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	<title>Installation art - Unoriginal Sins</title>
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	<description>AVANT-GARDES</description>
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	<title>Installation art - Unoriginal Sins</title>
	<link>https://unoriginalsins.co.uk</link>
	<width>32</width>
	<height>32</height>
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	<item>
		<title>+ &#8211; 0. (PLUS MOINS ZERO). Nos. 1 &#8211; 32/33. CONTINUOUS RUN OF EARLY NUMBERS OF THIS SCARCE MAGAZINE PLUS NR12BIS &#038; NR39. 1973 &#8211; 1981. INCLUDES BROODTHAERS, BEUYS, ANDERSON &#038; CADERE COVERS.</title>
		<link>https://unoriginalsins.co.uk/product/0-plus-moins-zero-nos-1-32-33-continuous-run-of-early-numbers-of-this-scarce-magazine-plus-nr12bis-nr39-1973-1981-includes-broodthaers-beuys-anderson-cadere-covers/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=0-plus-moins-zero-nos-1-32-33-continuous-run-of-early-numbers-of-this-scarce-magazine-plus-nr12bis-nr39-1973-1981-includes-broodthaers-beuys-anderson-cadere-covers</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 12 Mar 2026 13:18:23 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62307</guid>

					<description><![CDATA[<p>Paris: Elisabeth, Stepháne &#38; Anne-Marie Rona. 1973 - 1981</p>
<p>34.5 x 25 cm, pagination varies, 34 different numbers (including 3 double issues - nrs 21/22. 23/24, 32/33 and special nr 12 bis) plus nr 39. All = 85. A continuous early run of this important art journal that was initiated from Stephane Elizabeth from her  Galerie les Contemporains, along with her son Stepháne and daughter Anne-Marie.  The first issue (included here) was published on the occasion of the Düsseldorf Art Fair in October 1973. Contributions are from by Jospeh Beuys (2 covers), Marcel Broodthaers (3 covers), André Cadere, Charlier, Michelangelo Pistoletto, Anne and Patrick Poirier, Ulay &#38; Marina Abramovic, Ian Hamilton Finlay and others.</p>
<p>JOINT:</p>
<p>Paris: Elisabeth, Stepháne &#38; Anne-Marie Rona. 1973 - 1981</p>
<p>NR 39, 34.5 x 25 cm, 48pp.</p>
<p>Very slight marking / browning on the odd issue but overall VG++.</p>
<p>Early numbers of this journal are hard to find and this early run is not available elsewhere that we know of.</p>
<p>Please note this is a heavy bundle and shipping will be higher than usual - please enquire.</p>
The post <a href="https://unoriginalsins.co.uk/product/0-plus-moins-zero-nos-1-32-33-continuous-run-of-early-numbers-of-this-scarce-magazine-plus-nr12bis-nr39-1973-1981-includes-broodthaers-beuys-anderson-cadere-covers/">+ – 0. (PLUS MOINS ZERO). Nos. 1 – 32/33. CONTINUOUS RUN OF EARLY NUMBERS OF THIS SCARCE MAGAZINE PLUS NR12BIS & NR39. 1973 – 1981. INCLUDES BROODTHAERS, BEUYS, ANDERSON & CADERE COVERS.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Paris: Elisabeth, Stepháne &#38; Anne-Marie Rona. 1973 - 1981</p>
<p>34.5 x 25 cm, pagination varies, 34 different numbers (including 3 double issues - nrs 21/22. 23/24, 32/33 and special nr 12 bis) plus nr 39. All = 85. A continuous early run of this important art journal that was initiated from Stephane Elizabeth from her  Galerie les Contemporains, along with her son Stepháne and daughter Anne-Marie.  The first issue (included here) was published on the occasion of the Düsseldorf Art Fair in October 1973. Contributions are from by Jospeh Beuys (2 covers), Marcel Broodthaers (3 covers), André Cadere, Charlier, Michelangelo Pistoletto, Anne and Patrick Poirier, Ulay &#38; Marina Abramovic, Ian Hamilton Finlay and others.</p>
<p>JOINT:</p>
<p>Paris: Elisabeth, Stepháne &#38; Anne-Marie Rona. 1973 - 1981</p>
<p>NR 39, 34.5 x 25 cm, 48pp.</p>
<p>Very slight marking / browning on the odd issue but overall VG++.</p>
<p>Early numbers of this journal are hard to find and this early run is not available elsewhere that we know of.</p>
<p>Please note this is a heavy bundle and shipping will be higher than usual - please enquire.</p>
The post <a href="https://unoriginalsins.co.uk/product/0-plus-moins-zero-nos-1-32-33-continuous-run-of-early-numbers-of-this-scarce-magazine-plus-nr12bis-nr39-1973-1981-includes-broodthaers-beuys-anderson-cadere-covers/">+ – 0. (PLUS MOINS ZERO). Nos. 1 – 32/33. CONTINUOUS RUN OF EARLY NUMBERS OF THIS SCARCE MAGAZINE PLUS NR12BIS & NR39. 1973 – 1981. INCLUDES BROODTHAERS, BEUYS, ANDERSON & CADERE COVERS.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE SNOWBALL. A COLLABORATIVE PROJECT BY PETER BONDE &#038; JASON RHOADES. 1999. PROSPECTUS FOR THE INSTALLATION.</title>
		<link>https://unoriginalsins.co.uk/product/the-snowball-a-collaborative-project-by-peter-bonde-jason-rhoades-1999-prospectus-for-the-installation/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-snowball-a-collaborative-project-by-peter-bonde-jason-rhoades-1999-prospectus-for-the-installation</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 25 Feb 2026 19:13:43 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62221</guid>

					<description><![CDATA[<p>N.p. (Copenhagen): Danish Contemporary Art Foundation, 1999</p>
<p>21 x 30cm, 12pp plus crd covers. The prospectus issued in advance for the co-project between Jason Rhoades and Peter Bonde for the 48th Venice Biennale where the artists planned to transform the Danish pavilion in Venice into a stock car course with real American stock cars, sound effects and film projections. Full colour images of stock cars and plans for the pavilion. This is far scarcer than the later published report on the work albeit there is not much detail of the actual final work. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/the-snowball-a-collaborative-project-by-peter-bonde-jason-rhoades-1999-prospectus-for-the-installation/">THE SNOWBALL. A COLLABORATIVE PROJECT BY PETER BONDE & JASON RHOADES. 1999. PROSPECTUS FOR THE INSTALLATION.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>N.p. (Copenhagen): Danish Contemporary Art Foundation, 1999</p>
<p>21 x 30cm, 12pp plus crd covers. The prospectus issued in advance for the co-project between Jason Rhoades and Peter Bonde for the 48th Venice Biennale where the artists planned to transform the Danish pavilion in Venice into a stock car course with real American stock cars, sound effects and film projections. Full colour images of stock cars and plans for the pavilion. This is far scarcer than the later published report on the work albeit there is not much detail of the actual final work. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/the-snowball-a-collaborative-project-by-peter-bonde-jason-rhoades-1999-prospectus-for-the-installation/">THE SNOWBALL. A COLLABORATIVE PROJECT BY PETER BONDE & JASON RHOADES. 1999. PROSPECTUS FOR THE INSTALLATION.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>HARLEKIN&#8217;S FLUXEUM. INSTALLATION JOE JONES.</title>
		<link>https://unoriginalsins.co.uk/product/harlekins-fluxeum-installation-joe-jones/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=harlekins-fluxeum-installation-joe-jones</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 13 Feb 2026 14:19:39 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62150</guid>

					<description><![CDATA[<p>Wiesbaden-Erbecheim: Harlekin Art, n.d.</p>
<p>10.5 x 15cm, 2pp announcement card for a show of self-playing instruments by Joe Jones - installation view on front in colour, verso gallery details. Unmailed example - VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/harlekins-fluxeum-installation-joe-jones/">HARLEKIN’S FLUXEUM. INSTALLATION JOE JONES.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Wiesbaden-Erbecheim: Harlekin Art, n.d.</p>
<p>10.5 x 15cm, 2pp announcement card for a show of self-playing instruments by Joe Jones - installation view on front in colour, verso gallery details. Unmailed example - VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/harlekins-fluxeum-installation-joe-jones/">HARLEKIN’S FLUXEUM. INSTALLATION JOE JONES.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>IMI KNOEBEL. 1983.</title>
		<link>https://unoriginalsins.co.uk/product/imi-knoebel-1983/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=imi-knoebel-1983</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 11 Feb 2026 11:31:58 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62100</guid>

					<description><![CDATA[<p>Bonn: Stadtisches Kunstmuseum Bonn, 1983</p>
<p>10.5 x 15cm, 2pp announcement card with an installation view on front of walls sculptures and recto gallery details. Unmailed example - VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/imi-knoebel-1983/">IMI KNOEBEL. 1983.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Bonn: Stadtisches Kunstmuseum Bonn, 1983</p>
<p>10.5 x 15cm, 2pp announcement card with an installation view on front of walls sculptures and recto gallery details. Unmailed example - VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/imi-knoebel-1983/">IMI KNOEBEL. 1983.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>CHRISTO. 1966.</title>
		<link>https://unoriginalsins.co.uk/product/christo-1966-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=christo-1966-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 18 Nov 2025 16:42:22 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=61677</guid>

					<description><![CDATA[<p>Milano: Edizioni Apollinaire, n.d. (1966)</p>
<p>20 x 21cm, unpaginated (c.72pp) plus boards. Monograph on Christo's early "Packages" works with texts in English, French and Italian by David Bourdon, Otto Hahn, and Pierre Restany alongside many b/w and colour images of works including the early storefront installations. VG+. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/christo-1966-2/">CHRISTO. 1966.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Milano: Edizioni Apollinaire, n.d. (1966)</p>
<p>20 x 21cm, unpaginated (c.72pp) plus boards. Monograph on Christo's early "Packages" works with texts in English, French and Italian by David Bourdon, Otto Hahn, and Pierre Restany alongside many b/w and colour images of works including the early storefront installations. VG+. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/christo-1966-2/">CHRISTO. 1966.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>MANUAL OF INSTRUCTIONS FOR ÉTANT DONNÉS: 1° LA CHUTE D&#8217;EAU 2° LE GAZ D&#8217;ÉCLAIRAGE &#8230;  1987.</title>
		<link>https://unoriginalsins.co.uk/product/manual-of-instructions-for-etant-donnes-1-la-chute-deau-2-le-gaz-declairage-1987/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=manual-of-instructions-for-etant-donnes-1-la-chute-deau-2-le-gaz-declairage-1987</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 06 Nov 2025 10:12:19 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=61658</guid>

					<description><![CDATA[<div dir="ltr">
<div class="BodyFragment">
<div class="PlainText">Philadelphia: Philadelphia Museum of Art, 1987</div>
<div class="PlainText">30 x 27cm, unpaginated (c. 56pp including fold-outs) plus hard cover. A facsimile of Duchamp's "Manual of Instructions" notebook given to the Philadelphia Museum as part of the installation of Etante Donne with numerous b/w photographs and facsimile handwritten text by Duchamp</div>
<div class="PlainText">Laid in (as issued)</div>
<div class="PlainText">Philadelphia: Philadelphia Museum of Art, 1987</div>
<div class="PlainText">30 x27cm, 4pp insert with a text in English by Anne d'Harnoncourt.</div>
<div>Both VG+.</div>
</div>
</div>
The post <a href="https://unoriginalsins.co.uk/product/manual-of-instructions-for-etant-donnes-1-la-chute-deau-2-le-gaz-declairage-1987/">MANUAL OF INSTRUCTIONS FOR ÉTANT DONNÉS: 1° LA CHUTE D’EAU 2° LE GAZ D’ÉCLAIRAGE …  1987.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<div dir="ltr">
<div class="BodyFragment">
<div class="PlainText">Philadelphia: Philadelphia Museum of Art, 1987</div>
<div class="PlainText">30 x 27cm, unpaginated (c. 56pp including fold-outs) plus hard cover. A facsimile of Duchamp's "Manual of Instructions" notebook given to the Philadelphia Museum as part of the installation of Etante Donne with numerous b/w photographs and facsimile handwritten text by Duchamp</div>
<div class="PlainText">Laid in (as issued)</div>
<div class="PlainText">Philadelphia: Philadelphia Museum of Art, 1987</div>
<div class="PlainText">30 x27cm, 4pp insert with a text in English by Anne d'Harnoncourt.</div>
<div>Both VG+.</div>
</div>
</div>
The post <a href="https://unoriginalsins.co.uk/product/manual-of-instructions-for-etant-donnes-1-la-chute-deau-2-le-gaz-declairage-1987/">MANUAL OF INSTRUCTIONS FOR ÉTANT DONNÉS: 1° LA CHUTE D’EAU 2° LE GAZ D’ÉCLAIRAGE …  1987.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>BEN&#8217;S BAR. WHY PEOPLE ATTEND BARS: TO BE HEARD, TO BE SEEN, TO BE THERE. . 1994.</title>
		<link>https://unoriginalsins.co.uk/product/bens-bar-why-people-attend-bar-to-be-heard-to-be-seen-to-be-there-1994/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=bens-bar-why-people-attend-bar-to-be-heard-to-be-seen-to-be-there-1994</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 03 Nov 2025 19:54:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=49311</guid>

					<description><![CDATA[<div><span style="font-family: Arial">Weisbaden: NKV, 2007<br />
30 x 21cm, 4pp. Announcement brochure and small poster with a colour image of the installation on the front and back, internally a short essay in German and museum details. Folded into thirds for mailing, VG+. </span></div>
The post <a href="https://unoriginalsins.co.uk/product/bens-bar-why-people-attend-bar-to-be-heard-to-be-seen-to-be-there-1994/">BEN’S BAR. WHY PEOPLE ATTEND BARS: TO BE HEARD, TO BE SEEN, TO BE THERE. . 1994.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<div><span style="font-family: Arial">Weisbaden: NKV, 2007<br />
30 x 21cm, 4pp. Announcement brochure and small poster with a colour image of the installation on the front and back, internally a short essay in German and museum details. Folded into thirds for mailing, VG+. </span></div>
The post <a href="https://unoriginalsins.co.uk/product/bens-bar-why-people-attend-bar-to-be-heard-to-be-seen-to-be-there-1994/">BEN’S BAR. WHY PEOPLE ATTEND BARS: TO BE HEARD, TO BE SEEN, TO BE THERE. . 1994.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>CLOACA 2000 &#8211; 2007. 2007.</title>
		<link>https://unoriginalsins.co.uk/product/cloaca-2000-2007-2007/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=cloaca-2000-2007-2007</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=10935</guid>

					<description><![CDATA[<p>Casino Luxembourg: Forum D’Art Contemporain, 2007<br />
30.5 x 23cm, 222pp plus padded printed leatherette boards. Ribbon and gilded sides. Artist’s book illustrated profusely throughout noting the history of Delvoye’s Cloaca machines. Essays in English by Michael Glasmeier, Luis Camnitzer and Enrico Lunghi. Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/cloaca-2000-2007-2007/">CLOACA 2000 – 2007. 2007.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Casino Luxembourg: Forum D’Art Contemporain, 2007<br />
30.5 x 23cm, 222pp plus padded printed leatherette boards. Ribbon and gilded sides. Artist’s book illustrated profusely throughout noting the history of Delvoye’s Cloaca machines. Essays in English by Michael Glasmeier, Luis Camnitzer and Enrico Lunghi. Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/cloaca-2000-2007-2007/">CLOACA 2000 – 2007. 2007.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>COAL CIRCLE. 1989.</title>
		<link>https://unoriginalsins.co.uk/product/coal-circle-1989/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=coal-circle-1989</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=20532</guid>

					<description><![CDATA[<p>Halifax, UK: Henry Moore Institute, 1989<br />
15.5 x 20.5cm, b/w machine processed photographic print displaying the title work by Long - verso an attached typed label with the title. Released by the Institute to the press for reproduction and publicity purposes. Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/coal-circle-1989/">COAL CIRCLE. 1989.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Halifax, UK: Henry Moore Institute, 1989<br />
15.5 x 20.5cm, b/w machine processed photographic print displaying the title work by Long - verso an attached typed label with the title. Released by the Institute to the press for reproduction and publicity purposes. Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/coal-circle-1989/">COAL CIRCLE. 1989.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>PLACEBO PILLS (BLUE AND WHITE). 2015.</title>
		<link>https://unoriginalsins.co.uk/product/placebo-pills-blue-and-white-2015/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=placebo-pills-blue-and-white-2015</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=16264</guid>

					<description><![CDATA[<p>Paris: Monnaie de Paris, 2015<br />
Small blue and white pills – filled with sugar “placebo” mix – which were dropped onto the gallery floor from a machine during the artist’s large scale exhibition at the gallery.</p>
<p>Price is for 2 pills together.</p>
The post <a href="https://unoriginalsins.co.uk/product/placebo-pills-blue-and-white-2015/">PLACEBO PILLS (BLUE AND WHITE). 2015.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Paris: Monnaie de Paris, 2015<br />
Small blue and white pills – filled with sugar “placebo” mix – which were dropped onto the gallery floor from a machine during the artist’s large scale exhibition at the gallery.</p>
<p>Price is for 2 pills together.</p>
The post <a href="https://unoriginalsins.co.uk/product/placebo-pills-blue-and-white-2015/">PLACEBO PILLS (BLUE AND WHITE). 2015.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>SUPPLEMENT 1. PAPER CONCERT FOR PAPER SHOW OPENING AT TIME &#038; LIFE BUILDING. 1967. FLUXUS NEWSLETTER.</title>
		<link>https://unoriginalsins.co.uk/product/supplement-1-paper-concert-for-paper-show-opening-at-time-life-building-1967-fluxus-newsletter/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=supplement-1-paper-concert-for-paper-show-opening-at-time-life-building-1967-fluxus-newsletter</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43929</guid>

					<description><![CDATA[<p>N.p. (NYC): s.p. (Maciunas), 1967</p>
<p>28 x 21cm, 1pp black on white offset. A Flux Newsletter circulated by Maciunas to friends and others on his mailing list with the programme for the title performance.</p>
<p>The programme lists two parts to the evening's performances - the first a collective work by Ay-o, Dan Lauffer, Maciunas, Cheiko Shiomi, Ben Vautier, Bob Watts, Bici and Geoff Hendricks who each initiated a different paper action (ripping, crumpling, turning pages of a book) to a metronome and following an Olivetti adding machine paper roll.</p>
<p>The second is entitled "Kill Paper, Not People" and the score is reproduced - with Ay-o dressed in a Sumurai suit of armour firing arrows at a large sheet of paper with consequent actions.  VG+. An early Fluxus document.</p>
The post <a href="https://unoriginalsins.co.uk/product/supplement-1-paper-concert-for-paper-show-opening-at-time-life-building-1967-fluxus-newsletter/">SUPPLEMENT 1. PAPER CONCERT FOR PAPER SHOW OPENING AT TIME & LIFE BUILDING. 1967. FLUXUS NEWSLETTER.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>N.p. (NYC): s.p. (Maciunas), 1967</p>
<p>28 x 21cm, 1pp black on white offset. A Flux Newsletter circulated by Maciunas to friends and others on his mailing list with the programme for the title performance.</p>
<p>The programme lists two parts to the evening's performances - the first a collective work by Ay-o, Dan Lauffer, Maciunas, Cheiko Shiomi, Ben Vautier, Bob Watts, Bici and Geoff Hendricks who each initiated a different paper action (ripping, crumpling, turning pages of a book) to a metronome and following an Olivetti adding machine paper roll.</p>
<p>The second is entitled "Kill Paper, Not People" and the score is reproduced - with Ay-o dressed in a Sumurai suit of armour firing arrows at a large sheet of paper with consequent actions.  VG+. An early Fluxus document.</p>
The post <a href="https://unoriginalsins.co.uk/product/supplement-1-paper-concert-for-paper-show-opening-at-time-life-building-1967-fluxus-newsletter/">SUPPLEMENT 1. PAPER CONCERT FOR PAPER SHOW OPENING AT TIME & LIFE BUILDING. 1967. FLUXUS NEWSLETTER.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>PLACEBO PILLS (RED &#038; WHITE). 2015.</title>
		<link>https://unoriginalsins.co.uk/product/placebo-pills-2015/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=placebo-pills-2015</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=5991</guid>

					<description><![CDATA[<p>London: Hayward Gallery, 2015</p>
<p>Small red and white pills - filled with sugar "placebo" mix - which were dropped onto the gallery floor from a machine during the artist's large scale exhibition at the gallery.</p>
<p>Price is for 2 pills together not the entire group displayed.</p>
The post <a href="https://unoriginalsins.co.uk/product/placebo-pills-2015/">PLACEBO PILLS (RED & WHITE). 2015.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>London: Hayward Gallery, 2015</p>
<p>Small red and white pills - filled with sugar "placebo" mix - which were dropped onto the gallery floor from a machine during the artist's large scale exhibition at the gallery.</p>
<p>Price is for 2 pills together not the entire group displayed.</p>
The post <a href="https://unoriginalsins.co.uk/product/placebo-pills-2015/">PLACEBO PILLS (RED & WHITE). 2015.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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