51 x 34cm, 24pp (self cover). The first ever number of this gallery based art journal and exhibition catalogue - directed by Paul Keeler and edited by David Medalla - each number was illustrated throughout with many articles, reviews and exhibition information . At the beginning of the sixties, Asian artist Medalla helped found the Centre for Advanced Creative Study in London (later renamed Signals London) which was dedicated to experiments in art and science. The Centre soon became the site for a series of large-scale shows of experimental and kinetic art, and eventually published 11 numbers (including doubles) of the periodical. This double number was devoted mostly to articles and images of the work of the sculptor Takis (Greece) as well as poetry in his honour by Alan Ansen, Hugo Williams and the artist's only poetric works in his facsimile hand. William Burroughs also has a short text on the artist here. Victor Musgrove writes a short column on art. The front cover has some scuffs minorly affecting text (see image) and the publication is folded twice for storage else VG. All issues of Signals are now scarce. 

24.5 x 24.5cm, 32cm (self cover). Stapled. A single issue of the magazine which was published and designed by Phillip Steadman and often reproduced important texts by key artistic pioneers. This issue  was released to correspond with the  'Brighton Festival Exhibition of Concrete Poetry' and features a map and index of works alongside a text by curator Stephen Bann. Other articles include  translation of 'The first years of Concrete Poetry' by Eugen Gomringer, an essay by Lewis Shelley on the Black Mountain College,  Albers on 'My courses at the Hochschule fur Gestaltung at Ulm', and Irving Finkelstein on Albers' "Graphic Tectonics". Additionally  Lev Nusberg on "What is Kinetism?'and Charles Biederman on 'A Non-Aristotelian Creative Reality'. There is poetry by Anselm Hollo, alongside 'Two Men' by Kurt Schwitters and 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and a "Manifesto on the Lawfulness of Sound" by Raoul Hausmann. Wrappers are a noit browned near the edges else VG+.

27 x 21cm, 96pp plus pictorial card covers. Exhibition catalogue and monograph on the work of the Italian sculptor and kinetic artist. Essays in Italian by Leonardo Conti and Giovanna Barbero and many b/w and colour images of small scale works. VG+.

10.5 x 6.5 cm, 90pp including cover. Stapled twice on left. A famous and keenly sought after "flip-book" by the American animation artist, filmmaker, and colour theorist known as the 'kinetic poet of the avant-garde'. A series of geometrical forms in black and yellow on white ground are arranged in such a way as to be viewed as a moving piece when the pages are "flicked" . This is a near fine copy and very beautiful. Genuinely rare.

14.8 x 10.4cm, 4pp typographic design for an early manifestation of Zero as curated by Harald Szeemann. The exhibition had previously been in Bern and Brussels. VG+.

11.3 x 15 cm. (folded) 11 panel leporello (unfolded 123 cm. in length). Printed on rectos only. B/w documentary photos by Ad Peterson. Glossy self-wrappers. First issue of this companion documentary multiple of this public controversy  composed of a continuous series of photos detailing Tinguely's sculptural action in foreground of the Duomo (Milan) from unveiling to deliberate phallic explosion (complete with large balls in front). A fine example. Scarce.

15 x 10.5cm, 2pp announcement for the exhibition and release of 300 examples of the artist's famous Signal multiple. One b/w photograph of a "Signal" on the front, verso a text explaining the work. VG+.

10.8 x 15cm, 2pp typographic design announcement card for an exhibition of kinetic sculptural works by Cork Marcheschi (and Group). Marcheschi's work often pre-dated Flavin's use of neon tubes in works. VG+.

30 x 21cm, 1pp mimeographed leaflet with a text to promote the immediate publication of the second number of the NUL=0 journal. The short text is repeated are in Dutch, French, English and German as befit the international nature of the grouping.

Along the left side the leaflet lists the contents of the issue and the artists taking part  or who contributed to the journal . Folded for mailing with soft handling creases, otherwise fine.<br ><br>