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	<title>Unoriginal Sins | </title>
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	<description>AVANT-GARDES</description>
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	<title>Unoriginal Sins | </title>
	<link>https://unoriginalsins.co.uk</link>
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	<item>
		<title>CHARLOTTE MOORMAN, CELLIST, PERFORMING 26&#8242; 1.1499 FOR A STRING PLAYER BY JOHN CAGE.  1965.</title>
		<link>https://unoriginalsins.co.uk/product/charlotte-moorman-cellist-performing-26-1-1499-for-a-string-player-by-john-cage-1965/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=charlotte-moorman-cellist-performing-26-1-1499-for-a-string-player-by-john-cage-1965</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 24 May 2026 15:35:41 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62486</guid>

					<description><![CDATA[N.p.: WBAI-FM, 1965

10.5 x 15cm, 1pp black on grey printed card announcing a TV performances of Charlotte Moorman playing the work live by Cage. VG+.]]></description>
										<content:encoded><![CDATA[N.p.: WBAI-FM, 1965

10.5 x 15cm, 1pp black on grey printed card announcing a TV performances of Charlotte Moorman playing the work live by Cage. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>CHARLOTTE MOORMAN, CELLIST, WILL PERFORM 4&#8242; 1.1499 FOR A STRING PLAYER BY JOHN CAGE.  1967.</title>
		<link>https://unoriginalsins.co.uk/product/charlotte-moorman-cellist-will-perform-4-1-1499-for-a-string-player-by-john-cage-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=charlotte-moorman-cellist-will-perform-4-1-1499-for-a-string-player-by-john-cage-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 24 May 2026 15:31:51 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62485</guid>

					<description><![CDATA[N.p.: NBC TV Channel 4 , 196

5 x 7cm, 1pp b/w printed card announcing a TV performances of Charlotte Moorman playing the work by Cage. VG+.]]></description>
										<content:encoded><![CDATA[N.p.: NBC TV Channel 4 , 196

5 x 7cm, 1pp b/w printed card announcing a TV performances of Charlotte Moorman playing the work by Cage. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>PERFORMANCE PROGRAMME AT OHIO STATE UNIVERSITY, APRIL 28 1969. 1969.</title>
		<link>https://unoriginalsins.co.uk/product/performance-programme-at-ohio-state-university-april-28-1969-1969/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=performance-programme-at-ohio-state-university-april-28-1969-1969</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 23 May 2026 18:26:47 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=62477</guid>

					<description><![CDATA[Ohio: Ohio State University, 1969

27 x 21cm, 1pp blackon light blue mimeograph. The programme for a concert of "new music" by Charlotte Moorman and Nam June Paik with the list of works by George Brecht, Takahisa Kosugi, Guiseppe Chiari, Earle Brown, John Cage, Yoko Ono, Paik, Henning Christiansen (here "Christian Sen"), and Joseph Beuys. VG+.]]></description>
										<content:encoded><![CDATA[Ohio: Ohio State University, 1969

27 x 21cm, 1pp blackon light blue mimeograph. The programme for a concert of "new music" by Charlotte Moorman and Nam June Paik with the list of works by George Brecht, Takahisa Kosugi, Guiseppe Chiari, Earle Brown, John Cage, Yoko Ono, Paik, Henning Christiansen (here "Christian Sen"), and Joseph Beuys. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>NAM JUNE PAIK. 1965. HAND ADDRESSED TO  RAY JOHNSON BY CHARLOTTE MOORMAN.</title>
		<link>https://unoriginalsins.co.uk/product/nam-june-paik-1965-hand-addressed-to-ray-johnson-by-charlotte-moorman/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=nam-june-paik-1965-hand-addressed-to-ray-johnson-by-charlotte-moorman</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 16 Dec 2025 20:10:03 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=61848</guid>

					<description><![CDATA[NYC: New School, 1964

42 x 19.6cm, 2pp announcement leaflet/poster. A performance by Paik, Moorman, Chieko Shiomi, Philip Corner, Dick Higgins, Peter Moore, and others which included Electronic TV &#38; Color TV Experiment, 3 Robots, Pop Sonata, 2 Zen Boxes and 1 Zen Can.  This was Paik's first one-person exhibition in the United States and the image on the front of the poster is of Paik's Robot K-456 (taken by Peter Moore). On the reverse is Paik's essay, "Electronic TV &#38; Color TV Experiment." Charlotte Moorman performed ‘Pop Sonata’ for the second time, a piece which involved her removing her jewellery and clothes “before she lay down on the floor to finish the piece, her cello atop her like a lover” This leaflet was sent to Ray Johnson and the ink address on the reverse is in Moorman's own hand. Folded for mailing else VG+. Scarce.]]></description>
										<content:encoded><![CDATA[NYC: New School, 1964

42 x 19.6cm, 2pp announcement leaflet/poster. A performance by Paik, Moorman, Chieko Shiomi, Philip Corner, Dick Higgins, Peter Moore, and others which included Electronic TV &#38; Color TV Experiment, 3 Robots, Pop Sonata, 2 Zen Boxes and 1 Zen Can.  This was Paik's first one-person exhibition in the United States and the image on the front of the poster is of Paik's Robot K-456 (taken by Peter Moore). On the reverse is Paik's essay, "Electronic TV &#38; Color TV Experiment." Charlotte Moorman performed ‘Pop Sonata’ for the second time, a piece which involved her removing her jewellery and clothes “before she lay down on the floor to finish the piece, her cello atop her like a lover” This leaflet was sent to Ray Johnson and the ink address on the reverse is in Moorman's own hand. Folded for mailing else VG+. Scarce.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ORACLE. 1987. PROGRAMME FOR ONE DAY EVENT.</title>
		<link>https://unoriginalsins.co.uk/product/oracle-1987-programme-for-one-day-event/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=oracle-1987-programme-for-one-day-event</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 13 Nov 2025 09:10:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43367</guid>

					<description><![CDATA[NYC: Exit Art, .d. (1987)

30 x 21cm, 1pp printed programme for a one day evening event where every artist was given only 15 minutes to perform. Lists John Giorno, Lenny Pickett, Alison Knowles, Papo Colo (one of  the organisers of Exit), Charlotte Moorman amongst others. VG+.]]></description>
										<content:encoded><![CDATA[NYC: Exit Art, .d. (1987)

30 x 21cm, 1pp printed programme for a one day evening event where every artist was given only 15 minutes to perform. Lists John Giorno, Lenny Pickett, Alison Knowles, Papo Colo (one of  the organisers of Exit), Charlotte Moorman amongst others. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>8th NEW YORK AVANT GARDE FESTIVAL AT WORLD TRADE CENTRE. 1971.</title>
		<link>https://unoriginalsins.co.uk/product/8th-new-york-avant-garde-festival-at-world-trade-centre-1971/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=8th-new-york-avant-garde-festival-at-world-trade-centre-1971</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 13 Nov 2025 09:10:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=34097</guid>

					<description><![CDATA[<div class="">
<div class=""><span class=""><span class="s1">NYC: New York Avant Garde Festival, 1971</span></span></div>
<div class=""><span class=""><span class="s1">73 x 37cm, full colour publicity poster for Moorman's annual festival featuring over 200 artists (all named on the poster) and offering performances and shows in all the artistic disciplines. The festival was based in the 69th Regiment Infantry Armory in Manhattan. The poster has various red hand applied rubber stamp impressions. </span></span></div>
<div class=""><span class=""><span class="s1">This is a mailed and folded copy of the poster. Very good condition although folded for mailing. This is one of the more difficult posters to find. </span></span></div>
</div>]]></description>
										<content:encoded><![CDATA[<div class="">
<div class=""><span class=""><span class="s1">NYC: New York Avant Garde Festival, 1971</span></span></div>
<div class=""><span class=""><span class="s1">73 x 37cm, full colour publicity poster for Moorman's annual festival featuring over 200 artists (all named on the poster) and offering performances and shows in all the artistic disciplines. The festival was based in the 69th Regiment Infantry Armory in Manhattan. The poster has various red hand applied rubber stamp impressions. </span></span></div>
<div class=""><span class=""><span class="s1">This is a mailed and folded copy of the poster. Very good condition although folded for mailing. This is one of the more difficult posters to find. </span></span></div>
</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>DEUXIEME FESTIVAL DE LIBRE EXPRESSION. 1965</title>
		<link>https://unoriginalsins.co.uk/product/deuxieme-festival-de-libre-expression-1965/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=deuxieme-festival-de-libre-expression-1965</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=34234</guid>

					<description><![CDATA[<div>Paris: Deuxieme Festival De La Libre Expression, 1965</div>
<div>27 x 21cm, 1pp mimeographed sheet, announcing the performance by Charlotte Moorman and Nam June Paik at Jean-Jacques Lebel's second Festival of Free Expression on May 25, 1965.</div>
<div></div>
<div>Moorman and Paik had originally intended to perform 'Robot Opera' on the street in front of the Centre Américain des Artistes, but, as the flyer states, "Robot has disappeared mysteriously on the way from Iceland to Paris in the international air labyrinth". Instead they performed their repertoire of pieces by Earle Brown, John Cage, Giuseppe Chiari, Toshi Ichiyanagi, Dick Higgins, La Monte Young, and their finale, Paik's "Variations on a Theme by Saint-Saëns", notable for Moorman's first appearance in a transparent costume (a clear plastic drop cloth left by Ben Vautier as a prop for the following evening).  Tiny 4mm. closed tear to upper edge, else VG. Scarce documentation.</div>]]></description>
										<content:encoded><![CDATA[<div>Paris: Deuxieme Festival De La Libre Expression, 1965</div>
<div>27 x 21cm, 1pp mimeographed sheet, announcing the performance by Charlotte Moorman and Nam June Paik at Jean-Jacques Lebel's second Festival of Free Expression on May 25, 1965.</div>
<div></div>
<div>Moorman and Paik had originally intended to perform 'Robot Opera' on the street in front of the Centre Américain des Artistes, but, as the flyer states, "Robot has disappeared mysteriously on the way from Iceland to Paris in the international air labyrinth". Instead they performed their repertoire of pieces by Earle Brown, John Cage, Giuseppe Chiari, Toshi Ichiyanagi, Dick Higgins, La Monte Young, and their finale, Paik's "Variations on a Theme by Saint-Saëns", notable for Moorman's first appearance in a transparent costume (a clear plastic drop cloth left by Ben Vautier as a prop for the following evening).  Tiny 4mm. closed tear to upper edge, else VG. Scarce documentation.</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>A GROUP OF DOCUMENTS FROM THE 2IEME FESTIVAL DE LA LIBRE EXPRESSION. MAI 17 &#8211; 25, 1965. INCLUDES THE FIRST EXPRESSION OF A FAMOUS FLUXUS WORK BY FILLIOU AND WILLIAMS &#8211; THE PINK SPAGHETTI HANDSHAKE.</title>
		<link>https://unoriginalsins.co.uk/product/a-group-of-documents-from-the-2ieme-festival-de-la-libre-expression-mai-17-25-1965-includes-the-first-expression-of-a-famous-fluxus-work-by-filliou-and-williams-the-pink-spaghetti-handshake/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-group-of-documents-from-the-2ieme-festival-de-la-libre-expression-mai-17-25-1965-includes-the-first-expression-of-a-famous-fluxus-work-by-filliou-and-williams-the-pink-spaghetti-handshake</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=20140</guid>

					<description><![CDATA[Paris: Centre Americains des artistes, May 17 - 25, 1965. 
Original poster/programme + three handbills and a 6pp programme along with 3 original b/w photographs from the event. 
Poster: 44 x 32cm, black on pink paper - folded with some paper loss (3 x 4 cm) bottom right and left. Programme notes participation of Alain Jouffroy, Robert Filliou, Emett (sic) Williams, Earle Brown and many others. Poster design includes a reproduced photographic image.  
 
Programme: hand out for the Earle Brown Lecture on "Composing Music by Chance" and the Filliou/Williams Extra-Sensory Misperception. 27 x 22cm, 6pp. Included in the stapled leaflet is a "souvenir sheet" which consists of a copy of the Filliou/Williams multiple "The Pink Spaghetti handshake" (each unique). The artists shook hands while holding painted spaghetti with a sheet of white paper between their grasps and the resulting "print" was allowed to dry and is included here stapled within the handout. This is a rare and important example of this famous work - which takes pride of place in both poet's oeuvre and is oft amusingly mentioned in William's autobiography as the poets' most important joint contribution to the history of art. Some folding and tears without any paper loss - a very good example of this first edition example of this rare work - later this work was produced as an editioned print.  3 handbills: uniformly 4to, all 1pp. Mimeotext on white paper. Programme details of the first two bills are respectively for the Ferlinghetti contribution ("Underwear") and a Lebel happening and le Groupe Panique International (a drama). Some small closed tears but no paper loss, previous creases where folded.
 
The third hand out is the programme for a concert by Nam June Paik and Charlotte Moorman on 21 May 1965 where works by Paik, Chiari, Brown, Corner, Cage, La Monte Young, Dick Higgins and Ichiyanagi were performed. Interestingly the programme notes the loss of a Paik sculpture "Robot" as having "disappeared mysteriously on the way from Iceland to Paris in the international air labyrinth."  

Three original photographs - respectively 18 x 24cm, (image 12.5 x 18.5cm); 24 x 18cm (image 18.5 x 12.5 cm) and 9 x 13 cm (image 5.5 x 9.5 cm). All are b/w and press shots from "Chapman-Fotogram" Cignac, France (company stamps and hand written descriptions verso). The images are of a performance by Alexandro Jodorowsky (2 images) where he and his naked female co-performers had their bodies smeared with honey and hair and a 'sacrilegious' ceremony was performed where a 'priest' handed out hosts for consumption by the same naked participants. The third smaller photograph is a portrait of Label. All have very minor surface scratches but are otherwise very good. Images on request.  
 
Together - a rare group of material from this historic festival. The material is also with some significance to the works of several Fluxus affiliated artists (especially the bound in copy of the "Pink Spaghetti handshake") and despite the typical wear associated with such freely distributed material a very desirable group of material.

PRICE IS FOR THE ENTIRE GROUP OF MATERIAL]]></description>
										<content:encoded><![CDATA[Paris: Centre Americains des artistes, May 17 - 25, 1965. 
Original poster/programme + three handbills and a 6pp programme along with 3 original b/w photographs from the event. 
Poster: 44 x 32cm, black on pink paper - folded with some paper loss (3 x 4 cm) bottom right and left. Programme notes participation of Alain Jouffroy, Robert Filliou, Emett (sic) Williams, Earle Brown and many others. Poster design includes a reproduced photographic image.  
 
Programme: hand out for the Earle Brown Lecture on "Composing Music by Chance" and the Filliou/Williams Extra-Sensory Misperception. 27 x 22cm, 6pp. Included in the stapled leaflet is a "souvenir sheet" which consists of a copy of the Filliou/Williams multiple "The Pink Spaghetti handshake" (each unique). The artists shook hands while holding painted spaghetti with a sheet of white paper between their grasps and the resulting "print" was allowed to dry and is included here stapled within the handout. This is a rare and important example of this famous work - which takes pride of place in both poet's oeuvre and is oft amusingly mentioned in William's autobiography as the poets' most important joint contribution to the history of art. Some folding and tears without any paper loss - a very good example of this first edition example of this rare work - later this work was produced as an editioned print.  3 handbills: uniformly 4to, all 1pp. Mimeotext on white paper. Programme details of the first two bills are respectively for the Ferlinghetti contribution ("Underwear") and a Lebel happening and le Groupe Panique International (a drama). Some small closed tears but no paper loss, previous creases where folded.
 
The third hand out is the programme for a concert by Nam June Paik and Charlotte Moorman on 21 May 1965 where works by Paik, Chiari, Brown, Corner, Cage, La Monte Young, Dick Higgins and Ichiyanagi were performed. Interestingly the programme notes the loss of a Paik sculpture "Robot" as having "disappeared mysteriously on the way from Iceland to Paris in the international air labyrinth."  

Three original photographs - respectively 18 x 24cm, (image 12.5 x 18.5cm); 24 x 18cm (image 18.5 x 12.5 cm) and 9 x 13 cm (image 5.5 x 9.5 cm). All are b/w and press shots from "Chapman-Fotogram" Cignac, France (company stamps and hand written descriptions verso). The images are of a performance by Alexandro Jodorowsky (2 images) where he and his naked female co-performers had their bodies smeared with honey and hair and a 'sacrilegious' ceremony was performed where a 'priest' handed out hosts for consumption by the same naked participants. The third smaller photograph is a portrait of Label. All have very minor surface scratches but are otherwise very good. Images on request.  
 
Together - a rare group of material from this historic festival. The material is also with some significance to the works of several Fluxus affiliated artists (especially the bound in copy of the "Pink Spaghetti handshake") and despite the typical wear associated with such freely distributed material a very desirable group of material.

PRICE IS FOR THE ENTIRE GROUP OF MATERIAL]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>5TH ANNUAL NEW YORK AVANT GARDE FESTIVAL. 1967.</title>
		<link>https://unoriginalsins.co.uk/product/5th-annual-new-york-avant-garde-festival-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=5th-annual-new-york-avant-garde-festival-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=2172</guid>

					<description><![CDATA[<p class="p1"><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">NYC: s.p. (Moorman), 1967</span></p>
<p class="p1"><span class="s1">37.5 x 21.5cm, 1pp. Black on white poster listing the full gamut of artists included in this annual event organised by Moorman. Lists many well known names such as Ay-o,  Al Hansen, Joe Jones, Takehisa Kosugi, Nam June Paik, La Monte Young, Carolee Schneemann, Lil Picard, Giuseppe Chiari, Geoffrey Hendricks, Joseph Beuys, John Cage, George Brecht, Dick Higgins, Yoko Ono, Ben Patterson, Michael Snow, Tashi Ichiyanagi, Jud Yalkut, Bazon Brock, Tomas Schmit, Emmett Williams and many many more. Very good+. One of the scarcer posters from the event to find for some unknown reason.</span></p>]]></description>
										<content:encoded><![CDATA[<p class="p1"><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">NYC: s.p. (Moorman), 1967</span></p>
<p class="p1"><span class="s1">37.5 x 21.5cm, 1pp. Black on white poster listing the full gamut of artists included in this annual event organised by Moorman. Lists many well known names such as Ay-o,  Al Hansen, Joe Jones, Takehisa Kosugi, Nam June Paik, La Monte Young, Carolee Schneemann, Lil Picard, Giuseppe Chiari, Geoffrey Hendricks, Joseph Beuys, John Cage, George Brecht, Dick Higgins, Yoko Ono, Ben Patterson, Michael Snow, Tashi Ichiyanagi, Jud Yalkut, Bazon Brock, Tomas Schmit, Emmett Williams and many many more. Very good+. One of the scarcer posters from the event to find for some unknown reason.</span></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>CHARLOTTE MOORMAN AT THE NEW YORK AVANT GARDE FESTIVAL 1964. LATER PRINT.</title>
		<link>https://unoriginalsins.co.uk/product/charlotte-moorman-at-the-new-york-avant-garde-festival-1964-later-print/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=charlotte-moorman-at-the-new-york-avant-garde-festival-1964-later-print</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=39692</guid>

					<description><![CDATA[N.p.: n.p., n.d.

30 x 21cm, black and white silver gelatine photograph from original negative showing Charlotte Moorman holding her notes at the opening of the 1964 Avant Garde Festival that she organised for many years.

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">This image was originally taken by Fred McDarrah and his estate retains copyright on the image so this is sold for personal use and not for reproduction. This is in very good condition and a crisp modern print (post 1990s we suspect) from original negative. If this was a vintage print we would charge much more.</span>

&#160;]]></description>
										<content:encoded><![CDATA[N.p.: n.p., n.d.

30 x 21cm, black and white silver gelatine photograph from original negative showing Charlotte Moorman holding her notes at the opening of the 1964 Avant Garde Festival that she organised for many years.

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">This image was originally taken by Fred McDarrah and his estate retains copyright on the image so this is sold for personal use and not for reproduction. This is in very good condition and a crisp modern print (post 1990s we suspect) from original negative. If this was a vintage print we would charge much more.</span>

&#160;]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>CHARLOTTE MOORMAN PLAYS THE CELLO 1967. LATER PRINT.</title>
		<link>https://unoriginalsins.co.uk/product/charlotte-moorman-plays-the-cello-1967-later-print/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=charlotte-moorman-plays-the-cello-1967-later-print</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=39693</guid>

					<description><![CDATA[N.p.: n.p., n.d.

30 x 21cm, black and white silver gelatine photograph from original negative showing Charlotte Moorman playing the cello.

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">This image was originally taken by Fred McDarrah and his estate retains copyright on the image so this is sold for personal use and not for reproduction. This is in very good condition and a crisp modern print (post 1990s we suspect) from original negative. If this was a vintage print we would charge much more.</span>

&#160;]]></description>
										<content:encoded><![CDATA[N.p.: n.p., n.d.

30 x 21cm, black and white silver gelatine photograph from original negative showing Charlotte Moorman playing the cello.

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">This image was originally taken by Fred McDarrah and his estate retains copyright on the image so this is sold for personal use and not for reproduction. This is in very good condition and a crisp modern print (post 1990s we suspect) from original negative. If this was a vintage print we would charge much more.</span>

&#160;]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>COMPLETE RUN OF DE/COLLAGE NRS 1 &#8211; 6. 1962 &#8211; 1967. INCLUDES BEUYS&#8217; FIRST MULTIPLE, &#8220;USE THIS BROUWN&#8221; BAG &#038; HAND WRITTEN DIETER ROTH WORK.</title>
		<link>https://unoriginalsins.co.uk/product/complete-run-of-de-collage-nrs-1-6-1962-1967-includes-beuys-first-multiple-use-this-brouwn-bag-hand-written-dieter-roth-work/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=complete-run-of-de-collage-nrs-1-6-1962-1967-includes-beuys-first-multiple-use-this-brouwn-bag-hand-written-dieter-roth-work</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=41210</guid>

					<description><![CDATA[Koln: De/Collage (Vostell), 1962 - 1967

Six separate numbers - a complete run (although Vostell did later add an exhibition catalogue and designate it as De/collage 7 despite it being somewhat different in content to these copies) of this assmblage/artist's journal that predated vTRE and other Fluxus related artist publications.

The collection here consists of:

<strong>Decoll/age 1</strong>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Koln: Decoll/age (Vostell): June 1962</span>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">26 x 22cm, 32pp double fold out pages plus card covers with folds. The first number of the series with original contributions by Arthur Köpcke, George Maciunas, Benjamin Patterson, Nam June Paik, La Monte Young, Volf Vostell and others. Slight wear to the right hand side of the folded wrappers else VG+. </span>

<strong>Decoll/age 2</strong>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Koln: Decoll/age (Vostell): November 1962</span>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">30 x 21cm, 42pp plus paper wrappers. Internal pages are mimeographed and stapled. Edited by Dick Higgins - the whole consisting of his "The Broadway Opera" translated into German. The front cover is a b/w photograph of the poet/artist outside a German cinema. With original publisher's wrap-around band - which is torn but complete and with original scotch tape closure still there but the glue has lost its adhesion. Very rare number from the series especially with the band.</span>

Inserted: subscription leaflet for Decoll/age 1 and 2.

<strong>Decoll/age 3</strong>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Koln: Decoll/age (Vostell): December 1962</span>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">27 x 21.8cm, unpaginated (108pp plus 12pp) and wrappers. Internal pages include a transparent sheet and several folders, stapled, blank cover, printed jacket. Contributions by C. Caspari, Christo, Jed Curtis, Henry Flint, Dick Higgins, Gyogy Ligetti, Nam June Paik, Jan Voss, Vostell, F. Mon, Pera, F. Crowbridge, JP Wilhelm. The internal sheets include various types of printing: offset, mimeograph, screen printing. Illustrated throughout. VG+ although some wear/minor emerging tears along spine of the wrappers. </span>

<strong>Decoll/age 4</strong>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Koln: Decoll/age (Vostell): January 1964</span>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">27 x 21.8cm, unpaginated (132pp) and wrappers. A "</span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Special Happenings" number with contributions by  Georges Brecht, Stanley Brouwn (including his USE THIS BROUWN stamped paper bag stuck to the third blank page - a rare edition), Allan Kaprow, Higgins, Paik, Jean Jacques Lebel, Tomas Schmit, Claes Oldenburg, Al Hansen and others. Most pages are double folded.  Very scarce.</span>

<strong>Decoll/age 5</strong>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Koln: Decoll/age (Vostell): February 1966</span>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Happenings / Stücke / Partituren</span>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">28 x 23 x 4cm (approx) outer card portfolio. The most important of the  series with many object multiples and print editions included in the publication. This consists of 22 multiple-elements including the first ever object multiple by Joseph Beuys: "Zwei Fraulen mit lenchtendem Brot" consisting of a block of painted chocolate fixed on a strip of printed paper and tipped on scroll. Other works are by René Block, Claus Bremer, Henning Christiansen, Hans Joachim Dietrich, Ludwig Gosewitz, Dick Higgins, Bernhard Höke, Allan Kaprow, Franz Mon, Benjamin Patterson, Eckart Rahn, Gerhard Rühm, Vagelis Tsakiridis, Ben Vautier, Wolf Vostell, ZAJ Group (which is signed). The Vostell work is a sealed sheet of printed paper with yellow dust/sand inside the sealed plastic and is complete and undamaged here. VG+ overall although the portfolio card folder is a little damaged as the internal uneven sheets have put pressure on the outer card. This is a scarce item to find in good condition and the Beuys contribution is particularly prized. </span>

<strong>Decoll/age 6</strong>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Koln: Decoll/age (Vostell): </span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">July 1967</span>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">29 x 21.7cm, unpaginated (174pp), plus card wrappers (reproducing the front page of Le Figaro from September 6, 1954). Texts in German and English. Contributions by Higgins, Maciunas, Vostell, Gustav Metzger, Milan Knizak, Vautier, Hansen, Kaprow, Paik, Franz Mon, Daniel Spoerri, Charlotte Moorman, Jean-Jacques Lebel, and Alison Knowles. Also laid into the pages is the original multiple of Diter Rot "das Blaue Geheul" a hand written card. </span>

There are very few complete runs of this journal available online and this is the cheapest we know of.

&#160;]]></description>
										<content:encoded><![CDATA[Koln: De/Collage (Vostell), 1962 - 1967

Six separate numbers - a complete run (although Vostell did later add an exhibition catalogue and designate it as De/collage 7 despite it being somewhat different in content to these copies) of this assmblage/artist's journal that predated vTRE and other Fluxus related artist publications.

The collection here consists of:

<strong>Decoll/age 1</strong>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Koln: Decoll/age (Vostell): June 1962</span>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">26 x 22cm, 32pp double fold out pages plus card covers with folds. The first number of the series with original contributions by Arthur Köpcke, George Maciunas, Benjamin Patterson, Nam June Paik, La Monte Young, Volf Vostell and others. Slight wear to the right hand side of the folded wrappers else VG+. </span>

<strong>Decoll/age 2</strong>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Koln: Decoll/age (Vostell): November 1962</span>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">30 x 21cm, 42pp plus paper wrappers. Internal pages are mimeographed and stapled. Edited by Dick Higgins - the whole consisting of his "The Broadway Opera" translated into German. The front cover is a b/w photograph of the poet/artist outside a German cinema. With original publisher's wrap-around band - which is torn but complete and with original scotch tape closure still there but the glue has lost its adhesion. Very rare number from the series especially with the band.</span>

Inserted: subscription leaflet for Decoll/age 1 and 2.

<strong>Decoll/age 3</strong>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Koln: Decoll/age (Vostell): December 1962</span>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">27 x 21.8cm, unpaginated (108pp plus 12pp) and wrappers. Internal pages include a transparent sheet and several folders, stapled, blank cover, printed jacket. Contributions by C. Caspari, Christo, Jed Curtis, Henry Flint, Dick Higgins, Gyogy Ligetti, Nam June Paik, Jan Voss, Vostell, F. Mon, Pera, F. Crowbridge, JP Wilhelm. The internal sheets include various types of printing: offset, mimeograph, screen printing. Illustrated throughout. VG+ although some wear/minor emerging tears along spine of the wrappers. </span>

<strong>Decoll/age 4</strong>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Koln: Decoll/age (Vostell): January 1964</span>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">27 x 21.8cm, unpaginated (132pp) and wrappers. A "</span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Special Happenings" number with contributions by  Georges Brecht, Stanley Brouwn (including his USE THIS BROUWN stamped paper bag stuck to the third blank page - a rare edition), Allan Kaprow, Higgins, Paik, Jean Jacques Lebel, Tomas Schmit, Claes Oldenburg, Al Hansen and others. Most pages are double folded.  Very scarce.</span>

<strong>Decoll/age 5</strong>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Koln: Decoll/age (Vostell): February 1966</span>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Happenings / Stücke / Partituren</span>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">28 x 23 x 4cm (approx) outer card portfolio. The most important of the  series with many object multiples and print editions included in the publication. This consists of 22 multiple-elements including the first ever object multiple by Joseph Beuys: "Zwei Fraulen mit lenchtendem Brot" consisting of a block of painted chocolate fixed on a strip of printed paper and tipped on scroll. Other works are by René Block, Claus Bremer, Henning Christiansen, Hans Joachim Dietrich, Ludwig Gosewitz, Dick Higgins, Bernhard Höke, Allan Kaprow, Franz Mon, Benjamin Patterson, Eckart Rahn, Gerhard Rühm, Vagelis Tsakiridis, Ben Vautier, Wolf Vostell, ZAJ Group (which is signed). The Vostell work is a sealed sheet of printed paper with yellow dust/sand inside the sealed plastic and is complete and undamaged here. VG+ overall although the portfolio card folder is a little damaged as the internal uneven sheets have put pressure on the outer card. This is a scarce item to find in good condition and the Beuys contribution is particularly prized. </span>

<strong>Decoll/age 6</strong>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Koln: Decoll/age (Vostell): </span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">July 1967</span>

<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">29 x 21.7cm, unpaginated (174pp), plus card wrappers (reproducing the front page of Le Figaro from September 6, 1954). Texts in German and English. Contributions by Higgins, Maciunas, Vostell, Gustav Metzger, Milan Knizak, Vautier, Hansen, Kaprow, Paik, Franz Mon, Daniel Spoerri, Charlotte Moorman, Jean-Jacques Lebel, and Alison Knowles. Also laid into the pages is the original multiple of Diter Rot "das Blaue Geheul" a hand written card. </span>

There are very few complete runs of this journal available online and this is the cheapest we know of.

&#160;]]></content:encoded>
					
		
		
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