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	<title>Unoriginal Sins | </title>
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	<description>AVANT-GARDES</description>
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	<title>Unoriginal Sins | </title>
	<link>https://unoriginalsins.co.uk</link>
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	<item>
		<title>WRONG WAY TIME. 2015.</title>
		<link>https://unoriginalsins.co.uk/product/wrong-way-time-2015-2/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 12 Oct 2026 17:10:44 +0000</pubDate>
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					<description><![CDATA[Venice: Australian Pavilion, 20015

21 x 15cm, 2pp announcement card for the artist's Venice Biennale installation. One colour image on the front, verso short bio and text. VG+.]]></description>
										<content:encoded><![CDATA[Venice: Australian Pavilion, 20015

21 x 15cm, 2pp announcement card for the artist's Venice Biennale installation. One colour image on the front, verso short bio and text. VG+.]]></content:encoded>
					
		
		
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		<title>THE KEY IN THE HAND. 2015.</title>
		<link>https://unoriginalsins.co.uk/product/the-key-in-the-hand-2015-4/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 08 Oct 2026 17:52:21 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63292</guid>

					<description><![CDATA[Venice: Japan Pavilion, 2015

10.5 x 15cm, 2pp artist's postcard with an image of the large installation found in the Japanese Pavilion during the Biennale using miles of red string and a key, verso minimal details. VG+.]]></description>
										<content:encoded><![CDATA[Venice: Japan Pavilion, 2015

10.5 x 15cm, 2pp artist's postcard with an image of the large installation found in the Japanese Pavilion during the Biennale using miles of red string and a key, verso minimal details. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE KEY IN THE HAND. 2015.</title>
		<link>https://unoriginalsins.co.uk/product/the-key-in-the-hand-2015-3/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 08 Oct 2026 17:52:07 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63291</guid>

					<description><![CDATA[Venice: Japan Pavilion, 2015

10.5 x 15cm, 2pp artist's postcard with an image of the artist's hands holding a key in colour on the front, verso minimal details. VG+.]]></description>
										<content:encoded><![CDATA[Venice: Japan Pavilion, 2015

10.5 x 15cm, 2pp artist's postcard with an image of the artist's hands holding a key in colour on the front, verso minimal details. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>URS RAAUSSMULLER. 1979.</title>
		<link>https://unoriginalsins.co.uk/product/urs-raaussmuller-1979/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 30 Sep 2026 18:33:21 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63264</guid>

					<description><![CDATA[Dusseldorf: Konrad Fischer, 1979

15 x 10.5cm, 2pp announcement card for a solo show with an installation image on the front in b/w, verso gallery details, typed address and franked stamps. VG+.]]></description>
										<content:encoded><![CDATA[Dusseldorf: Konrad Fischer, 1979

15 x 10.5cm, 2pp announcement card for a solo show with an installation image on the front in b/w, verso gallery details, typed address and franked stamps. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>PHOTOGRAPHIE IN DER DEUTSCHEN GEGENWARTSKUNST/ARENA. 1994.</title>
		<link>https://unoriginalsins.co.uk/product/photographie-in-der-deutschen-gegenwartskunst-arena-1994/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 25 Sep 2026 15:53:03 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63251</guid>

					<description><![CDATA[Basel: Museum Für Gegenwartskunst, Basel, n.d. (1994)

10.5 x 14.8cm, 8pp (single sheet accordian fold). Gallery guide for this survey of German photography and a posthumous show of Beuys' self-curated Arena retrospective. Floor plan and drawing of the museum plus a short essay in German. VG+.]]></description>
										<content:encoded><![CDATA[Basel: Museum Für Gegenwartskunst, Basel, n.d. (1994)

10.5 x 14.8cm, 8pp (single sheet accordian fold). Gallery guide for this survey of German photography and a posthumous show of Beuys' self-curated Arena retrospective. Floor plan and drawing of the museum plus a short essay in German. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE UNILEVER SERIES: RACHEL WHITEREAD. 2006.</title>
		<link>https://unoriginalsins.co.uk/product/the-unilever-series-rachel-whiteread-2006/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 20 Sep 2026 12:57:28 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63221</guid>

					<description><![CDATA[London: Tate Modern, 2006

21 x 15cm, 1pp printed brown on thick corrugated cardboard with die cut impressions (diagonal lines) witha typographic design. Whiteread installed a huge work based on white cardboard boxes to resemble a cityscape in abstract. VG+.]]></description>
										<content:encoded><![CDATA[London: Tate Modern, 2006

21 x 15cm, 1pp printed brown on thick corrugated cardboard with die cut impressions (diagonal lines) witha typographic design. Whiteread installed a huge work based on white cardboard boxes to resemble a cityscape in abstract. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>KEEP CHANGING: CONNECT WITH EVERYTHING: CONTINUE FOREVER. 1992.</title>
		<link>https://unoriginalsins.co.uk/product/keep-changing-connect-with-everything-continue-forever-1992/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 14 Sep 2026 11:36:32 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63173</guid>

					<description><![CDATA[London: Anthony d'Offay, 1992

15 x 21cm, 4pp typographic design announcement card for a solo show of installations and sculptures. Unmailed. VG+.]]></description>
										<content:encoded><![CDATA[London: Anthony d'Offay, 1992

15 x 21cm, 4pp typographic design announcement card for a solo show of installations and sculptures. Unmailed. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>CERITH WYN EVANS. 2001.</title>
		<link>https://unoriginalsins.co.uk/product/cerith-wyn-evans-2001/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 19:26:08 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63165</guid>

					<description><![CDATA[Glarus: Kunsthaus Glarus, 2001

21.5 x 42cm, 2pp full colour offset lithographic poster/announcement for a museum exhibition - displaying an installation view with a camel. Verso with texts in German. Folded for mailing as issued else VG+.]]></description>
										<content:encoded><![CDATA[Glarus: Kunsthaus Glarus, 2001

21.5 x 42cm, 2pp full colour offset lithographic poster/announcement for a museum exhibition - displaying an installation view with a camel. Verso with texts in German. Folded for mailing as issued else VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>NIGHT SHIFT. 2004.</title>
		<link>https://unoriginalsins.co.uk/product/night-shift-2004/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 16:01:19 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63100</guid>

					<description><![CDATA[London: Frieze, 2004

21 x 15cm, 16pp (single folded sheet opens to 60 x 42cm). Brochure and poster for a major intervention in Frieze art fair where various animals (deer, fox, snake, badger, wolf, scorpion, rat and frog) were let loose in the fair and their path through the various spaces mapped. The animals paths were tracked and published on a large map on the reverse of the sheet. One of 6,000 copies released but most were discarded by visitors. One side has the map, the other side has photographs of the various animals in the fair. VG+.

&#160;]]></description>
										<content:encoded><![CDATA[London: Frieze, 2004

21 x 15cm, 16pp (single folded sheet opens to 60 x 42cm). Brochure and poster for a major intervention in Frieze art fair where various animals (deer, fox, snake, badger, wolf, scorpion, rat and frog) were let loose in the fair and their path through the various spaces mapped. The animals paths were tracked and published on a large map on the reverse of the sheet. One of 6,000 copies released but most were discarded by visitors. One side has the map, the other side has photographs of the various animals in the fair. VG+.

&#160;]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>H.G.  1995. ROBERT WILSON&#8217;S FIRST EVERY UK INSTALLATION.</title>
		<link>https://unoriginalsins.co.uk/product/h-g-1995-robert-wilsons-first-every-uk-installation/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 15:55:35 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63098</guid>

					<description><![CDATA[London: Artangel, 1995

21 x 15cm, 8pp (single folded sheet). Catalogue and announcement brochure for Robert Wilson's first ever UK installation - housed underground in the Clink Street vaults (once a vast medieval prison) now with evidence from all eras from 1895 and beyond. H.G. refers to H.G. Wells and in partiular his novel "The Time Machine". Three images of the work in colour and text in english. VG+ although slight handling crease on back cover.]]></description>
										<content:encoded><![CDATA[London: Artangel, 1995

21 x 15cm, 8pp (single folded sheet). Catalogue and announcement brochure for Robert Wilson's first ever UK installation - housed underground in the Clink Street vaults (once a vast medieval prison) now with evidence from all eras from 1895 and beyond. H.G. refers to H.G. Wells and in partiular his novel "The Time Machine". Three images of the work in colour and text in english. VG+ although slight handling crease on back cover.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>DAN FLAVIN. 2006.</title>
		<link>https://unoriginalsins.co.uk/product/dan-flavin-2006-2/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 15:33:05 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63096</guid>

					<description><![CDATA[London: Hayward Gallery, 2006

24 x 15cm, (opens to 39 x 60cm) folded single sheet - announcement and poster for the musuem retrospective f works by Flavin. One work reproduced in colour, other works described internally. Folded as issued yet VG+.]]></description>
										<content:encoded><![CDATA[London: Hayward Gallery, 2006

24 x 15cm, (opens to 39 x 60cm) folded single sheet - announcement and poster for the musuem retrospective f works by Flavin. One work reproduced in colour, other works described internally. Folded as issued yet VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>HOUSE. 1993.</title>
		<link>https://unoriginalsins.co.uk/product/house-1993/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 30 Aug 2026 16:46:34 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=63046</guid>

					<description><![CDATA[London: Artangel, n.d. (1993)

21 x 15cm, 8pp (single folded sheet) for the important and major installation in London's Tower Hamlets where Whiteread used a house that was due for demolition to create a life size sculpture of the "negative space" within the building. The work was only on display for 11 weeks and was demolished by the local council in January 1994. Very slight handling crease else VG+. Scarce.]]></description>
										<content:encoded><![CDATA[London: Artangel, n.d. (1993)

21 x 15cm, 8pp (single folded sheet) for the important and major installation in London's Tower Hamlets where Whiteread used a house that was due for demolition to create a life size sculpture of the "negative space" within the building. The work was only on display for 11 weeks and was demolished by the local council in January 1994. Very slight handling crease else VG+. Scarce.]]></content:encoded>
					
		
		
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