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	<title>Unoriginal Sins | </title>
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	<description>AVANT-GARDES</description>
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	<title>Unoriginal Sins | </title>
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		<title>JOSEPH BEUYS. 1979. SIGNED BY BEUYS.</title>
		<link>https://unoriginalsins.co.uk/product/joseph-beuys-1979-signed-by-beuys/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=joseph-beuys-1979-signed-by-beuys</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 05 Jan 2020 21:13:31 +0000</pubDate>
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					<description><![CDATA[London, Thames and Hudson, 1979
31.6 x 22 cm, 288 pp. Boards with pictorial dustjacket. A scarce monograph with an extensive text in English with 513 illustrations in black/white of Beuys' work - written by his closest friend and supposedly the 'secret person' in Ireland. The most accessible explanation of Beuys' life and work up to 1979 and a key text in understanding the shaman's symbolic works. This copy unusually signed by Beuys on the first endpaper. Scarce but doubly so signed. Very good.]]></description>
										<content:encoded><![CDATA[London, Thames and Hudson, 1979
31.6 x 22 cm, 288 pp. Boards with pictorial dustjacket. A scarce monograph with an extensive text in English with 513 illustrations in black/white of Beuys' work - written by his closest friend and supposedly the 'secret person' in Ireland. The most accessible explanation of Beuys' life and work up to 1979 and a key text in understanding the shaman's symbolic works. This copy unusually signed by Beuys on the first endpaper. Scarce but doubly so signed. Very good.]]></content:encoded>
					
		
		
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		<title>JOSEPH BEUYS: THE SECRET BLOCK FOR A SECRET PERSON IN IRELAND. 1977.</title>
		<link>https://unoriginalsins.co.uk/product/joseph-beuys-the-secret-block-for-a-secret-person-in-ireland-1977/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=joseph-beuys-the-secret-block-for-a-secret-person-in-ireland-1977</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 04 Jan 2020 21:08:33 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=7211</guid>

					<description><![CDATA[Basel,: Kunstmuseum, 1977.
29,8 x 21,1 cm., 52pp. with b/w illustrations. Pictorial card covers. Exhibition catalogue for the travelling exhibition of drawings by Beuys. Illustrated with 12 b/w images of drawings. Very good.]]></description>
										<content:encoded><![CDATA[Basel,: Kunstmuseum, 1977.
29,8 x 21,1 cm., 52pp. with b/w illustrations. Pictorial card covers. Exhibition catalogue for the travelling exhibition of drawings by Beuys. Illustrated with 12 b/w images of drawings. Very good.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>REPORT TO THE EUROPEAN ECONOMIC COMMUNITY ON THE FEASIBILITY FOR FOUNDING A &#8216;FREE INTERNATIONAL UNIVERSITY FOR CREATIVITY AND INTERDISCIPLINARY RESEARCH&#8217; IN DUBLIN. 1976.</title>
		<link>https://unoriginalsins.co.uk/product/report-to-the-european-economic-community-on-the-feasibility-for-founding-a-free-international-university-for-creativity-and-interdisciplinary-research-in-dublin-1976/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=report-to-the-european-economic-community-on-the-feasibility-for-founding-a-free-international-university-for-creativity-and-interdisciplinary-research-in-dublin-1976</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 04 Jan 2020 21:06:39 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=7210</guid>

					<description><![CDATA[Dublin: Free University Press (Tisdall), 1976
32.5 x 20.5cm, unpaginated (c. 72pp but recto only). Card covers. The privately printed attempt at gaining political support and funding from the EEC (now EC) for Beuys's vision of a Free International University where students did not gain degrees but rather co-operated in projects and creative initiatives. Additionally staff and students were to live communially in the same buildings as they worked together. The choice of Ireland was more political than due to Beuys' then connection with Celtic countries. A VG example.]]></description>
										<content:encoded><![CDATA[Dublin: Free University Press (Tisdall), 1976
32.5 x 20.5cm, unpaginated (c. 72pp but recto only). Card covers. The privately printed attempt at gaining political support and funding from the EEC (now EC) for Beuys's vision of a Free International University where students did not gain degrees but rather co-operated in projects and creative initiatives. Additionally staff and students were to live communially in the same buildings as they worked together. The choice of Ireland was more political than due to Beuys' then connection with Celtic countries. A VG example.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>REPORT TO THE EUROPEAN ECONOMIC COMMUNITY ON THE FEASIBILITY FOR FOUNDING A &#8216;FREE INTERNATIONAL UNIVERSITY FOR CREATIVITY AND INTERDISCIPLINARY RESEARCH&#8217; IN DUBLIN. 1976. SIGNED BY ONE OF THE AUTHORS.</title>
		<link>https://unoriginalsins.co.uk/product/report-to-the-european-economic-community-on-the-feasibility-for-founding-a-free-international-university-for-creativity-and-interdisciplinary-research-in-dublin-1976-signed-by-one-of-the-author/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=report-to-the-european-economic-community-on-the-feasibility-for-founding-a-free-international-university-for-creativity-and-interdisciplinary-research-in-dublin-1976-signed-by-one-of-the-author</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 04 Jan 2020 21:04:55 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=7209</guid>

					<description><![CDATA[Dublin: Free University Press (Tisdall), 1976
32.5 x 20.5cm, unpaginated (c. 72pp but recto only). Card covers. The privately printed attempt at gaining political support and funding from the EEC (now EC) for Beuys's vision of a Free International University where students did not gain degrees but rather co-operated in projects and creative initiatives. Additionally staff and students were to live communially in the same buildings as they worked together. The choice of Ireland was more political than due to Beuys' then connection with Celtic countries. A VG example fo a very scarce document although there is one paper scuff on the front over which this copy signed in blue ink on the front cover by McDowell, one of the authors of the document.]]></description>
										<content:encoded><![CDATA[Dublin: Free University Press (Tisdall), 1976
32.5 x 20.5cm, unpaginated (c. 72pp but recto only). Card covers. The privately printed attempt at gaining political support and funding from the EEC (now EC) for Beuys's vision of a Free International University where students did not gain degrees but rather co-operated in projects and creative initiatives. Additionally staff and students were to live communially in the same buildings as they worked together. The choice of Ireland was more political than due to Beuys' then connection with Celtic countries. A VG example fo a very scarce document although there is one paper scuff on the front over which this copy signed in blue ink on the front cover by McDowell, one of the authors of the document.]]></content:encoded>
					
		
		
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		<item>
		<title>LOTTA POETICA. 1975. COVER BY BEUYS &#8211; SIGNED IN PENCIL</title>
		<link>https://unoriginalsins.co.uk/product/lotta-poetica-1975-cover-by-beuys-signed-in-pencil/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lotta-poetica-1975-cover-by-beuys-signed-in-pencil</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 31 Dec 2019 11:35:39 +0000</pubDate>
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					<description><![CDATA[Brescia, Lotta Poetica, 1975
24.7 x 20.5cm, unpaginated (24pp), 23 b&#38;w full-page photo-illustrations by Caroline Tisdall. Original b/w cover designed by Joseph Beuys. Text in Italian. A single number of this artist's journal which is signed by Beuys on the cover in pencil. Scarce especially signed. Former mark of price sticker on front cover and the occasional brown mark to wrappers else VG+.]]></description>
										<content:encoded><![CDATA[Brescia, Lotta Poetica, 1975
24.7 x 20.5cm, unpaginated (24pp), 23 b&#38;w full-page photo-illustrations by Caroline Tisdall. Original b/w cover designed by Joseph Beuys. Text in Italian. A single number of this artist's journal which is signed by Beuys on the cover in pencil. Scarce especially signed. Former mark of price sticker on front cover and the occasional brown mark to wrappers else VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>JOSEPH BEUYS. 1982.</title>
		<link>https://unoriginalsins.co.uk/product/joseph-beuys-1982/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=joseph-beuys-1982</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 31 Dec 2019 10:50:34 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=6729</guid>

					<description><![CDATA[London: d'Offay, 1982
30 x 21cm, 6pp. A long text by Tisdall on Beuys' social sculpture released during the London exhibition. No illustrations. Very good example with a few minor marks.]]></description>
										<content:encoded><![CDATA[London: d'Offay, 1982
30 x 21cm, 6pp. A long text by Tisdall on Beuys' social sculpture released during the London exhibition. No illustrations. Very good example with a few minor marks.]]></content:encoded>
					
		
		
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