15 x 21cm, single sheet opens up to 42 x 30cm, printed black, red and green. Exhibition catalogue for this early SPUR show with four works (one each by Sturm, Fischer, Poem and Simmer) and short texts. The Galerie van de Loo was long associated with Cobra and Asgar Jorn and this exhibition relates to their support of the alternative politically charged artists of the 60s. VG+. Very scarce.

30 x 52cm. Single blue sheet folded to comprise three printed sections. First issue of this collaborative protest by Spur group members and the Danish Bauhaus Situationists Gordon Fazarkerly & Jorgen Nash. Composed of a manifest co-signed by Beldeney, Gasche, Kunzelmann, Zimmer (of Spur), a poem by Fazarkerly; a second manifest authored by Jorgen Nash and signed in print by Thorsen, Stridf and Fjord. Folded as issued. Fine estate. Very scarce.

24 x 17.8cm, 192pp plus printed wrappers. A triple number of this artistic journal founded by Nash and Jorn (who were brothers) after the former was excluded from the International Situationists by Debord along with the SPUR grouping. The magazine was subtitled Tidskrift for konst mot atombomber, p var och politiker ("Magazine for art against atomic bombs, popes and politicians").

The new organisation formed by Nash was called the "Bauhaus Situationists". The journal was named after the Drakabygget farmhouse in Southern Sweden where Nash lived and turned into a commune.

This number published after a lengthy gap of 22 years from the first numbers has contributions by Al Hansen, Ake Bjurhamn, Helmer Lang, Kjell Erik Vindtorn,  Lis Zwick, Walther Stohrer, Carl Fredrik Hill, Wilhelm Freddie, Helmut Sturm, Spur, Jorgen Nash, and others and is illustrated in b/w with new collages, drawings and found imagery.

A mostly VG example but there is some damage to the top and bottom of the spine with minor paper loss. This is one of the most difficult numbers of the series to find despite being more recent than the first 7 numbers. Priced to reflect the minor damaged.

24 x 17.8cm, 192pp plus card wrappers. A triple number of this artistic journal founded by Nash and Jorn (who were brothers) after the former was excluded from the International Situationists by Debord along with the SPUR grouping. The magazine was subtitled Tidskrift for konst mot atombomber, p var och politiker ("Magazine for art against atomic bombs, popes and politicians").

The new organisation formed by Nash was called the "Bauhaus Situationists". The journal was named after the Drakabygget farmhouse in Southern Sweden where Nash lived and turned into a commune.

This number has contributions by Al Hansen, Jean Sellem, Asger Jorn, Lis Zwick, Spur, Jorgen Nash, Arne Ruste, Terje Johanssen,  Hardy Strid, and others and is illustrated in b/w with new collages, photographs, drawings and found imagery.

A VG+ example.

24 x 17.8cm, 98pp plus red paper wrappers. A double number of this artistic journal founded by Nash and Jorn (who were brothers) after the former was excluded from the International Situationists by Debord along with the SPUR grouping. The magazine was subtitled Tidskrift for konst mot atombomber, p var och politiker ("Magazine for art against atomic bombs, popes and politicians").

The new organisation formed by Nash was called the "Bauhaus Situationists". The journal was named after the Drakabygget farmhouse in Southern Sweden where Nash lived and turned into a commune.

This number has contributions by Gordon Fazarkerly, Asger Jorn, Goran Johansson, Spur, Werner Haftman, Jens Jorgen Thorsens, Jorgen Nash, Henry Miller and others and is illustrated in b/w with new collages, drawings and found imagery.

A VG+ example.

30.7 x 21cm, 12pp plus card covers. Period exhibition catalogue of this English member of the Nordic situationists around Nash.  Seven large illustrations of paintings (one in red and black, rest b/w) and a poem by the artist. A rare item indeed in near fine condition

30 x 52cm. Single blue sheet folded to comprise three printed sections. First issue of this collaborative protest by Spur group members and the Danish Bauhaus Situationists Gordon Fazarkerly & Jorgen Nash. Composed of a manifest co-signed by Beldeney, Gasche, Kunzelmann, Zimmer (of Spur), a poem by Fazarkerly; a second manifest authored by Jorgen Nash and signed in print by Thorsen, Stridf and Fjord. Folded as issued. Fine estate. Very scarce.

23 x 14.5 cm. Single sheet printed with text in black on recto only. A collective denunciation of the presentation of the Sao Paolo grand prize for painting to Modesto Cuixard. Printed signatures of Pinot-Gallizio(Italian section), and the whole of the German (Gruppe Spur) section: Zimmer, Prem, Sturm, Eisch, Fischer, et. al. In part, their refusal to abandon the medium of painting would lead shortly to the various resignations and ex-communications of Pinot-Gallizio and Gruppe Spur (among others) from the I.S. A fine example. Scarce.

31.3 x 24cm, 8pp plus wrappers. Exhibition catalogue for “Bauhaus Situationists visit” to Holland. Works by Hardy Strid, Jorgen Nash Jens Jorgen Thorsen are shown in b/w along with an essay on Nash by Hans-Peter Zimmer of SPUR. Fourteen b/w images of works or of the artists. One diagonal crease on front cover and minor marks and soft creases but else VG. Very scarce. 

21 x 17cm, 76pp plus covers. Various coloured paper stock employed. The first (and perhaps only number) of this final manifestation of the German Spur Group which by now had diminished to joint public activities by Helmut Sturm and Heimrad Prem. The works show the roots of the German breakaway from the Situationists displaying COBRA-esque, expressionist flourishes in the main - which is hardly surprising given Cobra's coming together with Debord et al. in the '50s to form the core of the later political sect. By 1975 this remaining German duo had formed the Kollektiv Herzogstrasse grouping and published this journal with text and original lithographic contributions by Backmayer, Backmayer, Bartsht, Busse, Diri, Hermann, Niggl, Prem, Sturm, Saub, Strauch and Wald. Near fine. Exceptionally rare and often unknown even by collectors of SPUR/Situationism. This is the final primary document from end of a long evolution of radical / politicised art and an essential document for those fascinated by the twists and turns of a few people passing in and out of history and changing the world just a little bit here and there for better or worse.