A standard 33 rpm LP in printed sleeve consisting of electronic music, music concrete, spoken word, trance, sound poetry and field recordings by Steve McCaffery, Greta Monach, Jackson Mac Low,  Vladan Radovanović, Irrespressible Bastards, Hannah Weiner, Gene Carl.Mac Low's contribution is the First Sharon Belle Matlin Vocabulary Gatha.

Unplayed in VG+ sleeve, one of 250 copies on red vinyl.

A standard 33 rpm LP in printed sleeve consisting of electronic music, music concrete, and field recordings utilising ribbons, sound objects, records, voices, electronics & toy instruments. The original recording was from 1969. Unplayed in VG+ sleeve, one of 220 (plus 80 HC) examples.

A standard 33 rpm LP in printed sleeve consisting of the electronic music, music concrete, field recordings and spoken word by Perreault. The original recording was from 1969. Unplayed in VG+ sleeve, one of 300 examples.

Double album - two standard 33 rpm LP in printed sleeve consisting of the electronic and concrete music by Gallagher. The original recording was from 1970. Front and back covers display vintage paintings by the artist. Unplayed in VG+ sleeve, one of 350 examples.

A single standard 33 rpm LP in printed sleeve consisting of the electronic music and text/sound works by G. J. de Rook, Greta Monach, Michael Gibbs, Ulises Carrion. A rerelease of the original record from 1998. Unplayed in VG+ sleeve, one of 250 (plus 50 A/P copies) such records issued.

A single standard 33 rpm LP in printed sleeve consisting of the title composition parts 1 and 2. Unplayed in VG+ sleeve, one of 270 such records issued.

Three 4 x 5" b/w photographic prints by an unknown photographer, which depict the industrial pioneer performing alone on a black stage, bare-chested and wearing boots and large gloves, facing his floodlit shadow on a white wall, and perhaps banging objects against a piece of sheet metal. Undated, but probably from the late 1970's.

Z’ev was one of a number of musicians who created the music that we now regard as “industrial” although it comes from Music Concrete and other avant grade experiments in noise. The instruments Z’ev played were usually homemade and would cause injury to his hands as he played them as many had sharp edges. All fine.

PRICE IS FOR ALL THREE PHOTOGRAPHS AS A GROUP

20.7 x 13.8cm, 12pp plus foldout plan and original typographic wrappers. Exhibition catalogue which presented the history and use of the "kraakdoos" or "cracklebox" an early form of synthesiser which generate various unusual sounds and tones when contacts on the top of the box were pressed by the performer. The electronic circuit actually passes through the player's body and his or her movements alter the sound. There are 4 b/w images of the box and performers.

Wiki notes: "The concept was first conceived by Michel Waisvisz and Geert Hamelberg in the 1960s, and developed further in the 1970s when Waisvisz joined the STEIM foundation in Amsterdam, Netherlands. The kraakdoos is a simple device, based on a single operational amplifier (one of the earliest models to be produced) and a few transistors, and can be constructed with only a basic understanding of electronics."

This is in VG+ condition and an interesting document of early electronic art.

21 x 15cm, 26pp including original wrappers. Xerox. Stapled. An example of an underground music magazine which attempted to keep the Czech population informed of recent innovations in music from beyond their borders - here the trend to new age music although most of the musicians and artists covered were well established and recognised in avant garde circles for many years prior to this publication eg Miles Davis, Gustav Metzner, Hans Jenny, Frank Zappa, Halpern Horn, Winter, Micus, Terry Riley, Philip Glass. the book also contains a discography of important/pertinent LP's. The text has a unusual focus on the more technical aspects of the music. Fine. Rare, late samizdat publication.