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	<title>Antonio Bueno - Unoriginal Sins</title>
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	<description>AVANT-GARDES</description>
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	<title>Antonio Bueno - Unoriginal Sins</title>
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		<title>ANTONIO BUENO. 1981. LIMITED EDITION SELF-PORTRAIT SIGNED BY ARTIST.</title>
		<link>https://unoriginalsins.co.uk/product/antonio-bueno-1981-limited-edition-self-portrait-signed-by-artist/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=antonio-bueno-1981-limited-edition-self-portrait-signed-by-artist</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 10 Nov 2023 11:45:46 +0000</pubDate>
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					<description><![CDATA[<p>N.p. (Turin): Bolaffi Arte, n.d. (1981)</p>
<p>14 x 10.5cm, 4pp - folded card with an offset self-portrait of the Spanish painter who spent most of his working life in Italy. This is one of the works issued by the publishing house in a series entitled "La Collezione degli Autoritratti firmmati" in a large edition size of 5,000 numbered folded cards. Strangely given the edition size these are not encountered too often. The back of the card has a title adhesive sticker with the details of the work and the number. The work is signed in pencil underneath the two colour image of the middle aged artist. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/antonio-bueno-1981-limited-edition-self-portrait-signed-by-artist/">ANTONIO BUENO. 1981. LIMITED EDITION SELF-PORTRAIT SIGNED BY ARTIST.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>N.p. (Turin): Bolaffi Arte, n.d. (1981)</p>
<p>14 x 10.5cm, 4pp - folded card with an offset self-portrait of the Spanish painter who spent most of his working life in Italy. This is one of the works issued by the publishing house in a series entitled "La Collezione degli Autoritratti firmmati" in a large edition size of 5,000 numbered folded cards. Strangely given the edition size these are not encountered too often. The back of the card has a title adhesive sticker with the details of the work and the number. The work is signed in pencil underneath the two colour image of the middle aged artist. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/antonio-bueno-1981-limited-edition-self-portrait-signed-by-artist/">ANTONIO BUENO. 1981. LIMITED EDITION SELF-PORTRAIT SIGNED BY ARTIST.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>LINEA SUD. ANNO II, N. 2. 1967.</title>
		<link>https://unoriginalsins.co.uk/product/linea-sud-anno-ii-n-2-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=linea-sud-anno-ii-n-2-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 06 Apr 2022 16:35:02 +0000</pubDate>
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					<description><![CDATA[<p>Napoli: Linea Sud, 1967<br />
22 x 16cm, unpaginated (32pp) plus original printed wrappers. A single number of this avant garde art journal here dedicated to experimental and visual poetry (poesia visiva). Included are</p>
<p>&#160;</p>
<p>&#160;</p>
<p>&#160;</p>
<p>L. Caruso, G. Desiato, E. Villa, I. Isou, M. Lemaitre, (unusually this journal includes Lettrisme as experimental visual poetry when it is often overlooked) J.P. Garnier and others. However importantly there are also two folded poem silkscreen posters by Ian Hamilton Finlay (each opens to 60 x 36cm) which are different in format to other prints of the same works - one is Planet which is printed in brown and somewhat loosely - and the other - is SEEM SEA which appears to be very similar to the Wild Hawthorn Press print SEAM with a similar use of the space between the letters of the word. Printed in blue this is a another nautical inspired work by the poet - with elements of alliteration and homophony playing with the relative placing of the works on the page. This print was only ever published as this insert into the magazine and is very rare - the journal is often found without the prints or with one or the other missing. This is a complete publication in VG+ condition with like prints.<br />
We feel these works should be categorised as prints in their own right and not as contributions to a magazine.</p>
The post <a href="https://unoriginalsins.co.uk/product/linea-sud-anno-ii-n-2-1967/">LINEA SUD. ANNO II, N. 2. 1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Napoli: Linea Sud, 1967<br />
22 x 16cm, unpaginated (32pp) plus original printed wrappers. A single number of this avant garde art journal here dedicated to experimental and visual poetry (poesia visiva). Included are</p>
<p>&#160;</p>
<p>&#160;</p>
<p>&#160;</p>
<p>L. Caruso, G. Desiato, E. Villa, I. Isou, M. Lemaitre, (unusually this journal includes Lettrisme as experimental visual poetry when it is often overlooked) J.P. Garnier and others. However importantly there are also two folded poem silkscreen posters by Ian Hamilton Finlay (each opens to 60 x 36cm) which are different in format to other prints of the same works - one is Planet which is printed in brown and somewhat loosely - and the other - is SEEM SEA which appears to be very similar to the Wild Hawthorn Press print SEAM with a similar use of the space between the letters of the word. Printed in blue this is a another nautical inspired work by the poet - with elements of alliteration and homophony playing with the relative placing of the works on the page. This print was only ever published as this insert into the magazine and is very rare - the journal is often found without the prints or with one or the other missing. This is a complete publication in VG+ condition with like prints.<br />
We feel these works should be categorised as prints in their own right and not as contributions to a magazine.</p>
The post <a href="https://unoriginalsins.co.uk/product/linea-sud-anno-ii-n-2-1967/">LINEA SUD. ANNO II, N. 2. 1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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