53 x 42cm, 4pp broadside - exhibition catalogue for a show of Kantor's paintings and sculptures related to his dramaturgical  activities. Ten small b/w images of works  and the cast,  A long text by Wieslaw Borowski in Polish and French.  Long list of exhibitions and performances on last page. Some water stains to the pages (mild browning) else VG. Scarce.

50 x 35cm, b/w offset lithographic poster for "ten successive circular dances" performed by Hay. The poster invites attendees to participate in the event. Folded for mailing as issued else VG+.

29.8 x 19.7cm, b/w offset lithographic poster for a night of music and dance featuring Simone Forte and Charlemagne Palestine. The full sheet image is of Forti performing solo. The bottom right corner of the poster is torn away and there is a paper scuff on the left corner and tiny scuffs on the top corners else VG. Scarce.

33.5 x 19cm, b/w offset lithographic poster on thick paper for a solo dance event by the influential Paxton who invented the dance style called "contact improvisation". The performance took place at the famous L'Attico art gallery in its original location. Paxton was a founding member of the Judson Dance Theater and trained with Merce Cunningham and  later collaborated with Yvonne Rainer and Trisha Brown. VG+ condition. Scarce.

31 x 20cm, b/w offset lithographic poster for a dance event by the influential Paxton who invented the dance style called "contact improvisation" (which he was performing here alongside Nancy Smith, Steve Christiansen, Annette la Roque, Mary Fulkerson, David Woodberry, Danny Lepkoff and Margot Basset). The performance took place at the famous L'Attico art gallery in its original location. Paxton was a founding member of the Judson Dance Theater and trained with Merce Cunningham and  later collaborated with Yvonne Rainer and Trisha Brown. VG+ condition. Scarce.

24 x 17cm, 44pp plus card wrappers. The programme for the premiere performance of Abromovic's huge Blakan Erotic Epic - a four hour continual performance with different areas within the arena where the audience could walk at will. Over 100 actors, musicians and dancers were choreographed to create scenes that reflected original Baltic myths - many of which were sexual in nature (such as bad weather being 'scared off' by women revealing their genitalia to the sky). Text by the artist in English and many red and black illustrations and photographs. Essentially an artist's book as well as programme. VG+.

42 x 38 x 8cm, outer printed shipping box content of a 37 x 30 x 6cm, two part black printed thick box.

Inside 32 x 25cm, 320pp deluxe exhibition catalague for the Bowie Is exhibition - with black outer boards (most were red).

Also included are five extra prints in folders, 

1. David Bowie and the dog Etzel, Berlin, 1977. Photograph by Coco Schwab, signed by David Bowie - Produced by Coriander and Curwen Studios (Printed on 300 gsm Somerset Velvet Radiant White paper, silk-screened with pearlescent ink and lithographically printed with 2 black inks. Folder: 316x246mm, 240 gsm Cordenons Moondream paper, individually hand-numbered, silver ink and die-cut corners)

2. Kirlian photograph by David Bowie. (310x240mm print on 285gsm Cordenons Stardream paper with pearlescent coated finish)

3. Preparatory drawing by David Bowie for the cover of Lodger (originally entitled Planned Accidents), 1978. (480x480mm print. 170gsm Ultramatt paper with mirror silver-foil lamination on reverse)

4. Preparatory drawing by David Bowie for Derek Would Have Liked This, an installation at the Institute of Contemporary Arts, 1996. (620x480mm print on 150gsm Munken Print Cream 15)

5. Secular Minute Man, 1996. Painting by David Bowie (private collection). (300gsm Savile Row plain)

All fine although the outer box has slight dents on edges.

Now rare.