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	<title>Charles Biederman - Unoriginal Sins</title>
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	<title>Charles Biederman - Unoriginal Sins</title>
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		<title>FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</title>
		<link>https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 20 Sep 2025 09:18:01 +0000</pubDate>
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					<description><![CDATA[<p>Cambridge: Form, n.d. (1967)</p>
<p>24.5 x 24.5cm, 32cm (self cover). Stapled. A single issue of the magazine which was published and designed by Phillip Steadman and often reproduced important texts by key artistic pioneers. This issue  was released to correspond with the  'Brighton Festival Exhibition of Concrete Poetry' and features a map and index of works alongside a text by curator Stephen Bann. Other articles include  translation of 'The first years of Concrete Poetry' by Eugen Gomringer, an essay by Lewis Shelley on the Black Mountain College,  Albers on 'My courses at the Hochschule fur Gestaltung at Ulm', and Irving Finkelstein on Albers' "Graphic Tectonics". Additionally  Lev Nusberg on "What is Kinetism?'and Charles Biederman on 'A Non-Aristotelian Creative Reality'. There is poetry by Anselm Hollo, alongside 'Two Men' by Kurt Schwitters and 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and a "Manifesto on the Lawfulness of Sound" by Raoul Hausmann. Wrappers are a noit browned near the edges else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/">FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Cambridge: Form, n.d. (1967)</p>
<p>24.5 x 24.5cm, 32cm (self cover). Stapled. A single issue of the magazine which was published and designed by Phillip Steadman and often reproduced important texts by key artistic pioneers. This issue  was released to correspond with the  'Brighton Festival Exhibition of Concrete Poetry' and features a map and index of works alongside a text by curator Stephen Bann. Other articles include  translation of 'The first years of Concrete Poetry' by Eugen Gomringer, an essay by Lewis Shelley on the Black Mountain College,  Albers on 'My courses at the Hochschule fur Gestaltung at Ulm', and Irving Finkelstein on Albers' "Graphic Tectonics". Additionally  Lev Nusberg on "What is Kinetism?'and Charles Biederman on 'A Non-Aristotelian Creative Reality'. There is poetry by Anselm Hollo, alongside 'Two Men' by Kurt Schwitters and 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and a "Manifesto on the Lawfulness of Sound" by Raoul Hausmann. Wrappers are a noit browned near the edges else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/">FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>FORM NR. 3. 1966.</title>
		<link>https://unoriginalsins.co.uk/product/form-nr-3-1966/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=form-nr-3-1966</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 13 Oct 2024 18:03:16 +0000</pubDate>
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					<description><![CDATA[<p class="tg-item-excerpt tg-element-5">Cambridge: Form Magazine, 1966</p>
<p class="tg-item-excerpt tg-element-5">24 x 24cm, 32pp plus typographic wrappers. This single number from series of magazines edited by Philip Steadman, Mike Weaver and Stephen Bann - here the third number which contains a section called "Poems by Ian Hamilton Finlay" which reproduced four works = Star/Steer, Purse-net Boat, Line Boats and the untitled but usually known as Planet. Interestingly the "circle" of Planet is placed more anti-clockwise than the print in Linea Sur of the same work (the reason may just be a mistake in layout in one of the publications). Purse-net Boa and Line Boats are less commonly found and there is an annotation by Finlay explaining that a Purse-seine is a "new kind of net that makes an actual ring arund the fish. It has been immensely profitable.".<br />
Elsewhere there are works by Ernst Jandl, Paul de Vree, Kenneth Robinson and articles Charles Biederman, 'The Electrical -Mechanical Spectacle' by El Lissitzky., Great Little Magazines No 3: 'G' with work by Kurt Schwitters, Theo van Doesburg, Mies van der Rohe, and Miklos Bandi. VG+</p>
The post <a href="https://unoriginalsins.co.uk/product/form-nr-3-1966/">FORM NR. 3. 1966.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="tg-item-excerpt tg-element-5">Cambridge: Form Magazine, 1966</p>
<p class="tg-item-excerpt tg-element-5">24 x 24cm, 32pp plus typographic wrappers. This single number from series of magazines edited by Philip Steadman, Mike Weaver and Stephen Bann - here the third number which contains a section called "Poems by Ian Hamilton Finlay" which reproduced four works = Star/Steer, Purse-net Boat, Line Boats and the untitled but usually known as Planet. Interestingly the "circle" of Planet is placed more anti-clockwise than the print in Linea Sur of the same work (the reason may just be a mistake in layout in one of the publications). Purse-net Boa and Line Boats are less commonly found and there is an annotation by Finlay explaining that a Purse-seine is a "new kind of net that makes an actual ring arund the fish. It has been immensely profitable.".<br />
Elsewhere there are works by Ernst Jandl, Paul de Vree, Kenneth Robinson and articles Charles Biederman, 'The Electrical -Mechanical Spectacle' by El Lissitzky., Great Little Magazines No 3: 'G' with work by Kurt Schwitters, Theo van Doesburg, Mies van der Rohe, and Miklos Bandi. VG+</p>
The post <a href="https://unoriginalsins.co.uk/product/form-nr-3-1966/">FORM NR. 3. 1966.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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