24 x 18.4cm, 82pp plus wrappers. A single number of this poetry and literary journal which has articles by Edwin Morgan, Jo Grimand, Alan Coutts as well as the second ever printing of Alexander Trocchi's "Invisible Insurrection of a Million Minds" a key text which was originally published only a few months beforehand in International Situationist nr 8. calling for progressive intellectuals and students to seize the implements of culture. VG+ - this is a very hard to find publication.

21 x 15cm, 6pp. Self wrappers. Promotional brochure for the first regular poetry event at the Unemployed Workers Cafe in Edinburgh. Paul Reeckie was on the decks but other performers included Roddy Lumsden, Ray Myles, Kevin Williamson and Irvine Welsh amongst others.  VG+.

21 x 15cm, 20pp. Pink self wrappers. A single number of this influential politics and culture magazine which was founded by Kevin Williamson (with the support of Irvine Welsh and others). Poetry by Marina Blake, Billy Cornwall, Diane Di Prima, Andrew Greig, Laura J Hird, Timothy Leary, Gordon Legge, Graeme Malcolm, Jon Oskar, Kenneth Pobo, Alexander Trocchi, Alan Warner and Irvine Welsh. VG+.

JOINT:

Edinburgh: Rebel Inc. , 1994

21 x 15cm, 4pp xerox laid in sheet with reviews of earlier copies of Rebel Inc.

Heidelberg: Edition Staeck, 1975

84 x 59.5cm, yellow, red and black on white offset lithograph poster showing a photo montage of Franz Josef Strauss with a machine gun and Helmut Kohl with an umbrella, which he holds over himself and Strauss, both in a sewage duct. Strauss, had recently made a speech in which he argued that the SDP and the left would only have a chance of winning if the state and, above all, the state finances were in ruins. Chancellor candidate Kohl refused to disagree with this statement saying that he was not leaving Strauss out in the cold. Staeck parodies their support for each other with the slogan: "Christian Democrats! Your future lies in chaos". VG+.

30 x 21cm, unpaginated (c. 600pp?), no wrappers only an original wrap around folder displaying a reproduction of a newspaper cover from Bild Munchen in 1969 which has been over-printed. There are four sections of offset and mimeographed pages which begin with

SOMMERSTEMESTER 1970 DAS KULTUSMINISTERIUM VERSCHARFT SEINE REPRESSIONEN. DOKUMENTATION.

1. NITSCH-AKTION
KULTUSBUROKRATIE GEGEN SENATSBESCHLUSS

2. NUMERUS CLAUSUS
DURCH PRBEZEITPRUFUNH

and only one other section has a title

DER VIZEPRAS BREMNNINGER LIEFERT DEM KUMI UNTERTANIGST DIE SCHEINBAREN GRUNDE ZUR SCHLIESSUNG!

The entire publication is a 1970 documentation with some original leaflets inserted of the student rebellion in the Academy of Fine Arts in Munich and the reaction of the management and government by shutting the institution:

"On February 4, the AStA held a parody matriculation ceremony; a day later, the “Day of the Two-Wheeler” was held. In addition to some heavy machines, it primarily involved mopeds and bicycles that raced through the halls to “intimidate the establishment and profane the academy”. The students painted the walls with slogans and crude agitation art. The headline of the February 21 Bild-Zeitung read: “Munich's Academy Transformed into a Pigsty”. On February 22, Minister of Culture Ludwig Huber closed the academy; an administrative court ruling canceled the closure. Nestler resigned due to “interventionism by the Ministry of Education and Cultural Affairs”. In August, a presidential body under the chairmanship of Franz Nagel was appointed for the first time. The academy senate decided that in the future, all courses should be formulated in writing and posted, and that workshops for photography and plastic would be established.

"

Amongst the wall painting, the free access for motorbikes and other small vehicles was an Aktion by Nitsch which is documented by reproduced correspondence between players in the first section of the publication.

Small sections of the documents show badly reproduced images in b/w of the student protests, the wall paintings, bikes being ridden trhough the corridors and one that seems to be of a young Nitsch or Muehl painting the body of a nude woman and a further image of the Aktion and its crowd.

The outer wrappers are heavily damaged and torn and need repaired but this is a very scarce document of student protest and the Viennese Aktionists part in it. Priced to reflect this damage but still as we say very hard to find.

21 x 15cm, 16pp (self cover), Single number from a series of "Art Activist" publications here written as a "report" from Dyke Action Machine! (DAM) of their activities. Colour iamges throughout. VG+.

Heidelberg: Edition Staeck, 1975

84 x 59.5cm, yellow and black offset lithograph poster showing the Federal Minister of the Interior Ernst Benda in the clothes of the President of the Federal Constitutional Court and in the background a crucifix on the wall. Issued as part of the campaign against the abortion ban (§ 218) passed by the Bundestag in 1975. As usual the Catholic Church in Germany opposed a woman's right to choose. VG+.

59.5 x 84cm, red, orange and black offset lithographic election poster with the message: "Keep it up Germany" and a bandaged thumb oozing blood. A sarcastic attack on the CDU. VG+. 

32 x 23.5cm, 2pp full colour announcement leaflet/small poster - verso the same image as used on the original film poster , recto: a resume of the original film and false critical statements about it. The leaflet was publicity for the Situationist's experimental film which simply showed the Hong Kong original with the sound removed and Vienet's dubbed voice over laying political texts and obtuse sub-titles (in French). The entire appropriation being a experiment in cinematic detournment. Fine.

84 x 59.5cm, full colour offset lithographic election poster with an image of a book labelled German Laws with a camera on the front label. The title uses the line from Red Riding Hood - "Grandmother, why do you have such large eyes?" and Staeck sometimes refers to this poster and postcard image as "The Great Eavesdropping". VG+. 

59.5 x 84cm, full colour offset lithographic poster with a photo-collage by Staeck based on Manet's Dejeuner sur la herbe but the German designer has added discarded cans of coca cola, a cooler bag and a Mercedez-Benz car. VG+.