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	<title>Unoriginal Sins | </title>
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	<description>AVANT-GARDES</description>
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	<title>Unoriginal Sins | </title>
	<link>https://unoriginalsins.co.uk</link>
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	<item>
		<title>EXEMPLA. 1973.</title>
		<link>https://unoriginalsins.co.uk/product/exempla-1973-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=exempla-1973-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 01 Nov 2025 21:42:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=49729</guid>

					<description><![CDATA[Firenze: Exempla, n.d. (1973)

11 x 23cm, black on white printed envelope with a logo design by Nannucci content of  a 40 x 63cm (open size) catalogue for the various print and object editions released by Nannucci's publicaiton house. Twenty different limited edition works by Jiri Kolar, Ben Vautier, Giorgio Griffa, Vincenzo Agnetti, Superstudio, Jochen Gerz, UFO, Saul Ostrow, Pietro Grozssi, Timm Ulrichs, Maurizio Nannucci, Mario Diacono, John Furnival, Guseppe Chiari, Adriano Spatola, Paolo Masi, Mario Mariotti, Auro Lecci, Marco Gastini and Claudio Parmiggiani. All illustrated in b/w. VG+ - a scarce item.]]></description>
										<content:encoded><![CDATA[Firenze: Exempla, n.d. (1973)

11 x 23cm, black on white printed envelope with a logo design by Nannucci content of  a 40 x 63cm (open size) catalogue for the various print and object editions released by Nannucci's publicaiton house. Twenty different limited edition works by Jiri Kolar, Ben Vautier, Giorgio Griffa, Vincenzo Agnetti, Superstudio, Jochen Gerz, UFO, Saul Ostrow, Pietro Grozssi, Timm Ulrichs, Maurizio Nannucci, Mario Diacono, John Furnival, Guseppe Chiari, Adriano Spatola, Paolo Masi, Mario Mariotti, Auro Lecci, Marco Gastini and Claudio Parmiggiani. All illustrated in b/w. VG+ - a scarce item.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>PANORAMA OF MUSIQUE CONCRETE. 1955.</title>
		<link>https://unoriginalsins.co.uk/product/panorama-of-musique-concrete-1955/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=panorama-of-musique-concrete-1955</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=8632</guid>

					<description><![CDATA[London: Sinetone AMR, 1955
Standard 12 inch LP in pictorial sleeve and inner sleeve. The first ever release of electronic tape music, documenting the early experiments from 1948 to the early 1950s of the founding figures of the Groupe de Recherche de Musique Concrete (aka the Groupe de Recherches Musicales or the INA-GRM). Schaeffer, Henry, and Arthuys recorded "natural", non-synthesized sounds like trains, instruments, factory machinery, small objects, voices, bells, children's toys, etc., and created structured noise compositions by cutting up the tape and changing its speed. Some pieces use an instrument that Schaeffer invented called the Phonogene, which used a keyboard to control a series of motors that allowed the composer to transpose tape speeds on an octave scale (a primitive precursor to the sampling keyboard). Included here are Schaeffer's Railway Study: the world's first tape composition, and Study for Whirligigs, Schaeffer's earliest work (pre-musique concrete) that was produced using eight turntables with locked groove records. The record is in VG condition with no noticeable problems in a sleeve which has a few closed tears and some edge wear - that said this is is an extremely rare record and an important release.]]></description>
										<content:encoded><![CDATA[London: Sinetone AMR, 1955
Standard 12 inch LP in pictorial sleeve and inner sleeve. The first ever release of electronic tape music, documenting the early experiments from 1948 to the early 1950s of the founding figures of the Groupe de Recherche de Musique Concrete (aka the Groupe de Recherches Musicales or the INA-GRM). Schaeffer, Henry, and Arthuys recorded "natural", non-synthesized sounds like trains, instruments, factory machinery, small objects, voices, bells, children's toys, etc., and created structured noise compositions by cutting up the tape and changing its speed. Some pieces use an instrument that Schaeffer invented called the Phonogene, which used a keyboard to control a series of motors that allowed the composer to transpose tape speeds on an octave scale (a primitive precursor to the sampling keyboard). Included here are Schaeffer's Railway Study: the world's first tape composition, and Study for Whirligigs, Schaeffer's earliest work (pre-musique concrete) that was produced using eight turntables with locked groove records. The record is in VG condition with no noticeable problems in a sleeve which has a few closed tears and some edge wear - that said this is is an extremely rare record and an important release.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>GAME ROOM/A TRIBUTE TO THE GREAT AMERICAN LOSER. 2023. ONE OF 10 SIGNED DELUXE COPIES.</title>
		<link>https://unoriginalsins.co.uk/product/game-room-a-tribute-to-the-great-american-loser-2023-one-of-10-signed-deluxe-copies/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=game-room-a-tribute-to-the-great-american-loser-2023-one-of-10-signed-deluxe-copies</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=54614</guid>

					<description><![CDATA[S-hertogenbosch: Slowscan Editions, 2023

34 x 34cm, two part silkscreened box, hand numbered on the back content of two records - the LP on yellow wax which is signed and numbered and a second copy of the same LP on black wax version which is also numbered. Each has a printed cover and printed two sided insert with information about the recordings.

Levine created a massive installation of 50 pinball machine in California State University in LA and it was later shown again in the M.L. D'Arc Gallery in NYC. The recording of a voice shouting "Lose. Lose. Lose.  You are going to lose. You're a loser." Of course, ultimately all pinball players, no matter what their skill, lose.

The other recording is based on Levine's drawings of the fashions worn by participants in the 1973 Watergate Hearings. One b/w portrait of Levine, one image of the installation and a reproduction of some of Levine's drawings are on an insert and a biography.

There is a also a 29.7 x 21cm, 1pp black on green numbered insert with edition details.

All VG+. This deluxe edition sold out immediately on release.]]></description>
										<content:encoded><![CDATA[S-hertogenbosch: Slowscan Editions, 2023

34 x 34cm, two part silkscreened box, hand numbered on the back content of two records - the LP on yellow wax which is signed and numbered and a second copy of the same LP on black wax version which is also numbered. Each has a printed cover and printed two sided insert with information about the recordings.

Levine created a massive installation of 50 pinball machine in California State University in LA and it was later shown again in the M.L. D'Arc Gallery in NYC. The recording of a voice shouting "Lose. Lose. Lose.  You are going to lose. You're a loser." Of course, ultimately all pinball players, no matter what their skill, lose.

The other recording is based on Levine's drawings of the fashions worn by participants in the 1973 Watergate Hearings. One b/w portrait of Levine, one image of the installation and a reproduction of some of Levine's drawings are on an insert and a biography.

There is a also a 29.7 x 21cm, 1pp black on green numbered insert with edition details.

All VG+. This deluxe edition sold out immediately on release.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>JOE JONES IN PERFORMANCE. 1977. SIGNED AND NUMBERED.</title>
		<link>https://unoriginalsins.co.uk/product/joe-jones-in-performance-1977-signed-and-numbered/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=joe-jones-in-performance-1977-signed-and-numbered</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=8634</guid>

					<description><![CDATA[Wiesbaden, Germany: Harlekin Art Records /Tone Deaf Music Co, 1977 
Standard 33rpm, LP in slipcase produced in an edition of 500 signed and numbered copies. A recording of concerts of an orchestra of instrumental automatons set in motion and then left alone: the instruments include a piano with a extended mechanical keyboard, shop-window puppets manipulated by hand, two small guitars, one shadow-object, three xylophones, four lyricas, two tambourines, four normal guitars, one large zither, two balalaikas, one sonia, and three children's guitars. Motors and gravity are the mechanisms used by Jones to make the machines work. Signed on the inner record label as issued, the cover of this LP is a silkscreen from a drawing of one of his machines by Jones. Scarce. Very good condition in slightly marked cover. 

125 uk pounds]]></description>
										<content:encoded><![CDATA[Wiesbaden, Germany: Harlekin Art Records /Tone Deaf Music Co, 1977 
Standard 33rpm, LP in slipcase produced in an edition of 500 signed and numbered copies. A recording of concerts of an orchestra of instrumental automatons set in motion and then left alone: the instruments include a piano with a extended mechanical keyboard, shop-window puppets manipulated by hand, two small guitars, one shadow-object, three xylophones, four lyricas, two tambourines, four normal guitars, one large zither, two balalaikas, one sonia, and three children's guitars. Motors and gravity are the mechanisms used by Jones to make the machines work. Signed on the inner record label as issued, the cover of this LP is a silkscreen from a drawing of one of his machines by Jones. Scarce. Very good condition in slightly marked cover. 

125 uk pounds]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>IO AM EN VOGEL /180 HAMMERSTROKES AGAINST WAR MACHINES. 1995. HANDWRITTEN INSERT &#038; PERHAPS UNIQUE RECORDING.</title>
		<link>https://unoriginalsins.co.uk/product/io-am-en-vogel-180-hammerstrokes-against-war-machines-1995-handwritten-insert-perhaps-unique-recording/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=io-am-en-vogel-180-hammerstrokes-against-war-machines-1995-handwritten-insert-perhaps-unique-recording</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=22077</guid>

					<description><![CDATA[Commercial TDK audio cassette tape in original jewel plastic case content of music recorded by the Fluxus artist Henning Christiansenat Rannoch Moor. The second of the works "180 HAMMERSTROKES AGAINST WAR MACHINES" consisted of the artist raining sledgehammer blows on a piece of iron while counting from 1 to 180, the first however "IO AM EN VOGEL" translates to I am a bird but the full title is “Il Giardino della Montagna Gialla”, Opus 171. &#60;BR&#62;

This may well be an unique recording of a performance by Henning Christiansen in Scotland. The paper insert with the details of the event is hand-written by Christiansen and is signed with his initials alongside the date. Additional initials are UR and we believe this to be Ursula Reuter Christiansen, Henning's wife and sometime musical partner. This in any even is a very rare item of sound/musical art indeed. VG++.

&#160;]]></description>
										<content:encoded><![CDATA[Commercial TDK audio cassette tape in original jewel plastic case content of music recorded by the Fluxus artist Henning Christiansenat Rannoch Moor. The second of the works "180 HAMMERSTROKES AGAINST WAR MACHINES" consisted of the artist raining sledgehammer blows on a piece of iron while counting from 1 to 180, the first however "IO AM EN VOGEL" translates to I am a bird but the full title is “Il Giardino della Montagna Gialla”, Opus 171. &#60;BR&#62;

This may well be an unique recording of a performance by Henning Christiansen in Scotland. The paper insert with the details of the event is hand-written by Christiansen and is signed with his initials alongside the date. Additional initials are UR and we believe this to be Ursula Reuter Christiansen, Henning's wife and sometime musical partner. This in any even is a very rare item of sound/musical art indeed. VG++.

&#160;]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE THOUGHTS OF GILBERT AND GEORGE. 2016. SIGNED &#038; NUMBERED.</title>
		<link>https://unoriginalsins.co.uk/product/the-thoughts-of-gilbert-and-george-2016/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-thoughts-of-gilbert-and-george-2016</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=8517</guid>

					<description><![CDATA[NYC: Museum of Modern Art/PS1, 2016
Standard 12 in LP in full colour gatefold published in a limited edition of 2,000 copies, each signed and numbered by Gilbert &#38; George revisits their first mature work, The Singing Sculpture (1968) amongst other recordings of the artists and some of their answering machine messages. Fine in original plastic screen. This copy is signed and numbered by the artists in black pen from the edition.]]></description>
										<content:encoded><![CDATA[NYC: Museum of Modern Art/PS1, 2016
Standard 12 in LP in full colour gatefold published in a limited edition of 2,000 copies, each signed and numbered by Gilbert &#38; George revisits their first mature work, The Singing Sculpture (1968) amongst other recordings of the artists and some of their answering machine messages. Fine in original plastic screen. This copy is signed and numbered by the artists in black pen from the edition.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE APPOINTED CLOUD. A SOUND INSTALLATION. 1989.</title>
		<link>https://unoriginalsins.co.uk/product/the-appointed-cloud-a-sound-installation-1989/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-appointed-cloud-a-sound-installation-1989</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=37824</guid>

					<description><![CDATA[NYC: Emily Harvey Gallery, 1989

15 x 10.5cm, 2pp announcement card for a sound installation by Wada with one schematic diagram comparing relative sound levels of various machines and natural noises on the front . Verso gallery details. VG+.

&#160;]]></description>
										<content:encoded><![CDATA[NYC: Emily Harvey Gallery, 1989

15 x 10.5cm, 2pp announcement card for a sound installation by Wada with one schematic diagram comparing relative sound levels of various machines and natural noises on the front . Verso gallery details. VG+.

&#160;]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>OPERA. STAALTAPE 00Q. 1987.</title>
		<link>https://unoriginalsins.co.uk/product/opera-staaltape-00q-1987/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=opera-staaltape-00q-1987</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=39161</guid>

					<description><![CDATA[<div>Amsterdam: Staalplaat, n.d. (1987)</div>
<div>

21 x 14cm outer printed plastic folder with mimeographed insert and standard audio-cassette.
<div>The cassette contains a live recording of FNTC's famous "3 dimensional(!) hearplay" where the audience was blindfolded and allowed to recline on couches while the sound issued from all sides of the theatre (<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">a so-called </span>Sonor Theatrum)<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif"><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">. The Radio Art Foundation was in fact Willem de Ridder's organisaiton and the play featured </span></span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Jon Rose alongside</span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif"> Cora de Ridder, Hessel Veldman, Nick Nicole, Willem de Ridder. The event was r</span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">ecorded and mixed by: Ben (Balance) Uijtjens   and originally p</span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">erformed, recorded and mixed in the summer of 1986.</span></div>
<div></div>
<div>"Use headphones while laying down.".</div>
</div>
<div></div>
<div>The ink on the mimeograph has unavoidably been transferred to the outer plastic and can be seen when the leaflet is removed, the printing also is not of the best quality but else this is in VG+ condition. A very very scarce item indeed.</div>]]></description>
										<content:encoded><![CDATA[<div>Amsterdam: Staalplaat, n.d. (1987)</div>
<div>

21 x 14cm outer printed plastic folder with mimeographed insert and standard audio-cassette.
<div>The cassette contains a live recording of FNTC's famous "3 dimensional(!) hearplay" where the audience was blindfolded and allowed to recline on couches while the sound issued from all sides of the theatre (<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">a so-called </span>Sonor Theatrum)<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif"><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">. The Radio Art Foundation was in fact Willem de Ridder's organisaiton and the play featured </span></span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Jon Rose alongside</span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif"> Cora de Ridder, Hessel Veldman, Nick Nicole, Willem de Ridder. The event was r</span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">ecorded and mixed by: Ben (Balance) Uijtjens   and originally p</span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">erformed, recorded and mixed in the summer of 1986.</span></div>
<div></div>
<div>"Use headphones while laying down.".</div>
</div>
<div></div>
<div>The ink on the mimeograph has unavoidably been transferred to the outer plastic and can be seen when the leaflet is removed, the printing also is not of the best quality but else this is in VG+ condition. A very very scarce item indeed.</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>E3. 2020.</title>
		<link>https://unoriginalsins.co.uk/product/e3-2020/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=e3-2020</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43218</guid>

					<description><![CDATA['s Hertogenbosch: Slowscan Records, 2020

Standard 12" 33 rpm vinyl record in original printed sleeve and printed insert - the record content of tracks by Steve McCaffery, Co-Accident, Greta Monach, Jackson Mac Low, Vladan Radovanovic, Irrepressible Bastards, Hannah Weiner and Gene Carl. Unplayed in original sealed plastic sleeve. This is one of only 250 copies on <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">red vinyl. </span>
<div class="main_2FbVC"></div>]]></description>
										<content:encoded><![CDATA['s Hertogenbosch: Slowscan Records, 2020

Standard 12" 33 rpm vinyl record in original printed sleeve and printed insert - the record content of tracks by Steve McCaffery, Co-Accident, Greta Monach, Jackson Mac Low, Vladan Radovanovic, Irrepressible Bastards, Hannah Weiner and Gene Carl. Unplayed in original sealed plastic sleeve. This is one of only 250 copies on <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">red vinyl. </span>
<div class="main_2FbVC"></div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>MYTHEN. 2021.</title>
		<link>https://unoriginalsins.co.uk/product/mythen-2021/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mythen-2021</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43229</guid>

					<description><![CDATA['s Hertogenbosch: Slowscan Records, 2021

Standard 12" 33 rpm vinyl record in original printed sleeve - the record content of four tracks by the sound artist. Unplayed in original open plastic sleeve. This is one of only 250 copies on black<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif"> vinyl. </span>
<div class="main_2FbVC"></div>]]></description>
										<content:encoded><![CDATA['s Hertogenbosch: Slowscan Records, 2021

Standard 12" 33 rpm vinyl record in original printed sleeve - the record content of four tracks by the sound artist. Unplayed in original open plastic sleeve. This is one of only 250 copies on black<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif"> vinyl. </span>
<div class="main_2FbVC"></div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>TAKEHISA KOSUGI. 2021.</title>
		<link>https://unoriginalsins.co.uk/product/takehisa-kosugi-2021/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=takehisa-kosugi-2021</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43230</guid>

					<description><![CDATA['s Hertogenbosch: Slowscan Records, 2021

Two standard 12" 33 rpm vinyl records in original printed sleeve - the record content of Takehisa Kosugi's live recording "New York, August 14, 1991" with additional recordings of live improvisation with Ted Szànto in Amsterdam during 1979. Unplayed in original open plastic sleeve. This is one of only 400 copies on black<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif"> vinyl. </span>
<div class="main_2FbVC"></div>]]></description>
										<content:encoded><![CDATA['s Hertogenbosch: Slowscan Records, 2021

Two standard 12" 33 rpm vinyl records in original printed sleeve - the record content of Takehisa Kosugi's live recording "New York, August 14, 1991" with additional recordings of live improvisation with Ted Szànto in Amsterdam during 1979. Unplayed in original open plastic sleeve. This is one of only 400 copies on black<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif"> vinyl. </span>
<div class="main_2FbVC"></div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>GHOSTLY AGENTS. 2020.</title>
		<link>https://unoriginalsins.co.uk/product/ghostly-agents-2020/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ghostly-agents-2020</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43231</guid>

					<description><![CDATA['s Hertogenbosch: Slowscan Records, 2021

Two standard 12" 33 rpm vinyl records in original printed gatefold sleeve - the record content of four recordings by the electronic artist. Unplayed in original open plastic sleeve. This is one of only 350 copies on black<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif"> vinyl. </span>
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										<content:encoded><![CDATA['s Hertogenbosch: Slowscan Records, 2021

Two standard 12" 33 rpm vinyl records in original printed gatefold sleeve - the record content of four recordings by the electronic artist. Unplayed in original open plastic sleeve. This is one of only 350 copies on black<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif"> vinyl. </span>
<div class="main_2FbVC"></div>]]></content:encoded>
					
		
		
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