Alejandro Otero - Unoriginal Sins https://unoriginalsins.co.uk AVANT-GARDES Thu, 17 Sep 2020 17:01:14 +0000 en-GB hourly 1 https://wordpress.org/?v=6.8.3 https://unoriginalsins.co.uk/wp-content/uploads/2024/07/cropped-nTKdHdZI-1-1-32x32.png Alejandro Otero - Unoriginal Sins https://unoriginalsins.co.uk 32 32 LIGHT OBJECT KINETIC OBJECTS PLA-OBJECTS SERIGRAPHS BY GERHARD VON GRAEVENITZ/TOWARDS THE INVISIBLE I (sic). 1965. https://unoriginalsins.co.uk/product/light-object-kinetic-objects-pla-objects-serigraphs-by-gerhard-von-graevenitz-towards-the-invisible-i-sic-1965/?utm_source=rss&utm_medium=rss&utm_campaign=light-object-kinetic-objects-pla-objects-serigraphs-by-gerhard-von-graevenitz-towards-the-invisible-i-sic-1965 Sun, 06 Sep 2020 17:48:46 +0000 https://unoriginalsins.co.uk/?post_type=product&p=32131 London: Centre for Advanced Creative Study, Dedember 1965

15 x 25.5cm, 4pp plus 1pp insert. Gallery brochure on card and invite card announcing this solo exhibition by Von Graevenitz. Two works reproduced in black and white. Short biography and exhibition history and list of works exhibited. Towards the invisible I was the first of two group shows at the gallery intended to promote contemporary abstract art in Britain.

Works by Lygia Clark, Sergio De Camargo, Alejandro Otero and Jesus-Rafael Soto were included and there is a single b/w image of Lygia Clark's installations. Signals was an influential gallery often concentrating on kinetic - optical art and the Zero group. Short text by Richard Widdening in the gallery and future events.

The post LIGHT OBJECT KINETIC OBJECTS PLA-OBJECTS SERIGRAPHS BY GERHARD VON GRAEVENITZ/TOWARDS THE INVISIBLE I (sic). 1965. appeared first on Unoriginal Sins.]]> London: Centre for Advanced Creative Study, Dedember 1965

15 x 25.5cm, 4pp plus 1pp insert. Gallery brochure on card and invite card announcing this solo exhibition by Von Graevenitz. Two works reproduced in black and white. Short biography and exhibition history and list of works exhibited. Towards the invisible I was the first of two group shows at the gallery intended to promote contemporary abstract art in Britain.

Works by Lygia Clark, Sergio De Camargo, Alejandro Otero and Jesus-Rafael Soto were included and there is a single b/w image of Lygia Clark's installations. Signals was an influential gallery often concentrating on kinetic - optical art and the Zero group. Short text by Richard Widdening in the gallery and future events.

The post LIGHT OBJECT KINETIC OBJECTS PLA-OBJECTS SERIGRAPHS BY GERHARD VON GRAEVENITZ/TOWARDS THE INVISIBLE I (sic). 1965. appeared first on Unoriginal Sins.]]> MARTA MIUJIN LOURDES CASTRO ALEJANDRO OTERO. 1963. WITH THREE ORIGINAL SILKSCREENS https://unoriginalsins.co.uk/product/marta-miujin-lourdes-castro-alejandro-otero-1963-with-three-original-silkscreens/?utm_source=rss&utm_medium=rss&utm_campaign=marta-miujin-lourdes-castro-alejandro-otero-1963-with-three-original-silkscreens Wed, 25 Mar 2020 20:27:26 +0000 https://unoriginalsins.co.uk/?post_type=product&p=16195 Paris: s.p., 1963
25 x 16.5cm, 8pp leporello with additional tipped in 21 x 15cm, 4pp silkscreened insert with three works - one each from each artist. Text by José Augusto França and Robert Filliou (in reproduced holograph. A hand made edition which documents and publicises a group show at Rue Delambre, in Paris, in 1963 from the KWY participants. The final page explains that Marta Minujin will destroy her works during the exhibition's last day. The three silkscreened photos (two black on brown and one silver on brown) were printed after photos by Shunk and Kender. Very scarce work.

The post MARTA MIUJIN LOURDES CASTRO ALEJANDRO OTERO. 1963. WITH THREE ORIGINAL SILKSCREENS appeared first on Unoriginal Sins.]]> Paris: s.p., 1963
25 x 16.5cm, 8pp leporello with additional tipped in 21 x 15cm, 4pp silkscreened insert with three works - one each from each artist. Text by José Augusto França and Robert Filliou (in reproduced holograph. A hand made edition which documents and publicises a group show at Rue Delambre, in Paris, in 1963 from the KWY participants. The final page explains that Marta Minujin will destroy her works during the exhibition's last day. The three silkscreened photos (two black on brown and one silver on brown) were printed after photos by Shunk and Kender. Very scarce work.

The post MARTA MIUJIN LOURDES CASTRO ALEJANDRO OTERO. 1963. WITH THREE ORIGINAL SILKSCREENS appeared first on Unoriginal Sins.]]>