works described internally. Folded as issued yet VG+.]]></description>
										<content:encoded><![CDATA[London: Hayward Gallery, 2006

24 x 15cm, (opens to 39 x 60cm) folded single sheet - announcement and poster for the musuem retrospective f works by Flavin. One work reproduced in colour, other works described internally. Folded as issued yet VG+.]]></content:encoded>
					
		
		
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		<item>
		<title>HOUSE. 1993.</title>
		<link>https://unoriginalsins.co.uk/product/house-1993/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=house-1993</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 30 Aug 2026 16:46:34 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63046</guid>

					<description><![CDATA[London: Artangel, n.d. (1993)

21 x 15cm, 8pp (single folded sheet) for the important and major installation in London's Tower Hamlets where Whiteread used a house that was due for demolition to create a life size sculpture of the "negative space" within the building. The work was only on display for 11 weeks and was demolished by the local council in January 1994. Very slight handling crease else VG+. Scarce.]]></description>
										<content:encoded><![CDATA[London: Artangel, n.d. (1993)

21 x 15cm, 8pp (single folded sheet) for the important and major installation in London's Tower Hamlets where Whiteread used a house that was due for demolition to create a life size sculpture of the "negative space" within the building. The work was only on display for 11 weeks and was demolished by the local council in January 1994. Very slight handling crease else VG+. Scarce.]]></content:encoded>
					
		
		
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		<title>THE CREMASTER CYCLE. CREMASTER FIELD. 2002.</title>
		<link>https://unoriginalsins.co.uk/product/the-cremaster-cycle-cremaster-field-2002/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-cremaster-cycle-cremaster-field-2002</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 28 Aug 2026 13:50:15 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=40845</guid>

					<description><![CDATA[London: The Ritzy Cinema, 2002
21 x 15cm, 8pp, stapled handout for the first ever showing of Cremaster 3 in Britain along with a new sculpture (Cremaster Field) in the cinema lobby. Six colour images from the five films throughout. Scarce.]]></description>
										<content:encoded><![CDATA[London: The Ritzy Cinema, 2002
21 x 15cm, 8pp, stapled handout for the first ever showing of Cremaster 3 in Britain along with a new sculpture (Cremaster Field) in the cinema lobby. Six colour images from the five films throughout. Scarce.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>KOPFBAHNHOF/TERMINAL. 1995. CATALOGUE.</title>
		<link>https://unoriginalsins.co.uk/product/kopfbahnhof-terminal-1995-catalogue/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=kopfbahnhof-terminal-1995-catalogue</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 23 Aug 2026 15:51:10 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62881</guid>

					<description><![CDATA[<div class="woocommerce-product-details__short-description">

Leipzig: Deutsche Bahn, 1995

25.4 x 18.8cm, 32pp catalogue for a number interventions in the German train system by Weiner, Gordon and Eichhorn. Essays in German and English, b/w illustrations throughout. VG+.

</div>]]></description>
										<content:encoded><![CDATA[<div class="woocommerce-product-details__short-description">

Leipzig: Deutsche Bahn, 1995

25.4 x 18.8cm, 32pp catalogue for a number interventions in the German train system by Weiner, Gordon and Eichhorn. Essays in German and English, b/w illustrations throughout. VG+.

</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>BEAUTY PARLOR. 1993.</title>
		<link>https://unoriginalsins.co.uk/product/beauty-parlor-1993/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=beauty-parlor-1993</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 12 Aug 2026 12:58:36 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62852</guid>

					<description><![CDATA[NYC: John Gibson Gallery, 1993

42 x 30cm, pink and black offset lithograph with a design and text by the artist - a recreation/merging of two earlier Happenings from 1958 but with significant differences mostly around audience involvement. This was the fourth recreation of the event. Folded for mailing as issued else VG+.]]></description>
										<content:encoded><![CDATA[NYC: John Gibson Gallery, 1993

42 x 30cm, pink and black offset lithograph with a design and text by the artist - a recreation/merging of two earlier Happenings from 1958 but with significant differences mostly around audience involvement. This was the fourth recreation of the event. Folded for mailing as issued else VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>MARIENSTRASSE. 2008. WITH BOUND IN OS MAP.</title>
		<link>https://unoriginalsins.co.uk/product/marienstrasse-2008-with-bound-in-os-map/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=marienstrasse-2008-with-bound-in-os-map</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 12 Aug 2026 08:56:04 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62837</guid>

					<description><![CDATA[Duren/Berlin: Gunter-Pali-Stiftung-Leopold-Hoesch- Museum/Nichaische Verlagbuchhandlung, 2010

21 x 10.8cm (outer printed folder) with laid in 42pp brochure and a folded 59.4 x 90cm OS map which covers the original geographic area on which Schneider's intallation was based on. Essay in German and English by Ukrich Loock. The museum displayed a reconstruction of a stretch of road from the German villiage of Pier.  The work was entitled Marienstrasse and was part of Schneider's interest in disappearing villages (often destroyed by corporations desiring the land for open cast mining). Price sticker on back cover of the folder and couple of ink marks on the front of the folder else VG. Scarce.]]></description>
										<content:encoded><![CDATA[Duren/Berlin: Gunter-Pali-Stiftung-Leopold-Hoesch- Museum/Nichaische Verlagbuchhandlung, 2010

21 x 10.8cm (outer printed folder) with laid in 42pp brochure and a folded 59.4 x 90cm OS map which covers the original geographic area on which Schneider's intallation was based on. Essay in German and English by Ukrich Loock. The museum displayed a reconstruction of a stretch of road from the German villiage of Pier.  The work was entitled Marienstrasse and was part of Schneider's interest in disappearing villages (often destroyed by corporations desiring the land for open cast mining). Price sticker on back cover of the folder and couple of ink marks on the front of the folder else VG. Scarce.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>+ &#8211; 0. (PLUS MOINS ZERO). Nos. 1 &#8211; 32/33. CONTINUOUS RUN OF EARLY NUMBERS OF THIS SCARCE MAGAZINE PLUS NR12BIS &#038; NR39. 1973 &#8211; 1981. INCLUDES BROODTHAERS, BEUYS, ANDERSON &#038; CADERE COVERS.</title>
		<link>https://unoriginalsins.co.uk/product/0-plus-moins-zero-nos-1-32-33-continuous-run-of-early-numbers-of-this-scarce-magazine-plus-nr12bis-nr39-1973-1981-includes-broodthaers-beuys-anderson-cadere-covers/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=0-plus-moins-zero-nos-1-32-33-continuous-run-of-early-numbers-of-this-scarce-magazine-plus-nr12bis-nr39-1973-1981-includes-broodthaers-beuys-anderson-cadere-covers</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 12 Mar 2026 13:18:23 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62307</guid>

					<description><![CDATA[Paris: Elisabeth, Stepháne &#38; Anne-Marie Rona. 1973 - 1981

34.5 x 25 cm, pagination varies, 34 different numbers (including 3 double issues - nrs 21/22. 23/24, 32/33 and special nr 12 bis) plus nr 39. All = 85. A continuous early run of this important art journal that was initiated from Stephane Elizabeth from her  Galerie les Contemporains, along with her son Stepháne and daughter Anne-Marie.  The first issue (included here) was published on the occasion of the Düsseldorf Art Fair in October 1973. Contributions are from by Jospeh Beuys (2 covers), Marcel Broodthaers (3 covers), André Cadere, Charlier, Michelangelo Pistoletto, Anne and Patrick Poirier, Ulay &#38; Marina Abramovic, Ian Hamilton Finlay and others.

JOINT:

Paris: Elisabeth, Stepháne &#38; Anne-Marie Rona. 1973 - 1981

NR 39, 34.5 x 25 cm, 48pp.

Very slight marking / browning on the odd issue but overall VG++.

Early numbers of this journal are hard to find and this early run is not available elsewhere that we know of.

Please note this is a heavy bundle and shipping will be higher than usual - please enquire.]]></description>
										<content:encoded><![CDATA[Paris: Elisabeth, Stepháne &#38; Anne-Marie Rona. 1973 - 1981

34.5 x 25 cm, pagination varies, 34 different numbers (including 3 double issues - nrs 21/22. 23/24, 32/33 and special nr 12 bis) plus nr 39. All = 85. A continuous early run of this important art journal that was initiated from Stephane Elizabeth from her  Galerie les Contemporains, along with her son Stepháne and daughter Anne-Marie.  The first issue (included here) was published on the occasion of the Düsseldorf Art Fair in October 1973. Contributions are from by Jospeh Beuys (2 covers), Marcel Broodthaers (3 covers), André Cadere, Charlier, Michelangelo Pistoletto, Anne and Patrick Poirier, Ulay &#38; Marina Abramovic, Ian Hamilton Finlay and others.

JOINT:

Paris: Elisabeth, Stepháne &#38; Anne-Marie Rona. 1973 - 1981

NR 39, 34.5 x 25 cm, 48pp.

Very slight marking / browning on the odd issue but overall VG++.

Early numbers of this journal are hard to find and this early run is not available elsewhere that we know of.

Please note this is a heavy bundle and shipping will be higher than usual - please enquire.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE SNOWBALL. A COLLABORATIVE PROJECT BY PETER BONDE &#038; JASON RHOADES. 1999. PROSPECTUS FOR THE INSTALLATION.</title>
		<link>https://unoriginalsins.co.uk/product/the-snowball-a-collaborative-project-by-peter-bonde-jason-rhoades-1999-prospectus-for-the-installation/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-snowball-a-collaborative-project-by-peter-bonde-jason-rhoades-1999-prospectus-for-the-installation</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 25 Feb 2026 19:13:43 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62221</guid>

					<description><![CDATA[N.p. (Copenhagen): Danish Contemporary Art Foundation, 1999

21 x 30cm, 12pp plus crd covers. The prospectus issued in advance for the co-project between Jason Rhoades and Peter Bonde for the 48th Venice Biennale where the artists planned to transform the Danish pavilion in Venice into a stock car course with real American stock cars, sound effects and film projections. Full colour images of stock cars and plans for the pavilion. This is far scarcer than the later published report on the work albeit there is not much detail of the actual final work. VG+.]]></description>
										<content:encoded><![CDATA[N.p. (Copenhagen): Danish Contemporary Art Foundation, 1999

21 x 30cm, 12pp plus crd covers. The prospectus issued in advance for the co-project between Jason Rhoades and Peter Bonde for the 48th Venice Biennale where the artists planned to transform the Danish pavilion in Venice into a stock car course with real American stock cars, sound effects and film projections. Full colour images of stock cars and plans for the pavilion. This is far scarcer than the later published report on the work albeit there is not much detail of the actual final work. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>HARLEKIN&#8217;S FLUXEUM. INSTALLATION JOE JONES.</title>
		<link>https://unoriginalsins.co.uk/product/harlekins-fluxeum-installation-joe-jones/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=harlekins-fluxeum-installation-joe-jones</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 13 Feb 2026 14:19:39 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62150</guid>

					<description><![CDATA[Wiesbaden-Erbecheim: Harlekin Art, n.d.

10.5 x 15cm, 2pp announcement card for a show of self-playing instruments by Joe Jones - installation view on front in colour, verso gallery details. Unmailed example - VG+.]]></description>
										<content:encoded><![CDATA[Wiesbaden-Erbecheim: Harlekin Art, n.d.

10.5 x 15cm, 2pp announcement card for a show of self-playing instruments by Joe Jones - installation view on front in colour, verso gallery details. Unmailed example - VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>IMI KNOEBEL. 1983.</title>
		<link>https://unoriginalsins.co.uk/product/imi-knoebel-1983/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=imi-knoebel-1983</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 11 Feb 2026 11:31:58 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62100</guid>

					<description><![CDATA[Bonn: Stadtisches Kunstmuseum Bonn, 1983

10.5 x 15cm, 2pp announcement card with an installation view on front of walls sculptures and recto gallery details. Unmailed example - VG+.]]></description>
										<content:encoded><![CDATA[Bonn: Stadtisches Kunstmuseum Bonn, 1983

10.5 x 15cm, 2pp announcement card with an installation view on front of walls sculptures and recto gallery details. Unmailed example - VG+.]]></content:encoded>
					
		
		
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